CANTO VIII
v. 18. Phlegyas.] Phlegyas, who was so incensed against Apollo for having violated his daughter Coronis, that he set fire to the temple of that deity, by whose vengeance he was cast into Tartarus. See Virg. Aen. l. vi. 618.
v. 59. Filippo Argenti.] Boccaccio tells us, “he was a man remarkable for the large proportions and extraordinary vigor of his bodily frame, and the extreme waywardness and irascibility of his temper.” Decam. g. ix. n. 8.
v. 66. The city, that of Dis is nam’d.] So Ariosto. Orl. Fur. c. xl. st. 32
v. 94. Seven times.] The commentators, says Venturi, perplex themselves with the inquiry what seven perils these were from which Dante had been delivered by Virgil. Reckoning the beasts in the first Canto as one of them, and adding Charon, Minos, Cerberus, Plutus, Phlegyas and Filippo Argenti, as so many others, we shall have the number, and if this be not satisfactory, we may suppose a determinate to have been put for an indeterminate number.
v. 109. At war ’twixt will and will not.] Che si, e no nel capo mi tenzona. So Boccaccio, Ninf. Fiesol. st. 233.
Il si e il no nel capo gli contende.
The words I have adopted as a translation, are Shakespeare’s,
Measure for Measure. a. ii. s. 1.
v. 122. This their insolence, not new.] Virgil assures our poet, that these evil spirits had formerly shown the same insolence when our Savior descended into hell. They attempted to prevent him from entering at the gate, over which Dante had read the fatal inscription. “That gate which,” says the Roman poet, “an angel has just passed, by whose aid we shall overcome this opposition, and gain admittance into the city.”