FOOTNOTES:
[118] Buckstone told me that, when young, he starved with a company at Hastings, and that Kean relieved them by leaving his yacht and playing for them two nights, gratis. Mr. York, of Penzance, told us that Kean came with his yacht into Mount's Bay, and that he acted superbly Richard, Othello, and Sir Giles, at the Penzance Theatre,—which is now a carpenter's shop. 1871.—Doran MS.
[119] Alderman Cox was as much to blame as Kean. Kean, in 1824, writing to Mr. Vizell (?) says: "I imagine Mrs. Cox's age to be about forty-five. When she first flapped her ferret eyes and affections on me, I was about twenty-seven."—Doran MS.
[INDEX.]
Abington, Mrs., [102];
account of her career, [102-108];
her début, [103];
her marriage, [104];
her qualities as an actress, [104];
Reynolds's comic muse, [105];
and Walpole, [105];
as Lady Teazle, [105];
as Widow Belmour, [107];
her original characters, [107];
her death, [108]; her manner and mannerisms, [258];
the "Abington" cap, [258].
Accidents at the theatre, [32], [40].
Actors' loyalty, [38].
Aikin, F., [128].
Aikin, James, [128];
his duel with J. P. Kemble, [197].
Amateurs, noble, [45], [52];
at Drury Lane, [30], [31].
Arnold, S. J., [372].
Audience on the stage, [44].
Audiences of the last half of the 18th century, [30].
Authorship at a low ebb, [348].
Baddeley, Robert, [85];
fights a duel with George Garrick, [85];
his original characters, [136];
bequeaths a cottage to the Drury Lane Fund, [136];
his twelfth cake, [137];
and Foote, [137];
the last actor who wore the uniform of "Their Majesties' Servants," [419].
Baddeley, Mrs., [85];
her death, [86].
Baillie, Joanna, [10].
Bannister, Charles, [309].
Bannister, John, [37], [310];
an admirable actor in every line, [310];
his career, [310-312];
his great part of Walter in "The Children in the Wood," [311];
his original characters, [312];
portraits of him, [312];
as first grave-digger, [382].
Barry, Mrs., accidentally stabs Palmer, [140].
Barry, Mrs. Elizabeth, [294].
Barry, Spranger, [260].
Barsanti, Miss (Mrs. Daly), [82].
Barton, Fanny (See [Mrs. Abington]), [102].
Beard, John, [11].
Behn, Aphra, [280].
Belfille, Mrs., [94].
Bellamy, George Anne, and the King of Denmark, [36];
account of her career, [88-94];
her birth, [88];
her early career, [90];
her appearance as Monimia, [90];
carried off by Lord Byron, [90];
and Mr. Metham, [91];
her lovers, [91], [92];
her powers as an actress, [92];
her varying fortunes, [93];
her farewell to the stage, [93].
Benefits, [294].
Bensley, William, [256];
as Eustace de St. Pierre, [129];
his excellences, [130];
his retirement, [130].
Bentley, Richard, dramatist, [3];
his "Wishes," [42].
Beresford, Mrs., [95].
Betterton, his dress as Hamlet, [248].
Betty, Master William Henry West, [239];
account of his career, [239-247];
his birth, [239];
appears at Belfast when only eleven years of age, [240];
his popularity in Ireland, [240];
his popularity in Scotland, [240];
praised by Home for his Norval, [241];
in the provinces, [241];
his first appearance in London, [242];
the frantic excitement caused, [242];
as Selim, [243];
presented with Garrick's seal, [244];
flattery from the House of Commons, [244];
the mania declines, [245];
retirement from the stage, [245];
return to the stage, [245];
his comparative failure, [245];
his final retirement, [246];
critical account of him, [246].
Bickerstaffe, [296].
Blanchard, William, [323].
Bland, Dorothy (see [Jordan, Mrs.])
Boaden, James, [4]; and Mrs. Powell, [4].
Booth, Barton, his dress as Cato, [249].
Booth, Junius Brutus, [392];
his rivalry with Kean, [392].
Brand, Hannah, [9], [95].
Brent, Miss, singer, [11].
Brereton, William, [129];
and Mrs. Siddons, [174];
his madness, [175];
his death, [175].
Brereton, Mrs. (afterwards wife of John Kemble), [175], [194].
Brooke, Frances, dramatist, [8].
Brown, Anthony, dramatist, [19].
Browne, Dr., [276].
Brunton, Miss, [95].
Brunton, Louisa (Countess of Craven), [221], [325].
Bulkley, Mrs., [135];
her self-assertion, [135];
her career, [136].
Bullock, [297].
Bunn, Mrs., [392].
Burgoyne, General, dramatist, [5].
Byron, Lord, his present to Kean, [394].
Canning, George, [118].
Canning, Mrs., wife of S. Reddish, [118].
Carey, George Saville, [359].
Carey, Henry, [359].
Carey, Nance, [360].
Cargill, Mrs., as Macheath, [11].
Carlisle, Lord, his tragedy, [28].
Catalani, Madame, and the "O. P." riots, [340].
Catley, Anne, [86].
Cautherley, [118].
Centlivre, Mrs., [14].
Chambers, Mary (wife of Edmund Kean), [366].
Chapman, [299].
Charlotte, Queen, at the theatre, [39].
Cherry, [263].
Cibber, Colley, [15], [260].
Cibber, Mrs., [47].
Cibber, Theophilus, and his benefit, [296].
Clarence, Duke of, [39].
Cobham, Mr., [393], [402].
Colman, George, the younger, [5];
his furious attack on Kemble in the preface to the "Iron Chest," [209];
his "John Bull," [229];
his ruffianly conduct at Carlton House, [346].
Congreve, [286].
Conway, W. A., [385].
Cooke, George Frederick, [223];
account of his career, [223-238];
theatricals at school, [224];
early struggles, [225];
quarrel with John Kemble, [225];
his first appearance in London, [226];
rivalry with Kemble, [226], [229];
as Richard III., [226];
his irregularities, [227], [228], [230];
his failure in Hamlet, [228];
his success in Sir Pertinax, [228];
his apologies to audiences, [231];
his visit to America, [231];
his eccentricities there, [231], [233];
his success, [231];
his second marriage, [232];
his mental intoxication, [234];
his last appearance, [235];
his death, [235];
his excellence as an actor, [235];
compared with Kemble, [236];
removal of his body, [236];
his skull, [237];
his monument, [238].
Cooke, Thomas, a dishonest dramatist, [290-294].
Cooper, the last of the Kemble school, [210].
Cork theatre, the, [50-51].
Costume, dramatic, [248].
Covent Garden Theatre burnt, [205], [329];
rebuilt, [337];
the "O. P." riots, [337-345].
Cowley, Mrs., [7].
Craven, Lady, authoress, [53], [54].
Crawford, Mrs., [162], [165];
her costume as Lady Randolph, [254], [255].
Crouch, Mrs., [254].
Cumberland, Richard, [3], [27];
his "Jew," [7];
and Sheridan, [27], [28].
Curtis, Mrs. (sister of Mrs. Siddons), [163], [176].
Daly, Richard, Dublin manager, [83].
Daly, Mrs., [82], [83].
Darby, Miss (Robinson, Mrs.), [108].
Davison, Mrs., [325].
De Camp, Miss, [10], [216];
her youthful experience as a dancer, [216];
her appearance at Drury Lane, [216];
plays Macheath, [217];
her marriage with Charles Kemble, [217];
her retirement from the stage, [217];
returns to the stage for one night, [218];
her characteristics, [218];
as an authoress, [219].
Deighton, actor, [264].
Delpla, [335].
Denmark, King of, at the play, [35].
Dennis, John, [14].
Derby, Lord, and Miss Farren, [100].
Dexter, [59]; his carelessness, [60].
Dibdin, Tom, [262], [348].
Dickons, Mrs., [340].
Digges, West, Edinburgh manager, [124];
his death, [129].
Dodd, James, [134];
his great powers as an actor, [134];
as Abel Drugger, [134];
as Sir Andrew Aguecheek, [134];
his death, [135].
Dowton, [323];
as Dr. Cantwell, [323];
as Sir Anthony Absolute, [323];
as Shylock, [389].
Drama denounced by the Eclectic, [331].
Drury, Dr., [371].
Drury Lane, opening of new theatre, [213];
burned down, [329];
rebuilt, [330].
Dryden's prologues, epilogues, and dedications, [280-283].
Ducis, French author, [24].
Duncan, Miss (Mrs. Davison), [325];
as Juliana in the "Honeymoon," [325].
Eclectic Review on the stage, [332].
Edinburgh theatre, the, [123].
Edmiston, Miss, as Jane Shore, [398].
Edwin, John, his popularity, [128];
O'Keeffe's obligations to Edwin's acting, [128];
his original characters, [128];
his death, [128].
Elliston, Robert William, [317];
account of his career, [317-321];
his birth, [317];
with Tate Wilkinson at York, [318];
his success in London, [318];
as Sir Edward Mortimer, [318];
his large experience of management, [318];
his Hamlet, [318-319];
his versatility, [319];
his abilities, [319];
as Duke Aranza, [319];
his loftiness, [320].
Epilogues, [273].
Esten, Mrs., [95], [211], [252].
Etherege, [285].
Farren, Miss Elizabeth (Lady Derby), account of her career, [96-101];
her origin, [96];
her first appearance, [97];
as Lady Hardcastle, [97];
as Lady Townly, [97];
her qualities as an actress, [98];
her original characters, [98];
her farewell to the stage, [100];
her marriage to Lord Derby, [100];
her children, [101].
Fawcett, John, [323], [348];
as Job Thornberry, [323];
as Caleb Quotem, [323].
Fielding, Henry, [16], [289];
his nonchalance, [17].
Fitzgerald, Percy, his "Lives of the Kembles," [176] n.
Fitzhenry, Mrs., [264].
Flecnoe and his critics, [12].
Foote, Samuel, [137];
in Edinburgh, [124];
and Henderson, [147].
Francis, Dr., [232], [403].
Francis, Miss (see [Mrs. Jordan]).
Freemasons at the play, [298].
French audiences, [55], [56], [60].
Garrick, David, [275];
and Sheridan, [5];
and "The Chinese Festival," [33];
his costume in various parts, [250];
his tomb, [333].
Garrick, Mrs., and Edmund Kean, [382].
Garrick, George, [85].
Gay, John, [14].
George III. at the theatre, [38], [41], [345];
fired at by Hatfield, [40].
George IV. and actors, [346].
Glover, Mrs., [326];
a good actress and a good woman, [326].
Godwin, [351].
Goldsmith and his "Good-natured Man," [21].
Goodfellow, actor, [300].
Grattan, Colley, on Edmund Kean, [407].
Greatheed's "Regent," [27].
Green, Mrs., [84].
Griffiths, Mrs., [8].
Grimaldi, Joseph, [245].
Hale as Charles I., [253].
Hallam killed by Macklin, [67].
Hamilton, Lady, [58].
Hamilton, Mrs., actress, [264].
Harcourt, Lord, on Mrs. Siddons, [172], [173].
Hardy, French dramatist, [26].
Harlequin, a speaking, [44].
Hartley, Mrs., actress, [85].
Hayley, [4], [351].
Haymarket, loss of life at, [39], [40].
Henderson, John, [251], [256];
account of his career, [144-151];
his first appearance at Bath, [144];
his descent, [145];
his first appearance in London, [146];
his success, [146];
as Shylock, [146];
waiting on Foote, [147];
his high aims, [148];
creates a great sensation as Hamlet, [148], [149];
his public readings, [149];
as Falstaff, [150], [152];
as Æsop, [150];
his carefulness, [150];
his death, [151].
Hill, Aaron, [13], [289].
Hippisley, [299].
Holcroft, Thomas, dramatist, [5], [349].
Holland, Charles, [47];
and Miss Pope, [306].
Hollingsworth, a provincial actor, [59].
Holman, [322].
Home, John, [3], [276].
Hoole, as a dramatist, [25].
Huddart, [373].
Hull, Thomas, [321];
establishes the Covent Garden Fund, [321].
Hunt, Leigh, [320], [348].
Inchbald, Mrs. Elizabeth, [8].
Ireland's forged play of "Vortigern," [201].
Jephson, R., his plays, [3];
and Horace Walpole, [3].
Jerrold, Douglas, and Elliston, [320].
Johnstone, John, [133].
Jones, Richard, [324], [325].
Jordan, Mrs., [177], [312];
account of her career, [312-17];
her birth, [312];
her early experiences, [313];
her versatility, [313];
her appearance in London, [313];
her parts, [314];
as Lady Contest, [314];
her connection with the Duke of Clarence, [314];
her excellence as a comedian, [315];
reputed marriage with Ford, [315];
her retirement, [316];
her sad death, [316];
her children ennobled, [317].
Kean, Charles, [409];
becomes an actor, [409], [410];
plays with his father on the last appearance of the latter, [414];
his goodness to his mother, [416].
Kean, Edmund, [315];
his monument to G. F. Cooke, [237];
his carelessness in costume as Orestes, [256];
his origin, [358];
claimed to be the son of the Duke of Norfolk, [360] n.;
his birth, [361];
as a Cupid at three years old, [361];
as an imp in "Macbeth," [361];
his early struggles, [362];
plays before the king, [364];
plays with Mrs. Siddons, [364];
his marriage, [366];
his privations, [366], [367], [370];
programme of his benefit at Waterford, [369];
his success at Exeter, [371];
engaged at Drury Lane, [372];
his first appearance, [373];
plays Shylock, [373];
account of his triumph, [374-377];
as Richard III., [379], [412];
the critics on his Richard, [379];
description of his Richard, [379-382];
characteristics of his Hamlet, [382], [383];
his Othello, perhaps his greatest part, [384];
his Iago, [384];
his enormous drawings, [385];
saves Drury Lane from bankruptcy, [385];
characters played in his second season, [386];
as Zanga, [386];
his Sir Giles Overreach, [390];
as Bertram, [392];
his contest with J. B. Booth, [393];
as Timon, [393];
as King Lear, [395], [400];
as Brutus in "Brutus," [396];
as Coriolanus, [396];
plays at Liverpool, [397];
his visit to America in 1820, [397];
his struggle with Young, [399];
his dissipation, [400], [401];
the scandal of the Cox case, [401];
hooted by his audiences, [401], [402];
again visits America, [402];
Dr. Francis's account of his eccentricities there, [403];
admitted a member of the tribe of the Hurons, [405];
Alantenaida, [406];
his return to England, [406];
his breakdown, [407];
his hopeless failure in Ben Nazir, [407];
his last attempt at a new character, [412];
his last appearance, [414], [415];
his death, [415];
extenuating circumstances, [416], [417].
Kean, Mrs., and Moore, [378].
Kemble, Anne, [163], [176].
Kemble, Charles, [210], [211], [212], [263], [411];
first appearance in London, as Malcolm, [213];
as Laertes, [213];
as Cassio, [213];
as Faulconbridge, [213];
in Macduff, [213];
as Edgar, [213];
as Jaffier, [214];
as Hamlet, [214];
compared with Young, [214], [215];
a bad Falstaff, [215];
a perfect Mercutio, [215];
as Young Mirabel, [215];
his Benedick, [216];
his wife, [216];
his departure from the stage, [218];
he returns for a few nights, [218];
as a reader, [219];
an author, [219];
his deafness, [219].
Kemble, Mrs. C., [10], [216];
her youthful experience as a dancer, [216];
her appearance at Drury Lane, [216];
plays Macheath, [217];
her marriage with Charles Kemble, [217];
her retirement from the stage, [217];
returns to the stage for one night, [218];
her characteristics, [218];
as an authoress, [219].
Kemble, Elizabeth, [157], [176], [192].
Kemble, Fanny, [218].
Kemble, Frances, [157], [176], [192].
Kemble, Henry, [212].
Kemble, John M., [219].
Kemble, John Philip, [57], [220-222], [260];
his defence of Miss Phillips, [50];
account of his career, [189-210];
his birth and early life, [189];
as an author, [190];
first appearance in London, as Hamlet, [191];
as Macbeth, [193];
as Lear, [193];
married to Mrs. Brereton, [194];
becomes manager of Drury Lane, [196];
as Henry V., [197];
duel with James Aikin, [197];
becomes part proprietor of Covent Garden, [198];
his assiduity, [199];
in the "Castle Spectre," [199];
as Rolla, [199];
Pitt's opinion of him, [199], [200];
his best characters, [200], [203];
his Roman parts, [200], [209];
and the Irelands' forged play of "Vortigern," [201];
his Charles Surface, [204];
the princely conduct of the Duke of Northumberland when Covent Garden Theatre was burned, [205];
as Othello, [206];
as Hamlet, [206];
his successful parts, [208];
his failure in Colman's "Iron Chest," [209];
his farewell to the stage, [210], [392];
his death, [210];
his costume in various parts, [251], [255];
specially attacked by the "O. P." rioters, [337-345].
Kemble, Roger, father of John Philip Kemble, [154];
plays in London, [154].
Kemble, Mrs. Roger, [154].
Kemble, Sarah (see [Mrs. Siddons]).
Kemble, Stephen, [191], [210], [211], [373];
manager at Edinburgh, [211];
as Othello, [211];
as Falstaff, [211];
his death, [212].
Kemble family specially attacked by the "O. P." rioters, [338].
King, Thomas, [54];
as a speaker of prologues, [279];
his original characters, [301], [302];
his retirement, [302];
his love of play, [302].
Knowles, Sheridan, [352], [357], [367];
his training, [368];
an actor, [368];
an author, [368].
Lamb, Charles, [320], [334], [351].
Lee, Sophia, [9].
Lessingham, Mrs., actress, [62].
Lewes, Lee, [129].
Lewis, "Monk," [11].
Lewis, William, [251], [263], [348];
his dress as Earl Percy, [256];
his original characters, [303], [304];
as the Copper Captain, [303], [304];
his death, [303];
his excellence in Morton and Reynolds's comedies, [304].
Licences, [418].
Liston, John, [324];
the peculiarity of his comic acting, [324];
his desire to play tragedy, [324].
Litchfield, Mrs., [309].
Liverpool audience, [59].
Macklin, Charles, [4];
his "Man of the World," [6];
account of his career, [63];
his parentage, [63], [65];
his great age, [64];
as Monimia at the age of nine, [65];
his first appearance, [66];
as Snip, [67];
kills Hallam, [67];
his marriage, [68];
his Shylock, [68-70], [75];
his "Henry VII.," [70];
Pope's opinion of him, [70];
in Dublin, [71];
as Mercutio, [71];
his opinion of Garrick and Barry as Romeo, [71];
his retirement from the stage to keep a tavern, [72];
his "British Inquisition," [72];
his reappearance on the stage, [73];
as Sir Archie Macsarcasm, [73];
as Macbeth, [73];
his daughter, [72], [81], [82];
as Sir Pertinax Macsycophant, [73];
failure of his memory, [74];
his death, [76];
his characteristics, [76];
his objection to Garrick, [77];
antagonism with Quin, [77];
his character, [80];
his original and principal characters, [80];
his costume in various parts, [250].
Macklin, Mrs., [68].
Macklin, Miss, [72], [81];
her death, [82].
Macready, W. C., [392], [400];
his Virginius, [396], [397].
Mason, William, [3].
Masterton, dramatist, [350].
Mathews, Charles, [323];
his extraordinary ability as a mimic, [323];
his M. Malet, [323].
Mattocks, Mrs., [308];
her career, [308], [309];
her characters, [309].
Maturin, [354-357].
Melmoth, Mrs., actress, [265].
Miller, James, dramatist, [19].
Milman, [357].
Mistakes on the stage, [263].
Mitchell and his "Highland Fair," [25].
Montagu, Mrs., actress, [61].
Moody, John, [130];
as Major O'Flaherty, [131], [132];
the best Irish actor of his time, [131];
Churchill on Moody, [132];
a market gardener, [132];
his original characters, [133].
Moore and Mrs. Kean, [378].
More, Hannah, [7].
Mossop, Henry, [259];
and the Major, [48].
Motteux, P. A., [288].
Munden, Joseph S., [322], [348];
his wonderful powers of grimace, [322];
the breadth of his acting, [322];
his parsimony, [323].
Murphy, Arthur, [4], [289].
Murray, Charles, actor, [267].
O'Neill, Miss, [221], [387];
her first opportunity, [388].
"O. P." riots, [337-345].
Opera, progress of, [10].
Otway, [283].
Owen, John, actor, [267].
Owenson, [130].
Palmer, John, [139];
account of his career, [139-143];
accidentally stabbed by Mrs. Barry, [148];
his endeavours to open the Royalty Theatre, [140];
his original characters, [140];
his coolness, [140];
his death on the stage, [141], [142];
the original Joseph Surface, [142].
Parsons, William, [137];
his impudent "gagging," [37];
a great comedian, [138];
as Foresight, [138];
as Skirmish, [138];
as Corbaccio, [138];
his last character, [138];
his death, [139];
story about his wife, [139].
Patents, [418].
Phelps, Samuel, his worthy support of the legitimate drama, [419].
Phillips, Miss (Mrs. Crouch), [50].
Plays, list of, from 1800 to 1813, [327-330].
Pope, Alexander, [14];
on Macklin's Shylock, [70].
Pope, Mrs. (Miss Younge), [102].
Pope, Miss, [74], [304];
account of her career, [304-308];
her retirement, [304];
her original parts, [305];
Churchill's opinion of her, [305], [306];
her love affair with Holland, [306];
her last illness and death, [308].
Powell, George, and the Spectator, [294].
Powell, Mrs., actress, [58].
Powell, Thomas, a nervous author, [20].
Pritchard, Mrs., [172].
Proctor, B. W. (Barry Cornwall), [352], [357].
Prologues, [273].
Purvor, Grace (Mrs. Macklin), [67].
Pye, poet laureate, [2].
Quin, James, [47], [259], [263];
and "Fatal Retirement," [19];
antagonism with Macklin, [77];
his carelessness in costume, [253].
Rae, [372], [374].
Raymond, [373].
Reddish, Samuel, [115];
account of his career, [115-122];
his first appearance, [116];
his characters, [116];
as Edgar in "King Lear," [117];
as Posthumus, [117];
accidentally stabs Smith, [117];
his marriage, [118];
his loss of memory, [118];
his sad mental condition, [119];
his last appearance, [119];
in a lunatic asylum, [121];
his death, [122].
Reddish, Mrs., [118].
Reynolds, Frederic, [348].
Riot at Drury Lane, [33].
Riots, [51].
Robinson, Mrs. ("Perdita"), [108];
account of her career, [108-114];
her marriage, [108];
as Juliet, [109];
her excellences, [109];
as Perdita, [109];
her amour with the Prince of Wales (George IV.), [110], [111];
her death, [111];
her character, [111];
her taste in dressing, [112].
Romantic drama, [11].
Ross, David, [122];
his indolence, [122];
the first patentee in Edinburgh, [123];
as Barnwell, [124];
his death, [125].
Rowe, Nicholas, and his "Biter," [12].
Sainville, Monsieur and Madame, [101].
Satchell, Miss, as Desdemona, [211].
Saurin, French dramatist, [18], [23].
"School for Scandal," [5].
Settle, Elkanah, [14].
Shadwell, [287].
Sheil, Lalor, [352], [354].
Shenstone, [276].
Sheridan, R. B., [5], [27], [277];
and "The Castle Spectre," [12];
end of his connection with Drury Lane, [330].
Shuter, Edward, [61].
Siddons, Mrs., [152], [220-222], [262];
account of her career, [153-188];
her birth, [153];
her parentage, [154];
on the stage as a child, [155];
her strolling experiences, [155], [156];
her marriage, [157];
engaged by Garrick, [158];
her failure in London, [159];
a great favourite in Bath, [160];
her second appearance in London, [160];
her triumphant success, [160], [161];
as Jane Shore, [161];
as Calista, [161];
as Belvidera, [162];
as Zara, [162];
and Mrs. Crawford, [162];
her enemies, [163], [170], [175];
in Ireland, [163], [166];
as Isabella in "Measure for Measure," [164];
as Constance, [164];
as Lady Randolph, [165];
appointed preceptress to princesses, [165];
her portrait by Reynolds, [166];
in Scotland, [166];
her enthusiastic reception, [167];
as Margaret of Anjou, [171];
as Lady Macbeth, [171];
her great triumph, [171];
as Desdemona, [176];
not successful as Rosalind, [177];
as Hermione, [178];
as Ophelia, [178];
as a comedian, [179];
her opinion of Greatheed's "Regent," [180];
as Queen Katherine, [181];
as Volumnia, [182];
in "Edwy and Elgiva," [182];
in "Edward and Eleanora," [182];
faints while playing Arpasia, [183];
her robe takes fire, [184];
her retirement, [185];
her last appearance, [186];
her high character, [187];
her death, [188];
her costume, [251], [252];
specially attacked by the "O. P." rioters, [337-345]
Siddons Henry, [228].
Siddons fever, the, [167].
Smith, Miss (Mrs. Bartley), [382];
a rival to Mrs. Siddons, [221].
Smith, "Gentleman," [125];
stabbed by Reddish, [117];
his career, [125];
his original characters, [125];
his remarkable marriages, [126];
his retirement, [126].
Somerville, Miss (Mrs. Bunn), [392].
Southerne, [15], [284].
Sowerby, [382].
Spiller's benefit for himself and his creditors, [295].
Stage costume, [248-258].
Stage tricks, [258].
Strollers, [267], [268].
Strolling managers, [268].
Styles, Rev. Dr., [335].
Suett, Richard, [245];
and his collection of wigs, [254];
his great powers as a comedian, [302];
his love of drink, [303].
Talma, [24].
Terry, Daniel, [385].
Theobald, Lewis, [14].
Tidswell, Miss, [362], [398].
Tokely, [373].
Tracy, dramatist, [16].
Tricks, stage, [258].
Twiss's Verbal Index to Shakespeare, [331].
Vanbrugh, Sir John, [15].
Walker, Thomas, [10].
Wallace, Lady, [9].
Wallack, [396].
Walpole, Horace, as a dramatist, [22];
on theatrical genius, [1], [2];
on Miss Younge's acting, [3];
on the "School for Scandal," [5];
on the "Man of the World," [6];
on the Delavals' amateur performances, [31];
on the "Wishes," [42];
on the "Miniature Picture," [53];
on Mrs. Abington, [105];
on Mrs. Siddons, [169], [174], [206];
on Kemble, [206]; on John Bannister, [311];
on Mrs. Jordan, [314].
Walpole, Sir Robert, [37].
Walstein, Miss, [387];
strikes for higher salary, [388].
Webb, Mrs., [96].
Wells, Mrs. (Mrs. Sumbell), [95], [265].
Whalley. Dr., [26].
Whitelock, Mrs. (sister of Mrs. Siddons), [94].
Wignell, actor, [266], [274].
Wilkinson, Tate, [126];
his extraordinary power as a mimic, [127];
patentee at York, [127].
Wilson, Mrs., [94].
Woodward, Henry, [299];
his dress as Mercutio, [249].
Wycherley, [285].
Yates, Frederick, [396].
Yates, Richard, [299];
his characteristics as an actor, [125];
his parsimony, [125].
Yates, Mrs., her career, [86-88];
as Medea, [87];
in strong-minded heroines, [87];
her Violante, [87];
her death, [88].
Young, Charles Mayne, [260], [324];
his costume in various parts, [257];
of the Kemble school, [325];
his great contest with Kean, [399].
Young, Dr. E., [276], [287].
Younge, Miss, [3], [177];
her withdrawal from the stage, [102].
THE END.
PRINTED BY BALLANTYNE, HANSON AND CO.
EDINBURGH AND LONDON.
LONDON,
14 KING WILLIAM STREET, STRAND, W.C.
JOHN C. NIMMO'S
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A NEW ILLUSTRATED WORK BY THE AUTHOR OF
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"De Omnibus Rebus."
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New Historical Work by F. G. Lee, D.D.
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An Historical Sketch. With an Introductory Prologue and Practical Epilogue by
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New Volumes of the Elizabethan Dramatists Series.
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500 copies of this Edition printed for England and 250 for America.
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"THEIR MAJESTIES' SERVANTS."
Annals of the English Stage
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By DR. DORAN, F.S.A.
Edited and Revised by R. W. Lowe from Author's Annotated Copy.
With Fifty Copperplate Portraits and Eighty Wood Engravings.
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Besides the demy 8vo edition, a limited number will be printed on royal 8vo, fine deckle-edged paper, with a duplicate set of the fifty portraits, one on Japanese paper and the other on plate paper, as India proofs.
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A Bibliography of Theatrical Literature.
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A BIBLIOGRAPHICAL ACCOUNT
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By ROBERT W. LOWE.
Note.—There is as yet no Bibliography of the general literature of the stage. Plays have been catalogued many times, and some of our greatest bibliographers have directed their attention to Shakespearian literature; but no attempt has been made to give even the baldest catalogue of the large and curious mass of books relating to the History of the Stage, the Biography of Actors and Actresses, the Controversy regarding the Influence of the Stage, the numerous curious Theatrical Trials, and the many scandalous attacks on the personal character of celebrated performers. In the last two classes especially there are many curious pamphlets dealing with the strangest scandals, and often containing the most disgraceful accusations, of which no account is to be found except in the originals themselves, which, having been in many cases suppressed, are of extreme rarity.
The present work is intended to supply in some measure the want which has been felt by all writers on theatrical subjects, as well as by all collectors of theatrical books. It consists of about 2000 titles, the great majority of which are taken directly from the works described. These will be arranged alphabetically, with exhaustive cross-references. Notes regarding each actor and actress will be given, and also an account of the occurrences to which particular works refer, special attention being paid to the less known and more curious pamphlets. Thus, it is hoped, the work will have a historical as well as bibliographical value, and will form a History of the Stage, especially in those details of which regular histories take little or no cognisance. Plays will be excluded, except where they have prefaces, &c., of historical or controversial interest; and of Shakespeariana, only such works will be included as relate to the performance of Shakespeare's plays or the representation of his characters by particular actors.
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Third Edition, newly Revised and Corrected, and greatly Enlarged, in 2 vols. medium 8vo, cloth, Three Hundred Engravings and Twelve Full-Page Plates, price 21s.
The Rosicrucians:
THEIR RIGHTS AND MYSTERIES.
By HARGRAVE JENNINGS.
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Post 8vo, hand-made paper, 500 copies, each numbered, price 10s. 6d. net. Also 250 copies, large paper, in half-German calf, each numbered.
England's Helicon.
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Edited by A. H. BULLEN.
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Saturday Review.
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THE NEW EDITED AND COMPLETE EDITIONS
OF
The Elizabethan Dramatists.
This is the first instalment towards a collective edition of the Dramatists who lived about the time of Shakespeare. The type will be distributed after each work is printed.
One of the chief features of this New Edition of the Elizabethan Dramatists, besides the handsome and handy size of the volumes, will be the fact that each Work will be carefully edited and new notes given throughout.
Algernon Charles Swinburne
(IN THE NINETEENTH CENTURY, January 1886)
ON THE
Elizabethan Dramatists.
"If it be true, as we are told on high authority, that the greatest glory of England is her literature, and the greatest glory of English literature is its poetry, it is not less true that the greatest glory of English poetry lies rather in its dramatic than its epic or its lyric triumphs. The name of Shakespeare is above the names even of Milton and Coleridge and Shelley; and the names of his comrades in art and their immediate successors are above all but the highest names in any other province of our song. There is such an overflowing life, such a superb exuberance of abounding and exulting strength, in the dramatic poetry of the half century extending from 1590 to 1640, that all other epochs of English literature seem as it were but half awake and half alive by comparison with this generation of giants and of gods. There is more sap in this than in any other branch of the national bay-tree; it has an energy in fertility which reminds us rather of the forest than the garden or the park. It is true that the weeds and briars of the underwood are but too likely to embarrass and offend the feet of the rangers and the gardeners who trim the level flower-plots or preserve the domestic game of enclosed and ordered lowlands in the tamer demesnes of literature. The sun is strong and the wind sharp in the climate which reared the fellows and the followers of Shakespeare. The extreme inequality and roughness of the ground must also be taken into account when we are disposed, as I for one have often been disposed, to wonder beyond measure at the apathetic ignorance of average students in regard of the abundant treasure to be gathered from this widest and most fruitful province in the poetic empire of England. And yet, since Charles Lamb threw open its gates to all comers in the ninth year of the present century, it cannot but seem strange that comparatively so few should have availed themselves of the entry to so rich and royal an estate. Mr. Bullen has taken up a task than which none more arduous and important, none worthier of thanks and praise, can be undertaken by any English scholar."
Volumes now Ready of the new Edited and Complete Editions of the Elizabethan Dramatists.
Post 8vo, cloth. Published price, 7s. 6d. per volume net; also large fine-paper edition, medium 8vo, cloth.
The following are Edited by A. H. Bullen, B.A.:—
| THE WORKS OF GEORGE PEELE. | Two Volumes. |
| THE WORKS OF JOHN MARSTON. | Three Volumes. |
| THE WORKS OF THOMAS MIDDLETON. | Eight Volumes. |
| THE WORKS OF CHRISTOPHER MARLOWE. | Three Volumes. |
Others in active preparation.
SOME PRESS NOTICES.
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Saturday Review.—"Mr. Bullen has discharged his task as editor in all important points satisfactorily, his introduction is well informed and well written, and his notes are well chosen and sufficient.... We hope it may be his good fortune to give and ours to receive every Dramatist, from Peele to Shirley, in this handsome, convenient, and well-edited form."
The Spectator.—"Probably one of the boldest literary undertakings of our time, on the part of publisher as well as editor, is the fine edition of the Dramatists which has been placed in Mr. Bullen's careful hands; considering the comprehensiveness of the subject, and the variety of knowledge it demands, the courage of the editor is remarkable."
Notes and Queries.—" ... Appropriately, then, the series Mr. Bullen edits and Mr. Nimmo issues in most attractive guise is headed by Marlowe, the leader, and in some respects all but the mightiest spirit, of the great army of English Dramatists."
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Scotsman.—"Never in the history of the world has a period been marked by so much of literary power and excellence as the Elizabethan period; and never have the difficulties in the way of literature seemed to be greater. The three volumes which Mr. Nimmo has issued now may be regarded as earnests of more to come, and as proofs of the excellence which will mark this edition of the Elizabethan Dramatists as essentially the best that has been published. Mr. Bullen is a competent editor in every respect."
The Standard.—"Throughout Mr. Bullen has done his difficult work remarkably well, and the publisher has produced it in a form which will make the edition of early Dramatists of which it is a part an almost indispensable addition to a well-stocked library."
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Standard Historical Works.
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THE WORKS OF
The Right Hon. Edmund Burke.
With Engraved Portrait from the Painting
By Sir JOSHUA REYNOLDS.
Carefully Revised and Collated with the Latest Editions.
Note.—The publication of this Complete Library Edition of the Writings and Speeches of a great Writer and Orator, whose works have been so frequently quoted of late in the British Houses of Parliament, the publisher feels may be opportune to many readers and admirers of one of the greatest of the sons of men. Viewed in the light of the present age, how great is our admiration of that foresight which foretold, and that wisdom which would have averted, the storms which menaced the peace and well-being of his country! His public labours present a continuous struggle against the stupidity, the obstinacy, and the venality of the politicians of his day.
So long as virtue shall be beloved, wisdom revered, or genius admired, so long will the memory of this illustrious exemplar of all be fresh in the world's history; for human nature has too much interest in the preservation of such a character ever to permit the name of Edmund Burke to perish from the earth.
CONTENTS.
Vindication of Natural Society.
The Sublime and Beautiful.
Observations on a Late Publication on "The Present State of the Nation."
Thoughts on the Cause of the Present Discontents.
Reflections on the Revolution in France.
Thoughts on French Affairs.
Thoughts and Details on Scarcity.
Hints for an Essay on the Drama.
An Essay towards an Abridgment of the English History.
Papers on India.
Articles of Charge against Warren Hastings.
Speeches in the Impeachment of Warren Hastings.
Miscellaneous Speeches.
Letters.
Index, &c.
Medium 8vo, fine paper, with Four Etched Portraits, &c., cloth, 21s. net.
The Autobiography of Edward,
LORD HERBERT OF CHERBURY.
With Introduction, Notes, Appendices, and a Continuation of the Life.
By SYDNEY L. LEE, B.A., Balliol College, Oxford.
Notes and Queries.
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Medium 8vo, fine paper, with Four Etched Portraits, &c., cloth, 21s. net.
The Life of William Cavendish,
DUKE OF NEWCASTLE,
To which is added the True Relation of My Birth, Breeding, and Life.
By MARGARET, DUCHESS OF NEWCASTLE.
Edited by C. H. FIRTH, M.A.
Saturday Review.
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Medium 8vo, fine paper, with Ten Etched Portraits, &c., cloth, Two Volumes, 42s. net.
MEMOIRS OF THE LIFE OF COLONEL HUTCHINSON.
By his Widow, LUCY.
Revised and Edited by CHARLES H. FIRTH, M.A.
Athenæum.
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Medium 8vo, fine paper, Roxburghe binding, gilt top, and Two Etchings, price 15s.
A Chronicle History of the Life and Work of William Shakespeare.
PLAYER, POET, AND PLAYMAKER.
By F. G. FLEAY, M.A.
From Professor A. W. Ward's Preface to the Second Edition of Marlowe's "Dr. Faustus."
"Mr. Fleay's new Life of Shakespeare will, in my opinion, before long be acknowledged as one of the most important works on the history of the Elizabethan drama which this age has produced."
Extract from a Letter to the Author from Dr. H. H. Furness.
"The man himself was always unreal to me, and I never could bring myself to believe that he ever really existed. But your book has left upon me the impression, as deep as it is strange, that such a man did really live, and that he belonged to the noble army of workers.
"I had confidence in you and followed holding your hand, at times lost in wonder and admiration over the miraculous memory and indefatigable research of my guide."
Copyright Edition, with Ten Etched Portraits. In Ten Vols., demy 8vo, cloth, £5, 5s. net.
Lingard's History of England.
FROM THE FIRST INVASION BY THE ROMANS TO THE ACCESSION OF WILLIAM AND MARY IN 1688.
By JOHN LINGARD, D.D.
This New Copyright Library Edition of "Lingard's History of England," besides containing all the latest notes and emendations of the Author, with Memoir, is enriched with Ten Portraits, newly etched by Damman, of the following personages, viz.:—Dr. Lingard, Edward I., Edward III., Cardinal Wolsey, Cardinal Pole, Elizabeth, James I., Cromwell, Charles II., James II.
The Times.
"No greater service can be rendered to literature than the republication, in a handsome and attractive form, of works which time and the continued approbation of the world have made classical.... The accuracy of Lingard's statements on many points of controversy, as well as the genial sobriety of his view, is now recognised."
The Tablet.
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The Spectator.
"We are glad to See that the demand for Dr. Lingard's England still continues. Few histories give the reader the same impression of exhaustive study. This new edition is excellently printed, and illustrated with ten portraits of the greatest personages in our history."
Dublin Review.
"It is pleasant to notice that the demand for Lingard continues to be such that publishers venture on a well-got-up library edition like the one before us. More than sixty years have gone since the first volume of the first edition was published; many equally pretentious histories have appeared during that space, and have more or less disappeared since, yet Lingard lives—is still a recognised and respected authority."
The Scotsman.
"There is no need, at this time of day, to say anything in vindication of the importance, as a standard work, of Dr. Lingard's 'History of England.' ... Its intrinsic merits are very great. The style is lucid, pointed, and puts no strain upon the reader; and the printer and publisher have neglected nothing that could make this-what it is likely long to remain—the standard edition of a work of great historical and literary value."
Daily Telegraph.
"True learning, untiring research, a philosophic temper, and the possession of a graphic, pleasing style were the qualities which the author brought to his task, and they are displayed in every chapter of his history."
Two Volumes, 8vo, Sixty-four Portraits, Roxburghe binding, gilt top, price 30s. net.
MEMOIRS OF COUNT GRAMMONT.
By ANTHONY HAMILTON.
A New Edition, Edited, with Notes, by SIR WALTER SCOTT.
With Sixty-four Portraits Engraved by Edward Scriven.
Hallam.
"The 'Memoirs of Grammont,' by Anthony Hamilton, scarcely challenge a place as historical; but we are now looking more at the style than the intrinsic importance of books. Every one is aware of the peculiar felicity and fascinating gaiety which they display."
T. B. Macaulay.
"The artist to whom we owe the most highly finished and vividly coloured picture of the English Court in the days when the English Court was gayest."
Medium 8vo, fine paper, Eighty-eight Illustrations, cloth, gilt top, price 21s. net.
OLD TIMES:
A PICTURE OF SOCIAL LIFE AT THE END OF THE EIGHTEENTH CENTURY.
Collected and Illustrated from the Satirical and other Sketches of the Day.
By JOHN ASHTON.
Author of "Social Life in the Reign of Queen Anne."
With Eighty-eight Illustrations.
Daily Telegraph.
"That is the best and truest history of the past which comes nearest to the life of the bulk of the people. It is in this spirit that Mr. John Ashton has composed 'Old Times,' intended to be a picture of social life at the end of the eighteenth century. The illustrations form a very valuable, and at the same time quaint and amusing, feature of the volume."
Saturday Review.
"'Old Times,' however, is not only valuable as a book to be taken up for a few minutes at a time; a rather careful reading will repay those who wish to brush up their recollections of the period. To some extent it may serve as a book of reference, and even historians may find in it some useful matter concerning the times of which it treats. The book is in every respect suited for a hall or library table in a country house."
THE MONKS OF THE WEST,
FROM ST. BENEDICT TO ST. BERNARD.
By the COUNT DE MONTALEMBERT,
Member of the French Academy.
Authorised Translation. Seven Volumes 8vo, cloth, £4, 4s. net.
(Published by Messrs. W. Blackwood & Sons, Edinburgh.)
CONTENTS OF THE WORK.
Introduction.
The Roman Empire after the Peace of the Church.
Monastic Precursors in the East.
Monastic Precursors in the West.
St. Benedict.
St. Gregory the Great—Monastic Italy and Spain in the Sixth and Seventh Centuries.
The Monks under the First Merovingians.
St. Columbanus—The Irish in Gaul and the Colonies of Luxeuil.
Christian Origin of the British Isles.
St. Columba, the Apostle of Caledonia, 521-597.
St. Augustin of Canterbury and the Roman Missionaries in England, 597-633.
The Celtic Monks and the Anglo-Saxons.
St. Wilfrid establishes Roman Unity and the Benedictine Order, 634-709.
Contemporaries and Successors of St. Wilfrid, 650-735.
Social and Political Influence of the Monks among the Anglo-Saxons.
The Anglo-Saxon Nuns.
The Church and the Feudal System—The Monastic Orders and Society.
St. Gregory, Monk and Pope.
The Predecessors of Calixtus II.
Times.
"Whatever the Count touches he of necessity adorns. He has produced a great and most interesting work, full of curious facts, and lit up with most noble eloquence."
Freeman's Journal.
"Of the translation, we must say it is in every respect worthy the original. The nervous style of the author is admirably preserved. It is at the same time spirited and faithful."
Standard.
"No library of English history will be complete without these glowing pictures of the 'Monks of the West.'"
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The Lives of the Queens of Scotland,
AND ENGLISH PRINCESSES CONNECTED WITH THE REGAL SUCCESSION OF GREAT BRITAIN.
By AGNES STRICKLAND.
With Portraits and Historical Vignettes.
Eight Volumes, post 8vo, cloth, £4, 4s. net. Also in full calf and half calf bindings.
(Published by Messrs. W. Blackwood & Sons, Edinburgh.)
CONTENTS OF THE WORK.
Life of Margaret Tudor, Queen of James IV.
Life of Magdalene of France, First Queen of James V.
Life of Mary of Lorraine, Second Queen of James V.
Life of the Lady Margaret Douglas, Countess of Lennox.
Life of Mary Stuart, Queen of Scotland.
Life of Elizabeth Stuart, First Princess Royal of Great Britain.
Life of Sophia, Electress of Hanover.
English Review.
"Miss Strickland has not only been fortunate in the selection of her subject, but she has sustained to the full her high reputation for research."
The Standard.
"In 'The Queens of Scotland' Miss Strickland prosecutes her original task with as careful research as in her first work, and with undiminished spirit and unaltered delicacy."
The Guardian.
"We discern freedom and ease of manner, a judicious selection of materials, an evenly balanced judgment, and the sobriety and decision which are the fruits of wide historical knowledge."
Blackwood's Magazine.
"Every step in Scotland is historical; the shades of the dead arise on every side; the very rocks breathe. Miss Strickland's talents as a writer, and turn of mind as an individual, in a peculiar manner fit her for painting a historical gallery of the most illustrious or dignified female characters in that land of chivalry and song."
Note.—Very few sets of this delightful work are now left for sale.
OCTAVE UZANNE'S ILLUSTRATED WORKS.
Royal 8vo, cloth, gilt top, Illustrations engraved in colours, price 42s. net.
The Frenchwoman of the Century.
FASHIONS—MANNERS—USAGES.
By OCTAVE UZANNE.
Illustrations in Water Colours by Albert Lynch. Engraved in Colours by Eugène Gaujean.
Morning Post.—"Graceful and light as is this book by M. Octave Uzanne, the clever author of 'The Fan' and 'The Sunshade, Muff, and Glove,' and other works marked by a rare originality, it affords a more complete insight into the ideas of the women of France of this century and of the influence exercised by them than is apparent on the surface. An idea can be formed of the prodigality and luxury that prevailed at the Court of the First Empire by 'a serio-comic document' circulated in 1807 as 'an account of the annual expense of a female fop of Paris.' Its different items amount to the sum of 190,000fr., or £7600 sterling. The women of fashion of a later period are not less well photographed. There are some sparkling pages on those of 1830, at the time when Balzac discovered and sang 'La Femme de Trente Ans,' 'whose beauty shines with all the brightness of a perfumed summer.' Speaking the truth always, but with native gallantry seeking to conceal its harshness, M. Uzanne tells his countrywomen of to-day that 'the woman of this end of the century reigns despotically still in our hearts, but has no longer the same happy influence on our spirits, our manners, our society.' To account for this, as indeed in writing of the moral aspect of all the different social phases that come within his scope, the author reasons of cause and effect with an able lucidity that skilfully avoids dulness. The illustrations are, without exception, artistic and spirituelle, and contribute to make of this elegantly bound work, a veritable 'volume de luxe,' which worthily continues the series of productions from M. Uzanne's brilliant and facile pen."
Royal 8vo, cloth, gilt top, 31s. 6d. net.
THE FAN. By OCTAVE UZANNE.
Illustrations by Paul Avril.
Standard.—"It gives a complete history of fans of all ages and places; the illustrations are dainty in the extreme. Those who wish to make a pretty and appropriate present to a young lady cannot do better than purchase 'The Fan.'"
Athenæum.—"The letterpress comprises much amusing 'chit-chat,' and is more solid than it pretends to be. This brochure is worth reading; nay, it is worth keeping."
Royal 8vo, cloth, gilt top, 31s. 6d. net.
The Sunshade, Muff, and Glove.
By OCTAVE UZANNE.
Illustrations by Paul Avril.
Art Journal.—"At first sight it would seem that material could never be found to fill even a volume; but the author, in dealing with his first subject alone, 'The Sunshade,' says he could easily have filled a dozen volumes of this emblem of sovereignty. The work is delightfully illustrated in a novel manner by Paul Avril, the pictures which meander about the work being printed in various colours."
Charming Editions, Illustrated with Etchings, of Standard Works, suitable for presentation. Crown 8vo, handsomely bound, either in cloth or parchment bindings, price 7s. 6d. per volume.
1. THE TALES AND POEMS OF EDGAR ALLAN POE. With Biographical Essay by John H. Ingram; and Fourteen Original Etchings, Three Photogravures, and a Portrait newly etched from a lifelike Daguerrotype of the Author. In Four Volumes.
2. WEIRD TALES. By E. T. W. Hoffman. A New Translation from the German. With Biographical Memoir by J. T. Bealby, formerly Scholar of Corpus Christi College, Cambridge. With Portrait and Ten Original Etchings by Ad. Lalauze. In Two Volumes.
3. THE LIFE AND OPINIONS OF TRISTRAM SHANDY, Gentleman. By Laurence Sterne.In Two Vols. With Eight Etchings by Damman from Original Drawings by Harry Furniss.
4. THE OLD ENGLISH BARON: A Gothic Story. By Clara Reeve. THE CASTLE OF OTRANTO: A Gothic Story. By Horace Walpole. In One Vol. With Two Portraits and Four Original Drawings by A. H. Tourrier, Etched by Damman.
5. THE ARABIAN NIGHTS ENTERTAINMENTS. In Four Vols. Carefully Revised and Corrected from the Arabic by Jonathan Scott, LL.D., Oxford. With Nineteen Original Etchings by Ad. Lalauze.
6. THE HISTORY OF THE CALIPH VATHEK. By Wm. Beckford. With Notes, Critical, and Explanatory. RASSELAS, PRINCE OF ABYSSINIA. By Samuel Johnson. In One Vol. With Portrait of Beckford, and Four Original Etchings, designed by A. H. Tourrier, and Etched by Damman.
7. ROBINSON CRUSOE. By Daniel Defoe. In Two Vols. With Biographical Memoir, Illustrative Notes, and Eight Etchings by M. Mouilleron, and Portrait by L. Flameng.
8. GULLIVER'S TRAVELS. By Jonathan Swift. With Five Etchings and Portrait by Ad. Lalauze.
9. A SENTIMENTAL JOURNEY. By Laurence Sterne. A TALE OF A TUB. By Jonathan Swift. In One Vol. With Five Etchings and Portrait by Ed. Hedouin.
10. THE HISTORY OF DON QUIXOTE DE LA MANCHA. Translated from the Spanish of Miguel de Cervantes Saavedra by Motteux. With copious Notes (including the Spanish Ballads), and an Essay on the Life and Writings of Cervantes by John G. Lockhart. Preceded by a Short Notice of the Life and Works of Peter Anthony Motteux by Henri van Laun. Illustrated with Sixteen Original Etchings by R. de Los Rios. Four Volumes.
11. LAZARILLO DE TORMES. By Don Diego Mendoza. Translated by Thomas Roscoe. And GUZMAN D'ALFARACHE. By Mateo Aleman. Translated by Brady. Illustrated with Eight Original Etchings by R. de Los Rios. Two Volumes.
12. ASMODEUS. By Le Sage. Translated from the French. Illustrated with Four Original Etchings by R. de Los Rios.
13. THE BACHELOR OF SALAMANCA. By Le Sage. Translated from the French by James Townsend. Illustrated with Four Original Etchings by R. de Los Rios.
14. VANILLO GONZALES; or, The Merry Bachelor. By Le Sage. Translated from the French. Illustrated with Four Original Etchings by R. de Los Rios.
15. THE ADVENTURES OF GIL BLAS OF SANTILLANE. Translated from the French of Le Sage by Tobias Smollett. With Biographical and Critical Notice of Le Sage by George Saintsbury. New Edition, carefully revised. Illustrated with Twelve Original Etchings by R. de Los Rios. Three Volumes.
The Times.
"Among the numerous handsome reprints which the publishers of the day vie with each other in producing, we have seen nothing of greater merit than this series of volumes. Those who have read these masterpieces of the last century in the homely garb of the old editions may be gratified with the opportunity of perusing them with the advantages of large clear print and illustrations of a quality which is rarely bestowed on such reissues. The series deserves every commendation."
Royal 8vo, cloth extra, printed in colours and gilt top, price 12s. 6d.
An elegant and choicely Illustrated Edition of
GOLDSMITH'S VICAR OF WAKEFIELD.
With Prefatory Memoir by George Saintsbury,
And One Hundred and Fourteen Coloured Illustrations by V. A. Poirson (Illustrator of "Gulliver's Travels").
Saturday Review.
"Goldsmith's immortal tale is here delightfully illustrated in colour, and there is a prefatory memoir by Mr. George Saintsbury, full of delicate criticism and careful research. The illustrations are sketchy, fresh, merry, and in colours perfectly harmonious. Such a book is a boon to the cultivated reader of every age."
The Guardian.
"A new edition of the 'Vicar of Wakefield' naturally appears with every fresh variety of the arts of priming or illustration. M. Poirson showed so keen an appreciation of the peculiar humour of 'Gulliver's Travels,' that it was only to be expected that he should try his hand at an even more popular book. Mr. Saintsbury has prefixed an excellent critical memoir, and altogether, if Goldsmith could have chosen the garb in which he would best like his Vicar to appear, his ideas would probably have jumped with those of the present publisher."
The Graphic.
"They are indeed some of the most excellent specimens of artistic colour-printing now to be seen; and the book is a wonder of cheapness, seeing it is sold at the low sum of 12s. 6d."
A New and Beautiful Edition of the Imitation of Christ.
In demy 8vo, with Fifteen Etchings, bound in full white parchment, gilt top, price 21s. net.
The Imitation of Christ.
FOUR BOOKS.
Translated from the Latin by Rev. W. BENHAM, B.D.,
Rector of St. Edmund, King and Martyr, Lombard Street, London.
The text and quaint borders printed in brown ink on fine vellum paper, and illustrated with Fifteen Etchings by L. Flameng and Ch. Waltner, from designs by J. P. Laurens and Henry Levy, printed on Japanese paper, make this, for presentation purposes, one of the most beautiful editions at present to be had.
Scotsman.
"We have not seen a more beautiful edition of 'The Imitation of Christ' than this one for many a day."
Magazine of Art.
"This new edition of the 'Imitation' may fairly be regarded as a work of art. It is well and clearly printed; the paper is excellent; each page has its peculiar border, and it is illustrated with fifteen etchings. Further than that the translation is Mr. Benham's we need say nothing more."
Second Edition, post 8vo, cloth elegant, gilt top, price 5s.
Carols and Poems.
FROM THE FIFTEENTH CENTURY TO THE PRESENT TIME.
Edited by A. H. BULLEN, B.A.
Note.—120 copies printed on fine medium 8vo paper, with Seven Illustrations on Japanese paper. Each copy numbered.
Saturday Review.
"Since the publication of Mr. Sandys's collection there have been many books issued on carols, but the most complete by far that we have met with is Mr. Bullen's new volume, 'Carols and Poems from the Fifteenth Century to the Present Time.' The preface contains an interesting account of Christmas festivities and the use of carols. Mr. Bullen has exercised great care in verifying and correcting the collections of his predecessors, and he has joined to them two modern poems by Hawker, two by Mr. William Morris, and others by Mr. Swinburne, Mr. Symonds, and Miss Rossetti. Altogether this is one of the most welcome books of the season."
Two Very Funny and Humorously Illustrated Books by
A. B. FROST.
Crown 8vo, cloth, gilt top, with One Hundred Illustrations, price 5s.
RUDDER GRANGE. By FRANK R. STOCKTON.
The Times.—"Many of the smaller drawings are wonderfully spirited; there are sketchy suggestions of scenery, which recall the pregnant touches of Bewick; and the figures of animals and of human types are capital, from the row of roosting fowls at the beginning of the chapter to the dilapidated tramp standing hat in hand."
Court and Society Review.—"After looking at the pictures we found ourselves reading the book again, and enjoying Pomona and her reading, and her adventure with the lightning rodder, and her dog-fight as much as ever. And to read it twice over is the greatest compliment you can pay to a book of American humour."
Art Journal.—"Mr. Stockton, the author, and Mr. Frost, the artist, have here gone hand in hand to produce the most humorous of stories with the best results."
Morning Post.—"It will be welcomed in its new dress by many who have already made the acquaintance of Euphemia and Pomona, as well as by many who will now meet those excellent types of feminine character for the first time."
Saturday Review.—"The new edition of 'Rudder Grange' has a hundred illustrations by Mr. A. B. Frost; they are extremely good, and worthy of Mr. Stockton's amusing book."
Small 4to, One Hundred and Twenty Illustrations, price 6s.
STUFF AND NONSENSE. By A. B. FROST.
CONTENTS.
The Fatal Mistake—A Tale of a Cat.
Ye Æsthete, ye Boy, and ye Bullfrog.
The Balloonists.
The Powers of the Human Eye.
The Crab-Boy and His Elephant.
The Old Man of Moriches.
The Bald-headed Man.
The Mule and the Crackers.
The Influence of Kindness.
Bobby and the Little Green Apples.
The Awful Comet.
The Tug of War.
The Ironical Flamingo.
&c. &c. &c.
Standard.—"This is a book which will please equally people of all ages. The illustrations are not only extremely funny, but they are drawn with wonderful artistic ability, and are full of life and action.
"It is far and away the best book of 'Stuff and Nonsense' which has appeared for a long time."
Press.—"The most facetious bit of wit that has been penned for many a day, both in design and text, is Mr. A. B. Frost's 'Stuff and Nonsense.' 'A Tale of a Cat' is funny, 'The Balloonists' is perhaps rather extravagant, but nothing can outdo the wit of 'The Powers of the Human Eye,' whilst 'Ye Æsthete, ye Boy, and ye Bullfrog' may be described as a 'roarer.' Mr. Frost's pen and pencil know how to chronicle fun, and their outcomes should not be overlooked."
Graphic.—"Grotesque in the extreme. His jokes will rouse many a laugh."
IMAGINARY CONVERSATIONS.
By WALTER SAVAGE LANDOR.
In Five Vols. crown 8vo, cloth, 30s.
First Series—Classical Dialogues, Greek and Roman.
Second Series—Dialogues of Sovereigns and Statesmen.
Third Series—Dialogues of Literary Men.
Fourth Series—Dialogues of Famous Women.
Fifth Series—Miscellaneous Dialogues.
Note.—This New Edition is printed from the last Edition of his Works, revised and edited by John Forster, and is published by arrangement with the Proprietors of the Copyright of Walter Savage Landor's Works.
The Times.
"The abiding character of the interest excited by the writings of Walter Savage Landor, and the existence of a numerous band of votaries at the shrine of his refined genius, have been lately evidenced by the appearance of the most remarkable of Landor's productions, his 'Imaginary Conversations,' taken from the last edition of his works. To have them in a separate publication will be convenient to a great number of readers."
The Athenæum.
"The appearance of this tasteful reprint would seem to indicate that the present generation is at last waking up to the fact that it has neglected a great writer, and if so, it is well to begin with Landor's most adequate work. It is difficult to overpraise the 'Imaginary Conversations.' The eulogiums bestowed on the 'Conversations' by Emerson will, it is to be hoped, lead many to buy this book."
Scotsman.
"An excellent service has been done to the reading public by presenting to it, in five compact volumes, these 'Conversations.' Admirably printed on good paper, the volumes are handy in shape, and indeed the edition is all that could be desired. When this has been said, it will be understood what a boon has been conferred on the reading public; and it should enable many comparatively poor men to enrich their libraries with a work that will have an enduring interest."
BOOK-CORNER PROTECTORS.
Metal Tips carefully prepared for placing on the Corners of Books to preserve them from injury while passing through the Post Office or being sent by Carrier.
Extract from "The Times," April 18th.
"That the publishers and booksellers second the efforts of the Post Office authorities in endeavouring to convey books without damage happening to them is evident from the tips which they use to protect the corners from injury during transit."
1s. 6d. per Gross, net.
The American Patent Portable Book-Case.
For Students, Barristers, Home Libraries, &c.
This Book-case will be found to be made of very solid and durable material, and of a neat and elegant design. The shelves may be adjusted for books of any size, and will hold from 150 to 300 volumes. As it requires neither nails, screws, or glue, it may be taken to pieces in a few minutes, and reset up in another room or house, where it would be inconvenient to carry a large frame.
Full Height, 5 ft. 11-1/2 in.; Width, 3 ft. 8 inch; Depth of Shelf, 10-1/2 in.
Black Walnut, price £6, 6s. net.
"The accompanying sketch illustrates a handy portable book-case of American manufacture, which Mr. Nimmo provided. It is quite different from an ordinary article of furniture, such as upholsterers inflict upon the public, as it is designed expressly for holding the largest possible number of books in the smallest possible amount of space. One of the chief advantages which these book-cases possess is the ease with which they may be taken apart and put together again. No nails or metal screws are employed, nothing but the hand is required to dismantle or reconstruct the case. The parts fit together with mathematical precision; and, from a package of boards of very moderate dimensions, a firm and substantial book-case can be erected in the space of a few minutes. Appearances have by no means been overlooked; the panelled sides, bevelled edges, and other simple ornaments, give to the cases a very neat and tasteful look. For students, or others whose occupation may involve frequent change of residence, these book-cases will be found most handy and desirable, while, at the same time, they are so substantial, well-made, and convenient, that they will be found equally suitable for the library at home."
TRANSCRIBER'S NOTE
Obvious typographical errors and punctuation errors have been corrected after careful comparison with other occurrences within the text and consultation of external sources.
Except for those changes noted below, misspelling by the author, and inconsistent or archaic usage, has been retained. For example, gravediggers, grave-diggers; head-dress, headdress; riband, ribbon; ill luck, ill-luck; tragic, tragical; somerset; essay.
See the [Note] at the front of the book: This etext is derived from #216 of the 300 copies printed. The duplicates of the portraits have been removed.
[p. vii] 'Counttess' replaced by 'Countess'.
[p. 21] 'eat nor' replaced by 'ate nor'.
[p. 60] 'Oroonoko' replaced by '"Oroonoko"'.
[p. 62] 'to so many' replaced by 'to so many eras.'.
[p. 93] 'Westminister' replaced by 'Westminster'.
[p. 163] 'ex-hairdesser' replaced by 'ex-hairdresser'.
[p. 197] 'Sedaine' replaced by '"Sedaine"'.
[p. 229] 'dénoûment' replaced by 'dénouement'.
[p. 336] 'dénoûments' replaced by 'dénouements'.