LUCILLE AND INNOCENCE UNCOVERED.
Pharmacists, even at the present day, notwithstanding the rigid laws to the contrary, often sell narcotics without a prescription. That the modern druggist only follows the custom of his ancestor is evidenced by this comedy of the sixteenth century, by Louis Le Jars, i.e., “Lucille.”
The plot is as follows: At the moment a rich banker gives the hand of his daughter Lucille to the Baron Saint Amour, he learns that the former has been already secretly married to one of his clerks, a young man named Ascagne. In his wrath the banker places a pistol at Ascagne’s head, offering him at the same moment a goblet of poison, giving him his choice as to the manner of death. Ascagne chooses poison, and bravely drinks half the goblet and falls down, apparently inanimate. The father then has the body of Ascagne carried into his daughter’s presence, and also the remaining half-goblet of poison; the young woman does not hesitate to drain the other half of the poison to the dregs, and drops to the floor, like Ascagne, without consciousness.
Almost immediately following this double poisoning, a courier arrives and demands Ascagne, who turns out to be the son of the King of Poland. The banker is in despair, and sends post-haste for the apothecary who furnished the poison, and the druggist forthwith declare that the mixture is only a narcotic, the effects of which he can soon neutralize. Scene of overpowering tenderness and joy, and marriage over again to a real Prince.
It sometimes happens that physicians themselves give away opiates without regard for the rights of the medicamentarius renenum coquens of the neighborhood. Jean Auvray, Member of the French Parliament and poet, evidences this fact in a tragio-comedy entitled “Innocence Uncovered.” This little play is only a rural version of Phedra and Hippolyte. Marsilie, in fact, is in love with Fabrice, the son of Phocus, her husband, by a former marriage. Her passion for the young man is so violent that she falls ill, and in a visit made her by Fabrice the latter learns of the love his step-mother bears him, but loyally repulses her advances. Marsilie, reflecting on the infamy of her conduct, wishes to kill herself in a fit of remorse; but to prevent this and calm her, Fabrice promises that if she will not suicide he will visit her when his father is absent from home. Phocus soon starts on a journey. Marsilie recalls to Fabrice the promise he made, but Fabrice answers her offers with contempt and quits her presence overcome with horror. Acting under the advice of her maid servant, through fear that the young man may tell his father of her perfidy, Marsilie consents to poison Fabrice, and sends her valet, Thomas, to see a doctor and thus secure poison. The unfortunate valet is very much embarrassed and cannot tell the physician exactly what he desires, and in order to obtain some deadly drug he details the symptoms of an imaginary malady, and descants in the following manner: “Sir, for several days past my master, who exceeds the Persians as a gourmand in the cooking of delicious meats, gave a grand dinner party, equal to that of the Gods at the wedding festival of Thetis. Now, know that I, his principal servant, sat behind him; there by his order I tasted every dish brought in by the butler, when such a terrible fury broke forth in my belly that I was overcome with fright and agony. The rumblings and grumblings in my interior were only comparable to the reverberation of thunder claps among the highest crags of Tartarus. Hell was astonished and our castle walls shook,” etc., etc.
This narration, which is made in French rhyme and is too long for reproduction, naturally leads the doctor to prescribe for the impudent valet, who proposes to pay him a hundred crowns for enough poison to kill his master. The physician is angry and revengeful at the same time at the valet’s dreadful proposition, but, restraining himself, he accepts the gold and gives Thomas in place of poison only a soporific liquor; this the valet brings to his mistress, Marsilie. Now, Antoine, the only son of Marsilie by Phocus, returning from the chase, sees the flagon of liquor, and, mistaking it for wine, swallows the contents at one draught. He falls to the floor unconscious and all believe him dead. Marsilie accuses Fabrice of poisoning his stepbrother; the unfortunate young man is taken before the judge, who condemns him to death; he is about to be executed, when the physician enters on the scene, tells all that has passed, and restores to life the supposed dead Antoine.
Marsilie is tried and found guilty and repudiated by her husband and family; and Fabrice becomes dearer than ever to his father. Without making further commentaries on this piece, we see the place occupied on the stage by medicine in the Middle Ages and the social standing of the physician in polite society. We also note the irregular practice of the doctor, as well as the high standard of professional honor he maintained in many instances.