4
“Sti-boo, stibee, sti-ibbety-oo, sti-ibbety boo, stibee,” sang Miriam, getting into the large square bodice of her silkette evening dress. Its great oblong box-like elbow sleeves more than filled the mirror as she stood. They were stiffened with stout muslin, and stood squarely out from shoulder to elbow, so that the little band of silk edged with a piping of salmon pink velveteen which held them round the arm just above the elbow could only be seen when she raised her arms. The piping was repeated round the square neck of her bodice, cutting in front across the bust just below the collar bone and at the back just above her shoulder blades. She sang the little refrain at intervals until her toilet was completed by the pinning of a small salmon pink velvet bow against the left side of the hard mass of her coiled hair and went humming downstairs into the hall. The soles of her new patent leather shoes felt pleasantly smooth against the thick carpet. She went across the hall to prop a foot against the fender and take one more reassuring look at the little disc of steel beads adorning her toe. “Stiboo——”
“Won’t you come in here?” said a soft staccato bass voice, a woman’s voice, but deep and rounded like the voice of a deep-chested watch-dog barking single soft notes after a furious outbreak.
Miriam looked round. Wiggerson was lighting the big lamp in the dining-room, peering up under the rose-coloured shade. “In here,” repeated the deep voice, smiling, and Miriam’s eyes discovered that the small door set back between the dining-room and the window on the left side of the hall door was open, showing part of a curious soft brown room; a solid brown leather covered secretaire, with a revolving chair between its pillars of drawers, set back in the bow of a small window, a little bronze lamp with a plain buff-coloured shade standing near a pile of large volumes on the secretaire, a piece of wall covered with a dark silky-looking brown paper shining in the glow of an invisible fire. She went forward across the hall into the room with a polite pleased hesitating smile. There was a faint rich exciting odour in the warm little room ... cigars ... leather ... a sort of deep freedom. The rest of the house seemed suddenly far away. Coloured drawings of houses on the little brown walls, two enormous deep low leather arm-chairs drawn up on either side of an enormous fire, a littered mantelshelf. “I saw you froo the crack,” said a lady, fitted deeply into one of the large chairs. She held out a small hand when Miriam was near enough to take it and said softly and lazily, “You’re the new guvnis, aren’t you? I’m Joey Banks.”
“Yes, I came yesterday,” said Miriam serenely.
Sinking into the second arm-chair she crossed her knees and beamed into the fire. What perfect security.... She turned to Mr. Corrie, unknown and mysteriously away somewhere in London to thank him for setting her here, protected from the whole world in the deeps of his study chair—all the worry and the noise and the fussing people shut away. If suddenly he came in she would not thank him, but he would know. He would be sitting in the other arm-chair, and she would say, “What do you think about everything?” Not so much to hear what he thought, but because some of his thoughts would be her thoughts. Thought was the same in everybody who thought at all. She would sit back and rest and hear an understanding voice. He might be heavy and fat. But a leading Q.C. must have thoughts ... and he had been thin once ... and there were those books ... and he would read newspapers; perhaps too many newspapers. He would know almost at once that she thought he read too many newspapers. She would have to conceal that to hear the voice going on and leaving her undisturbed.