CANTO XXIV
v. 20. Buonaggiunta.] Buonaggiunta Urbiciani, of Lucca. “There is a canzone by this poet, printed in the collection made by the Giunti, (p. 209,).land a sonnet to Guido Guinicelli in that made by Corbinelli, (p 169,) from which we collect that he lived not about 1230, as Quadrio supposes, (t. ii. p. 159,) but towards the end of the thirteenth century. Concerning, other poems by Buonaggiunta, that are preserved in MS. in some libraries, Crescimbeni may be consulted.” Tiraboschi, Mr. Matthias’s ed. v. i. p. 115.
v. 23. He was of Tours.] Simon of Tours became Pope, with the title of Martin IV in 1281 and died in 1285.
v. 29. Ubaldino.] Ubaldino degli Ubaldini, of Pila, in the Florentine territory.
v. 30. Boniface.] Archbishop of Ravenna. By Venturi he is called Bonifazio de Fieschi, a Genoese, by Vellutello, the son of the above, mentioned Ubaldini and by Laudino Francioso, a Frenchman.
v. 32. The Marquis.] The Marchese de’ Rigogliosi, of Forli.
v. 38. gentucca.] Of this lady it is thought that our Poet became enamoured during his exile. v. 45. Whose brow no wimple shades yet.] “Who has not yet assumed the dress of a woman.”
v. 46. Blame it as they may.] See Hell, Canto XXI. 39.
v. 51. Ladies, ye that con the lore of love.]Donne ch’ avete intelletto d’amore.The first verse of a canzone in our author’s Vita Nuova.
v. 56. The Notary.] Jucopo da Lentino, called the Notary, a poet of these times. He was probably an Apulian: for Dante, (De Vulg. Eloq. I. i. c 12.) quoting a verse which belongs to a canzone of his published by the Giunti, without mentioning the writer’s name, terms him one of “the illustrious Apulians,” praefulgentes Apuli. See Tiraboschi, Mr. Matthias’s edit. vol. i. p. 137. Crescimbeni (1. i. Della Volg. Poes p. 72. 4to. ed. 1698) gives an extract from one of his poems, printed in Allacci’s Collection, to show that the whimsical compositions called “Ariette “ are not of modern invention.
v. 56. Guittone.] Fra Guittone, of Arezzo, holds a distinguished place in Italian literature, as besides his poems printed in the collection of the Giunti, he has left a collection of letters, forty in number, which afford the earliest specimen of that kind of writing in the language. They were published at Rome in 1743, with learned illustrations by Giovanni Bottari. He was also the first who gave to the sonnet its regular and legitimate form, a species of composition in which not only his own countrymen, but many of the best poets in all the cultivated languages of modern Europe, have since so much delighted.
Guittone, a native of Arezzo, was the son of Viva di Michele. He was of the order of the “ Frati Godenti,” of which an account may be seen in the Notes to Hell, Canto XXIII. In the year 1293, he founded a monastery of the order of Camaldoli, in Florence, and died in the following year. Tiraboschi, Ibid. p. 119. Dante, in the Treatise de Vulg. Eloq. 1. i. c. 13, and 1. ii. c. 6., blames him for preferring the plebeian to the mor courtly style; and Petrarch twice places him in the company of our Poet. Triumph of Love, cap. iv. and Son. Par. See “Sennuccio mio”
v. 63. The birds.] Hell, Canto V. 46, Euripides, Helena, 1495, and Statius; Theb. 1. V. 12. v. 81. He.] Corso Donati was suspected of aiming at the sovereignty of Florence. To escape the fury of his fellow citizens, he fled away on horseback, but failing, was overtaken and slain, A.D. 1308. The contemporary annalist, after relating at length the circumstances of his fate, adds, “that he was one of the wisest and most valorous knights the best speaker, the most expert statesman, the most renowned and enterprising, man of his age in Italy, a comely knight and of graceful carriage, but very worldly, and in his time had formed many conspiracies in Florence and entered into many scandalous practices, for the sake of attaining state and lordship.” G. Villani, 1. viii. c. 96. The character of Corso is forcibly drawn by another of his contemporaries Dino Compagni. 1. iii., Muratori, Rer. Ital. Script. t. ix. p. 523.
v. 129. Creatures of the clouds.] The Centaurs. Ovid. Met. 1. fab. 4 v. 123. The Hebrews.] Judges, c. vii.