PIGMENT-MATERIALS
127. Of pigments I use these: Blue Black, Madder Lake (Deep), Rose Madder, Indian Red, Venetian Red, Vermilion, Burnt Sienna, Cadmium Orange, Yellow Ochre, Pale Cadmium, Aureolin, Cremnitz White, “Emeraude” Green (Green Oxide of Chromium, transparent), Cobalt Blue, French Ultramarine Blue. These are the pigments which I suggest for oil-painting. In water-color painting I should substitute Charcoal Gray for Blue Black. “Emeraude Green” is often called Viridian in the form in which it is used in water-color. For Cremnitz White I should substitute, in water-color painting, Chinese White. These are the pigment-materials which I use myself and recommend to others. There are, of course, many other pigments which may be used, but these will, I think, be found sufficient for all purposes. Provided with these pigments, with a palette upon which to put them, with brushes and other materials necessary for painting, we are prepared to take up the study of tones and tone-relations.