Sir Roger De Coverley.
Whatever other writings of these gallant gentlemen and teachers of Queen Anne’s time the reader may have upon his shelves, he cannot do better than equip them with that little story (excerpted from the Spectator) of “Sir Roger De Coverley.” No truer or more winning picture of worthy old English knighthood can you find anywhere in literature; nowhere such a tender twilight color falling through books upon old English country homes. Those papers made the scaffolding by which our own Irving built up his best stories about English country homesteads, and English revels of Christmas; and the De Coverley echoes sound sweetly and surely all up and down the pages of Bracebridge Hall.
The character of Sir Roger will live forever—so gracious—so courteous—so dignified—so gentle: his servants love him, and his dogs, and his white gelding.
“It being a cold day,” says his old butler, “when he made his will, he left for mourning to every man in the parish a great frieze coat, and to every woman a black riding-hood. Captain Sentry showed great kindnesses to the old house-dog my master was so fond of. It would have gone to your heart to have heard the moans the dumb creature made on the day of my master’s death. He has never joyed himself since—no more has any of us.”
Yet there were plenty of folks who sneered at these papers even then—as small—not worthy of notice. That great, bustling, slashing, literary giant, Dean Swift, says to Mistress Hester Johnson, “Do you read the Spectators? I never do; they never come in my way. They say abundance of them are very pretty.” “Very pretty!” a vast many satiric shots have been fired off to that tune. And yet Swift and Addison had been as friendly as two men so utterly unlike could be.
To complete the De Coverley picture, and give it relish in the boudoirs of the time, the authors paint the old knight in love—delicately, but deeply and wofully in love—with a certain unnamed widow living near him, and whose country house overlooks the park of the De Coverley estate.
“Oh, the many moonlight nights that I have walked by myself, and thought on the widow, by the music of the nightingales!”
This sounds like Steele. And the old knight leaves to her
“Whom he has loved for forty years, a pearl necklace that was his mother’s, and a couple of silver bracelets set with jewels.”
This episode has an added interest, because about those times the dignified and coy Mr. Addison was very much bent upon marrying the elegant Lady Warwick, whose son had been correspondent—perhaps pupil of his. He did not bounce into marriage—like Steele—with his whole heart in his eyes and his speech; it was a long pursuit, and had its doubtful stages; six years before the affair really came about, he used to write to the Warwick lad about the tom-tits, and the robin-redbreasts, and their pretty nests, and the nightingales. But Addison, more or less fortunate than Sir Roger, does win the widow’s hand, and has a sorry time of it with her. She never forgets to look a little down upon him, and he never forgets a keen knowledge of it.
He has the liberty, however, after his marriage—with certain limitations—of a great fine home at Holland House, which is one of the few old country houses still standing in London, in the midst of the gardens, where Addison used to walk, in preference to my Lady’s chamber. His habits were to study of a morning—dine at a tavern; then to Button’s coffee-house, near to Covent Garden, for a meet with his cronies; and afterward—when the spectre of marriage was real to him—to the tavern again, and to heavier draughts than he was wont to take in his young days.
Pope said he was charming in his talk; but never so in mixed company; never when the auditors were so new or so many as to rouse his self-consciousness; this tied his tongue; but with one or two he knew well, the stream of the Spectator’s talk flowed as limpidly as from his pen.
He was not a great student; Bentley would have laughed at hearing him called so. But he could use the learning he had with rare deftness, and make more out of a page of the ancients than Bentley could make out of a volume. His graces of speech, and aptitude for using a chance nugget of knowledge, made him subject of sneer from those who studied hard and long. A man who beats his brains against books everlastingly, without great conquests, is apt to think lightly of the gifts of one like Addison, who by mere impact gets a gracious send-off into elegant talk.
If one has read nothing else of Addison’s, I think he may read with profit the “Vision of Mirza.” That, too, used to be one of the jewels in the ancient reader-books, and had so many of the graces of a story, that the book—my book at least—used to fall open of itself on those pages where began the wonderful vision in the Valley of Bagdad.
Though more years have passed since my reading of it than I dare tell, yet at the bare mention of the name I seem to see the great clouds of mist which gather on the hither and the thither sides of the valley: I see the haunting Genius in the costume of a shepherd, who from his little musical instrument makes sounds that are exceeding sweet.
Then I seem to see the prodigious tide of water rolling through the valley, and the long bridge with the crumbling arches stretching athwart the stream, and the throngs of people crowding over, and falling and slipping into the angry tide—which is the tide of death; I see that the larger number fall through into the waters, when they have scarce passed over a single arch of the bridge. But whatever may befall, always the throng is pressing on, and always the thousands are dropping away and disappearing in the gulf that sweeps below. I see that, though some few hobble along painfully upon the furthermost and half-broken arches that stand in the flood, not one of all the myriads passes over in safety; and I behold again (with Mirza) that beyond—far beyond, where the clouds of mist have lifted—lies a stretch of placid water, with islands covered with fruits and flowers, and a thousand little shining seas run in and out among these Islands of the Blessed. And when I look the other way, to see what may lie under the other and darker clouds of mist, lo! the shepherd who has conjured the Vision is gone; and instead of the rolling tide, the arched bridge, the crowding myriads, I see nothing but the long, hollow Valley of Bagdad, with oxen, sheep, and camels grazing upon the sides of it. It seemed to me, fifty years ago, that a man who could make such visions appear, ought to keep on making them appear, all his life long.
I have said nothing of the political life of Addison; there are no high lights in it that send their flashes down to us. He held places, indeed, of much consideration; his aptitudes, his courtesies, his discretion, his sagacities always won respect; but he was never a force in politics; the only time he attempted parliamentary speaking he broke down; but with a pen in his hand he never broke down until failing health and latter-day anxieties of many sorts shook his power. I have already hinted at the probable infelicities of his late and distinguished marriage; whatever else may be true of it (and authorities are conflicting), it certainly did not bring access of youth or ambition or joyousness.
In his later years, too, there came a quarrel with his old friend Steele—cutting more deeply into the heart of this reticent man than it could cut into the much-scarified heart of that impressionist, the author of the Tatler; there were stories, too, pretty well supported, that Addison in those last weary days of his—feeble and asthmatic—drank over-freely, to spur his jaded mind up to a level with the talk of sympathizing friends.
Pope, too, in those times, had possibly aggravated the quiet, calm essayist, with the sting of his splendid but scorpion pen;[102] and all accounts assure us that Addison (though under fifty) did give a most kindly welcome to death. The story told by Young, and repeated by Dr. Johnson, of his summoning young Warwick to see how a Christian could die, is very likely apocryphal. It was not like him; this modest philosopher never made himself an exemplar of the virtues. We know, however, that he died calmly and tranquilly. Who can hope for more?
Not many legacies have come down to us from those days of Queen Anne which are worthier than his; and all owe gratitude to him for at least one shining page in all our hymnals: it will keep the name of Addison among the stars.
“The spacious firmament on high,
With all the blue ethereal sky,
And spangled heavens, a shining frame,
Their great Original proclaim.
Th’ unwearied sun, from day to day,
Does his Creator’s power display,
And publishes to every land
The work of an Almighty hand.
“Soon as the evening shades prevail,
The moon takes up the wondrous tale;
And, nightly, to the listening earth,
Repeats the story of her birth;
Whilst all the stars that round her burn,
And all the planets in their turn,
Confirm the tidings as they roll,
And spread the truth from pole to pole.”