THE METHODS OF PETER GANNS
Two men travelled together in the train de luxe from Milan to Calais. Ganns wore a black band upon the sleeve of his left arm; his companion carried the marks of mourning in his face. It seemed that Brendon had increased in age; his countenance looked haggard; his very voice was older.
Peter tried to distract the younger man, who appeared to listen, though his mind was far away and his thoughts brooding upon a grave.
"The French and Italian police resemble us in the States," said Mr. Ganns. "They are much less reticent in their methods than you English. You, at Scotland Yard, are all for secrecy, and you claim for your system superior results to any other. And figures support you. In New York, in 1917, there were two hundred and thirty-six murders and only sixty-seven convictions. In Chicago, in 1919, there were no less than three hundred and thirty-six murders and forty-four convictions. Pretty steep—eh? In Paris four times as many crimes of violence are committed yearly as in London, though, of course, the population is far smaller. Yet what are the respective achievements of the police? Only half as many crimes are detected by the French as by the British. Your card index system is to be thanked for that."
He ran on and then Brendon seemed to come to himself.
"Talk about poor Albert Redmayne," he said.
"There's little to be added to what you know. Since Pendean chooses to keep dumb, at any rate until he's extradited, we can only assume exactly what happened; but I have no doubt of the details. It was Pendean, of course, you saw leave the villa, while his wife held you in conversation, and so ordered her falsehoods that you were swept away from every other consideration save how best to rescue her from her husband.
"She took good care to involve your own future and to say just what was most likely to make you forget your trust. My dear, dear Albert, forgive me if I am blunt; but when you look back, presently, you will see that the great loss is really mine, not yours. Michael Pendean, once out of sight, gets a boat, adopts his disguise—the false beard and mustache found upon him—and presently rows round to Albert's steps. He sees Assunta, who does not recognize him, and says that he has come from Virgilio Poggi, who is at death's door at Bellagio.
"There was no weightier temptation possible than that. Redmayne forgets every other consideration and in five minutes has started for Bellagio. The boat is quickly in mid-lake under the darkness and there Albert meets his death and burial. Pendean undoubtedly murdered him with a blow—probably just as he murdered Robert and Bendigo Redmayne; then, no doubt, he used weights, heavy stones brought for the purpose, and sank his victim in the tremendous depths of Como. He was soon back again with a clean boat and his disguise in his pocket. He had an alibi also, for we found out that he had been drinking for more than hour at an albergo before he came back to the villa."
"Thank you," said Brendon humbly. "There can be no doubt that it was so. And now I will ask a final favour, Ganns. What happened has made my mind a blank in some particulars. I should be thankful and grateful if you would retrace your steps when you were in England. I want to go over that ground again. You will not be at the trial; but I must be; and, praise God, this is the last time I shall ever appear in a court of law."
He referred to a determination that he had already expressed: to leave the police service and seek other occupation for the remainder of his life.
"That's as may be," answered Peter, bringing out the gold snuffbox. "I hope you'll think better of it. You've had a bitter experience and learned a great deal that will help you in business as well as in life. Don't be beaten by a bad woman—only remember that you had the luck to meet and study one of the rarest female crooks our mysterious Creator ever turned out. A face like an angel and a heart like a devil. Let time pass and presently you'll see that this is merely a hiatus in a career that is only begun. Much good and valuable work lies before you; and to abandon a profession for which you are specially suited is to fly in the face of Providence anyway."
After a pause and a long silence, while the train sped through the darkness of the Simplon tunnel, Peter retraced the steps by which he had been enabled to solve the riddle of the Redmaynes.
"I told you that you had not begun at the beginning," he said. "It's really all summed up in that. You occupied an extraordinary position. The criminal himself, in the pride of his craft and by reason of the consuming vanity that finally wrecked him, deliberately brought you in. It was part of his fun—his art if you like—that he should involve a great detective for the added joy of making a fool of him. You were the spice in his bloody cup for Michael Pendean—the salt, the zest. If he had merely stuck to business, not a thousand detectives would ever have queered his pitch. But he was as playful as any other hunting tiger. He rejoiced in adding a thousand details to his original scheme. He was an artist, but too florid, too decadent in his decorations. And so he ruined what might have been the crime of the century. It is just the touch of human fallibility that has brought Nemesis to many a great criminal.
"The machinery he employed focussed attention from the first on the apparent murderer rather than his victim. It appeared impossible to doubt what had happened and Pendean's death was assumed but never proved. Particulars concerning Robert Redmayne were abundant; yet, during the whole course of the official inquiry, none was forthcoming concerning the supposed victim. Of him you had heard from his wife; and her original statement to you at Princetown—when she invited you, doubtless at Pendean's direction, to take up the case—was masterly because so nearly true in every respect.
"But from the time that I met and spoke with Albert's niece I began to reflect upon that statement, and my speedy conviction was this: that a great deal more concerning Jenny's first husband demanded to be known. Do not suppose that I was on the track of the truth at that period. Far from it. I only desired more data and regarded the history of Michael Pendean as being of doubtful value, since his wife alone was responsible for the details. It seemed to me absolutely necessary to learn more than she was prepared to tell. I had questioned her, but found her either ignorant of much concerning him—or else purposely evasive. Of her three uncles, only Robert had ever seen Michael Pendean. Neither Bendigo nor dear Albert had set eyes on him; and that fact, though of no significance at first, of course, became very significant indeed at a later stage of my study.
"I went first to Penzance and devoted several days to learning all possible particulars of the Pendean family. On examining Michael Pendean's ancestry, as a preliminary to finding out everything remembered of Pendean himself, I at once made a highly important discovery. Joseph Pendean, Michael's father, was often in Italy on his pilchard business for the firm, and he married an Italian woman. She lived with her husband at Penzance and bore him one son, and a daughter who died in infancy. The lady seems to have given cause for a certain amount of scandal, for her Latin temperament and lively ways did not commend themselves to the rather austere and religious circle in which her husband and his relations moved.
"She visited Italy sometimes and Joseph Pendean undoubtedly regretted his marriage. He might have divorced her in the opinion of some with whom I spoke; but for the sake of his son he would not take this step. Michael was devoted to his mother and accompanied her frequently to Italy. On one of these occasions, when a boy of seventeen or eighteen, he met with an accident to his head; but I could glean no particulars of its nature. He seems to have been a silent and observant lad and never quarrelled with his father.
"When at last Mrs. Pendean died in Italy, her husband attended the funeral at Naples and returned to England immediately afterward with his son. The boy was subsequently apprenticed to a dentist, having expressed a wish to follow that profession. He promised well, passed his examinations and practised at Penzance for a time. But then he ceased to be interested in the work and presently joined his father. In connection with the pilchard trade, he now visited Italy and often spent a month at a time in that country.
"Few could give me any information as to his nature, and pictures of him did not apparently exist; but an elderly relative was able to tell me that Michael had been a silent, difficult boy. She also showed me an old photograph of his parents, taken together with their son when he must have been a child of three, or thereabout. His father didn't suggest a man of character; but Mrs. Pendean appeared to be a very handsome creature indeed, and it was at the moment I studied her features through a magnifying glass that I won my first conviction of a familiar likeness.
"It is a rule with me, when any sudden flash of intuition throws real or false light upon a case, to submit the inspiration to a most searching and destructive analysis and bring every known fact against it. Thus, on seeing a possible glimpse of Giuseppe Doria's beautiful countenance reflected upon my eyes from the photograph of the mother of Michael Pendean, I began to marshal all my knowledge to confound any deduction from that accident. But judge of my interest and surprise when I found nothing that could be pointed to as absolute refutation of the theory now taking such swift shape in my mind. Not one sure fact clashed with the possibility.
"Nothing at present was positively known by me which made it out of the question that Joseph Pendean's wife should be the mother of Giuseppe Doria. But none the less many facts might exist as yet beyond my knowledge, which would prove such a suspicion vain. I considered how to obtain these facts and naturally my thought turned to Giuseppe himself. To show you by what faltering steps we sometimes climb to safe ground, I may say that at this stage of my inquiry I had not imagined Doria and Michael Pendean were one and the same person. That was to come. For the moment I conceived of the possibility that Madame Pendean, a lady who had caused some fluttering in the Wesleyan dovecots of Penzance, might by chance have been the mother of a second son in her native country. I imagined that Michael and an Italian half brother might know each other, and that the two were working together to destroy the brothers Redmayne, so that Michael's wife should inherit all the family money.
"Having found out what Penzance could tell me, I beat it up to Dartmouth, because I was exceedingly anxious to learn, if possible, the exact date when Giuseppe Doria entered the employment of Bendigo Redmayne as motor boatman. Albert's brother hadn't any friends that I could find; but I traced his doctor and, though he was not in a position to enlighten me, he knew another man—an innkeeper at Tor-cross, some miles away on the coast—who might be familiar with this vital date.
"Mr. Noah Blades proved a very shrewd and capable chap. Bendigo Redmayne had known him well, and it was after spending a week at the Tor-cross Hotel with Blades and going fishing in his motor boat, that the old sailor had decided to start one himself at 'Crow's Nest.' He did so and his first boatman was a failure. Then he advertised for another and received a good many applications. He'd sailed with Italians and liked them on a ship, and he decided for Giuseppe Doria, whose testimonials appeared to be exceptional. The man came along and, two days after his arrival, ran Bendigo down to Tor-cross in his launch to see Blades.
"Redmayne, of course, was full of the murder at Princetown, which had just occurred, and the tragedy proved so interesting that Blades had little time to notice the new motor boatman. But what matters is that we know it was on the day after the murder—on the very day Bendigo heard what his brother, Robert, was supposed to have done at Foggintor Quarry—that his new man, Giuseppe Doria, arrived at 'Crow's Nest' and took on his new duties.
"From that all-important fact I built my case, and you don't need to be told how every step of the way threw light upon the next until I had reached the goal. Robert Redmayne is seen on the night of Michael Pendean's supposed destruction. He is traced home again to Paignton. He leaves his diggings before anybody is up and, from that exit, vanishes off the face of the earth. But during the same day—probably by noon—Giuseppe Doria arrives at 'Crow's Nest'—an Italian whom nobody knows, or has even seen before.
"That meant good-bye to any theory of a half brother for Michael; and it also meant that not Pendean, but his wife's uncle, Robert Redmayne, perished on Dartmoor. And there he lies yet, my son!"
Mr. Ganns took snuff and proceeded.
"Now, having made this tremendous deduction, I looked over all the facts again and they became very much more interesting. Every moment I expected some crushing blow to shake my structure; at every turn I guessed a certainty would come along and bowl my theory over; but no such thing happened. Details, of course, there are—many little pieces of the puzzle now known to only one man alive, and that is Pendean himself; but the main incidents, the true picture, loomed out clear enough for me before I left Dartmouth and came back to Albert in London. The big things were all, not there to be shaken. The picture was fogged at certain points, but I had no doubt as to what it represented, and even the incredible details that seemed to contradict reason were composed and cleaned up when Michael Pendean's own temperament was brought as a solvent to them.
"Here, I think, we may spare a tribute of admiration to Pendean's histrionics. I guess that his original conception and creation of 'Giuseppe Doria' was an exceedingly fine and well thought out piece of acting. He actually lived in the character and day after day exhibited qualities of mind and an attitude to life quite foreign to his real rather saturnine and reserved nature. Both he and his wife were heaven-born comedians as well as hell-born criminals.
"To return; the large particulars, then, were these: the foreground, the middle distance and the background made a synthetic whole, logically consistent, rational even—when you allow for the artist's make-up. That he will leave a full statement before the end, I venture to prophecy. His egregious vanity demands it. Nothing that he writes is likely to be sincere and he'll have his eye on the spotlight all the time; but you may expect a pretty complete account of his adventures before he's hanged; you may even expect something a little new in the suicide line if they give him a chance; for be sure he's thought of that.
"And now I'll indicate how I brought fact after fact to bombard my theory, and how the theory withstood every assault until I was bound to accept it and act upon it.
"We start with the assumption that Pendean is living and Robert Redmayne dead. We next assume that Pendean, having laid out his wife's uncle at Foggintor, gets into his clothes, puts on a red mustache and a red wig and starts for Berry Head on Redmayne's motor bicycle. The sack supposed to contain the body is found, and that is all. His purpose is to indicate a hiding-place for the corpse and lead search in a certain direction; but he is not going to trust the sea; he is not going to stand the risk of Robert Redmayne's corpse spoiling his game. No, his victim never left Foggintor and probably Michael will presently tell us where to find the body.
"Meanwhile a false atmosphere is created under which he proceeds to his engagement at 'Crow's Nest.' And then what happens? The first clue—the forged letter, purporting to come from Robert Redmayne to his brother. Who sent it? Jenny Pendean on her way through Plymouth to her Uncle Bendigo's home. She and her husband are soon together again—working for the next stroke. As I say, they were a pair who ought to have been on the stage, where they would have made darned sight bigger money than the Redmayne capital all told; but crime was in their blood; they must have met like the blades of a scissors and found themselves heart and soul in agreement. Evil was their good; and no doubt, when they understood each other's lawless point of view, both felt they must join forces. A tolerable bad dame, I'm afraid, Mark; but she knew how to love all right; and nobody doubts that bad women can love as well as good ones—often a great deal better.
"They settle down and the supposed death of Michael Pendean blows over. Jenny plays widow but spends as much time as she wants in her husband's arms all the same; and together they plan to put out poor Ben. He'd never seen Pendean, of course, which made the Doria swindle possible. And a great point—that only Michael himself can clear—is the intended order of his murders. That puzzled me a bit, because before Robert Redmayne appeared at Princetown and the reconciliation between him and his niece and her husband was affected, he must already have got the appointment of motor boatman to Bendigo and known that he was going there presently under a false name and character. I incline to think that he meant to begin with the old sailor and that, when Robert turned up unexpectedly on Dartmoor, he altered his plans. That accident opened the way to his first performance if I'm not wrong; but he'll throw light on that assumption later and show what really did pass through his mind.
"Now we come to the preliminary steps at 'Crow's Nest' which ended in the death of the second brother. What plan was to be taken we cannot be sure, but your second visit to Dartmouth—a surprise visit, remember—quickened it. You offered just the starting point; and before you left on that rough, moonlight night, Pendean had recreated the forgery of Robert Redmayne and appeared before you in that character. And not content with this, he kept the part going for all it was worth. As Robert Redmayne, he broke into Strete Farm and was seen by Mr. Brook, the farmer; while as 'Doria,' next morning, he comes to you at Dartmouth to tell you the murderer of Michael Pendean has reappeared.
"One may easily imagine the joy that he took in this double impersonation and how easy it was, with the help of his wife, to fool you to the top of your bent. He had already derived the exquisite entertainment of seeing you jealous of his attentions to Jenny and suspicious that she was yielding to them; while she—well, it is instructive to consider again her treatment of you. Yes, a very great actress; but whether inspired by love for Pendean, or hate for her unfortunate relatives, or just pure creative joy in her own talent, who shall say? Probably all these emotions played their part.
"Now we get to blindman's-buff with the forgery. Follow each step. Bendigo never sees his supposed brother once; you never see him again. Your united search through the woods is futile; but Jenny and her husband in the motor boat bring news of him. She comes back with tears in her eyes. She has seen Robert Redmayne—the murderer of her husband! She and the motor boatman have spoken to him; they describe his miserable condition and intense desire to see his brother. They paint a wonderful and realistic picture. Robert must see Bendigo all alone—and he must have food and a lamp in his secret hiding-place. He has been in France—that was a sop for you, Mark—but can endure suspense no longer.
"Well, it's fixed up and Ben decides to meet his brother after midnight, alone; but the old sailor's pluck wavers—who shall blame him?—and he arranged in secret with you that you should be hidden in his tower room when Robert Redmayne comes to keep the appointment. He writes a letter to his brother, and Jenny and Doria go to sea again and take it, together with stores and a lamp. While they're away, you get planted in the tower room to watch the coming interview; and when the pair in the motor boat return, Jenny's uncle tells her that you've gone back to Dartmouth and will blow in again next morning. You recollect exactly what followed. Night comes and, at the appointed time, footsteps are heard ascending to the observatory and Bendigo prepares to meet his brother. But no Robert Redmayne appears. It is Giuseppe Doria. He has already had a long talk with his master about Jenny Pendean. He has told the old sailor of his love for Jenny and so forth. You, hidden, heard that yarn, and how Bendigo told him to stow the subject and say no more about it for another six months.
"Now the next thing puzzled me for a moment; but I think I know what happened. Only Pendean's final statement, if he ever makes one, will serve to clear the point; but I can guess that at that first interview with Ben he tumbled to the fact that you were hidden in the tower room. He is a man with a power of observation sharp as a razor, and I'm inclined to bet that before he left Bendigo, after their talk over Jenny, he'd got you—knew you were there.
"That being so, his own plans had to be modified pretty extensively. Whether he meant to finish off Ben that night, you can't be sure; but there is very little doubt of it. Everything was planned. The interview with Robert had been arranged and various people, including yourself, knew about it. His wife was ready down below to help him get the body away, and their plans were, no doubt, mature to the last detail. If, therefore, all had gone right with Pendean, if you had really been away that night, next morning you would probably have been greeted with the information that Bendigo had disappeared. You would possibly have found evidences of a struggle in the tower room and a pint of blood judiciously decorating the floor, but nothing else.
"Only on the assumption that Pendean had found you out can I explain why this didn't start under your nose. I imagine that if he had believed his master alone at one o'clock that night, he would have knocked him on the head and proceeded as I suggest. But he does no such thing. He arrives in great excitement to describe another meeting with Robert and to report that the wanderer has changed his mind and will only see his brother in his own secret hiding-place after dark.
"On hearing this, Bendigo bids you come out of your cupboard, and Doria, so to call him, pretends great indignation and surprise.
"Now we get another lifelike report of runaway Robert; and finally Bendigo consents to visit him in his hiding-place. The lamp is going to burn and show the particular cave on that honeycombed coast where Bendigo's brother is supposed to be concealed. Another night comes and Ben goes to his death. Probably he was murdered instantly on landing and disposed of at sea. Again there is going to be no dead man. Pendean returns to you and his wife at 'Crow's Nest.' He reports that the brothers are conferring and reveals the situation of the hiding-place. He is soon off again and, on his second visit, plays his tiger tricks, runs a bloody trail up the tunnel to the plateau, and sets his trap for the police next morning.
"One needn't go over the futile hunt that followed. Everything worked exactly as Pendean had planned, and you can very easily picture the entertainment furnished for that vampire pair by the course of the subsequent man hunt.
"Two Redmaynes have gone to their account and there remains but one. Meantime the course of true love runs smoothly and Doria marries his wife again. So, at least, they are pleased to declare, for the satisfaction of Albert Redmayne and yourself. Needless to say they went south together as man and wife, reported a ceremony that did not take place, and after a reasonable delay turned their attention to my hapless friend.
"Would you not have thought some ray of human truth might have touched their hearts in the company of that childlike and kindly spirit? Would you not have judged that close acquaintance with one so amiable and large-hearted must have wakened a spark of compassion in their souls? No; they came to kill him and the unsuspecting victim welcomes his murderers with friendship. It is interesting to observe that he prefers Giuseppe to his own niece. He confessed to me that Jenny puzzled him and it seemed strange to Albert that she had forgotten her first husband so easily. His tender sensibilities could not admire such indifference; and no doubt he also remembered that his niece's early record, in marrying Pendean against her family's wishes, too much reminded him of her father's wilful ways and headstrong passions.
"But they come on their dark business and are welcomed; and then—an insensate act of folly! The weak spot in their remorseless plan! Again Doria rouses Robert Redmayne from the grave; again he challenges you! A thousand simple and safe ways had offered to dispose of Albert Redmayne. The region in which he chose to live and his own trusting and ingenuous character had alike made him the easiest possible prey of any human hunter; but Michael's vanity has grown by what it feeds on. He is an artist, and he desires to complete his masterpiece with all due regard to form. It must be fashioned to endure and take its place forever in the highest categories of crime. His pride rebels against the line of least resistance. All shall end on the same large pattern in which it was originally conceived. He courts danger and creates difficulty that his ultimate achievement may be the more august.
"So the forgery is trotted out once more; and it is not enough that Jenny shall report to her uncle the advent of Robert Redmayne beside Como. An independent witness is demanded and Assunta Marzelli sees the big man with the red mustache, red hair and red waistcoat. She also records the tremendous shock to her mistress that resulted from this sudden apparition. Remember that Jenny's husband was still supposed by Albert to be in Turin. Then the old game is played; Doria presently arrives in person; they toy with their subject; they enrich it with details; awaken the alarm of their unhappy victim and send for you, designing to treat you in the same manner as before.
"Nor does Albert's appeal to me hasten their operations. Who is Peter Ganns? A famous American bull. Good! They will have another victim at their chariot wheels. It shall be an international triumph. Albert Redmayne must be murdered before an audience worthy of the occasion. The combined detective forces of the States, of Italy, of England, shall seek Robert Redmayne and succour Albert; but the one shall evade capture, the other perish under their eyes." He turned to Brendon. "And they brought it off—thanks to you, my son."
"And paid for it—thanks to you," answered Mark.
"We are but men, not machines," answered the elder. "Love thrust a finger into your brain and created the inevitable ferment. Of course Pendean was lightning quick to win his account from that. He may have even calculated upon it when he made Jenny beg your aid at the outset. He knew what men thought of her; he had doubtless taken stock of you at Princetown and probably learned that you were unmarried. So, when time has passed and you can look back without a groan, you will take the large view and, seeing yourself from the outside, forgive yourself and confess that your punishment was weightier than your error."
In gathering dusk the train thundered through the valley of the Rhine while, above, the mountain summits melted upon the night. A steward looked into the carriage.
"Dinner is served, gentlemen," he said. "I will, if you please, make your beds while you are absent."
They rose and went together to the saloon carriage.
"I'm dry, son, and I've sure earned a drink," said Peter.
"You've earned a vast deal more than I or any man can ever pay you, Ganns," said Brendon.
"Don't say it, or think it. I've done nothing that you wouldn't have done if you had been free. And always remember this: I shall never blame you, even when I think with dearest affection of my old friend. I shall only blame myself, because the final, fatal mistake was mine—not yours. I was the fool to trust you and had no excuse for doing so. You were not to be trusted for a moment just then, and I ought to have known it. 'Twas our limited capability that made you err, that made me err, that made Michael Pendean err. The best laid plans of mice and men—you know, Mark. The villain mars his villainy; the virtuous smudge their white record; the deep brain suddenly runs dry—all because perfection, in good or evil, is denied to saints and sinners alike."