BONNYBELL: THE BUTTERFLY

As I shall die, let your belief

Find in these words too poor and brief

My soul's essential self.

My grief

Down to the day I knew you locks

Its secret word in paradox:

I who loved truth could not be true,

Could only love the truth and glow

With words of truth who loved it so,

Even while I dishonored you.

I who loved constancy was false,

And heeded but in part the calls

Of loveliness for love and you.

I am but half of that I hoped,

And that half hardly more than words

I cheered my soul with as it groped:

As from their bowers of rain the birds

Sing feebly, pining for the sun.

As I am all of this, by fate

Lose what I could so well have won,

Life leaves me half articulate,

My failure, nature half-expressed,

Or wholly hidden in my breast.

Yes, dear, the secret of me lies

Where words scarce come to analyze.

Yet who knows why he is this or that?

What moves, defeats him, works him ill?

What blood ancestral of the bat

Narrows his music to the shrill

Squeak of a flitting thing that hunts

For gnats, which never singing, fronts

The full moon flooding down the vale,

The perfect soul, the nightingale!

You have wooed music all your life,

And I have sought for love. I think

My soul was marked, dear, by a wife

Who loved a man immersed in drink,

Who crushed her love which would not die.

If this be true, my soul's great thirst

Was blended with a fault accursed.

My mother's love is my soul's cry.

My father's vileness, lies and lusts,

His cruel heart, inconstancy

That kept my mother with the crusts

Of life to gnaw, are in my blood.

My rainbow wings I scarce can loose,

Or if I free them, there's the mud

That weighs and mars their use.

You have wooed music. But suppose

The hampered hours and poverty

Broke down your spirit's harmony,

Then if you found you could achieve

The music in you, if you could

But pick a pocket or deceive,

Which would you call the greater good—

The music or a sin withstood?

Suppose you passed a window where

The violin of your despair

Lay ready for your hands! At last

You stole it as you hurried past,

And hid it underneath your rags

Until you reached your attic room,

Then tuned the strings and burned the tags.

And drew the bow till lyric fire

Should all your thieving thoughts consume:

In such case what is your desire—

The music or the violin?

And what in such case is your sin?

And if they caught you in your theft,

Would you, just to be honest, dear,

Forefront your thief-self as your deft

And dominant genius, or the ear

Which tortured you?

Would you not say,

Music intrigues me night and day?

My soul is the musician's. First

In my soul's love is music. Would

You falsify to keep your good?

Deny your theft, or put the worst

Construction on your soul, obscure

Thereby your soul's investiture

Of music's gift and music's lure?

If you were flame you would pretend

What you would fain be to the end,

Keep your good name and keep as well

The violin. May this not be

In some realm an integrity?

Now for myself, dear, though I lack

The gift of utterance to explain

My life's pursuit and passion, pain,

Or why I acted thus, concealed

Thoughts that you hold were best revealed,

Your eyes to heal themselves must track

And find my soul's way in its quest

Followed from girlhood without rest.

Music is not its hope, but love....

And I saw somehow I could lift

My life through you, and rise above

What I had been. And since your gift

Of love saw me as truthful, true

I kept that best side to your view,

And hoped to be what you desired

If I but struggled, still aspired.

And as for lapses, even while

I fooled you with the wanton's smile,

He was my lover till you came

To light my life with purer flame.

Was it, beloved, so great a sin?

He was a practice violin.

Oh, how I knew this when your strings

Sang to me afterward when I slept

Upon your breast again. I wept,

Do you remember? I was grieving

Neither for him, nor your deceiving,

Rather (how strange is life) that he

Was prelude to your harmony;

Rather that while I walked with him,

With you I found the cherubim,

Left my old self at last with wings,

Saw beauty clear where it was dim

Before through my imaginings.

Do you suppose the primrose knows

What skill adds petals to its crown?

How many failures laugh and frown

Upon the hand that crosses, sows?

The hand is ignorant of the power

Obedient in the primrose flower

To the hand's skill that toils to add

New petals till the flower be clad

In fuller glory. What's the bond

Between us two, that I respond

To what you are? Nor do you know

What lies within me fain to grow

Under your hand.

But if the worm

Should call itself the butterfly,

Since it will soon become one, I

Better to be myself affirm

That I am Beauty, Truth—for you

I would be Beauty, Truth, imbue

Your life with love and loveliness.

And you can make me Beauty, Truth,

And I can bring you soul success

If you but train my flower whose youth

Still may be governed, keep erect

My hope in this poor earthen sod.

I think this is a task which God

Appoints for us. We may neglect

The task in this life, but to find

It is a task we leave behind,

Only to meet it, till we see

Our fate worked out in lives to be.

O, from my lesser self to spread

My golden wings above your head,

Through love of love and you discard

The sting, the rings of green, the shard.

Oh, to be Psyche, passion tried

Through flesh, desire, purified!

Love is my lode-star, music yours—

Souls must go where the lode-star lures.