THE PALAEOGRAPHY OF THE MORGAN FRAGMENT.

[DESCRIPTION OF THE FRAGMENT.]

[Contents]
size
vellum
binding T HE Morgan fragment of Pliny the Younger contains the end of Book II and the beginning of Book III of the Letters (II, xx. 13-III, v. 4). The fragment consists of six vellum leaves, or twelve pages, which apparently formed part of a gathering or quire of the original volume.

The leaves measure 11-3/8 by 7 inches (286 x 180 millimeters); the written space measures 7-1/4 by 4-3/8 inches (175 x 114 millimeters); outer margin, 1-7/8 inches (50 millimeters); inner, 3/4 inch (18 millimeters); upper margin, 1-3/4 inches (45 millimeters); lower, 2-1/4 inches (60 millimeters).

The vellum is well prepared and of medium thickness. The leaves are bound in a modern pliable vellum binding with three blank vellum fly-leaves in front and seven in back, all modern. On the inside of the front cover is the book-plate of John Pierpont Morgan, showing the Morgan arms with the device: Onward and Upward. Under the book-plate is the press-mark M.462.

[Ruling] There are twenty-seven horizontal lines to a page and two vertical bounding lines. The lines were ruled with a hard point on the flesh side, each opened sheet being ruled separately: 48^v and 53^r, 49^r and 52^v, 50^v and 51^r. The horizontal lines were guided by knife-slits made in the outside margins quite close to the text space; the two vertical lines were guided by two slits in the upper margin and two in the lower. The horizontal lines were drawn across the open sheets and extended occasionally beyond the slits, more often just beyond the perpendicular bounding lines. The written space was kept inside the vertical bounding lines except for the initial letter of each epistle; the first letter of the address and the first letter of the epistle proper projected into the left margin. Here and there the scribe transgressed beyond the bounding line. On the whole, however, he observed the limits and seemed to prefer to leave a blank before the bounding line rather than to crowd the syllable into the space or go beyond the vertical line.

[Relation of the six leaves to the rest of the manuscript] One might suppose that the six leaves once formed a complete gathering of the original book, especially as the first and last pages, folios 48^r and 53^v have a darker appearance, as though they had been the outside leaves of a gathering that had been affected by exposure. But this darker appearance is sufficiently accounted for by the fact that both pages are on the hair side of the parchment, and the hair side is always darker than the flesh side. Quires of six leaves or trinions are not unknown. Examples of them may be found in our oldest manuscripts. But they are the exception.[¹] The customary quire is a gathering of eight leaves, forming a quaternion proper. It would be natural, therefore, to suppose that our fragment did not constitute a complete gathering in itself but formed part of a quaternion. The supposition is confirmed by the following considerations:

In the first place, if our six leaves were once a part of a quaternion, the two leaves needed to complete them must have formed the outside sheet, since our fragment furnishes a continuous text without any lacuna whatever. Now, in the formation of quires, sheets were so arranged that hair side faced hair side, and flesh side flesh side. This arrangement is dictated by a sense of uniformity. As the hair side is usually much darker than the flesh side the juxtaposition of hair and flesh sides would offend the eye. So, in the case of our six leaves, folios 48^v and 53^r, presenting the flesh side, face folios 49^r and 52^v likewise on the flesh side; and folios 49^v and 52^r presenting the hair side, face folios 50^r and 51^v likewise on the hair side. The inside pages 50^v and 51^r which face each other, are both flesh side, and the outside pages 48^r and 53^v are both hair side, as may be seen from the accompanying diagram.

From this arrangement it is evident that if our fragment once formed part of a quaternion the missing sheet was so folded that its hair side faced the present outside sheet and its flesh side was on the outside of the whole gathering. Now, it was by far the more usual practice in our oldest uncial manuscripts to have the flesh side on the outside of the quire.[²] And as our fragment belongs to the oldest class of uncial manuscripts, the manner of arranging the sheets of quires seems to favor the supposition that two outside leaves are missing. The hypothesis is, moreover, strengthened by another consideration. According to the foliation supplied by the fifteenth-century Arabic numerals, the leaf which must have followed our fragment bore the number 54, the leaf preceding it having the number 47. If we assume that our fragment was a complete gathering, we are obliged to explain why the next gathering began on a leaf bearing an even number (54), which is abnormal. We do not have to contend with this difficulty if we assume that folios 47 and 54 formed the outside sheet of our fragment, for six quires of eight leaves and one of six would give precisely 54 leaves. It seems, therefore, reasonable to assume that our fragment is not a complete unit, but formed part of a quaternion, the outside sheet of which is missing.

[Original size of the manuscript] In the fifteenth century, as the previous demonstration has made clear, our fragment was preceded by 47 leaves that are missing to-day. With this clue in our possession it can be demonstrated that the manuscript began with the first book of the Letters. We start with the fact that not all the 47 folios (or 94 pages) which preceded our six leaves were devoted to the text of the Letters. For, from the contents of our six leaves we know that each book must have been preceded by an index of addresses and first lines. The indices for Books I and II, if arranged in general like that of Book III, must have occupied four pages.[³] We also learn from our fragment that space must be allowed for a colophon at the end of each book. One page for the colophons of Books I and II is a reasonable allowance. Accordingly it follows that out of the 94 pages preceding our fragment 5 were not devoted to text, or in other words that only 89 pages were thus devoted.

Now, if we compare pages in our manuscript with pages of a printed text we find that the average page in our manuscript corresponds to about 19 lines of the Teubner edition of 1912. If we multiply 89 by 19 we get 1691. This number of lines of the size of the Teubner edition should, if our calculation be correct, contain the text of the Letters preceding our fragment. The average page of the Teubner edition of 1912 of the part which interests us contains a little over 29 lines. If we divide 1691 by 29 we get 58.3. Just 58 pages of Teubner text are occupied by the 47 leaves which preceded our fragment. So close a conformity is sufficient to prove our point. We have possibly allowed too much space for indices and colophons, especially if the former covered less ground for Books I and II than for Book III. Further, owing to the abbreviation of que and bus, and particularly of official titles, we can not expect a closer agreement.

It is not worth while to attempt a more elaborate calculation. With the edges matching so nearly, it is obvious that the original manuscript as known and used in the fifteenth century could not have contained some other work, however brief, before Book I of Pliny’s Letters. If the manuscript contained the entire ten books it consisted of about 260 leaves. This sum is obtained by counting the number of lines in the Teubner edition of 1912, dividing this sum by 19, and adding thereto pages for colophons and indices. It would be too bold to suppose that this calculation necessarily gives us the original size of the manuscript, since the manuscript may have had less than ten books, or it may, on the other hand, have had other works. But if it contained only the ten books of the Letters, then 260 folios is an approximately correct estimate of its size.

It is hard to believe that only six leaves of the original manuscript have escaped destruction. The fact that the outside sheet (foll. 48^r and 53^v) is not much worn nor badly soiled suggests that the gathering of six leaves must have been torn from the manuscript not so very long ago and that the remaining portions may some day be found.

[Disposition] The pages in our manuscript are written in long lines,[⁴] in scriptura continua, with hardly any punctuation.

Each page begins with a large letter, even though that letter occur in the body of a word (cf. foll. 48^r, 51^v, 52^r).[⁵]

Each epistle begins with a large letter. The line containing the address which precedes each epistle also begins with a large letter. In both cases the large letter projects into the left margin.

The running title at the top of each page is in small rustic capitals.[⁶] On the verso of each folio stands the word EPISTVLARVM; on the recto of the following folio stands the number of the book, e.g., LIB. II, LIB. III.

To judge by our fragment, each book was preceded by an index of addresses and initial lines written in alternating lines of black and red uncials. Alternating lines of black and red rustic capitals of a large size were used in the colophon.[⁷]

[Ornamentation] As in all our oldest Latin manuscripts, the ornamentation is of the simplest kind. Such as it is, it is mostly found at the end and beginning of books. In our case, the colophon is enclosed between two scrolls of vine-tendrils terminating in an ivy-leaf at both ends. The lettering in the colophon and in the running title is set off by means of ticking above and below the line.

Red is used for decorative purposes in the middle line of the colophon, in the scroll of vine-tendrils, in the ticking, and in the border at the end of the Index on fol. 49. Red was also used, to judge by our fragment, in the first three lines of a new book,[⁸] in the addresses in the Index, and in the addresses preceding each letter.

[Corrections] The original scribe made a number of corrections. The omitted line of the Index on fol. 49 was added between the lines, probably by the scribe himself, using a finer pen; likewise the omitted line on fol. 52^v, lines 7-8. A number of slight corrections come either from the scribe or from a contemporary reader; the others are by a somewhat later hand, which is probably not more recent than the seventh century.[⁹] The method of correcting varies. As a rule, the correct letter is added above the line over the wrong letter; occasionally it is written over an erasure. An omitted letter is also added above the line over the space where it should be inserted. Deletion of single letters is indicated by a dot placed over the letter and a horizontal or an oblique line drawn through it. This double use of expunction and cancellation is not uncommon in our oldest manuscripts. For details on the subject of corrections, see the notes on [pp. 23-34].

There is a ninth-century addition on fol. 53 and one of the fifteenth century on fol. 51. On fol. 49, in the upper margin, a fifteenth-century hand using a stilus or hard point scribbled a few words, now difficult to decipher.[¹⁰] Presumably the same hand drew a bearded head with a halo. Another relatively recent hand, using lead, wrote in the left margin of fol. 53^v the monogram QR[¹¹] and the roman numerals i, ii, iii under one another. These numerals, as Professor Rand correctly saw, refer to the works of Pliny the Elder enumerated in the text. Further activity by this hand, the date of which it is impossible to determine, may be seen, for example, on fol. 49^v, ll. 8, 10, 15; fol. 52, ll. 4, 10, 13, 21, 22; fol. 53, ll. 12, 15, 16, 17, 20, 27; fol. 53^v, ll. 5, 10, 15.

[Syllabification] Syllables are divided after a vowel or diphthong except where such a division involves beginning the next syllable with a group of consonants.[¹²] In that case the consonants are distributed between the two syllables, one consonant going with one syllable and the other with the following, except when the group contains more than two successive consonants, in which case the first consonant goes with the first syllable, the rest with the following syllable. That the scribe is controlled by this mechanical rule and not by considerations of pronunciation is obvious from the division san|ctissimum and other examples found below. The method followed by him is made amply clear by the examples which occur in our twelve pages:[¹³]

fo. 48^r, line 1,	con–suleret
2,	sescen–ties
3,	ex–ta
7,	fal–si
fo. 49^v, line 3,	spu–rinnam
5,	senesce–re
7,	distin–ctius
12,	se–nibus
13,	con–ueniunt
15,	spurin–na
18,	circum–agit
20,	mi–lia
24,	prae–sentibus
25,	grauan–tur
fo. 50^r, line 1,	singu–laris
4,	an–tiquitatis
5,	au–dias
9,	ite–rum
11,	scri–bit
12,	ly–rica
15,	scri–bentis
17,	octa–ua
19,	uehe–menter
20,	exer–citationis
21,	se–nectute
22,	paulis–per
23,	le–gentem
fo. 50^v, line 2,	de–lectatur
3,	co–moedis
4,	uolupta–tes
5,	ali–quid
6,	lon–gum
11,	senec–tut
12,	uo–to
13,	ingres–surus
14,	ae–tatis
15,	in–terim
16,	ho–rum
20,	re–xit
21,	me–ruit
22,	eun–dem
25,	epis–tulam
fo. 51^r, line 2,	mi–hi
4,	afria–nus
6,	facultati–bus
7,	super–sunt
8,	gra–uitate
9,	consi–lio
10,	ut–or
13,	ar–dentius
23,	con–feras
24,	habe–bis
27,	concu–piscat
fo. 51^v, line 3,	san–ctissimum
5,	memo–riam
10,	pater–nus
11,	contige–rit
12,	lau–de
14,	hones–tis
15,	refe–rat
17,	contuber–nium
21,	circumspi–ciendus
22,	scho–lae
24,	nos–tro
27,	praecep–tor
fo. 52^r, line 2,	demon–strare
5,	iudi–cio
6,	gra–uis
8,	quan–tum
9,	cre–dere
12,	mag–nasque
13,	ge–nitore
16,	nes[cis]–se
19,	nomi–na
20,	fauen–tibus
23,	dis–citur
fo. 52^v, line 1,	uidean–tur
3,	con–silium
5,	concu–pisco
6,	pecu–nia
7,	excucuris–sem
10,	se–natu
12,	ne–cessitatibus
19,	postulaue–runt
21,	bae–bium
23,	clari–sima
25,	in–quam
26,	excusa–tionis
fo. 53^r, line 1,	com (or con)–pulit
5,	ueni–ebat
7,	iniu–rias
8,	ex–secutos
10,	prae–terea
12,	aduoca–tione
13,	con–seruandum
15,	com–paratum
16,	sub–uertas
17,	cumu–les
18,	obliga–ti
23,	tris–tissimum
fo. 53^v, line 2,	facili–orem
3,	si–quis
5,	offi–ciorum
7,	praepara–tur
8,	super–est
10,	sim–plicitas
11,	compro–bantis
14,	diligen–ter
20,	cog–nitio
22,	milita–ret
26,	exsol–uit

[Orthography] The spelling found in our six leaves is remarkably correct. It compares favorably with the best spelling encountered in our oldest Latin manuscripts of the fourth and fifth centuries. The diphthong ae is regularly distinguished from e. The interchange of b and u, d and t, o and u, so common in later manuscripts, is rare here: the confusion between b and u occurs once (comprouasse, fo. 52^v, l. 1); the omission of h occurs once (pulcritudo, fo. 51^v, l. 26); the use of k for c occurs twice (karet, fo. 51^r, l. 14, and karitas, fo. 52^r, l. 5). The scribe uses the correct forms in adolescet (fo. 51^v, l. 14) and adulescenti (fo. 51^v, l. 24); he writes auonculi (fo. 53^v, l. 15), exsistat (fo. 51^v, l. 9), and exsecutos (fo. 53^r, l. 8). In the case of composite words he has the assimilated form in some, and in others the unassimilated form, as the following examples go to show:

fo. 48^r,	line 3,	inpleturus	fo. 48^r,	line 7,	improbissimum
49^r,	13a,	adnotasse	48^v,	23,	composuisse
	19,	adsumo	50^r,	1,	ascendit
50^r,	1,	adsumit		6,	imbuare
	27,	adponitur		22,	accubat
50^v,	3,	adficitur	51^r,	2,	optulissem
51^r,	19,	adstruere		3,	suppeteret
	21,	adstruere		16,	ascendere
	26,	adpetat	51^v,	16,	accipiat
51^v,	9,	exsistat	52^v,	1,	comprouasse
	12,	inlustri		11,	collegae
	14,	inbutus		17,	impetrassent
52^r,	18,	admonebitur	53^r,	8,	accusationibus
52^v,	20,	inplorantes		15,	comparatum
	22,	adlegantes	53^v,	1,	computabam
	24,	adsensio		5,	accusare
	27,	adtulisse		11,	comprobantis
53^r,	8,	exsecutos		23,	composuit

[Abbreviations] Very few abbreviated words occur in our twelve pages. Those that are found are subject to strict rules. What is true of the twelve pages was doubtless true of the entire manuscript, inasmuch as the sparing use of abbreviations in conformity with certain definite rules is a characteristic of all our oldest manuscripts.[¹⁴] The abbreviations found in our fragment may conveniently be grouped as follows:

1. Suspensions which might occur in any ancient manuscript or inscription, e.g.:

B· =	BUS
Q· =	QUE[¹⁵]
·C̅· =	GAIUS[¹⁶]
P· C· =	PATRES CONSCRIPTI

2. Technical or recurrent terms which occur in the colophons at the end of each book and at the end of letters, as:

·EXP· =	EXPLICIT
·INC· =	INCIPIT
LIB· =	LIBER
VAL· =	VALE[¹⁷]

3. Purely arbitrary suspensions which occur only in the index of addresses preceding each book, suspensions which would never occur in the body of the text, as:

sueton tranque,[¹⁸] uestric spurinn

4. Omitted M at the end of a line, omitted N at the end of a line, the omission being indicated by means of a horizontal stroke, thickened at either end, which is placed over the space immediately following the final vowel.[¹⁹] This omission may occur in the middle of a word but only at the end of a line.

[Authenticity of the six leaves] The sudden appearance in America of a portion of a very ancient classical manuscript unknown to modern editors may easily arouse suspicion in the minds of some scholars. Our experience with the “Anonymus Cortesianus” has taught us to be wary,[²⁰] and it is natural to demand proof establishing the genuineness of the new fragment.[²¹] As to the six leaves of the Morgan Pliny, it may be said unhesitatingly that no one with experience of ancient Latin manuscripts could entertain any doubt as to their genuineness. The look and feel of the parchment, the ink, the script, the titles, colophons, ornamentation, corrections, and later additions, all bear the indisputable marks of genuine antiquity.

But it may be objected that a clever forger possessing a knowledge of palaeography would be able to reproduce all these features of ancient manuscripts. This objection can hardly be sustained. It is difficult to believe that any modern could reproduce faithfully all the characteristics of sixth-century uncials and fifteenth-century notarial writing without unconsciously falling into some error and betraying his modernity. Besides, there is one consideration which to my mind establishes the genuineness of our fragment beyond a peradventure. We have seen above that the leaves of our manuscript are so arranged that hair side faces hair side and flesh side faces flesh side. The visible effect of this arrangement is that two pages of clear writing alternate with two pages of faded writing, the faded appearance being caused by the ink scaling off from the less porous surface of the flesh side of the vellum.[²²] As a matter of fact, the flesh side of the vellum showed faded writing long before modern time. To judge by the retouched characters on fol. 53^r it would seem that the original writing had become illegible by the eighth or ninth century.[²³] Still, a considerable period of time would, so far as we know, be necessary for this process. It is highly improbable that a forger could devise this method of giving his forgery the appearance of antiquity, and even if he attempted it, it is safe to say that the present effect would not be produced in the time that elapsed before the book was sold to Mr. Morgan.

But let us assume, for the sake of argument, that the Morgan fragment is a modern forgery. We are then constrained to credit the forger not only with a knowledge of palaeography which is simply faultless, but, as will be shown in the second part, with a minute acquaintance with the criticism and the history of the text. And this forger did not try to attain fame or academic standing by his nefarious doings, as was the case with the Roman author of the forged “Anonymus Cortesianus,” for nothing was heard of this Morgan fragment till it had reached the library of the American collector. If his motive was monetary gain he chose a long and arduous path to attain it. It is hardly conceivable that he should take the trouble to make all the errors and omissions found in our twelve pages and all the additions and corrections representing different ages, different styles, when less than half the number would have served to give the forged document an air of verisimilitude. The assumption that the Morgan fragment is a forgery thus becomes highly unreasonable. When you add to this the fact that there is nothing in the twelve pages that in any way arouses suspicion, the conclusion is inevitable that the Morgan fragment is a genuine relic of antiquity.

[Archetype] As to the original from which our manuscript was copied, very little can be said. The six leaves before us furnish scanty material on which to build any theory. The errors which occur are not sufficient to warrant any conclusion as to the script of the archetype. One item of information, however, we do get: an omission on fol. 52^v goes to show that the manuscript from which our scribe copied was written in lines of 25 letters or thereabout.[²⁴] The scribe first wrote excucuris|sem commeatu. Discovering his error of omission, he erased sem at the beginning of line 8 and added it at the end of line 7 (intruding upon margin-space in order to do so), and then supplied, in somewhat smaller letters, the omitted words accepto ut praefectus aerari. As there are no homoioteleuta to account for the omission, it is almost certain that it was caused by the inadvertent skipping of a line.[²⁵] The omitted letters number 25.

A glance at the abbreviations used in the index of addresses on foll. 48^v-49^r teaches that the original from which our manuscript was copied must have had its names abbreviated in exactly the same form. There is no other way of explaining why the scribe first wrote ad iulium seruianum (fol. 49, l. 12), and then erased the final um and put a point after seruian.

[THE DATE AND LATER HISTORY OF THE MANUSCRIPT.]

Our manuscript was written in Italy at the end of the fifth or more probably at the beginning of the sixth century.

The manuscripts with which we can compare it come, with scarcely an exception, from Italy; for it is only of more recent uncial manuscripts (those of the seventh and eighth centuries) that we can say with certainty that they originate in other than Italian centres. The only exception which occurs to one is the Codex Bobiensis (k) of the Gospels of the fifth century, which may actually have been written in Africa, though this is far from certain. As for our fragment, the details of its script, as well as the ornamentation, disposition of the page, the ink, the parchment, all find their parallels in authenticated Italian products; and this similarity in details is borne out by the general impression of the whole.

The manuscript may be dated at about the year A.D. 500, for the reason that the script is not quite so old as that of our oldest fifth-century uncial manuscripts, and yet decidedly older than that of the Codex Fuldensis of the Gospels (F) written in or before A.D. 546.

[On the dating of uncial manuscripts] In dating uncial manuscripts we must proceed warily, since the data on which our judgments are based are meagre in the extreme and rather difficult to formulate.

The history of uncial writing still remains to be written. The chief value of excellent works like Chatelain’s Uncialis Scriptura or Zangemeister and Wattenbach’s Exempla Codicum Latinorum Litteris Maiusculis Scriptorum lies in the mass of material they offer to the student. This could not well be otherwise, since clear-cut, objective criteria for dating uncial manuscripts have not yet been formulated; and that is due to the fact that of our four hundred or more uncial manuscripts, ranging from the fourth to the eighth century, very few, indeed, can be dated with precision, and of these virtually none is in the oldest class. Yet a few guide-posts there are. By means of those it ought to be possible not only to throw light on the development of this script, but also to determine the features peculiar to the different periods of its history. This task, of course, can not be attempted here; it may, however, not be out of place to call attention to certain salient facts.

The student of manuscripts knows that a law of evolution is observable in writing as in other aspects of human endeavor. The process of evolution is from the less to the more complex, from the less to the more differentiated, from the simple to the more ornate form. Guided by these general considerations, he would find that his uncial manuscripts naturally fall into two groups. One group is manifestly the older: in orthography, punctuation, and abbreviation it bears close resemblance to inscriptions of the classical or Roman period. The other group is as manifestly composed of the more recent manuscripts: this may be inferred from the corrupt or barbarous spelling, from the use of abbreviations unfamiliar in the classical period but very common in the Middle Ages, or from the presence of punctuation, which the oldest manuscripts invariably lack. The manuscripts of the first group show letters that are simple and unadorned and words unseparated from each other. Those of the second group show a type of ornate writing, the letters having serifs or hair-lines and flourishes, and the words being well separated. There can be no reasonable doubt that this rough classification is correct as far as it goes; but it must remain rough and permit large play for subjective judgement.

A scientific classification, however, can rest only on objective criteria—criteria which, once recognized, are acceptable to all. Such criteria are made possible by the presence of dated manuscripts. Now, if by a dated manuscript we mean a manuscript of which we know, through a subscription or some other entry, that it was written in a certain year, there is not a single dated manuscript in uncial writing which is older than the seventh century—the oldest manuscript with a precise date known to me being the manuscript of St. Augustine written in the Abbey of Luxeuil in A.D. 669.[²⁶] But there are a few manuscripts of which we can say with certainty that they were written either before or after some given date. And these manuscripts which furnish us with a terminus ante quem or post quem, as the case may be, are extremely important to us as being the only relatively safe landmarks for following development in a field that is both remote and shadowy.

The Codex Fuldensis of the Gospels, mentioned above, is our first landmark of importance.[²⁷] It was read by Bishop Victor of Capua in the years A.D. 546 and 547, as is testified by two entries, probably autograph. From this it follows that the manuscript was written before A.D. 546. We may surmise—and I think correctly—that it was shortly before 546, if not in that very year. In any case the Codex Fuldensis furnishes a precise terminus ante quem.

The other landmark of importance is furnished by a Berlin fragment containing a computation for finding the correct date for Easter Sunday.[²⁸] Internal evidence makes it clear that this Computus Paschalis first saw light shortly after A.D. 447. The presumption is that the Berlin leaves represent a very early copy, if not the original, of this composition. In no case can these leaves be regarded as a much later copy of the original, as the following purely palaeographical considerations, that is, considerations of style and form of letters, will go to show.

Let us assume, as we do in geometry, for the sake of argument, that the Fulda manuscript and the Berlin fragment were both written about the year 500—a date representing, roughly speaking, the middle point in the period of about one hundred years which separates the extreme limits of the dates possible for either of these two manuscripts, as the following diagram illustrates:

If our hypothesis be correct, then the script of these two manuscripts, as well as other palaeographical features, would offer striking similarities if not close resemblance. As a matter of fact, a careful comparison of the two manuscripts discloses differences so marked as to render our assumption absurd. The Berlin fragment is obviously much older than the Fulda manuscript. It would be rash to specify the exact interval of time that separates these two manuscripts, yet if we remember the slow development of types of writing the conclusion seems justified that at least several generations of evolution lie between the two manuscripts. If this be correct, we are forced to push the date of each as far back as the ascertained limit will permit, namely, the Fulda manuscript to the year 546 and the Berlin fragment to the year 447. Thus, apparently, considerations of form and style (purely palaeographical considerations) confirm the dates derived from examination of the internal evidence, and the Berlin and Fulda manuscripts may, in effect, be considered two dated manuscripts, two definite guide-posts.

If the preceding conclusion accords with fact, then we may accept the traditional date (circa A.D. 371) of the Codex Vercellensis of the Gospels. The famous Vatican palimpsest of Cicero’s De Re Publica seems more properly placed in the fourth than in the fifth century; and the older portion of the Bodleian manuscript of Jerome’s translation of the Chronicle of Eusebius, dated after the year A.D. 442, becomes another guide-post in the history of uncial writing, since a comparison with the Berlin fragment of about A.D. 447 convinces one that the Bodleian manuscript can not have been written much after the date of its archetype, which is A.D. 442.

[Dated uncial manuscripts] Asked to enumerate the landmarks which may serve as helpful guides in uncial writing prior to the year 800, we should hardly go far wrong if we tabulate them in the following order:[²⁹]

ca. a. 371 1. Codex Vercellensis of the Gospels (a).

Traube, l.c., No. 327; Zangemeister-Wattenbach, pl. XX.

post a. 442 2. Bodleian Manuscript (Auct. T. 2. 26) of Jerome’s translation of the Chronicle of Eusebius (older portion).

Traube, l.c., No. 164; J. K. Fotheringham, The Bodleian manuscript of Jerome’s version of the Chronicle of Eusebius reproduced in collotype, Oxford 1905, pp. 25-6; Steffens², pl. 17; also Schwartz in Berliner Philologische Wochenschrift, XXVI (1906), c. 746.

ca. a. 447 3. Berlin Computus Paschalis (MS. lat. 4º. 298).

Traube, l.c., No. 13; Th. Mommsen, “Zeitzer Ostertafel vom Jahre 447” in Abhandl. der Berliner Akad. aus dem Jahre 1862, Berlin 1863, pp. 539 sqq.; “Liber Paschalis Codicis Cicensis A. CCCCXLVII” in Monumenta Germaniae Historica, Auctores Antiquissimi, IX, 1, pp. 502 sqq.; Zangemeister-Wattenbach, pl. XXIII.

ante a. 546 4. Codex Fuldensis of the Gospels (F), Fulda MS. Bonifat. 1, read by Bishop Victor of Capua.

Traube, l.c., No. 47; E. Ranke, Codex Fuldensis, Novum Testamentum Latine interprete Hieronymo ex manuscripto Victoris Capuani, Marburg and Leipsic 1868; Zangemeister-Wattenbach, pl. XXXIV; Steffens², pl. 21a.

a. 438-ca. 550 5. Codex Theodosianus (Turin, MS. A. II. 2).

Manuscripts containing the Theodosian Code can not be earlier than A.D. 438, when this body of law was promulgated, nor much later than the middle of sixth century, when the Justinian Code supplanted the Theodosian and made it useless to copy it.

Traube, l.c., No. 311; idem, “Enarratio tabularum” in Theodosiani libri XVI edited by Th. Mommsen and P. M. Meyer, Berlin 1905; Zangemeister-Wattenbach, pls. XXV-XXVIII; C. Cipolla, Codici Bobbiesi, pls. VII, VIII. See also Oxyrh. Papyri XV (1922), No. 1813, pl. 1.

a. 600-666 6. The Toulouse Manuscript (No. 364) and Paris MS. lat. 8901, containing Canons, written at Albi.

Traube, l.c., No. 304; F. Schulte, “Iter Gallicum” in Sitzungsberichte der K. Akad. der Wiss. Phil.-hist. Kl. LIX (1868), p. 422, facs. 5; C. H. Turner, “Chapters in the history of Latin manuscripts: II. A group of manuscripts of Canons at Toulouse, Albi and Paris” in Journal of Theological Studies, II (1901), pp. 266 sqq.; and Traube’s descriptions in A. E. Burn, Facsimiles of the Creeds from Early Manuscripts (= vol. XXXVI of the publications of the Henry Bradshaw Society).

a. 669 7. The Morgan Manuscript of St. Augustine’s Homilies, written in the Abbey of Luxeuil. Later at Beauvais and Chateau de Troussures.

Traube, l.c., No 307; L. Delisle, “Notice sur un manuscrit de l’abbaye de Luxeuil copié en 625” in Notices et Extraits des manuscrits de la bibliothèque nationale, XXXI. 2 (1886), pp. 149 sqq.; J. Havet, “Questions mérovingiennes: III. La date d’un manuscrit de Luxeuil” in Bibliothèque de l’école des chartes, XLVI (1885), pp. 429 sqq.

a. 699 8. The Berne Manuscript (No. 219B) of Jerome’s translation of the Chronicle of Eusebius, written in France, possibly at Fleury.

Traube, l.c., No. 16; Zangemeister-Wattenbach, pl. LIX; J. R. Sinner, Catalogus codicum manuscriptorum bibliothecae Bernensis (Berne 1760), pp. 64-7; A. Schone, Eusebii chronicorum libri duo, vol. II (Berlin 1866), p. XXVII; J. K. Fotheringham, The Bodleian manuscript of Jerome’s version of the Chronicle of Eusebius (Oxford 1905), p. 4.

a. 695-711 9. Brussels Fragment of a Psalter and Varia Patristica (MS. 1221 = 9850-52) written for St. Medardus in Soissons in the time of Childebert III.

Traube, l.c., No. 27; L. Delisle, “Notice sur un manuscrit mérovingien de Saint-Médard de Soissons” in Revue archéologique, Nouv. sér. XLI (1881), pp. 257 sqq. and pl. IX; idem, “Notice sur un manuscrit mérovingien de la Bibliothèque Royale de Belgique Nr. 9850-52” in Notices et extraits des manuscrits, etc., XXXI. 1 (1884), pp. 33-47, pls. 1, 2, 4; J. Van den Ghejn, Catalogue des manuscrits de la Bibliothèque Royale de Belgique, II (1902), pp. 224-6.

ante a. 716 10. Codex Amiatinus of the Bible (Florence Laur. Am. 1) written in England.

Traube, l.c., No. 44: Zangemeister-Wattenbach, pl. XXXV; Steffens², pl. 21b; E. H. Zimmermann, Vorkarolingische Miniaturen (Berlin 1916), pl. 222; but particularly G. B. de Rossi, La biblia offerta da Ceolfrido abbate al sepolcro di S. Pietro, codice antichissimo tra i superstiti delle biblioteche della sede apostolica—Al Sommo Pontefice Leone XIII, omaggio giubilare della biblioteca Vaticana, Rome 1888, No. v.

a. 719 11. The Treves Prosper (MS. 36, olim S. Matthaei).

Traube, l.c., No. 306; Zangemeister-Wattenbach, pl. XLIX; M. Keuffer, Beschreibendes Verzeichnis der Handschriften der Stadtbibliothek zu Trier, I (1888), pp. 38 sqq.

ca. a. 750 12. The Milan Manuscript (Ambros. B. 159 sup.) of Gregory’s Moralia, written at Bobbio in the abbacy of Anastasius.

Traube, l.c., No. 102; Palaeographical Society, pl. 121; E. H. Zimmermann, Vorkarolingische Miniaturen (Berlin 1916), pl. 14-16, Text, pp. 10, 41, 152; A. Reifferscheid, Bibliotheca patrum latinorum italica, II, 38 sq.

ante a. 752 13. The Bodleian Acts of the Apostles (MS. Selden supra 30) written in the Isle of Thanet.

Traube, l.c., No. 165; Smith’s Dictionary of the Bible, IV (New York 1876) 3458 b; S. Berger, Histoire de la Vulgate (Paris 1893), p. 44; Wordsworth and White, Novum Testamentum, II (1905), p. vii.

a. 754 14. The Autun Manuscript (No. 3) of the Gospels, written at Vosevium.

Traube, l.c., No. 3; Zangemeister-Wattenbach, pl. LXI; Steffens², pl. 37.

a. 739-760 15. Codex Beneventanus of the Gospels (London Brit. Mus. Add. MS. 5463) written at Benevento.

Traube, l.c., No. 88; Palaeographical Society, pl. 236; Catalogue of the Ancient Manuscripts in the British Museum, II, pl. 7.

post a. 787 16. The Lucca Manuscript (No. 490) of the Liber Pontificalis.

Traube, l.c., No. 92; J. D. Mansi, “De insigni codice Caroli Magni aetate scripto” in Raccolta di opuscoli scientifici e filologici, T. XLV (Venice 1751), ed. A. Calogiera, pp. 78-80; Th. Mommsen, Gesta pontificum romanorum, I (1899) in Monumenta Germaniae Historica; Steffens², pl. 48.

Guided by the above manuscripts, we may proceed to determine the place which the Morgan Pliny occupies in the series of uncial manuscripts. The student of manuscripts recognizes at a glance that the Morgan fragment is, as has been said, distinctly older than the Codex Fuldensis of about the year 546. But how much older? Is it to be compared in antiquity with such venerable monuments as the palimpsest of Cicero’s De Re Publica, with products like the Berlin Computus Paschalis or the Bodleian Chronicle of Eusebius? If we examine carefully the characteristics of our oldest group of fourth- and fifth-century manuscripts and compare them with those of the Morgan manuscript we shall see that the latter, though sharing some of the features found in manuscripts of the oldest group, lacks others and in turn shows features peculiar to manuscripts of a later group.

[Oldest group of uncial manuscripts] Our oldest group would naturally be composed of those uncial manuscripts which bear the closest resemblance to the above-mentioned manuscripts of the fourth and fifth centuries, and I should include in that group such manuscripts as these:

A. Of Classical Authors.

1. Rome, Vatic. lat. 5757.—Cicero, De Re Publica, palimpsest.

Traube, l.c., No. 269-70; Zangemeister-Wattenbach, pl. XVII; E. Chatelain, Paléographie des classiques latins, pl. XXXIX, 2; Palaeographical Society, pl. 160; Steffens², pl. 15. For a complete facsimile edition of the manuscript see Codices e Vaticanis selecti phototypice expressi, Vol. II, Milan 1907; Ehrle-Liebaert, Specimina codicum latinorum Vaticanorum (Bonn 1912), pl. 4.

2. Rome, Vatic. lat. 5750 + Milan, Ambros. E. 147 sup.—Scholia Bobiensia in Ciceronem, palimpsest.

Traube, l.c., No. 265-68; Zangemeister-Wattenbach, pl. XXXI; Palaeographical Society, pl. 112; complete facsimile edition in Codices e Vaticanis selecti, etc., Vol. VII, Milan 1906; Ehrle-Liebaert, Specimina codicum latinorum Vaticanorum, pl. 5a.

3. Vienna, 15.—Livy, fifth decade (five books).

Traube, l.c., No. 359; Zangemeister-Wattenbach, pl. XVIII; E. Chatelain, Paléographie des classiques latins, pl. CXX; complete facsimile edition in Codices graeci et latini photographice depicti, Tom. IX, Leyden 1907.

4. Paris, lat. 5730.—Livy, third decade.

Traube, l.c., No. 183; Zangemeister-Wattenbach, pl. XIX; Paleographical Society, pls. 31 and 32; E. Chatelain, Paléographie des classiques latins, pl. CXVI; Réproductions des manuscrits et miniatures de la Bibliothèque Nationale, ed. H. Omont, Vol. I, Paris 1907.

5. Verona, XL (38).—Livy, first decade, 6 palimpsest leaves.

Traube, l.c., No. 349-50. Th. Mommsen, Analecta Liviana, Leipsic 1873; E. Chatelain, Paléographie des classiques latins, pl. CVI.

6. Rome, Vatic. lat. 10696.—Livy, fourth decade, Lateran fragments.

Traube, l.c., No. 277; M. Vattasso, “Frammenti d’un Livio del V. secolo recentemente scoperti, Codice Vaticano Latino 10696” in Studi e Testi, Vol. XVIII, Rome 1906; Ehrle-Liebaert, Specimina codicum latinorum Vaticanorum, pl. 5b.

7. Bamberg, Class. 35a.—Livy, fourth decade, fragments.

Traube, l.c., No. 7; idem, “Palaeographische Forschungen IV, Bamberger Fragmente der vierten Dekade des Livius” in Abhandlungen der Königlich Bayerischen Akademie der Wissenschaften, III Klasse, XXIV Band, I Abteilung, Munich 1904.

8. Vienna, lat. 1a.—Pliny, Historia Naturalis, fragments.

Traube, l.c., No. 357; E. Chatelain, Paléographie des classiques latins, pl. CXXXVII, 1.

9. St. Paul in Carinthia, XXV a 3.—Pliny, Historia Naturalis, palimpsest.

Traube, l.c., No. 231; E. Chatelain, ibid. pl. CXXXVI. Chatelain cites the manuscript under the press-mark XXV 2/67.

10. Turin, A. II. 2.—Theodosian Codex, fragments, palimpsest.

Traube, l.c., No. 311; Zangemeister-Wattenbach, pl. XXV; Cipolla, Codici Bobbiesi, pl. VII.

B. Of Christian Authors.

1. Vercelli, Cathedral Library.—Gospels (a) ascribed to Bishop Eusebius (†371).

Traube, l.c., No. 327; Zangemeister-Wattenbach, pl. XX.

2. Paris, lat. 17225.—Corbie Gospels (ff²).

Traube, l.c., No. 214; Palaeographical Society, pl. 87; E. Chatelain, Uncialis scriptura, pl. II; Reusens, Éléments de paléographie, pl. III, Louvain 1899.

3. Constance-Weingarten Biblical fragments.—Prophets, fragments scattered in the libraries of Stuttgart, Darmstadt, Fulda, and St. Paul in Carinthia.

Traube, l.c., No. 302; Zangemeister-Wattenbach, pl. XXI; complete facsimile reproduction of the fragments in Codices graeci et latini photographice depicti, Supplementum IX, Leyden 1912, with introduction by P. Lehmann.

4. Berlin, lat. 4º. 298.—Computus Paschalis of ca. a. 447.

Traube, l.c., No. 13; see above, [p. 16], no. 3.

5. Turin, G. VII. 15.—Bobbio Gospels (k).

Traube, l.c., No. 324; Old Latin Biblical Texts, vol. II, Oxford 1886; F. Carta, C. Cipolla, C. Frati, Monumenta Palaeographica sacra, pl. V, 2; R. Beer, “Über den Ältesten Handschriftenbestand des Klosters Bobbio” in Anzeiger der Kais. Akad. der Wiss. in Wien, 1911, No. XI, pp. 91 sqq.; C. Cipolla, Codici Bobbiesi, pls. XIV-XV; complete facsimile reproduction of the manuscript, with preface by C. Cipolla: Il codice Evangelico k della Biblioteca Universitaria Nazionale di Torino, Turin 1913.

6. Turin, F. IV. 27 + Milan, D. 519. inf. + Rome, Vatic. lat. 10959.—Cyprian, Epistolae, fragments.

Traube, l.c., No. 320; E. Chatelain, Uncialis scriptura, pl. IV, 2; C. Cipolla, Codici Bobbiesi, pl. XIII; Ehrle-Liebaert, Specimina codicum latinorum Vaticanorum, pl. 5d.

7. Turin, G. V. 37.—Cyprian, de opere et eleemosynis.

Traube, l.c., No. 323; Carta, Cipolla e Frati, Monumenta palaeographica sacra, pl. V, 1; Cipolla, Codici Bobbiesi, pl. XII.

8. Oxford, Bodleian Auct. T. 2. 26.—Eusebius-Hieronymus, Chronicle, post a. 442.

Traube, l.c., No. 164; see above, [p. 16], no. 2.

9. Petrograd Q. v. I. 3 (Corbie).—Varia of St. Augustine.

Traube, l.c., No. 140; E. Chatelain, Uncialis scriptura, pl. III; A. Staerk, Les manuscrits latins du V^e au XIII^e siècle conservés à la bibliothèque impériale de Saint Petersburg (St. Petersburg 1910), Vol. II. pl. 2.

10. St. Gall, 1394.—Gospels (n).

Traube, l.c., No. 60; Old Latin Biblical Texts, Vol. II, Oxford 1886; Palaeographical Society, II. pl. 50; Steffens¹, pl. 15; E. Chatelain, Uncialis scriptura, pl. I, 1; A. Chroust, Monumenta Palaeographica, XVII, pl. 3.

[Characteristics of the oldest uncial manuscripts] The main characteristics of the manuscripts included in the above list, which is by no means complete, may briefly be described thus:

1. General effect of compactness. This is the result of scriptura continua, which knows no separation of words and no punctuation. See the facsimiles cited above.

2. Precision in the mode of shading. The alternation of stressed and unstressed strokes is very regular. The two arcs of

are shaded not in the middle, as in Greek uncials, but in the lower left and upper right parts of the letter, so that the space enclosed by the two arcs resembles an ellipse leaning to the left at an angle of about 45°, thus

. What is true of the

is true of other curved strokes. The strokes are often very short, mere touches of pen to parchment, like brush work. Often they are unconnected, thus giving a mere suggestion of the form. The attack or fore-stroke as well as the finishing stroke is a very fine, oblique hair-line.[³⁰]

3. Absence of long ascending or descending strokes. The letters lie virtually between two lines (instead of between four as in later uncials), the upper and lower shafts of letters like

projecting but slightly beyond the head and base lines.

4. The broadness of the letters

5. The relative narrowness of the letters

6. The manner of forming

B with the lower bow considerably larger than the upper, which often has the form of a mere comma.

E with the tongue or horizontal stroke placed not in the middle, as in later uncial manuscripts, but high above it, and extending beyond the upper curve. The loop is often left open.

L with very small base.

M with the initial stroke tending to be a straight line instead of the well-rounded bow of later uncials.

N with the oblique connecting stroke shaded.

P with the loop very small and often open.

S with a rather longish form and shallow curves, as compared with the broad form and ample curves of later uncials.

T with a very small, sinuous horizontal top stroke (except at the beginning of a line when it often has an exaggerated extension to the left).

7. Extreme fineness of parchment, at least in parts of the manuscript.

8. Perforation of parchment along furrows made by the pen.

9. Quires signed by means of roman numerals often preceded by the letter Q· (= Quaternio) in the lower right corner of the last page of each gathering.

10. Running titles, in abbreviated form, usually in smaller uncials than the text.

11. Colophons, in which red and black ink alternate, usually in large-sized uncials.

12. Use of a capital, i.e., a larger-sized letter at the beginning of each page or of each column in the page, even if the beginning falls in the middle of a word.

13. Lack of all but the simplest ornamentation, e.g., scroll or ivy-leaf.

14. The restricted use of abbreviations. Besides B· and Q· and such suspensions as occur in classical inscriptions only the contracted forms of the Nomina Sacra are found.

15. Omission of M and N allowed only at the end of a line, the omission being marked by means of a simple horizontal line (somewhat hooked at each end) placed above the line after the final vowel and not directly over it as in later uncial manuscripts.

16. Absence of nearly all punctuation.

17. The use of

in the text where an omission has occurred, and

after the supplied omission in the lower margin, or the same symbols reversed if the supplement is entered in the upper margin.

If we now turn to the Morgan Pliny we observe that it lacks a number of the characteristics enumerated above as belonging to the oldest type of uncial manuscripts. The parchment is not of the very thin sort. There has been no corrosion along the furrows made by the pen. The running title and colophons are in rustic capitals, not in uncials. The manner of forming such letters as

differs from that employed in the oldest group.

B with the lower bow not so markedly larger than the upper.

E with the horizontal stroke placed nearer the middle.

M with the left bow tending to become a distinct curve.

R S T have gained in breadth and proportionately lost in height.

[Date of the Morgan manuscript] Inasmuch as these palaeographical differences mark a tendency which reaches fuller development in later uncial manuscripts, it is clear that their presence in our manuscript is a sign of its more recent character as compared with manuscripts of the oldest type. Just as our manuscript is clearly older than the Codex Fuldensis of about the year 546, so it is clearly more recent than the Berlin Computus Paschalis of about the year 447. Its proper place is at the end of the oldest series of uncial manuscripts, which begins with the Cicero palimpsest. Its closest neighbors are, I believe, the Pliny palimpsest of St. Paul in Carinthia and the Codex Theodosianus of Turin. If we conclude by saying that the Morgan manuscript was written about the year 500 we shall probably not be far from the truth.

[Later history of the Morgan manuscript] The vicissitudes of a manuscript often throw light upon the history of the text contained in the manuscript. And the palaeographer knows that any scratch or scribbling, any probatio pennae or casual entry, may become important in tracing the wanderings of a manuscript.

In the six leaves that have been saved of our Morgan manuscript we have two entries. One is of a neutral character and does not take us further, but the other is very clear and tells an unequivocal story.

The unimportant entry occurs in the lower margin of folio 53^r. The words “uir erat in terra,” which are apparently the beginning of the book of Job, are written in Carolingian characters of the ninth century. As these characters were used during the ninth century in northern Italy as well as in France, it is impossible to say where this entry was made. If in France, then the manuscript of Pliny must have left its Italian home before the ninth century.[³¹]

That it had crossed the Alps by the beginning of the fifteenth century we know from the second entry. Nay, we learn more precise details. We learn that our manuscript had found a home in France, in the town of Meaux or its vicinity. The entry is found in the upper margin of fol. 51^r and doubtless represents a probatio pennae on the part of a notary. It runs thus:

“A tous ceulz qui ces presentes lettres verront et orront
Jehan de Sannemeres garde du scel de la provoste de
Meaulx & Francois Beloy clerc Jure de par le Roy
nostre sire a ce faire Salut sachient tuit que par.”

The above note is made in the regular French notarial hand of the fourteenth and fifteenth centuries.[³²] The formula of greeting with which the document opens is in the precise form in which it occurs in numberless charters of the period. All efforts to identify Jehan de Sannemeres, keeper of the seal of the provosté of Meaux, and François Beloy, sworn clerk in behalf of the King, have so far proved fruitless.[³³]

[Conclusion] Our manuscript, then, was written in Italy about the year 500. It is quite possible that it had crossed the Alps by the ninth century or even before. It is certain that by the fifteenth century it had found asylum in France. When and under what circumstances it got back to Italy will be shown by Professor Rand in the pages that follow.

So it is France that has saved this, the oldest extant witness of Pliny’s Letters, for modern times. To mediaeval France we are, in fact, indebted for the preservation of more than one ancient classical manuscript. The oldest manuscript of the third decade of Livy was at Corbie in Charlemagne’s time, when it was loaned to Tours and a copy of it made there. Both copy and original have come down to us. Sallust’s Histories were saved (though not in complete form) for our generation by the Abbey of Fleury. The famous Schedae Vergilianae, in square capitals, as well as the Codex Romanus of Virgil, in rustic capitals, belonged to the monastery of St. Denis. Lyons preserved the Codex Theodosianus. It was again some French centre that rescued Pomponius Mela from destruction. The oldest fragments of Ovid’s Pontica, the oldest fragments of the first decade of Livy, the oldest manuscript of Pliny’s Natural History—all palimpsests—were in some French centre in the Middle Ages, as may be seen from the indisputably eighth-century French writing which covers the ancient texts. The student of Latin literature knows that the manuscript tradition of Lucretius, Suetonius, Cæsar, Catullus, Tibullus, and Propertius—to mention only the greatest names—shows that we are indebted primarily to Gallia Christiana for the preservation of these authors.

[Notes to Part I]

4 [1.] For example, in the fifth-century manuscript of Livy in Paris (MS. lat. 5730) the forty-third and forty-fifth quires are composed of six leaves, while the rest are all quires of eight.

[2.] In an examination of all the uncial manuscripts in the Bibliothèque Nationale of Paris, it was found that out of twenty manuscripts that may be ascribed to the fifth and sixth centuries only two had the hair side on the outside of the quires. Out of thirty written approximately between A.D. 600 and 800, about half showed the same practice, the other half having the hair side outside. Thus the practice of our oldest Latin scribes agrees with that of the Greek: see C. R. Gregory, “Les cahiers des manuscrits grecs” in Comptes Rendus de l’Academie des Inscriptions et Belles-Lettres (1885), p. 261. I am informed by Professor Hyvernat, of the Catholic University of Washington, that the same custom is observed by Coptic scribes.

5 [3.] The confused arrangement of the indices for Books I and II in the Codex Bellovacensis may well have been found in the manuscript of which the Morgan fragment is a part. The space required for the indices, however, would not have greatly differed from that taken by the index of Book III in both the Morgan fragment and the Codex Bellovacensis.

6 [4.] Many of our oldest Latin manuscripts have two and even three columns on a page, a practice evidently taken over from the roll. But very ancient manuscripts are not wanting which are written in long lines, e.g., the Codex Vindobonensis of Livy, the Codex Bobiensis of the Gospels, or the manuscript of Pliny’s Natural History preserved at St. Paul in Carinthia.

[5.] This is an ear-mark of great antiquity. It is found, for example, in the Berlin and Vatican Schedae Vergilianae in square capitals (Berlin lat. 2^o 416 and Rome Vatic. lat. 3256 reproduced in Zangemeister and Wattenbach’s Exempla Codicum Latinorum, etc., pl. 14, and in Steffens, Lateinische Paläographie², pl. 12b), in the Vienna, Paris, and Lateran manuscripts of Livy, in the Codex Corbeiensis of the Gospels, and here and there in the palimpsest manuscript of Cicero’s De Re Publica and in other manuscripts.

[6.] In many of our oldest manuscripts uncials are employed. The Pliny palimpsest of St. Paul in Carinthia agrees with our manuscript in using rustic capitals. For facsimiles see J. Sillig, C. Plini Secundi Naturalis Historiae, Libri XXXVI, Vol. VI, Gotha 1855, and Chatelain, Paléographie des Classiques Latins, pl. CXXXVI.

7 [7.] In this respect, too, the Pliny palimpsest of St. Paul in Carinthia agrees with our fragment. Most of the oldest manuscripts, however, have the colophon in the same type of writing as the text.

[8.] This is also the case in the Paris manuscript of Livy of the fifth century, in the Codex Bezae of the Gospels (published in facsimile by the University of Cambridge in 1899), in the Pliny palimpsest of St. Paul in Carinthia, and in many other manuscripts of the oldest type.

[9.] The strokes over the two consecutive i’s on fol. 53^v, l. 23, were made by a hand that can hardly be older than the thirteenth century.

[10.] I venture to read dominus meus ... in te deus.

[11.] This doubtless stands for Quaere (= “investigate”), a frequent marginal note in manuscripts of all ages. A number of instances of Q for quaere are given by A. C. Clark, The Descent of Manuscripts, Oxford 1918, p. 35.

8 [12.] Such a division as ut|or on fol. 7, l. 10, is due entirely to thoughtless copying. The scribe probably took ut for a word.

[13.] For further details on syllabification in our oldest Latin manuscripts, see Th. Mommsen, “Livii Codex Veronensis,” in Abhandlungen der k. Akad. d. Wiss. zu Berlin, phil. hist. Cl. (1868), p. 163, n. 2, and pp. 165-6; Mommsen-Studemund, Analecta Liviana (Leipsic 1873), p. 3; Brandt, “Der St. Galler Palimpsest,” in Sitzungsberichte der phil. hist. Cl. der k. Akad. der Wiss. in Wien, CVIII (1885), pp. 245-6; L. Traube, “Palaeographische Forschungen IV,” in Abhandlungen d. h. t. Cl. d. k. Bayer. Akad. d. Wiss. XXIV. 1 (1906), p. 27; A. W. Van Buren, “The Palimpsest of Cicero’s De Re Publica,” in Archaeological Institute of America, Supplementary Papers of the American School of Classical Studies in Rome, ii (1908), pp. 89 sqq.; C. Wessely, in his preface to the facsimile edition of the Vienna Livy (MS. lat. 15), published in the Leyden series, Codices graeci et latini, etc., T. XI. See also W. G. Hale, “Syllabification in Roman speech,” in Harvard Studies of Classical Philology, VII (1896), pp. 249-71, and W. Dennison, “Syllabification in Latin Inscriptions,” in Classical Philology, I (1906), pp. 47-68.

10 [14.] That is, manuscripts written before the eighth century. The number of abbreviations increases considerably during the eighth century. Previously the only symbols found in calligraphic majuscule manuscripts are the “Nomina Sacra” (deus, dominus, Iesus, Christus, spiritus, sanctus), which constantly occur in Christian literature, and such suspensions as are met with in our fragment. A familiar exception is the manuscript of Gaius, preserved in the Chapter library of Verona, MS. xv (13). This is full of abbreviations not found in contemporary manuscripts containing purely literary or religious texts. Cf. W. Studemund, Gaii Institutionum Commentarii Quattuor, etc., Leipsic 1874; and F. Steffens, Lateinische Paläographie², pl. 18 (pl. 8 of the Supplement). The Oxyrhynchus papyrus of Cicero’s speeches is non-calligraphic and therefore not subject to the rule governing calligraphic products. The same is true of marginal notes to calligraphic texts. See W. M. Lindsay, Notae Latinae, Cambridge 1915, pp. 1-2.

[15.] Found only at the end of words in our fragment. Its use in the body of a word is, however, very ancient.

[16.] The C invariably has the two dots as well as the superior horizontal stroke.

[17.] The abbreviation is indicated by a stroke above the letters as well as by a dot after them.

11 [18.] An ancestor of our manuscript must have had tranq·, which was wrongly expanded to tranque.

[19.] This is a sign of antiquity. After the sixth century the M or Nstroke is usually placed above the vowel. The practice of confining the omission of M or N to the end of a line is a characteristic of our very oldest manuscripts. Later manuscripts omit M or N in the middle of a line and in the middle of a word. No distinction is made in our manuscript between omitted M and omitted N. Some ancient manuscripts make a distinction. Cf. Traube, Nomina Sacra, pp. 179, 181, 183, 185, final column of each page; and W. M. Lindsay, Notae Latinae, pp. 342 and 345.

[20.] The fraudulent character of the alleged discovery was exposed in masterly fashion by Ludwig Traube in his “Palaeographische Forschungen IV,” published in the Abhandlungen der K. Bayerischen Akademie der Wissenschaften, III Klasse, XXIV Band, 1 Abteilung, Munich 1904.

[21.] Cf. E. T. Merrill, “On the use by Aldus of his manuscripts of Pliny’s Letters,” in Classical Philology, XIV (1919), p. 34.

[22.] That the hair side of the vellum retained the ink better than the flesh side may be seen from an examination of facsimiles in the Leyden series Codices graeci et latini photographice depicti.

12 [23.] That the ink could scale off the flesh side of the vellum in less than three centuries is proved by the condition of the famous Tacitus manuscript in Beneventan script in the Laurentian Library. It was written in the eleventh century and shows retouched characters of the thirteenth. See foll. 102, 103 in the facsimile edition in the Leyden series mentioned in the previous note.

[24.] On the subject of omissions and the clues they often furnish, see the exhaustive treatise by A. C. Clark entitled The Descent of Manuscripts, Oxford 1918.

13 [25.] Our scribe’s method is as patient as it is unreflecting. Apparently he does not commit to memory small intelligible units of text, but is copying word for word, or in some places even letter for letter.

14 [26.] See below, [p. 16].

[27.] See below, [p. 16].

15 [28.] See below, [p. 16].

16 [29.] For the pertinent literature on the manuscripts in the following list the student is referred to Traube’s Vorlesungen und Abhandlungen, Vol. I, pp. 171-261, Munich 1909, and the index in Vol. III, Munich 1920. The chief works of facsimiles referred to below are: Zangemeister and Wattenbach, Exempla codicum latinorum litteris maiusculis scriptorum, Heidelberg 1876 & 1879; E. Chatelain, Paléographie des classiques latins, Paris 1884-1900, and Uncialis scriptura codicum latinorum novis exemplis illustrata, Paris 1901-2; and Steffens, Lateinische Paläographie², Treves 1907. (Second edition in French appeared in 1910.)

19 [30.] In later uncials the fore-stroke is often a horizontal hair-line.

21 [31.] This supposition will be strengthened by Professor Rand; see [p. 53.]

[32.] Compare, for example, the facsimile of a French deed of sale at Roye, November 24, 1433, reproduced in Recueil de Fac-similés à l’usage de l’école des chartes. Premier fascicule (Paris 1880), No. 1.

[33.] No mention of either of these is to be found in Dom Toussaints du Plessis’ Histoire de l’église de Meaux. For documents with similar opening formulas, see ibid. vol. ii (Paris 1731), pp. 191, 258, 269, 273.

[TRANSCRIPTION]*

* The original manuscript is in scriptura continua. For the reader’s convenience, words have been separated and punctuation added in the transcription.

In a few places the transcribers used V in place of U. This appears to be an error, but has not been changed.

[folio 48^r]
[folio 49^r]
[folio 50^r]
[folio 51^r]
[folio 52^r]
[folio 53^r]

[folio 48^v]
[folio 49^v]
[folio 50^v]
[folio 51^v]
[folio 52^v]
[folio 53^v]

LIBER·II·
CESSIT UT IPSE MIHI DIXERIT CUM CON SULERET QUAM CITO SESTERTIUM SESCEN TIES INPLETURUS ESSET INUENISSE SE EX
TA DUPLICATA QUIBUS PORTENDI MI^LLIES¹ ET DUCENTIES HABITURUM ET HABEBIT SI MODO UT COEPIT ALIENA TESTAMENTA QUOD EST IMPROBISSIMUM GENUS FAL SI IPSIS QUORUM SUNT ILLA DICTAUERIT UALE	1. L added by a hand which seems contemporary, if not the scribe’s own. If the scribe’s, he used a finer pen for corrections.
²· C · PLINI · SECUNDI
EPISTULARUM · EXPLICIT · LIBER · II.	2-2 The colophon is written in rustic capitals, the middle line being in red.
· INCIPIT · LIBER · III · FELICITER²

AD CALUISIUM RUFUM¹ 5 NESCIO AN ULLUM AD UIBIUM · MAXIMUM QUOD · IPSE AMICIS TUIS	1. On this and the following page lines in red alternate with lines in black. The first line is in red.
AD CAERELLIAE HISPULLAE² CUM PATREM TUUM	2. The h seems written over an erasure.
10 AD CAE^CILIUM³ MACRINUM QUAMUIS ET AMICI AD BAEBIUM MACRUM PERGRATUM EST MIHI	3. ci above the line by first hand.
⁴AD ANNIUM⁴ SEUERUM 15 ⁴EX HEREDITATE⁴ QUAE AD CANINIUM RUFUM MODO NUNTIATUS EST	4-4 Over an erasure apparently.
AD SUETON⁵ TRANQUE FACIS AD PRO CETERA	5. t over an erasure.
20 AD CORNELIUM⁶ MINICIANUM POSSUM IAM PERSCRIB AD UESTRIC SPURINN · COMPOSUISSE ME QUAED	6. c over an erasure.

AD IULIUM GENITOR · 5 EST OMNINO ARTEMIDORI AD CATILINUM SEUER · UENIAM AD CENAM AD UOCONIUM ROMANUM LIBRUM QUO NUPER 10 AD PATILIUM REM ATROCEM AD SILIUM PROCUL · PETIS UT LIBELLOS TUOS
ad nepotem adnotasse uideor fata dictaque·¹ AD IULIUM SERUIAN ·² 15 RECTE OMNIA AD UIRIUM SEUERUM OFFICIU CONSULATUS AD CALUISIUM RUFUM · ADSUMO TE IN CONSILIUM 20 AD MAESIUM MAXIMUM MEMINISTINE TE AD CORNELIUM PRISCUM AUDIO UALERIUM MARTIAL ·	1. Added interlineally, in black, by first hand using a finer pen. 2. This is followed by an erasure of the letters um in red.

· EPISTULARUM ·
·C·PLINIUS · CALUISIO SUO SALUTEM NESCIO AN ULLUM IUCUNDIUS TEMPUS EXEGERIM QUAM QUO NUPER APUD SPU RINNAM FUI ADEO QUIDEM UT NEMINEM 5 MAGIS IN SENECTUTE SI MODO SENESCE RE DATUM EST AEMULARI UELIM NIHIL EST ENIM ILLO UITAE GENERE DISTIN CTIUS ME AUTEM UT CERTUS SIDERUM CURSUS ITA UITA HOMINUM DISPOSITA 10 DELECTAT SENUM PRAESERTIM NAM IUUENES ADHUC CONFUSA QUAEDAM ET QUASI TURBATA NON INDECENT SE NIBUS PLACIDA OMNIA ET OR^DINATA¹ CON
UENIUNT QUIBUS INDUSTRIA SER^UA¹TURPIS 15 AMBITIO EST HANC REGULAM SPURIN NA CONSTANTISSIME SERUAT · QUIN ETIAM PARUA HAEC PARUA · SI NON COTIDIE FIANT ORDINE QUODAM ET UELUT ORBE CIRCUM	1. Letters above the line were added by first or contemporary hand.
AGIT MANE LECTULO² CONTINETUR HORA 20 SECUNDA CALCEOS POSCIT AMBULAT MI LIA PASSUUM TRIA NEC MINUS ANIMUM QUAM CORPUS EXERCET SI ADSUNT AMICI HONESTISSIMI SERMONES EXPLICANTUR SI NON LIBER LEGITUR INTERDUM ETIAM PRAE 25 SENTIBUS AMICIS SI TAMEN ILLI NON GRAUAN	2. u corrected to e.
TUR DEINDE CONSIDIT³ ET LIBER RURSUS AUT SERMO LIBRO POTIOR · MOX UEHICULUM	3. Second i corrected to e (not the regular uncial form) apparently by the first or contemporary hand.

· LIBER · III ·
ASCENDIT ADSUMIT UXOREM SINGU LARIS EXEMPLI UEL ALIQUEM AMICORUM UT ME PROXIME QUAM PULCHRUM ILLUD QUAM DULCE SECRETUM QUANTUM IBI AN 5 TIQUITATIS QUAE FACTA QUOS UIROS AU DIAS QUIBUS PRAECEPTIS IMBUARE QUAMUIS ILLE HOC TEMPERAMENTUM MODESTIAE SUAE INDIXERIT NE PRAECIPE REUIDEATUR PERACTIS SEPTEM MILIBUS PASSUUM ITE 10 RUM AMBULAT MILLE ITERUM RESIDIT UEL SE CUBICULO AC STILO REDDIT SCRI BIT ENIM ET QUIDEM UTRAQUE LINGUA LY RICA DOCTISSIMA MIRA ILLIS DULCEDO
MIRA SUAUITAS MIRA HILARITAṪİS¹ CUIUS 15 GRATIAM CUMULAT SANCTITAṪİS² SCRI BENTIS UBI HORA BALNEI NUNTIATA EST EST AUTEM HIEME NONA · AESTATE OCTA UA IN SOLE SI CARET UENTO AMBULAT NUDUS DEINDE MOUETUR PILA UEHE 20 MENTER ET DIU NAM HOC QUOQUE EXER CITATIONIS GENERE PUGNAT CUM SE NECTUTE LOTUS ACCUBAT ET PAULIS PER CIBUM DIFFERT INTERIM AUDIT LE GENTEM REMISSIUS ALIQUID ET DULCIUS 25 PER HOC OMNE TEMPUS LIBERUM EST AMICIS UEL EADEM FACERE UEL ALIA	1. The scribe first wrote hilaritatis. To correct the error he or a contemporary hand placed dots above the t and i and drew a horizontal line through them to indicate that they should be omitted. This is the usual method in very old manuscripts. 2. sanctitatis is corrected to sanctitas in the manner described in the preceding note.
SI MALINT ADPON^ITUR³ CENA NON MINUS	3. i added above the line, apparently by first hand.

· EPISTULARUM · NITIDA QUAM FRUGI IN ARGENTO PURO ET
ANTIQUO SUNT IN USU ET C^HORINTHIA¹ QUIBUS DE LECTATUR ET ADFICITUR FREQUENTER CO MOEDIS CENA DISTINGUITUR UT UOLUPTA 5 TES QUOQUE STUDIIS CONDIANTUR SUMIT ALI QUID DE NOCTE ET AESTATE NEMI^NI¹ HOC LON GUM EST TANTA COMITATE CONUIUIUM TRAHITUR INDE ILLI POST SEPTIMUM ET SEPTUAGENSIMUM ANNUM AURIUM 10 OCULORUM UIGOR INTEGER INDE AGILE ET UIUIDUM CORPUS SOLAQUE EX SENEC TUTE PRUDENTIA HANC EGO UITAM UO TO ET COGITATIONE PRAESUMO INGRES SURUS AUIDISSIME UT PRIMUM RATIO AE	1. The letters above the line are additions by the first, or by another contemporary, hand.
15 TATIS RECEPTUI CANERE PERMISERIT² IN TERIM MILLE LABORIBUS CONTEROR QUI HO RUM MIHI ET SOLACIUM ET EXEMPLUM EST IDEM SPURINNA NAM ILLE QUOQUE QUOAD HONESTUM FUIT OB^IIT¹ OFFICIA 20 GESSIT MAGISTRATUS PROVINCIAS RE XIT MULTOQ^UE LABORE HOC OTIUM ME RUIT IGITUR EUNDEM MIHI CURSUM EUN DEM TERMINUM STATUO IDQUE IAM NUNC APUD TE SUBSIGNO UT SI ME LONGIUS SE	2. permiserit: t stands over an erasure, and original it seems to be corrected to et, with e having the rustic form.
25 EUEHI³ UIDERIS IN IUS UOCES AD HANC EPIS TULAM MEAM ET QUIESCERE IUBEAS CUM INERTIAE CRIMEN EFFUGERO UALE·⁴	3. The scribe first wrote longius se uehi. The e which precedes uehi was added by him when he later corrected the page and deleted se. 4. uale: The abbreviation is marked by a stroke above as well as by a dot after the word.

· LIBER · III ·
A tout ceulz qui ces presentes lettres verront et orront Jehan de sannemeres garde du scel de la provoste de Meaulx & francois Beloy clerc Jure de par le Roy nostre sire a ce faire Salut sachient tuit que par.¹
·C̅·PLINIUS · MAXIMO SUOSALUTEM QUOD IPSE AMICIS TUIS OPTULISSEM · SI MI HI EADEM MATERIA SUPPETERET ID NUNC IURE UIDEOR A TE MEIS PETITURUS ARRIA 5NUS MATURUS ALTINATIUM EST PRINCEPS CUM DICO PRINCEPS NON DE FACULTATI BUS LOQUOR QUAE ILLI LARGE SUPER SUNT SED DE CASTITATE IUSTITIA GRA UITATE PRUDENTIA HUIOS EGO CONSI 10LIO IN NEGOTIIS IUDICIO IN STUDIIS UT OR NAM PLURIMUM FIDE PLURIMUM VERITATE PLURIMUM INTELLEGENTIA PRAESTAT AMAT ME NIHIL POSSUM AR	1. A fifteenth-century addition, see above,[p. 21].
DENTIUS DICERE UT TU KARET AMBITUI² 15IDEO SE IN EQUESTRI GRADU TENUIT CUM FACILE POSSIT³ ASCENDERE ALTISSIMUM MIHI TAMEN ORNANDUS EXCOLENDUS QUE EST ITAQUE MAGNI AESTIMO DIGNITATI EIUS ALIQUID ADSTRUERE INOPINANTIS 20NESCIENTIS IMMO ETIAM FORTASSE NOLENTIS ADSTRUERE AUTEM QUOD SIT SPLENDIDUM NEC MOLESTUM CUIUS GENERIS QUAE PRIMA OCCASIO TIBI CON FERAS IN EUM ROGO HABEBIS ME HABE 25BIS IPSUM GRATISSIMUM DEBITOREM QUAMUIS ENIM ISTA NON ADPETAT TAM GRATE TAMEN EXCIPIT QUAM SI CONCU	2. The scribe originally divided i-deo between two lines. Oncorrecting the page he (or a contemporary corrector) cancelled thei at the end of the line and added it before the next. 3. i changed to e (not the uncial form) possibly by theoriginal hand in correcting.

· EPISTULARUM · PISCAT · UALE ·C̅·PLINIUS · CORELLIAE · SALUTEM · CUM PATREM TUUM GRAUISSIMUM ET SAN CTISSIMUM UIRUM SUSPEXERIM MAGIS 5 AN AMAUERIM DUBITEM TEQUE IN MEMO
RIAM EIUS ET IN HONOREM TUUM I^UNU^IICE¹ DILIGAM CUPIAM NECESSE EST ATQUE ETIAM QUANTUM IN ME FUERIT ENITAR UT FILIUS TUUS AUO SIMILIS EXSISTAT EQUIDEM 10 MALO MATERNO QUAMQ^UAM² ILLI PATER NUS ETIAM CLARUS SPECTATUS^QUE³ CONTIGE RIT PATER QUOQUE ET PATRUUS INLUSTRI LAU DE CONSPICUI QUIBUS OMNIBUS ITA DEMUM SIMILIS ADOLESCET SIBI INBUTUS HONES	1. inuice: corrected to unice by cancelling i and ui (the cancellation stroke is barely visible) and writing u and i above the line. The correction is by a somewhat later hand. 2. u above the line is by the first hand. 3. q· above the line is added by a somewhat later hand.
15 TIS ARTIBUS FUERIT QUAS PLURIMUM REFER⁴ ṘȦT⁵ A QUO POTISSIMUM ACCIPIAT ADHUC ILLUM PUERITIAE RATIO INTRA CONTUBER NIUM TUUM TENUIT PRAECEPTORES DOMI	4. Final r is added by a somewhat later hand. 5. The dots above ra indicate deletion. The cancellation stroke is oblique.
HABUIT UBI EST ERRORIBUS MODICA ^UE^LST⁶ ETIAM 20 NULLA MATERIA IAM STUDIA EIUS EXTRA LIMEN CONFERANDA SUNT IAM CIRCUMSPI CIENDUS RHETOR LATINUS CUIUS SCHO LAE SEUERITAS PUDOR INPRIMIS CASTITAS CONSTET ADEST ENIM ADULESCENTI NOS 25 TRO CUM CETERIS NATURAE FORTUNAEQUE	6. A somewhat later corrector, possibly contemporary, changed est to uel by adding u before e and l above s and cancelling both s and t.
DOTIBUS EXIMIA CORPORIS PULC^HRITUDO⁷ CUI IN HOC LUBRICO AETATIS NON PRAECEP	7. h added above the line by a hand which may be contemporary.

· LIBER · III · TOR MODO SED CUSTOS ETIAM RECTORQUE QUAERENDUS EST UIDEOR ERGO DEMON
STRARE TIBI POSSE IULIUM GEN^ITIOREM¹ AM^NATUR² A ME I^UDICIO³ TAMEN MEO NON 5 OBSTAT KARITAS HOMINIS QUAE ^EX⁴IUDI CIO NATA EST UIR EST EMENDATUS ET GRA UIS PAULO ETIAM HORRIDIOR ET DURIOR UT IN HAC LICENTIA TEMPORUM QUAN TUM ELOQUENTIA UALEAT PLURIBUS CRE 10 DERE POTES NAM DICENDI FACULTAS APERTA ET EXPOSITA · STATIM CERNITUR UITA HOMINUM ALTOS RECESSUS MAG NASQUE LATEBRAS HABET CUIUS PRO GE NITORE ME SPONSOREM ACCIPE NIHIL 15 EX HOC UIRO FILIUS TUUS AUDIET NISI	1. The scribe wrote gentiorem: a somewhat later corrector changed it to genitorem by adding an i above the line between n and t and cancelled the i after t. 2. Above the m a somewhat later hand wrote n. It was cancelled by a crude modern hand using lead. 3. u added above the line by the later hand. 4. ex added above the line by the later corrector.
PROFUTURUM NIHIL DISCET QUOD NESCIS⁵ SE RECTIUS FUERIT NE^C⁶ MINUS SAEPE AB ILLO QUAM A TE MEQUE ADMONEBITUR QUIBUS IMAGINIBUS ONERETUR QUAE NOMI 20 NA ET QUANTA SUSTINEAT PROINDE FAUEN	5. cis is added in the margin by the later hand. The original scribe wrote nes \| se. 6. c is added above the line by the later hand.
TIBUS DIIS TRADE ^EUM⁷ PRAECEPTORI A QUO MORES PRIMUM MOX ELOQUENTIAM DISCAT QUAE MALE SINE MORIBUS DIS CITUR UALE 25 ·C· PLINIUS MACRINO SALUTEM QUAMUIS ET AMICI QUOS PRAESENTES HABEBAM ET SERMONES HOMINUM	7. e added above the line.

· EPISTULARUM ·
FACTUM MEUM COMPROUASSE UIDEAN TUR MAGNI TAMEN AESTIMO SCIRE QUID SENTIAS TU NAM CUIUS INTEGRA RE CONSILIUM EXQUIRERE O^PTASSEM¹ HUIUS ETIAM 5PERACTA IUDICIȦUM² NOSSE MIRE CONCU PISCO CUM PUBLICUM OPUS MEA PECU	1. p added above the line by the scribe. 2. The superfluous a is cancelled by means of a dot above theletter.
NIA INCHOATURUS IN TUSCOS EXCUCURISsemac aefectus aerari cepto ut pr COMMEATU³ LEGATIPROVINCIAE
BAETICAE QUESTURI DE PROCONSULATUṠ⁴ 10CAECILII CLASSICI ADVOCATUM ME A SE NATU PETIERUNT COLLEGAE OPTIMI MEIQUE AMANTISSIMI DE COMMUNIS OFFICII NE CESSITATIBUS PRAELOCUTI EXCUSARE ME ET EXIMERE TEMPTARUNT FACTUM 15ṪU̇Ṁ⁵ EST SENATUS CONSULTUM PERQUAM HONORIFICUM UT DARE^R⁶ PROVINCIALIBUS PATRONUS SI AB IPSO ME IMPETRASSENT LEGATI RURSUS INDUCTI ITERUM ME IAM	3. The scribe originally wrote excucuris \| sem commeatu, omittingaccepto ut praefectus aerari. Noticing his error, he erasedsem and wrote it at the end of the preceding line, and added theomitted words over the erasure and the word commeatu. 4. The dot over s indicates deletion. 5. tum: error due to diplography. The correction is made by meansof dots and crossing out. 6. r added by the scribe.
PRAESENTEM ADUOCATUM POST^ULAUE⁷20RUNT INPLORANTES FIDEM MEAM QUAM ESSENT CONTRA MASSAM BAE	7. u added apparently by a contemporary hand.
BIUM EXPERTI ADLEGANTES PATRO^CINII⁸FOEDUS SECUTA EST SENATUS CLARIS SIMA ADSENSIO QUAE SOLET DECRETA 25PRAECURRERE TUM EGO DESINO IN QUAM P. C. PUTARE ME IUSTAS EXCUSA TIONIS CAUSAS ADTULISSE PLACUIT ET	8. c added above the line, apparently by a contemporary hand.

· LIBER · III · MODESTIA SERMONIS ET RATIO COM PULIT AUTEM ME AD HOC CONSILIUM NON SOLUM CONSENSUS SENATUS QUAMQUAM HIC MAXIME UERUM ET ALII QUIDEM 5 MINORIS SED TAMEN NUMERI UENI EBAT IN MENTEM PRIORES NOSTROS
ETIAM SINGULORUM HOSPİTIUM¹ INIU RIAS ACCUSATIONIBUS UOLUNTARIIS EX SECUTOS QUO DEFORMIUS ARBITRABAR	1. Deletion of i before u is marked by a dot above the letter and a slanting stroke through it.
10 PUBLICI ^HOSPITII ^IURA² NEGLEGERE PRAE TEREA CUM RECORDARER QUANTA PRO IISDEM BAETICIS PRIORE ADUOCA TIONE ETIAM PERICULA SUBISSEM CON SERVANDUM UETERIS OFFICII MERITUM 15 NOVO VIDEBATUR EST ENIM ITA COM PARATUM UT ANTIQUIORA BENEFICIA SUB UERTAS NISI ILLA POSTERIORIBUS CUMU	2. h and i above the line are apparently by the first hand.
LES NAM QUAMLIBET SAEPE OBLIGA(N)³ TI SIQUID⁴ UNUM NEGES HOC SOLUM 20 MEMINERUNT QUOD NEGATUM EST DUCEBAR ETIAM QUOD DECESSERAT CLASSICUS AMOTUMQUE ERAT QUOD I⁵N EIUSMODI CAUSIS SOLET ESSE TRIS	3. n (in brackets) is a later addition. 4. The letters uid are plainly retraced by a later hand. The same hand retouched neges h in the same line. 5. i before n added by a later corrector who erased the i which the scribe wrote after quod, in the line above.
ṪİTISSIMUM⁶ PERICULUM SENATORIS 25 UIDEBAM ERGO ADUOCATIONI MEAE NON MINOREM GRATIAM QUAM SI UIUERET ILLE PROPOSITAM INUIDIAM	6. Superfluous ti cancelled by means of dots and oblique stroke.
Uir erat in terra⁷	7. Added by a Caroline hand of the ninth century.

· EPISTULARUM · NULLAM IN SUMMA COMPUTABAM
SI MUNERE HOC TERTIO FUNGERE^R¹ FACILI OREM MIHI EXCUSATIONEM FORE SI QUIS INCIDISSET QUEM NON DEBEREM 5 ACCUSARE NAM CUM EST OMNIUM OFFI CIORUM FINIS ALIQUIS TUM OPTIME LIBERTATI UENIA OBSEQUIO PRAEPARA TUR AUDISTI CONSILII MEI MOTUS SUPER EST ALTERUTRA EX PARTE IUDICIUM TUUM	1. r added above the line by the scribe or by a contemporary hand.
10 IN QUO MIHI AEQUE IUCU^INDA² ERIT SIM PLICITAS DISSI^NTIENTIS³ QUAM COMPRO BANTIS AUCTORITAS UALE ·C̅·PLINIUS MACRO · SUO · SALUTEM PERGRATUM EST MIHI QUOD TAM DILIGEN 15 TER LIBROS AUONCULI MEI LECTITAS UT HABERE OMNES UELIS QUAERASQUE QUI SINT OMNES ḊĖFUNGAR⁴ INDICIS PARTIBUS ATQUE ETIAM QUO SINT ORDINE SCRIPTI NOTUM TIBI FACIAM EST ENIM HAEC 20 QUOQUE STUDIOSIS NON INIUCUNDA COG NITIO DE IACULATIONE EQUESTRI UNUS · HUNC CUM PRAEFECTUS ALAE MILITA	2. i added above the second u by the scribe or by a contemporary hand. 3. The scribe wrote dissitientis. A contemporary hand changed the second i to e and wrote an n above the t. 4. de is cancelled by means of dots above the d and e and oblique strokes drawn through them.
RET· PARI⁵ INGENIO CURAQUE COMPOSUIT· DE UITA POMPONI SECUNDI DUO A QUO 25 SINGULARITER AMATUS HOC MEMORIAE AMICI QUASI DEBITUM MUNUS EXSOL UIT · BELLORUM GERMANIAE UIGINTI QUIBUS	5. The strokes over the i at the end of this word and at the beginning of the next were added by a corrector who can not be much older than the thirteenth century.