§ 6
As in a story from some old unsubtle book, in passing the gates of Tusa hErin, he had gone into another world, a grave and courteous world, not antique—that was not the word, but just older ... A change of tempo ... A change of atmosphere ... The Bois Dormant, the Sleeping Wood of the French fairy-tale?... Not that, for the Sleeping Wood should be a gray wood, a wood of twilight, with the birds a-drowse in their nests ... And here were clipped rich yew-trees, and turf firm as a putting-green's, and rows of dignified flowers, like pretty gracious ladies; and a little lake where a swan moved, as to music; and the sunshine was rich as wine here ... all golden and green ... But the atmosphere? He thought of the cave of Gearod Oge, the Wizard Earl in the Rath of Mullaghmast, and the story of it ... A farmer man had noticed a light from the old fort, and creeping in he had seen men in armor sleeping with their horses beside them ... And he examined the armor and the saddlery, and cautiously half drew a sword from its sheath ... And the soldier's head rose and: "Bhfuil an trath ann?" his voice cried ... "Has the time come?" "It is not, your Honor," the farmer said in terror, and shoved the sword back and fled ... An old man said for a surety that had the farmer drawn the blade from the scabbard, the Wizard Earl would have awakened, and Ireland been free ... There was great beauty and great Irishness to that story, but there was terror to it, and there was no terror on this sweet place ...
He said: It is a trick of my head, an illusion that this is different. Some shading that comes from the yews, some phenomenon of cliff and water ... But even that did not circumscribe the rich grave look of grounds and house. A song from "The Tempest" came to him:
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange ...
That was it, something rich and strange, like some old cloister into which one might turn from an inquiet and hubbubby street ... A knock at an oaken wicket; a peering shy brother, and one was on green lawns and the shadows of a gabled monastery. Cowled, meditative friars, and the quiet of Christ like spread wings ... But there was a reason for the cloister's glamour: cool thoughts and the rhythm of quiet praying, and the ringing of the little bell of mass, and the cadenced sacramental. All these were sympathetic magic ... But whence came the glamour of Tusa hErin?