(3.)
After having been allowed to slumber for nearly two thousand years, this machine has recently been revived, and engines constructed similar to it are now working in these countries. In the proper place we shall describe Avery's Rotatory Engine, which it will be seen is, not only in its principle, but almost in its details, the machine of Hero of Alexandria.
Although the elastic force of steam was not reduced to numerical measure by the ancients, nor brought under control, nor applied to any useful purpose, yet it appears to have been recognised in vague and general terms. Aristotle, Seneca, and other ancient writers, accounted for earthquakes by the sudden conversion of water into steam within the earth. This change, according to them, was effected by subterranean heat. Such tremendous effects being ascribed to steam, it can scarcely be doubted that the Greeks and Romans were acquainted with the fact, that water in passing into vapour exercises considerable mechanical power. They were aware that the earthquakes, which they ascribed to this cause, exerted forces sufficiently powerful to extend the natural limits of the ocean; to overturn from their foundations the most massive monuments of human labour; to raise islands in the midst of seas; and to heave up the surface of the land of level continents so as to form lofty mountains.
Such notions, however, resulted not as consequences of any exact or scientific principles, but from vague analogies derived from effects which could not fail to have been manifested in the arts, such as those which commonly occurred in the process of casting in metal the splendid statues which adorned the temples, gardens, and public places of Rome and Athens. The artisan was liable to the same accidents to which modern founders are exposed, produced by the casual presence of a little water in the mould into which the molten metal is poured. Under such circumstances, the sudden formation of steam of an extreme pressure produces, as is well known, explosions attended with destructive effects. The Grecian [Pg015] and Roman artisans were subject to such accidents; and the philosopher, generalising such a fact, would arrive at a solution of the grander class of phenomena of earthquakes and volcanoes.
Before natural phenomena are rendered subservient to purposes of utility, they are often made to minister to the objects of superstition. The power of steam is not an exception to this rule. It is recorded in the Chronicles, that upon the banks of the Weser the ancient Teutonic gods sometimes marked their displeasure by a sort of thunderbolt, which was immediately succeeded by a cloud that filled the temple. An image of the god Busterich, which was found in some excavations, clearly explains the manner in which this prodigy was accomplished by the priests. The head of the metal god was hollow, and contained within it a pot of water: the mouth, and another hole, above the forehead, were stopped by wooden plugs; a small stove, adroitly placed in a cavity of the head under the pot, contained charcoal, which, being lighted, gradually heated the liquid contained in the head. The vapour produced from the water, having acquired sufficient pressure, forced out the wooden plugs with a loud report, and they were immediately followed by two jets of steam, which formed a dense cloud round the god, and concealed him from his astonished worshippers.[1]
Among other amusing anecdotes showing the knowledge which the ancients had of the mechanical force of steam, it is related that Anthemius, the architect of Saint Sophia, occupied a house next door to that of Zeno, between whom and Anthemius there existed a feud. To annoy his neighbour, Anthemius placed on the ground floor of his own house several close digesters, or boilers, containing water. A flexible tube proceeded from the top of each of these, which was conducted through a hole made in the wall between the houses, and which communicated with the space under the floors of the rooms in the house of Zeno. When Anthemius desired to annoy his neighbour, he lighted fires under his boilers, and the steam produced by them rushed in such quantity and with [Pg016] such force under Zeno's floors, that they were made to heave with all the usual symptoms of an earthquake.[2]
Blasco de Garay, A. D. 1543.