CHAPTER EIGHT
THE MAKING OF PROGRESS
John Barron held strong theories about the importance of the mental condition when work was in hand. Once fairly engaged upon a picture, he painted very fast, labored without cessation, and separated himself as far as might be from every outside influence. No new interests were suffered to intrude upon his mind; no distractions of any sort, intellectual or otherwise, were permitted to occupy even those leisure intervals which of necessity lay between the periods of his work. On the present occasion he merely fed and slept and dwelt solitary, shunning society of every sort and spending as little time in Newlyn as possible. Fortunately for his achievement the weather continued wonderfully fine and each successive day brought like conditions of sunshine and color, light and air. This circumstance enabled him to proceed rapidly, and another fact also contributed to progress; the temperature kept high and the cow-byre, wherein Barren stored his implements and growing picture, proved so well-built and so snug withal that on more than one occasion he spent the entire night there. Sweet brown bracken filled a manger, and of this he pulled down sufficient quantities to make, with railway rugs, an ample bed. The outdoor life appeared to suit his health well; some color had come to his pale cheeks; he felt considerably stronger in body and mentally invigorated by the strain of work now upon him.
But though he turned his back on his fellow-men they sought him out, and rumors at length grew to a certainty that Barron was busy painting somewhere on the cliffs beyond Mousehole. Everybody supposed he had abandoned his ambition to get a portrait of Joan Tregenza; but one man was in his confidence: Edmund Murdoch. The young artist had been useful to Barron. On many occasions he tramped out from Newlyn with additions to the scanty larder kept at the cow-byre. He would bring hard-boiled eggs, sandwiches, bottles of soda-water and whisky; and once he arrived at six o'clock in the morning with a pony cart in which was a little oil stove. Barron had confided in Murdoch, but begged he would let it be known that he courted no society for the present. As the work grew he spent more and more time upon it. He explained to his friend quite seriously that he was painting the gorse, but that Joan Tregenza had consented to fill a part of the picture—a statement which amused the younger artist not a little.
"But the gorse is extraordinary, I'll admit. You must have worked without ceasing. She will be exquisite. Where shall you get the blue for her eyes?"
"Out of the sky and the sea."
"Does the girl inspire you herself, John? I swear something has. This is going to be great."
"It's going to be true, that's all. No, Joan is a dear child, but her body's no more than a perfect casket to a commonplace little soul. She talks a great deal and I like nothing better than to listen; for although what she says is naught, yet her manner of saying it does not lack charm. Her voice is wonderfully sweet—it comes from her throat like a wood-pigeon's, and education has not ruined her diction."
"She's as shy as any wood-pigeon, too—we all know that; and you've done a clever thing to tame her."
"God forbid that I should tame her. We met and grew friendly as wild things both. She is a child of Nature, her mind is as pure as the sea. Moreover, Joan walks saint-guided. Folklore and local twaddle does not appeal overmuch to me, as you know, yet the stories drop prettily from her lips and I find pleasure in listening."
Murdoch whistled.
"By Jove! I never heard you so enthusiastic, so positive, so personally alive and awake and interested. Don't fall in love with the girl before you know it."
To this warning Barron made a curious reply.
"Everything depends on my picture. You know my rule of life; to sacrifice all things to mood. I shall do so here. The best I can do must be done whatever the cost."
A shadow almost sinister lay behind the utterance, yet young Murdoch could not fathom it. Barren spoke in his usual slow, unaffected tones, and painted all the time; for the conversation took place on Gorse Point.
"Not sure if I quite understand you, old man," said Murdoch.
"It doesn't matter in the least if you don't, my dear fellow."
His words were hardly civil, but the tone in which Barren spoke robbed the utterance of any offense.
"All you need do," he continued, "is to keep silent in the interests of art and of Joan. I don't want her precious visits to me to get back to her father's ears or they will cease, and I don't wish to do her a bad turn in her home, for I owe her a great debt of gratitude. If men ask what I'm doing, lie to them and beg them not to disturb me, for the sake of Art. What a glint the east wind gives to color! Yet this is hardly to be called an east wind, so soft and balmy does it keep."
"Well, you seem to be the better for your work, at any rate. You're getting absolutely fat. If Newlyn brings you health as well as fame, I hope you'll retract some of the many hard things you have said about it."
"It has brought me an interest, and for that at any rate I am grateful. Good-by. I shall probably come down to-night, despite the fact that you have replenished my stores so handsomely."
Murdoch started homeward and met Joan Tregenza upon the way. She had given Barron one further sitting after Uncle Chirgwin's call at Newlyn, but since the last occasion, and for a period of two days, chance prevented the girl from paying him another visit. Now she arrived, however, as early as half-past ten, and Murdoch, while he passed her on the hill from Mousehole, envied his friend the morning's work before him.
Joan was very hot and very apologetic upon her arrival.
"I began to fear you had forgotten me," the artist said, but she was loud in protestations to the contrary.
"No, no, Mister Jan. I've fretted 'bout not comin' up like anything; ay, an' I've cried of a night 'cause I thot you'd be reckoning I waddun comin' no more. But 'tweern't my doin' no ways."
"You hadn't forgotten me?"
"Indeed an' I hadn't. An' I'd be sorrerful if I thot you thot so."
She walked to the old position before the gorse and fell naturally into it, speaking the while.
"Tis this way: mother's been bad wi' faace ache arter my brother Tom went to sea wi' faither. An' mother grizzled an' worrited herself reg'lar ill an' stopped in bed two days an' kep on whinin' 'bout what I was to do if she died; cause she s'posed she was gwained to. But so soon as Tom comed off his first trip, mother cheered wonnerful, an' riz up to see to en, an' hear tell 'bout how he fared on the water."
"Your head a wee bit higher, Joan. Well, I'm thankful to see you again. I was getting very, very lonely, I promise you. And the more I thought about the picture the more unhappy I became. There's such a lot to do and only such a clumsy hand to do it. The better I know you, Joan, the harder become the problems you set me. How am I going to get your soul looking out of your eyes, d'you think? How am I to make those who may see my picture some day—years after you and I are both dead and gone, Joan—fall in love with you?"
"La! I dunnaw, Mister Jan."
"Nor do I. How shall I make the picture so true that generations unborn will delight in the portrait and deem it great and fine?"
"I dunnaw."
"And yet you deserve it, Joan, for I don't think God ever made anything prettier."
She blushed and looked softly at him, but took no alarm; for though such a compliment had never before been paid her, yet, as Barron spoke the words, slowly, critically, without enthusiasm or any expression of pleasure on his face, they had little power to alarm. He merely stated what he seemed to regard as a fact. There was almost a suggestion of irritation in his utterance, as though his model's rare beauty only increased his own artistic difficulties; and, perhaps fearing from her smile that she found undue pleasure in his statement, he added to it:
"I don't say that to natter you, Joan. I hate compliments and never pay them. I told you, remember, that your wrists were a thought too big."
"You needn't be sayin' it over an' over, Mister Jan," she answered, her smile changing to a pout.
"But you wouldn't like me any more if I stopped telling you the truth. We have agreed to love what is true and to worship Mother Nature because she always speaks the truth."
The girl made no answer, and he went on working for a few moments, then spoke again.
"I'm selfish, Joan, and think more of my picture than I do of my little model. Put down your arm and take a good rest. I tried holding my hand over my eyes yesterday to see how long I could do so without wearying myself. I found that three minutes was quite enough, but I have often kept you posed for five."
"It hurted my arm 'tween the shoulder an' elbow a lil bit at first, but
I've grawed used to it now."
"How ever shall I repay you, kind Joan, for all your trouble and your long walks and pretty stories?"
"I doan't need no pay. If 'twas a matter o' payin', 'twould be a wrong thing to do, I reckon. Theer's auld Bascombe up Paul—him wi' curls o' long hair an' gawld rings in's ears. Gents pays en to take his likeness; an' theer's gals make money so, more'n wan; but faither says 'tis a heathenish way of livin' an' not honest. An'—an' I'd never let nobody paint me else but you, Mister Jan, 'cause you'm different."
"Well, you make me a proud man, Joan. I'm afraid I must be a poor substitute for Joe."
He noticed she had never mentioned her sweetheart since their early interviews, and wanted to ascertain of what nature was Joan's affection for the sailor. He did not yet dream how faint a thing poor Joe had shrunk to be in Joan's mind, or how the present episode in her life was dwarfing and dominating all others, present and past.
Nor did the girl's answer to his remark enlighten him.
"In coorse you an' Joe's differ'nt as can be. You knaws everything seemin'ly an' be a gen'le-man; Joe's only a seafarin' man, an' 'e doan't knaw much 'cept what he's larned from faither. But Joe used to say a sight more'n what you do, for all that."
"I like to hear you talk, Joan; perhaps Joe liked to hear himself talk. Most men do. But, you see, the things you have told me are pleasant to me and they were not to Joe, because he didn't believe in them. Don't look at me, Joan; look right away to the edge of the sea."
"You'm surprised like as I talks to ye, Mister Jan. Doan't ladies talk so free as what I do?"
"Other women talk, but they are very seldom in earnest like you are, Joan. They don't believe half they say, they pretend and make believe; they've got to do so, poor things, because the world they live in is all built up on ancient foundations of great festering lies. The lies are carefully coated over and disinfected as much as possible and quite hidden out of sight, but everybody knows they are there—everybody knows the quaking foundations they tread upon. Civilization means universal civility, I suppose, Joan; and to be civil to everybody argues a great power of telling lies. People call it tact. But I don't like polite society myself, because my nose is sensitive and I smell the stinking basis through all the pretty paint. You and I, Joan, belong to Nature. She is not always civil, but you can trust her; she is seldom polite, but she never says what is not true."
"You talk as though 'e ded'n much like ladies an' gen'lemen, same as you be."
"I don't, and I'm not what you understand by 'a gentleman,' Joan. Gentlemen and ladies let me go among them and mix with them, because I happen to have a great deal of money—thousands and thousands of pounds. That opens the door to their drawing-rooms, if I wanted to open it, but I don't. I've seen them and gone about among them, and I'm sick of them. If a man wishes to know what polite society is let him go into it as a very wealthy bachelor. I'm not 'a gentleman,' you know, Joan, fortunately."
"Surely, Mister Jan!"
"No more than you're a lady. But I can try to be gentle and manly, which is better. You and I come from the same class, Joan; from the people. The only difference is that my father happened to make a huge fortune in London. Guess what he sold?"
"I dunnaw."
"Fish—just plaice and flounders and herrings and so forth. He sold them by tens of thousands. Your father sells them too. But what d'you think was the difference? Why, your father is an honest man; mine wasn't. The fishermen sold their fish, after they had had the trouble and danger of catching them, to my father; and then my father sold them again to the public; and the fishermen got too little and the public paid too much, and so—I'm a very rich man to-day—the son of a thief."
"Mister Jan!"
"Nobody ever called him a thief but me. He was a great star in this same polite society I speak of. He fed hundreds of fat people on the money that ought to have gone into the fishermen's pockets; and he died after eating too much salmon and cucumber at his own table. Poetic justice, you know. There are stained glass windows up to his memory in two churches and tons of good white marble were wasted when they made his grave. But he was a thief, just as surely as your father is an honest man; so you have the advantage of me, Joan. I really doubt if I'm respectable enough for you to know and trust."
"I'd trust 'e with anything, Mister Jan, 'cause you'm plain-spoken an' true."
"Don't be too sure—the son of a thief may have wrong ideas and lax principles. Many things not to be bought can easily be stolen."
Again he struck a sinister note, but this time on an ear wholly unable to appreciate or suspect it. Joan was occupied with Barron's startling scraps of biography, and, as usual, when he began talking in a way she could not understand, turned to her own thoughts. This sudden alteration of his position she took literally. It struck her in a happy light.
"If you'm not a gen'leman then you wouldn' look down 'pon me, would 'e?"
"God forbid! I look up to you, Joan."
She was silent, trying to master this remarkable assertion. The artist stood no longer upon that lofty pedestal where she had placed him; but the change of attitude seemed to bring him a little closer, and Joan forgot the fall in contemplating the nearer approach.
"That's why I asked you not to call me 'Mister Jan,"' Barron added after a pause. "We are, you see, only different because I'm a man and you're a woman. Money merely makes a difference to outside things, like houses and clothes. But you've got possessions which no money can bring to me: a happy home and a lover coming back to you from the sea. Think what it must be to have nobody in the world to care whether you live or die. Why, I haven't a relation near enough to be even interested in all my money—there's loneliness for you!"
Joan felt full of a great pity, but could not tell how to express it. Even her dull brains were not slow enough to credit his frank assertion that he and she were equals; but she accepted the statement in some degree, and now, with her mind wandering in his lonely existence, wondered if she might presume to express sympathy for him and proclaim herself his friend. She hesitated, for such friendship as hers, though it came hot from her little heart, seemed a ludicrous thing to offer this man. Every day of intercourse with him filled her more with wonder and with admiration; every day he occupied a wider place in her thoughts; and at that moment his utterances and his declaration of a want in life made him more human than ever to her, more easily to be comprehended, more within the reach of her understanding. And that was not a circumstance calculated to lessen her regard for him by any means. Until that day he had appeared a being far apart, whose interests and main threads of life belonged to another sphere; now he had deliberately come into her world and declared it his own.
The silence became painful to Joan, but she could not pluck up courage enough to tell the artist that she at least was a friend. Finally she spoke, feeling that he waited for her to do so, and her words led to the point, for she found, in his answer to them, that he took her goodwill for granted.
"Ain't you got no uncles nor nothin' o' that even, Mister Jan?"
He laughed and shook his head.
"Not one, Joan—not anybody in all the world to think twice about me but you."
Her heart beat hard and her breath quickened, but she did not speak. Then Barron, putting down his brushes and beginning to load a pipe, that his next remark might not seem too serious, proceeded:
"I call you 'friend,' Joan, because I know you are one. And I want you to think of me sometimes when I am gone, will you?"
He went on filling his pipe, and then, looking suddenly into her eyes, saw there a light that was strange—a light that he would have given his soul to put into paint—a light that Joe's name never had kindled and never could. Joan wiped her hand across her mouth uneasily; then she twisted her hands behind her back, like a schoolgirl standing in class, and made answer with her eyes on the ground.
"Iss, I will, then, Mister Jan; an' maybe I couldn't help it if I would."
He lighted his pipe carefully before answering.
"Then I shall be happy, Joan."
But while she grew rose-red at the boldness of her sudden announcement, he took care neither to look at her nor to let her know that he had realized the earnestness with which she spoke. And when, ten minutes later, she had departed, he mused speculatively on the course of their conversation, asking himself what whim had led him to pretend to so much human feeling and to lament his loneliness. This condition of his life he loved above all others. No man, woman or child had the right to interfere with his selfish, impersonal existence, and he gloried in the fact. But to the scraps of his life's history, which he had spread before Joan in their absolute truth, he had added this fiction of friendless loneliness, and it had worked a wonder. He saw that he was growing to be much to her, and the problem lying in his path rose again, as it had for a moment when Murdoch warned him in jest against falling in love with Joan Tregenza. Dim suspicions crossed his mind with greater frequency, and being now a mere remorseless savage, hunting to its completion a fine picture, he made no effort to shut their shadows from his calculation. Everything which bore even indirectly upon his work received its share of attention; to mood must all sacrifices be made; and now a new mood began to dawn in him. He knew it, he accepted it. He had not sought it, but the thing was there, and Nature had sent it to him. To shun it and fly from it meant a lie to his art; to open his arms to it promised the destruction of a human unit. Barron was not the man to hesitate between two such courses. If any action could heighten his inspiration, add a glimmer of glory to his picture, or get a shadow more soul into the painted blue eyes of the subject, he held such action justified. For the present his mind was chaos on the subject, and he left the future to work itself out as chance might determine.
His painting was all he concerned himself with, and should Nature ultimately indicate that greater perfection might be achieved through worship and even sacrifice at her shrine, neither worship nor sacrifice would be withheld.
CHAPTER NINE A WEDDING
Joan Tregenza went home in a dream that day. She did not know where to begin thinking. "Mister Jan" had told her so many astounding things; and her own heart, too, had made bold utterances—concerning matters which she had crushed out of sight with some shame and many secret blushes until now. But, seen in the light of John Barron's revelations, this emotion which she had thrust so resolutely to the back of her mind could remain there no more. It arose strong, rampant and ridiculous; only from her point of view no humor distinguished it. This man, then, was like herself, made of the same flesh and blood, sprung from the people. That fact, though possessing absolutely no significance whatever in reality, struck Joan with great force. Her highly primitive instincts stretched a wide gulf between the thing called "gentleman" and other men; which was the result of training from parents of the old-fashioned sort, whose world lay outside and behind the modern spirit; who had reached the highest development of their intelligence and formed their opinions before the passing of the Education Act. Gray Michael naturally held the great ones of the earth as objects of pity from an eternal standpoint, but birth weighed with him, and, in temporal concerns, he treated his superiors with all respect and civility when rare chance brought him into contact with them. He viewed uneasily the last outcome of progress and the vastly increased facilities for instruction of the juvenile population. The age was sufficiently godless, in his judgment; and he had found that a Board School education was the first nail in the coffin of every young man's faith.
Joan, therefore, allowing nothing for the value of riches, of education, of intellect, was content to accept Barron's own cynical statement in a spirit widely different from the speaker's. He had sneered at himself, just as he had sneered at his own dead father. But Joan missed all the bitterness of his speech. To her he was simply a wondrously honest man who loved truth for itself, who could never utter anything not true, who held it no offense to speak truth even of the dead. Gentle or simple, he seemed infinitely superior to all men whom she had met with. And yet this beautiful nature walked through the world quite alone. He had asked her to remember him when he was gone; he had said that she was his friend. And he cared little for women—there was perhaps no other woman in the world he had called a friend. Then the girl's heart fluttered at the presumption of her silly, soaring thoughts, and she glanced nervously to the right and to the left of the lonely road, as though fearful that some hidden eavesdropper might peep into her open mind. The magic spell was upon her. This little, pale, clever man, so quiet, so strange, so unlike anything else within her seventeen years of experience, had wrought Nature's vital miracle, and Joan, who, until then, believed herself in love with her sailor sweetheart, now stood aghast before the truth, stood bewildered between the tame and bloodless fantasy of her affection for Joe Noy and this wild, live reality. She looked far back into a past already dim and remembered that she had told Joe many times how she loved him with all her heart. But the words were spoken before she knew that she possessed a heart at all. Yet Joe then formed no inconsiderable figure in life. She had looked forward to marriage with him as a comfortable and sufficient background for present existence; she had viewed Joe as a handsome, solid figure—a man well thought of, one who would give her a home with bigger rooms and better furniture in it than most fishermen's daughters might reasonably hope for. But this new blinding light was more than the memory of Joe could face uninjured. He shriveled and shrank in it. Like St. Michael's Mount, seen afar, through curtains of rain, Joe had once bulked large, towering, even grand, but under noonday sun the great mass dwindles as a whole though every detail becomes more apparent; and so with poor Joe Noy. Removed to a distance of a thousand miles though he was, Joan had never known him better, never realized the height, breadth, depth of him so acutely as now she did. The former ignorance in such a case had been bliss indeed, for whereunto her present acquired wisdom might point even she dared not consider. Any other girl must have remained sufficiently alive to the enormous disparity every way between herself and the artist; and Joan grasped the difference, but from the wrong point of view. The man's delicacy of discernment, his wisdom, his love of the things which she loved, his fine feeling, his humility—all combined in Joan's judgment to place him far above herself, though she had not words to name the qualities; but whereas another lowly woman, reaching this point, must, if she possessed any mother-wit or knowledge of the world, have awakened to the danger and grown guarded, Joan, claiming little wit to speak of, and being an empty vessel so far as knowledge of the world was concerned, saw no danger and allowed her thoughts to run away with her in a wholly insane direction. This she did for two reasons: because she felt absolutely safe, and because she suspected that Nature, who was "Mister Jan's" God, had now come to be her God also. The man was very wise, and he hated everything which lacked truth: therefore he would always do what was right, and he would not be less true to her than he was to the world. Truth was his guiding star, and he had always found Nature true. Therefore, why should not Joan find it true? Nature was talking to her now and teaching her rapidly. She must be content to wait and learn. The two men, Noy and Barren, fairly represented the opposite views of life each entertained, and Joan felt the new music wake a thousand sleeping echoes in her heart while the old grew more harsh and unlovely as she considered it. Joe had so many opinions and so little information; "Mister Jan" knew everything and asserted nothing save what Nature had taught him. Joe was so self-righteous and overbearing, so like her father, so convinced that Luke Gospeldom was the only gate to glory; "Mister Jan" had said there was more of the Everlasting God in a bluebell than in the whole of the Old Testament; he had declared that the smell of the gorse and the sunshine on the deep sea were better things than the incense and banners at St. Peter's; he had asserted that the purring of kittens was sweeter to the Father of all than the thunder of a mighty organ played in the noblest cathedral ever made with hands. All these foolish and inconsequent comparisons, uttered thoughtlessly by Barron's lips while his mind was on his picture, seemed very fine to Joan; and the finer because she did not understand them. Again, Joe rarely listened to her; this man always did, and he liked to hear her talk: he had declared as much.
Her brains almost hurt Joan on her way back to the white cottage that morning. They seemed so loaded; they lifted her up high above the working-day world and made her feel many years older. Such reflections and ideas came to grown women doubtless, she thought. A great unrest arose from the shadows of these varied speculations—a great unrest and disquiet—a feeling of coming change, like the note in the air when the swallows meet together in autumn, like the whisper of the leaves on the high tops of the forest before rain. Her heart was very full. She walked more slowly as the thoughts weighed heavier; she went back to her home round-eyed and solemn, wondering at many things, at the extension of the horizon of life, at the mental picture of Joe standing clearly out of the mists, viewed from a woman's standpoint.
That day much serving awaited her; but, at every turn and pause in the small affairs of her duty, Joan's mind swooped back like a hawk to the easel on Gorse Point; and when it did, her cheeks flushed and she turned to bend over sink or pig's trough to hide the new fire that burned in her heart and lighted her eyes.
Mrs. Tregenza, who had suffered from neuralgia and profound depression of spirit upon Tom's departure to the sea, but who comforted herself even in her darkest hour by reflection that no lugger boy ever joined the fishing fleet with such an equipment of new clothes as her son, was somewhat better and more cheerful now that the lad had made his first trip and survived it. Moreover, Tom would be home again that night in all probability, and, since Michael was last ashore, the butcher from Paul had called and offered three shillings and sixpence more for the next pig to be killed than ever a Tregenza pig had fetched until that day. Life therefore held some prosperity in it, even for Thomasin.
After their dinner both women, the elder with a shawl muffled about her face, went down the road to Newlyn to see a sight. They stopped at George Trevennick's little house. It had a garden in front of it with a short flagstaff erected thereon, and all looked neat, trim and ship-shape as became the home of a retired Royal Navy man. A wedding was afoot, and Mr. Trevennick, who never lost an opportunity to display his rare store of bunting, had plentifully shaken out bright reds and yellows, blues and greens. The little flags fluttered in four streamers from the head of the flagstaff, and their colors looked harsh and crude until associated with the human interests they marked.
Already many children gazed with awe from the road, while a favored few, including the Tregenzas, stood in Mr. Trevennick's garden, which was raised above the causeway. Great good-humor prevailed, together with some questionable jesting, and Joan heard the merriment with a sense of discomfort. They would talk like this when Joe came back to marry her; but the great day of a maid's life had lost its greatness for her now. The rough, good-natured fun grated on her nerves as it had never grated before; because, though she only guessed at the sly jokes of her elders, something told her that "Mister Jan" would have found no pleasure in such merriment. Mrs. Tregenza talked, Mr. Trevennick smoked, and Sally Trevennick, the old sailor's daughter, entertained the party and had a word for all. She was not young, and not well-favored, and unduly plump, but a sweet-hearted woman nevertheless, with a great love for the little children. This indeed presently appeared, for while the party waited there happened a tragedy in the street which brought extreme sorrow to a pair of very small people. They had a big crabshell full of dirt off the road which they drew after them by a string, and in which they took no small pride and pleasure; but a young sailor, coming hastily round a corner, trampled upon the shell, smashed it, and passed laughing on. The infants, overwhelmed by this sudden disaster to their most cherished earthly possession, crushed to the earth by this blotting out of the sunshine of the day, lifted up their voices and wept before the shattered ruins. One, the biggest, dropped the useless string and put his face against the wall, that his extreme grief might be hidden; but the smaller hesitated not to make his sorrows widely known. He bawled, then took a deep breath and bawled again. As the full extent of his loss was borne in upon him, he absolutely danced with access of frenzied grief; and everybody laughed but fat Sally Trevennick. Her black eyes grew clouded, and she went down into the road to bring comfort to the sufferers.
"Never mind, then; never mind, you bwoys; us'll get 'e another braave shell, so us will. Theer, theer, give over an' come 'long wi' me an' see the flags. Theer's many bigger auld crabshells wheer that comed from, I lay. Your faither'll get 'e another."
She took a hand of each babe and brought them into the garden, from which they could look down upon their fellows. Such exaltation naturally soothed their sufferings, and amid many gasps and gurgles they found a return to peace in the close contemplation of Mr. Trevennick's flagstaff and the discussion of a big saffron pasty.
Presently the bridegroom and his young brother passed on the way to church. Both looked the reverse of happy; both wore their Sunday broadcloth, and both swung along as fast as their legs would carry them. They were red hot and going five miles an hour; but, though Mousehole men, everybody in Newlyn knew them, and they were forced to run the gauntlet of much chaff.
"Time was when they did use to thrash a new-married couple to bed," said Mr. Trevennick. "'Twas an amoosin' carcumstance an' I've 'elped at many, but them good auld doin's is dyin' out fast."
Mrs. Tregenza was discussing the bridegroom's family.
"He be a poor Billy-be-damned sort o' feller, I've allus heard, an' awnly a common tinner, though his faither were a grass cap'n at Levant Mine."
"But he's a steady chap," said Sally; "an' them in his awn station sez he's reg'lar at church-goin' an' well thot 'pon by everybody. 'Tedn' all young pairs as parson'll ax out, I can tell 'e. He wants to knaw a bit 'fore 'e'll marry bwoys an' gals; but theer weren't no trouble 'bout Mark Taskes."
"Sure I'm glad to hear it, Sally, 'cause if he caan't do everything, everything won't be done. They Penns be a pauper lot—him a fish-jouster as ain't so much as his awn donkey an' cart, an' lame tu. Not that 'twas his awn fault, I s'pose, but they do say a lame chap's never caught in a good trick notwithstandin'."
"Here comes the weddeners!" said Joan, "but 'tedn' a very braave shaw," she added. "They'm all a-foot, I do b'lieve."
"Aw, my dear sawl! look at that now!" cried Mrs. Tregenza. "Walkin', ackshally walkin'. Well—well!"
The little bride advanced between her father and mother, while relations and friends marched two and two behind. A vision it was of age and youth, of bright spring flowers, of spotless cotton and black broadcloth. A matron or two marched in flaming colors; a few fishermen wore their blue jerseys under their reefer jackets; the smaller children were led by hand; and the whole party numbered twelve all told. Mr. Penn looked up at the flags as he limped along, and a great delight broke out upon his face; the bride's mother beamed with satisfaction at a compliment not by any means expected, for the Penns were a humble folk; and the bride blushed and stole a nervous peep at the display. Mr. Penn touched his hat to the party in the garden, and Mr. Trevennick, feeling the eye of the multitude upon him, loudly wished the wedding party well as it passed by.
"Good speed to 'e an' to the maid, Bill Penn. May she live 'appy an' be a credit to all parties consarned."
"Thank 'e, thank 'e, kindly, Mr. Trevennick. An' us takes it mighty favorable to see your butivul flags a hangin' out—mighty favorable, I 'sure 'e."
So the party tramped on and ugly Sally looked after them with dim eyes; but
Mrs. Tregenza's thin voice dried them.
"A bad come-along o't for a gal to walk 'pon sich a day. They did ought to a got her a lift to her weddin', come what might."
"Maybe 'tis all wan to them poor dears. A coach an' four 'orses wouldn' make that cheel no better pleased. God bless her, did 'e look 'ow she flickered up when she seed faither's flags a flyin'?"
"Theer's a right way an' a wrong o' doin' weddin's, Sarah, an' 'tedn' a question whether a gal's better pleased or no. It's all wan to a dead corpse whether 'tis took to the yard in a black hearse wi' plumes, same as what us shall be, or whether 'tis borne 'pon wan o' them four 'anded stretchers used for carryin' fishin' nets, same as poor Albert Vallack was a while back—but wan way's proper an' t'other 'edn'."
"They'm savin' the money for the feed. Theer's gwaine to be a deal o' clome liftin' at Perm's cottage bimebye," said another of the party.
"No honeymoon neither, so I hear tell," added Mrs. Tregenza.
"But Taskes have bought flam-new furniture for his parlor, they sez," declared the former speaker.
"Of coorse. Still no honeymoon 'tall! Who ever heard tell of sich a thing nowadays? I wonder they ban't 'shamed."
"Less shame, Mrs. Tregenza, than trapsing off to Truro or somewheers an' wastin' their time an' spendin' money they'll be wanting back agin 'fore Christmas," retorted Sally, with some warmth.
But Mrs. Tregenza only shook her head and sighed.
"You speaks as a onmarried wummon, Sarah; but if you comed to be a bride you'd sing dif-fer'nt. No honeymoon's wrong, an' your faither'll tell the same."
Mr. Trevennick admitted that no honeymoon was bad. He went further and declared the omission of such an institution to be unprincipled. He even said that had he known of this serious defect in the ceremonies he should certainly have abstained from lending the brightness of his bunting to them. Then he went to eye the flags from different points of view, while Sally, in a minority of one, turned to Joan.
"And what do you say?" she asked. "You'm 'mazin' quiet an' tongue-tied for you. I s'pose you'm thinkin' of the time when Joe Noy comes home. I lay you'll have a honeymoon anyways."
"Iss, that you may depend 'pon," said Mrs. Tregenza.
And Joan, who had in truth been thinking of her sweetheart's return, grew red, whereat they all laughed. But she felt secretly superior to every one of them, for the shrinking process began to extend beyond Joe now. A fortnight before, she had been much gratified by allusions to the future and felt herself an important individual enough. Then, she must have shared her stepmother's pity at the poverty of the pageant which had just passed by. But now the world had changed. Matrimony with Joe Noy was not a subject which brought present delight to her, but the little bride who had just gone to her wedding filled Joan's thoughts. What was in that girl's heart, she greatly wondered. Did Milly Penn feel for long-legged Mark Taskes what Joan felt for "Mister Jan"? Was it possible that any other woman had ever experienced similar mysterious splendors of mind? She could not tell, but it seemed unlikely to her; it appeared improbable that an ordinary man had power to inspire another heart with such golden magic as glorified her own.
Presently she departed with her stepmother, whereupon Sally Trevennick relieved her pent-up feelings.
"Thank the Lard that chitter-faaced wummon edn' gwaine to the weddin' any ways! Us knaws she's a dear good sawl 'nough; but what wi' her sour voice, an' her sour way o' talkin', an' her sour 'pinions, she'm enough to set a rat-trap's teeth on edge."