THE MORAL DRESSING-TABLE

The prettiest little book that ever I saw lies before me. It is called "The Toilet," and was published by the author in 1821 and sold by Mr. Sams, bookseller to H.R.H. the Duke of York, at No. 1 St. James's Street; for princes in those days had their own booksellers no less than their own wine-cellars. Times have changed, and to-day No. 1 St. James's Street is a block of flats, and the Duke surveys London from the top of a column of stone.

The author of "The Toilet" was "S. G." (standing for Stacey Grimaldi), and the purpose of his book—so laudable then and how unnecessary now!—was to make young women better. This task was to be performed by means of a preface and a number of verses, but chiefly by a series of copperplate engravings with movable covers. I have seen old gardening books on this principle, by Capability Brown and others, in which the potentialities of gentlemen's places are made evident by the same mechanical means. Thus, by lifting up one clump of trees you see where the house could most advantageously stand, and by lifting up another you gaze along the lovely avenue that ought to be planted there, and so forth; but I never saw good manners and high ideals inculcated in this way. That they can be "The Toilet" proves.

But let me explain. The articles illustrated are those that are found in ladies' boudoirs, such as mirrors, and jewel case, and bottles of essence—all very charmingly designed as though by a Chippendale. Indeed, the copy which lies before me—as pretty a little book, did I say? as ever I saw—is known by its owner as "The Chippendale Book"; and never could the effort to get gentleness and the best manners into an impressionable female nature be more ingeniously or ingratiatingly made. Imagine, now, the fair one opening at the preface, where she reads at once these words: "I request your acceptance of a few appendages to your toilet, of extreme beauty and value, though some of them may be at variance with modern fashions." She then turns on and finds that the appendages consist of an Enchanting Mirror, a Wash to Smooth Wrinkles, some Superior Rouge, some Matchless Ear Rings, a Fine Lip Salve, a Mixture to Sweeten the Voice, and so forth—each delicately drawn.

Before lifting the cover of the mirror she reads that it is long since many of the gay inhabitants of the town have decorated themselves before it, and then, lifting the cover, discovers the word "Humility" on the glass. Fancy the shock to the frivolous and vain! But humility is not all; Uriah Heep had that and still was a most undesirable person, and so she must read on, all recipiency. Doing so she learns that it is singular that although we do generally wear ear-rings similar to those in the jewel case in the presence of a superior, we are apt to cast them off in the company of our inferiors; and, lifting the lid of the case, she finds the word "Attention" within. And so on through the book. The Wash to Smooth Wrinkles turns out to be Contentment; the Universal Beautifier is Good Humour; the Best White Paint is Innocence; the Superior Rouge is Modesty; the Mixture giving Sweetness to the Voice is Mildness and Truth (where is the young woman who any longer wants mildness?), and the Finest Lip Salve is Cheerfulness.

Finally we come to a very beautiful flowered pot—I wish you could see it—containing "The Late King's Eye Water"—the late King being George III, the father of the Prince whose own particular bookseller put forth this little volume. All the time, from the first moment of opening it, I had the feeling that somewhere hovering around or over "The Toilet" was the spirit of the courtier. Its blend of discretion and elegance is such as a palace mentor could hardly be without, and the description of the Late King's Eye Water settled it. "You are perhaps aware that our late much-beloved King possessed bad sight, and, doubtless, many different eye waters were prescribed for his use; but I can assure you, that whatever else the good Monarch might have used, he invariably possessed some of the accompanying description; it was by him recommended to our present Sovereign [George the Fourth], as also to his own beloved and illustrious Daughters; it has been by them constantly used, and their example has diffused it throughout the British Empire." On lifting the cover of the pot containing the Late King's Eye Water (which he recommended to his eldest son) we find it to contain "Benevolence"; but a certain poem by Moore, addressed to George IV after the death of Sheridan, would suggest that the collyrium was not at any rate "constantly" used.