NOTE ON THE COUNT UGOLINO.
Ugolino della Gherardesca, Count of Donoratico, a wealthy noble and a man fertile in political resource, was deeply engaged in the affairs of Pisa at a critical period of her history. He was born in the first half of the thirteenth century. By giving one of his daughters in marriage to the head of the Visconti of Pisa—not to be confounded with those of Milan—he came under the suspicion of being Guelf in his sympathies; the general opinion of Pisa being then, as it always had been, strongly Ghibeline. When driven into exile, as he was along with the Visconti, he improved the occasion by entering into close relations with the leading Guelfs of Tuscany, and in 1278 a free return for him to Pisa was made by them a condition of peace with that city. He commanded one of the divisions of the Pisan fleet at the disastrous battle of Meloria in 1284, when Genoa wrested from her rival the supremacy of the Western Mediterranean, and carried thousands of Pisan citizens into a captivity which lasted many years. Isolated from her Ghibeline allies, and for the time almost sunk in despair, the city called him to the government with wellnigh dictatorial powers; and by dint of crafty negotiations in detail with the members of the league formed against Pisa, helped as was believed by lavish bribery, he had the glory of saving the Commonwealth from destruction though he could not wholly save it from loss. This was in 1285. He soon came to be suspected of being in a secret alliance with Florence and of being lukewarm in the negotiations for the return of the prisoners in Genoa, all with a view to depress the Ghibeline element in the city that he might establish himself as an absolute tyrant with the greater ease. In order still further to strengthen his position he entered into a family compact with his Guelf grandson Nino (Purg. viii. 53), now at the head of the Visconti. But without the support of the people it was impossible for him to hold his ground against the Ghibeline nobles, who resented the arrogance of his manners and were embittered by the loss of their own share in the government; and these contrived that month by month the charges of treachery brought against him should increase in virulence. He had, by deserting his post, caused the defeat at Meloria, it was said; and had bribed the other Tuscan cities to favour him, by ceding to them distant Pisan strongholds. His fate was sealed when, having quarrelled with his grandson Nino, he sought alliance with the Archbishop Roger who now led the Ghibeline opposition. With Ugo’s connivance an onslaught was planned upon the Guelfs. To preserve an appearance of impartiality he left the city for a neighbouring villa. On returning to enjoy his riddance from a rival he was invited to a conference, at which he resisted a proposal that he should admit partners with him in the government. On this the Archbishop’s party raised the cry of treachery; the bells rang out for a street battle, in which he was worsted; and with his sons he had to take refuge in the Palace of the People. There he stood a short siege against the Ghibeline families and the angry mob; and in the same palace he was kept prisoner for twenty days. Then, with his sons and grandsons, he was carried in chains to the tower of the Gualandi, which stood where seven ways met in the heart of Pisa. This was in July 1288. The imprisonment lasted for months, and seems to have been thus prolonged with the view of extorting a heavy ransom. It was only in the following March that the Archbishop ordered his victims to be starved to death; for, being a churchman, says one account, he would not shed blood. Not even a confessor was allowed to Ugo and his sons. After the door of the tower had been kept closed for eight days it was opened, and the corpses, still fettered, were huddled into a tomb in the Franciscan church.—The original authorities are far from being agreed as to the details of Ugo’s overthrow and death.—For the matter of this note I am chiefly indebted to the careful epitome of the Pisan history of that time by Philalethes in his note on this Canto (Göttliche Comödie).