PEN AND INK SKETCH OF CARÈME.
It would be as easy to compile a Dictionary of Cooks, as of Musicians or Painters; but it would not be so amusing or so edifying, except perhaps to those who think more of their stomach than of their mind. But it would then be attractive and useful to the majority of readers; for the sages themselves are not unmindful of their stomachs, and, according to a sage, they would be unworthy of the name if they neglected that vital matter. Johnson, you know, lived in an age when things were called by their real names. “J’appelle un chat un chat,” was the device of the plain-spoken, when not only men, but ladies, bold as the Thalestris of Young’s pungent satire, loudly dared to name what nature dared to give. Dr. Johnson, then, says, “Some people have a foolish way of not minding, or pretending not to mind, what they eat. For my part, I mind my belly very studiously; for I look upon it that he who does not mind his belly, will hardly mind any thing else!”
To the world, then, even a Biographical Dictionary of Cooks might be captivating; but as my present mission is not to write an Encyclopædia, but rather deferentially to offer my little sketches to gentle, and not too critical, readers, with leisure half-hours at their command, so do I offer them a sketch of Carême, as the knowledge of the individual may stand for that of the class.
He was illustrious by descent; for one of his ancestors had served in the household of a Pope, who himself made more sauces than saints, Leo X. But Carême was one of so poor and so numerous a family, that when he came into the world, he was no more welcome than Oliver Goldsmith was: the respective parents of the little-cared-for babes did not know what future great men lay in naked helplessness before them. One wrote immortal poetry, and starved: the other made delicious pastry, and rode in a chariot! We know how much Oliver received for his “Vicar;” while Anthony Carême used to receive twice as much for merely writing out a recipe to make a “pâté.” Nay, Carême’s untouched patties, when they left royal tables, were bought up at a cost which would have supported Goldsmith for a month; and a cold sugared entremets, at the making of which Carême had presided, readily fetched a higher price than the public now pay for the “Complete Works” of the poet of Green-Arbour-court!
Carême studied under various great masters, but he perfected his studies under Boucher, chef des services of the Prince Talleyrand. The glory of Carême was co-eval with that of Napoleon: those two individuals were great men at the same period; but the glory of one will, perhaps, be a little more enduring than that of the other. I will not say whose glory will thus last the longer; for as was remarked courteously by the Oxford candidate for honours, who was more courteous than “crammed,” and who was asked which were the minor Prophets, “I am not willing to draw invidious distinctions!”
In the days of the Empire,—the era of the greatness, of the achievements, and of the reflections of Carême,—the possession of him was as eagerly contested by the rich as that of a nymph by the satyrs. He was alternately the glory of Talleyrand, the boast of Lavalette, and the pride of the Saxon Ambassador. In their houses, too, his hand was as often on his pen as on the handle of his casserole; and inspiration never visited his brain without the call being duly registered in his note-book, with reflections thereon highly philosophical and gastronomic.
But Carême was capricious. It was not that he was unfaithful, but he was volage; and he passed from kitchen to kitchen, as the bee wings from flower to flower. The Emperor Alexander dined with Talleyrand, and forthwith he seduced Carême: the seduction-money was only £100 sterling per month, and the culinary expenses. Carême did not yield without much coyness. He urged his love for study, his desire to refine the race of which he made himself the model, his love for his country; and he even accompanied, for a brief moment, “Lord Stewart” to Vienna; but it was more in the way of policy than pastry: for Count Orloff was sent after him on a mission, and Carême, after flying, with the full intention of being followed, to London and Paris, yielded to the golden solicitation, and did the Emperor Alexander the honour of becoming the head of the imperial kitchen in whatever palace His Majesty presided. But the delicate susceptibility of Carême was wounded by discovering that his book of expenses was subjected to supervision. He flung up his appointment in disgust, and hastened across Europe to England. The jealous winds wished to detain him for France, and they blew him back on the coast between Calais and Boulogne, exactly as they did another gentleman, who may not be so widely known as Carême, but who has been heard of in England under the name of William Wordsworth. Carême accepted the omen, repaired to Paris, entered the service of the Princess Bagration, and served the table of that capricious lady, en maître d’hôtel. As the guests uttered ecstatic praises of the fare, the Princess would smile upon him as he stood before her, and exclaim, “He is the pearl of cooks!” Is it a matter of surprise that he was vain? Fancy being called a “pearl” by a Princess! On reading it we think of the days when Lady Mary Wortley Montague put nasty footmen into eclogues, and deified the dirty passions of Mrs. Mahony’s lacquey.
The Princess, however, ate herself into a permanent indigestion, and Carême transferred his services to the English Ambassador at the Court of Vienna. There, every morning, seated in his magnificent kitchen, Carême received the visit of “Milor Stewart,” who seldom left him without presents and encouragements. Indeed, these rained upon the immortal artist. The Emperor Alexander had consented to have Carême’s projects in culinary architecture dedicated to him, and, with notice of consent, sent him a diamond ring. When Prince Walkouski placed it on his finger, the cook forgot his dignity, and burst into tears. So did all the other cooks in the Austrian capital,—out of sheer jealousy.
Carême, two years before George IV. was King, had been for a short period a member of the Regent’s household. He left Vienna to be present at the Coronation; but he arrived too late; and he does not scruple to say, very ungenerously, that the banquet was spoiled for want of his presence, nor to insinuate that the colleagues with whom he would have been associated were unworthy of such association,—an insinuation at once base and baseless. After being the object of a species of semi-worship, and yielding to every new offer, yet affecting to despise them all, Carême ultimately tabernacled with Baron Rothschild in Paris; and the super-human excellency of his dinners, is it not written in the “Book without a Name” of Lady Morgan? And was not his residence there the object of envy, and cause of much melancholy, and opportunity for much eulogy, on the part of George IV.? Well, Anthony Carême would have us believe as much with respect to himself and the King; but we do not believe a word of it; for the royal table was never better cared for by the royal officers, whose duty lay in such care, than at this very period. George IV. is said to have tempted him by offering triple salaries; but all in vain; for London was too triste an abiding place for a man whose whole soul, out of kitchen hours, was given to study. And so Carême remained with his Jewish patron until infirmity overtook his noble nature, and he retired to dictate his immortal works (like Milton, very!) to his accomplished daughter. Les beaux restes of Carême were eagerly sought after; but he would not heed what was no longer a temptation; for he was realizing twenty thousand francs a year from the booksellers, besides the interest of the money he had saved. Think of it, shade of Milton! Eight hundred pounds sterling yearly, for writing on kitchen-stuff! Who would compose epics after that? But Carême’s books were epics after their sort, and they are highly creditable to the scribe who wrote them from his notes. Finally, even Antony Carême died, like cooks of less degree; but he had been the imperial despot of European kitchens, had been “beringed” by Monarchs, and been smiled on by Princesses; he had received Lords in his kitchen, and had encountered ladies who gave him a great deal for a very little knowledge in return; and finally, as Fulke Greville had inscribed on his tomb that he had been the friend of Sir Philip Sidney, so the crowning joy of Carême’s life might have been chiselled on his monument, indicating that he had been the friend of one whom he would have accounted a greater man than the knightly hero in question,—namely, il Maestro Rossini! Carême’s cup was thereat full; and he died, perfectly convinced that paradise itself would be glad at his coming.
The celebrated Damvers was chef to the as celebrated financier Grimaud de la Reynière, in the last century. Grimaud died a martyr to his epicurean tastes. He was dining on a pâté de foies gras, when he allowed his appetite to overpower his digestion, and he died of the excess. Barthe, the author of “Les Fausses Infidélités,” also fell on the field of the dining-room. He was extremely short-sighted, and ate of every thing on the table. He did not consult his appetite, but his servant, asking him, “Have I eaten of that?” “Have I had any of this?” It was after partaking too freely, both of “this” and “that,” that poor M. Barthe let his temper get the better of him in an argument, and a stroke of apoplexy sent him under the table. His cook deplored in him the loss of a man of taste.
The cook of the Count de Tessé, Master of the Horse to Marie Antoinette, was famous for dressing artichokes. The great Morillian surpassed him, however; but this feat did not save the artist from ending his days in poverty. The elder Robert was, perhaps, equal to either of them, in this or in any other respect connected with his art. The great Carême, ignorant of every thing else, was at least an accomplished cook. There is, as I have said, a tradition that his petits pâtés, when they left the Regent’s table, were sold, like the second-hand pies from the royal table at Versailles, for fabulous prices. As I have before intimated, it was for Leo X. that Carême the First invented those succulent, but orthodox, dishes, which pleased the pontifical palate at a season when gratification by gravy would have been scandalous! It was in the Baron Rothschild’s household that Carême the Second invented his famous sauce piquante, the result of his studies under Richaut, Asne, and the elder Robert. It was in and for France that Carême published the learned and curious work of which he is the reputed author, and which he may have dictated, but which he could not have written. It is marked by philosophical inquiry, instruction, and pleasant trifling; and neither book nor reputed author has been excelled by any artist, or any sample of kitchen literature, that has appeared since that period.
Before the age of Carême, the popular kitchen in France was not very superior to our own; and the patrons of tavernes and traiteurs were as coarsely fed as our frequenters of ordinaries. But as royalty fell, the restaurateurs rose; and when, in 1786, the cooks of Louis XVI. began to augur badly of their prospects, three provincial brothers, Barthélemy, Mannielles, and Simon, opened their famous restaurant, “Les Trois Frères Provençaux,” in the Palais Royal, and constituted themselves the cooks of another King,—the sovereign people. The new establishment created an era in the history of cookery, and men of all shades of politics, and Generals of all grades of reputation, resorted to the tables of the Brothers. General Bonaparte and Barras were to be seen there daily, before they took their cheap pleasure at the theatre of Mlle. Montansier. During the wars of the Empire it was the chosen stage for the farewell banquets of brethren in arms, and at this period the receipts amounted to not less than £500 sterling daily. The triumvirate of proprietors endured longer than any such union in the political world; and it was not till the reign of Louis Philippe that the establishment of “Les Trois Frères” descended, under a new proprietary, into a more unpretending position than that which it had proudly sustained during half a century. The casseroles of the savoury Brothers had remained unshaken, while Kings and constitutions had fallen around them.
The fortune of the Provincial Brothers tempted another country cook from his obscurity; and some four years after the former had set up their tables in the Palais Royal, the immortal Véry thrust his feet into wooden clogs, and trudged from a village on the Meuse up to the capital, to give it a taste of his quality. He enchanted Marshal Duroc with some of his plats, and henceforth his fortune was secure. He married a beautiful woman, whose pen kept his books, whose face attracted customers, and whose heart was devoted to her husband. A quarter of a century sufficed to enable Véry to die immensely rich, after working excessively hard, and to be magnificently entombed in the Cimetière Montmartre, under a marble column, which bore the engraved assurance that “his whole life was devoted to the useful arts.”
Beauvilliers appeared in Paris about the same time as “the Three Brothers;” he made and unmade his fortune three or four times, and died poor, three years after Véry died so rich. Beauvilliers was the author of “L’Art du Cuisinier,” a book almost as interesting as “The Art of Dining;” and one cannot name either without standing mentally chapeau bas! before the author.
Beauvilliers was famous for his splendid wines and heavy bill. The Veau qui tette was renowned for its sheep-trotters. The reputation of others was built upon kidneys; that of Véry, on his entrées truffées. The “Three Provincial Brothers” enjoyed a wide esteem for the way in which they dressed cod with garlic. Baleine kept a house that was crowded by the admirers of fish; while that of Robert was distinguished for the graceful attention with which previously ordered dinners were served; and that of Henneveu for the splendid boudoirs in which shy couples, too modest to encounter the public gaze, could dine in private, and cease to find their modesty oppressive. Beauvilliers’, as I have intimated, was a costly house; but it was not therefore the most excellent in Paris. The excellence of a dinner is not to be determined by its price. Four years ago an illustrious party dined at Philippe’s, in the Rue Montorgueil, at a far lower cost, and after a far more exquisite fashion, than if they had joined the Epicureans of the Clarendon, at £5 per head. The party consisted of Lords Brougham and Dufferin, the Honourable W. Stuart, two other “Britishers,” and Count D’Orsay and M. Alexandre Dumas. The dinner on this occasion was a recherchée affair. It had been as anxiously meditated upon as an epic poem; and it was a far pleasanter thing. “The most successful dishes,” says the author of “The Art of Dining,” “were the bisques, the fritures à l’Italienne, and the gigot à la Bretanne. Out of compliment to the world-wide fame of Lord Brougham and Alexandre Dumas, M. Philippe produced some Clos de Vougeot, which, (like his namesake in ‘High Life Below Stairs,’) he vowed, should never go down the throat of a man whom he did not esteem and admire; and it was voted first-rate by acclamation.”
The French repasts are not always good, even when they are rather costly. In 1807, a party of twenty-two sat down to a repast at the younger “Robert’s,” in Paris. The Amphitryon of the feast was M. Daolouis; and the bill, exclusive of wine, amounted to thirty louis. There were but three or four great dishes, and two or three sauces. The discontent of the guests was general, and the giver of the feast allowed that the dinner was not near so good as that of the “Société des Mercredis,” at Le Gacque’s, which cost only seven francs per head, ordinary wine, liqueurs, and coffee included. “Mais, à dîner, Messieurs, à dîner!”