FOOTNOTES:
[203] Power Divine, etc.: The Persons of the Trinity, described by their attributes.
[204] If not eternal: Only the angels and the heavenly spheres were created before Inferno. The creation of man came later. But from Inf. xxxiv. 124 it appears that Inferno was hollowed out of the earth; and at Parad. vii. 124 the earth is declared to be ‘corruptible and enduring short while;’ therefore not eternal.
[205] Hard, etc.: The injunction to leave all hope behind makes Dante hesitate to enter. Virgil anticipates the objection before it is fully expressed, and reminds him that the passage through Inferno is to be only one stage of his journey. Not by this gate will he seek to quit it.
[206] True good, etc.: Truth in its highest form—the contemplation of God.
[207] Uncouth accents: ‘Like German,’ says Boccaccio.
[208] Horror-stricken: ‘My head enveloped in horror.’ Some texts have ‘error,’ and this yields a better meaning—that Dante is amazed to have come full into the crowd of suffering shades before he has even crossed Acheron. If with the best texts ‘horror’ be read, the meaning seems to be that he is so overwhelmed by fear as to lose his presence of mind. They are not yet in the true Inferno, but only in the vestibule or forecourt of it—the flat rim which runs round the edge of the pit.
[209] Else triumph, etc.: The satisfaction of the rebel angels at finding that they endured no worse punishment than that of such as remained neutral.
[210] A banner: Emblem of the instability of those who would never take a side.
[211] That death, etc.: The touch is very characteristic of Dante. He feigns astonishment at finding that such a proportion of mankind can preserve so pitiful a middle course between good and evil, and spend lives that are only ‘a kind of—as it were.’
[212] The great refusal: Dante recognises him, and so he who made the great refusal must have been a contemporary. Almost beyond doubt Celestine V. is meant, who was in 1294 elected Pope against his will, and resigned the tiara after wearing it a few months; the only Pope who ever resigned it, unless we count Clement I. As he was not canonized till 1326, Dante was free to form his own judgment of his conduct. It has been objected that Dante would not treat with contumely a man so devout as Celestine. But what specially fits him to be the representative caitiff is just that, being himself virtuous, he pusillanimously threw away the greatest opportunity of doing good. By his resignation Boniface VIII. became Pope, to whose meddling in Florentine affairs it was that Dante owed his banishment. Indirectly, therefore, he owed it to the resignation of Celestine; so that here we have the first of many private scores to be paid off in the course of the Comedy. Celestine’s resignation is referred to (Inf. xxvii. 104).—Esau and the rich young man in the Gospel have both been suggested in place of Celestine. To either of them there lies the objection that Dante could not have recognised him. And, besides, Dante’s contemporaries appear at once to have discovered Celestine in him who made the great refusal. In Paradise the poet is told by his ancestor Cacciaguida that his rebuke is to be like the wind, which strikes most fiercely on the loftiest summits (Parad. xvii. 133); and it agrees well with such a profession, that the first stroke he deals in the Comedy is at a Pope.
[213] Caitiffs: To one who had suffered like Dante for the frank part he took in affairs, neutrality may well have seemed the unpardonable sin in politics; and no doubt but that his thoughts were set on the trimmers in Florence when he wrote, ‘Let us not speak of them!’
[214] A veteran: Charon. In all this description of the passage of the river by the shades, Dante borrows freely from Virgil. It has been already remarked on Inf. ii. 28 that he draws illustrations from Pagan sources. More than that, as we begin to find, he boldly introduces legendary and mythological characters among the persons of his drama. With Milton in mind, it surprises, on a first acquaintance with the Comedy, to discover how nearly independent of angels is the economy invented by Dante for the other world.
[215] Other ways, etc.: The souls bound from earth to Purgatory gather at the mouth of the Tiber, whence they are wafted on an angel’s skiff to their destination (Purg. ii. 100). It may be here noted that never does Dante hint a fear of one day becoming a denizen of Inferno. It is only the pains of Purgatory that oppress his soul by anticipation. So here Charon is made to see at a glance that the pilgrim is not of those ‘who make descent to Acheron.’
[216] As fowls, etc.: ‘As a bird to its lure’—generally interpreted of the falcon when called back. But a witness of the sport of netting thrushes in Tuscany describes them as ‘flying into the vocal ambush in a hurried, half-reluctant, and very remarkable manner.’
[217] Courteous Master: Virgil here gives the answer promised at line 76; and Dante by the epithet he uses removes any impression that his guide had been wanting in courtesy when he bade him wait.
[218] Wherefore: Charon’s displeasure only proves that he feels he has no hold on Dante.
[219] Trembled, etc.: Symbolical of the increase of woe in Inferno when the doomed souls have landed on the thither side of Acheron. Hell opens to receive them. Conversely, when any purified soul is released from Purgatory the mountain of purification trembles to its base with joy (Purg. xxi. 58).
CANTO IV.
Resounding thunder broke the slumber deep
That drowsed my senses, and myself I shook
Like one by force awakened out of sleep.
Then rising up I cast a steady look,
With eyes refreshed, on all that lay around,
And cognisance of where I found me took.
In sooth, me on the valley’s brink I found
Of the dolorous abyss, where infinite
Despairing cries converge with thundering sound.[220]
Cloudy it was, and deep, and dark as night;10
So dark that, peering eagerly to find
What its depths held, no object met my sight.
‘Descend we now into this region blind,’
Began the Poet with a face all pale;
‘I will go first, and do thou come behind.’
Marking the wanness on his cheek prevail,
I asked, ‘How can I, seeing thou hast dread,
My wonted comforter when doubts assail?’
‘The anguish of the people,’ then he said,
‘Who are below, has painted on my face20
Pity,[221] by thee for fear interpreted.
Come! The long journey bids us move apace.’
Then entered he and made me enter too
The topmost circle girding the abyss.
Therein, as far as I by listening knew,
There was no lamentation save of sighs,
Whence throbbed the air eternal through and through.
This, sorrow without suffering made arise
From infants and from women and from men,
Gathered in great and many companies.30
And the good Master: ‘Wouldst thou[222] nothing then
Of who those spirits are have me relate?
Yet know, ere passing further, although when
On earth they sinned not, worth however great
Availed them not, they being unbaptized—
Part[223] of the faith thou holdest. If their fate
Was to be born ere man was Christianised,
God, as behoved, they never could adore:
And I myself am with this folk comprised.
For such defects—our guilt is nothing more—40
We are thus lost, suffering from this alone
That, hopeless, we our want of bliss deplore.’
Greatly I sorrowed when he made this known,
Because I knew that some who did excel
In worthiness were to that limbo[224] gone.
‘Tell me, O Sir,’ I prayed him, ‘Master,[225] tell,’
—That I of the belief might surety win,
Victorious every error to dispel—
‘Did ever any hence to bliss attain
By merit of another or his own?’50
And he, to whom my hidden drift[226] was plain:
‘I to this place but lately[227] had come down,
When I beheld one hither make descent;
A Potentate[228] who wore a victor’s crown.
The shade of our first sire forth with him went,
And his son Abel’s, Noah’s forth he drew,
Moses’ who gave the laws, the obedient
Patriarch Abram’s, and King David’s too;
And, with his sire and children, Israel,
And Rachel, winning whom such toils he knew;60
And many more, in blessedness to dwell.
And I would have thee know, earlier than these
No human soul was ever saved from Hell.’
While thus he spake our progress did not cease,
But we continued through the wood to stray;
The wood, I mean, with crowded ghosts for trees.
Ere from the summit far upon our way
We yet had gone, I saw a flame which glowed,
Holding a hemisphere[229] of dark at bay.
’Twas still a little further on our road,70
Yet not so far but that in part I guessed
That honourable people there abode.
‘Of art and science Ornament confessed!
Who are these honoured in such high degree,
And in their lot distinguished from the rest?’
He said: ‘For them their glorious memory,
Still in thy world the subject of renown,
Wins grace[230] by Heaven distinguished thus to be.’
Meanwhile I heard a voice: ‘Be honour shown
To the illustrious poet,[231] for his shade80
Is now returning which a while was gone.’
When the voice paused nor further utterance made,
Four mighty shades drew near with one accord,
In aspect neither sorrowful nor glad.
‘Consider that one, armèd with a sword,’[232]
Began my worthy Master in my ear,
‘Before the three advancing like their lord;
For he is Homer, poet with no peer:
Horace the satirist is next in line,
Ovid comes third, and Lucan in the rear.90
And ’tis because their claim agrees with mine
Upon the name they with one voice did cry,
They to their honour[233] in my praise combine.’
Thus I beheld their goodly company—
The lords[234] of song in that exalted style
Which o’er all others, eagle-like, soars high.
Having conferred among themselves a while
They turned toward me and salutation made,
And, this beholding, did my Master smile.[235]
And honour higher still to me was paid,100
For of their company they made me one;
So I the sixth part ’mong such genius played.
Thus journeyed we to where the brightness shone,
Holding discourse which now ’tis well to hide,
As, where I was, to hold it was well done.
At length we reached a noble castle’s[236] side
Which lofty sevenfold walls encompassed round,
And it was moated by a sparkling tide.
This we traversed as if it were dry ground;
I through seven gates did with those sages go;110
Then in a verdant mead people we found
Whose glances were deliberate and slow.
Authority was stamped on every face;
Seldom they spake, in tuneful voices low.
We drew apart to a high open space
Upon one side which, luminously serene,
Did of them all a perfect view embrace.
Thence, opposite, on the enamel green
Were shown me mighty spirits; with delight
I still am stirred them only to have seen.120
With many more, Electra was in sight;
’Mong them I Hector and Æneas spied,
Cæsar in arms,[237] his eyes, like falcon’s, bright.
And, opposite, Camilla I descried;
Penthesilea too; the Latian King
Sat with his child Lavinia by his side.
Brutus[238] I saw, who Tarquin forth did fling;
Cornelia, Marcia,[239] Julia, and Lucrece.
Saladin[240] sat alone. Considering
What lay beyond with somewhat lifted eyes,130
The Master[241] I beheld of those that know,
’Mong such as in philosophy were wise.
All gazed on him as if toward him to show
Becoming honour; Plato in advance
With Socrates: the others stood below.
Democritus[242] who set the world on chance;
Thales, Diogenes, Empedocles,
Zeno, and Anaxagoras met my glance;
Heraclitus, and Dioscorides,
Wise judge of nature. Tully, Orpheus, were140
With ethic Seneca and Linus.[243] These,
And Ptolemy,[244] too, and Euclid, geometer,
Galen, Hippocrates, and Avicen,[245]
Averroes,[246] the same who did prepare
The Comment, saw I; nor can tell again
The names of all I saw; the subject wide
So urgent is, time often fails me. Then
Into two bands the six of us divide;
Me by another way my Leader wise
Doth from the calm to air which trembles, guide.150
I reach a part[247] which all benighted lies.