Patching and Pitching

The canoe is now placed on the ground, right side up, and all holes are covered on the inside with thin birch bark that is pasted down with hot pitch. A strip of cloth is saturated with hot pitch, and pressed into the cracks on either side of the bow-piece inside, between the bark and the bow-piece ([Fig. 99]).

Figs. 97-100.—Show details of canoe bow.

The thin longitudinal strips are next laid in position, edge to edge, lapping several inches by the middle; they are whittled thin here so as to lap evenly.

The ribs are next tightly driven in place, commencing at the small end ones and working toward the middle. The end ribs may be two or three inches apart, being closer toward the middle, where, in many cases, they touch. Usually, they are about half an inch apart in the middle. Each rib is driven into place with a square-ended stick and a mallet.

The ends are stuffed with shavings ([Fig. 100] and "Section" [Fig. 100½]), and an oval cedar board is put in the place formerly occupied by the post that supported the end of the frame. The lower end rests in the notch of the bow-piece, while the upper is cut with two shoulders that fit underneath each side of the frame; [Fig. 97] shows the cedar board.

Fig. 100½.

Fig. 101.
Canoe paddles.

The top strip is next nailed on to the frame. Almost always a piece of bark, a foot or more long, and nine or ten inches wide, is bent and slipped under, between both top and side strips and the bark. The ends of this piece hang down about three inches below the side strips. The loose ends of the strips are bound together, as in diagram, and the projecting tips of both strips and bow-piece are trimmed off close.

Next the canoe is turned upside down. If winter bark has been used, the surface is moistened and the roughness scraped off with a knife. Generally the red rough surface is left in the form of a decorative pattern several inches wide around the upper edge ([Fig. 95]). Sometimes the maker's name and date are left in this way.

Finally, a strip of stout canvas, three or four inches wide, is dipped in the melted pitch and laid on the stitching at the ends, extending up sufficiently far above the water-line. All cracks and seams are covered with pitch, laid on with a small wooden paddle. While still soft, a wet finger or the palm of the hand is rubbed over the pitch to smooth it down before it hardens.