POEMS OF HEMPFIELD
I can see Nort yet, holding it up for us to view, and shouting:
"Bully boy, Fergus, that'll get 'em!"
We introduced the poetry with a statement that for several years the Star had received poems, written by the citizens of the town and county, very few of which had been published. We presented them to our readers as one expression of the life, thought, and interests of our town.
On Wednesday—we went to press Wednesday afternoon—Nort came in from dinner with a broad smile on his face.
"Got another poem," he said.
"Humph," growled Fergus, who knew that he would have to set it up.
"I stopped at the corner as I came along, and old John Tole was standing out in front of his store." Here Nort, thrusting both hands into his rear trousers pockets, leaned a little back and gave a perfect imitation of the familiar figure of our town druggist. "'Mr. Tole,' I said, 'the Star is going to print the poems of Hempfield this week. Haven't you a favourite poem you can put in?' Well, you should have seen the old fellow grin. 'Yes,' says he, 'I've got a favour-ite poem.' I asked him what it was. He kept on smiling, and finally he said:
'I keep a plaster, in case of disaster,
And also a pill, in case of an ill.'"
Nort shook with laughter.
"George! I wish you could have heard him repeat it: 'And also a pi-ll in case of an i-ll.'"
He had the whole office laughing with him.
"I say, let's put it in the Star! 'John Tole's Favourite Poem,' What do you say, Miss Doane?"
He stood there such a figure of irresponsible and contagious youth as I can never forget.
"Tole hasn't favoured the Star with any advertising for over twenty years," observed the Captain.
"We'll advertise him, anyhow," said Nort.
And so it went in, at a special place in the middle of the page. Fergus grumbled and growled, of course, but was really more interested and excited, I think, than he had been before in years. "Fergus's great idea," "Fergus's brilliant thought," was the way Nort referred to the printing of the poetry. For two people so utterly unlike, Fergus and Nort got an extraordinary amount of amusement out of each other.
In order to make room for the poetry something else, of course, had to be left out, and partly by chance and partly through the antagonism of the Captain, we omitted two paragraphs that Ed Smith had left on the stone for use in the next issue of the paper. One was a flattering comment on the new electric light company that was about to supply Hempfield and other nearby towns with current.
"Seems to me," said Fergus, "we've had enough electric light news for a while."
"Cut her out, then," said Nort, as though he owned the paper.
The other was a cleverly worded paragraph about the candidacy of a certain D. J. McCullum for the legislature. When the Captain saw it he snorted with indignation.
"A regular old Democrat!" he exclaimed. "Now what was Ed Smith thinking of—putting a piece like that in the paper?"
We little knew what consequences were to follow upon a matter so apparently trivial as the omission of these few sticks of type from the Star.
At last the forms were locked, and Nort and Fergus carried them over to the press. It was an exciting occasion. Fergus at the press!
Usually Fergus contents himself by going about wearing his own crown of stiff red hair, but on press days he takes down an antique derby hat, the rim of which long ago disappeared. Small triangular holes have been cut in the crown for ventilators, and the outside is decorated with dabs of vari-coloured printer's ink. This bowl of a helmet Fergus sets upon his head, tilted a little back, so that he looks like a dervish. He now selects a long black cigar—it is only on press days that he discards his precious pipe—and having lighted it holds it in his mouth so that it points upward at an acute angle. He avoids the smoke which would naturally rise into his left eye by inclining his head a little to one side. He tinkers the rollers, he examines the inkwells, he tightens in the forms. He is very dignified, very sententious. It is an important occasion when Fergus goes to press. At last, when all is ready, Fergus stands upright for a moment, a figure of power and authority.
"Let 'er go," he says presently.
Nort pulls the lever: the fly moves majestically through the air, the rollers clack, and the very floor shakes with the emotion, the pain, of producing a free press in a free country.
But it is only for one or two impressions. Fergus suddenly raises his hand.
"Stop her, stop her," he commands, and when she has calmed down, Fergus, comparing the imprint with the form, and armed with paste pot and paper, or with block and mallet, adds the final artistic touches.
Sometimes, sitting here in my study, if I am a little lonely, I have only to call up the picture I have of Fergus at the press, and I am restored and comforted by the thought that there are still pleasant and amusing things in this world.
So we printed off the famous issue containing the poetry of Hempfield—and folded and mailed the papers. Nort, working like a demon, was the soul of the office. He made the work that week seem more interesting and important; he made an adventure and a romance out of the common task of a country printing-office.
