Dorothy Wordsworth: The Story of a Sister's Love

by Edmund Lee

Transcriber's Note

Every effort has been made to replicate this text as faithfully as possible, including obsolete and variant spellings and other inconsistencies.

Dorothy Wordsworth
THE STORY OF A SISTER'S LOVE.

BY
EDMUND LEE.

London:
JAMES CLARKE & CO., 13 & 14, FLEET STREET.
1886.

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TO
MISS QUILLINAN,
A STRONG LINK
BETWEEN THE PAST AND PRESENT GENERATIONS
OF THE FAMILY OF WHICH
Dorothy Wordsworth
WAS SUCH A DISTINGUISHED ORNAMENT,
THIS LITTLE WORK IS (BY PERMISSION)
GRATEFULLY INSCRIBED.

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[PREFACE.]

This little book owes its origin to the fact that, with the exception of Professor Shairp's Sketch contained in the preface to the "Tour in Scotland," no biography or memoir of the subject of it has hitherto been written. Seeing what an important part Miss Wordsworth occupied in influencing the revival of English poetry at the close of the last century, this has frequently been to me a matter of surprise. To the best of my knowledge, she does not even occupy any place in the numerous sketches of famous women which have from time to time appeared. At the same time the references to her in the biographies of her brother and in the reviews of his works are many.

My main object in the present work has been, so far as permissible, to gather together into the form of a Memoir of her life various allusions to Miss Wordsworth, together with such further particulars as might be procurable, and with some reflections to which such a life gives rise. My task has, therefore, been one of a compiler rather than an author.

I acknowledge my great indebtedness to all sources from whence information has been obtained. In addition to the authorities after mentioned, I desire especially to mention the kindness of Dr. Sadler for his permission to reprint the letters of Miss Wordsworth to the late Mr. Henry Crabb Robinson, published in his "Diary and Reminiscences"; and of Mr. F. W. H. Myers for the like permission to make use of some letters which for the first time appeared in his "Wordsworth."

However far I have failed in my original design, and however imperfectly I may have performed my self-appointed task of love, it cannot be doubted that no name can more fittingly have a place in female biography than that of Dorothy Wordsworth.

Bradford, 1886.

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CONTENTS.

	page
[CHAPTER I.]
Introductory	1
[CHAPTER II.]
Childhood and Early Life—Early Influence—Wordsworth France—Settlement at Racedown	6
[CHAPTER III.]
Raisley Calvert—Residence at Racedown—Coleridge—Removal to Alfoxden	17
[CHAPTER IV.]
Alfoxden—Hazlitt—Charles and Mary Lamb—Cottle—Residence in Germany	29
[CHAPTER V.]
The Lake District	44
[CHAPTER VI.]
Life at Grasmere	59
[CHAPTER VII.]
Some Memorial Nooks—Lancrigg Wood—Emma's Dell—William's Peak—Point Rash Judgment—Rock of Names	71
[CHAPTER VIII.]
The Circle Widened—Mrs. Wordsworth	81
[CHAPTER IX.]
Tour in Scotland—Miss Wordsworth's Journal	93
[CHAPTER X.]
Life at Grasmere—Capt. Wordsworth	112
[CHAPTER XI.]
De Quincey—His Description of Miss Wordsworth—Removal to Allan Bank	120
[CHAPTER XII.]
The Children of Blentarn Ghyll—Deaths of Wordsworth's Children	131
[CHAPTER XIII.]
Removal to Rydal Mount—Dora Wordsworth	139
[CHAPTER XIV.]
Friends—Tour on Continent	146
[CHAPTER XV.]
Further Influence	155
[CHAPTER XVI.]
Illness and Last Years	169
[CHAPTER XVII.]
A Quiet Resting-place	186
[CHAPTER XVIII.]
Miss Wordsworth's Poems	194
[CHAPTER XIX.]
Journal of Tour at Ullswater	203

LIST OF AUTHORITIES.

The Poetical Works of Wordsworth.

Memoirs of Wordsworth, by the late Bishop of Lincoln.

Wordsworth's Prose Works.

Miss Wordsworth's Tour in Scotland. Edited by Principal Shairp.

Wordsworth's Description of the Lakes.

Tait's Edinburgh Magazine, 1839 and 1840.

Recollections of the Lakes, by De Quincey.

Life of De Quincey, by H. A. Page.

Memoirs of Hazlitt, by W. Carew Hazlitt.

Diary and Reminiscences of Henry Crabb Robinson.

Wordsworth, by F. W. H. Myers (English Men of Letters).

Autobiography of Sir Henry Taylor.

Memoir of Sara Coleridge.

Autobiography of Mrs. Fletcher.

Cottle's Early Recollections of Coleridge.

Howitt's Homes and Haunts of the British Poets.

Letters of Charles Lamb, by T. N. Talfourd.

The Lake Country, by Mrs. E. Lynn Linton.

The English Lake District as Interpreted in the Works of Wordsworth, by Professor Knight.

Blackwood's Magazine.

The Transactions of the Wordsworth Society.

"I knew a maid,

. . . . . . . . . . . .

Birds in the bower, and lambs in the green fields

Could they have known her, would have loved; methought

Her very presence such a sweetness breathed,

That flowers, and trees, and even the silent hills,

And everything she looked on, should have had

An intimation how she bore herself

Towards them, and to all creatures. God delights

In such a being; for, her common thoughts

Are piety, her life is gratitude."

The Prelude.

Dorothy Wordsworth.

[CHAPTER I.]
INTRODUCTORY.

The influences which help to shape human destiny are many and varied. At some period in the early history of two lives, beginning their course separately, one of them, by coming into contact with the other, is quickened into deeper vitality, and the germ of a great and unthought-of future is formed. Lives touch each other, and from thenceforth, like meeting waters, their onward course is destined, and flows through deeper and broader channels.

Among the most commanding of human influences is that of woman. As mother, or sister, or wife we find her, at every period of a man's existence, occupying a prominent part as his guide, comforter, and friend. Not unfrequently it happens that the influence of a sister is the greatest, and that to which a career is due. Especially is this so when the mother dies whilst the brother and sister are young. The influence of the wife, all-powerful though it may be, is of a later date, when character and conduct have to a great extent become formed, and the tendency of genius settled. When the sister's companionship gives place to that of the wife, a career may have become developed. In this way the most dominant power may remain unrevealed; and the blossoming and perfection of character may never be traced to their original source.

Many pleasant stories of affection between brothers and sisters, and of their inspiration of each other, have been told; and many more have existed among those who have lived unhistoric lives, and whose annals are recorded only among memories which linger round lonely hearths. Lovely and pleasant in their saddened lives were Charles and Mary Lamb. The way in which they were each devoted to the other, and in which they were bound up in each other's well-being to the complete forgetfulness of self, suggests a pleasing and pathetic picture of fraternal fidelity, while it reveals a domestic history the most touching and tragic the world has known.

We have a companion picture, but a more happy and pleasant one, in the lives of William and Dorothy Wordsworth.

The culture and well-being of a nation depend largely upon the character, purity, and progress of its literature. To no class of writers has the world been more indebted than to its poets—those "rare souls, whose thoughts enrich the blood of the world." It was well said by one of these: "Poetry has been to me its own exceeding great reward. It has soothed my afflictions; it has multiplied and refined my enjoyments; it has endeared solitude; and it has given me the habit of wishing to discover the good and the beautiful in all that meets and surrounds me."

Among those who have permanently elevated and enriched our English literature during the present century, none is entitled to a more honoured place than is William Wordsworth, our greatest laureate; and none of the influences which entered into his life, and served to build up his great career, and to complete his great work, can fail to be of interest. And of all the world's benefactors—of all who in any of the primary departments, have achieved most signal distinction, has none been more indebted to the aid of another, than was Wordsworth to the devoted aid and the constraining and softening power of his sister.

In many respects there is a marked similarity between the lives of Charles and Mary Lamb and those of William and Dorothy Wordsworth. The burden of the story of each is that of a brother's and sister's love. But there is also a great difference. While one is the tale of an elder sister's affection, and of the brother's self-sacrifice for the tender care of her during periods of nature's saddest affliction, the other tells how a younger sister consecrated her life to her brother's greatest good, relinquishing for herself everything outside him in such a way that she became absorbed in his own existence. But as a self-sacrificing love always brings its own reward, the poet's sister attained hers. She is for all time identified and associated with her brother, who, with a grateful love, has "crowned her for immortality." As Mr. Paxton Hood remarks: "Not Laura with Petrarch, nor Beatrice with Dante, nor the fair Geraldine with Surrey, are more really connected than is Wordsworth with his sister Dorothy."

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[CHAPTER II.]
CHILDHOOD AND EARLY LIFE.

Dorothy Wordsworth was the only daughter and third child of John and Anne Wordsworth. She was born on Christmas Day, 1771, at Cockermouth, in Cumberland, being a year and nine months younger than her famous brother, the poet. John Wordsworth, the father, was an attorney-at-law, who had attained considerable success in his profession, being the solicitor of the then Earl of Lonsdale, in an old manor-house belonging to whose family he resided. Miss Wordsworth's mother was, on the maternal side, descended from an old and distinguished family, being the only daughter of William Cookson, of Penrith, who had married Dorothy Crackenthorp, whose family, we are informed, had, since the early part of the fourteenth century, resided at Newbiggen Hall, Westmoreland. The Wordsworths themselves traced their descent from a Yorkshire family of that name who had settled in the county about the time of the Norman Conquest.

Dorothy had the misfortune to lose her excellent mother when she was a little more than six years old. After this great loss her father's health declined, and she was left an orphan at the early age of twelve. The sources of information concerning her childhood are very meagre.

We cannot doubt that for the qualities of mind and heart which distinguished her she was, in common with the other members of her family—her four brothers, who all won for themselves successful careers—indebted to her parenthood, and especially to her mother, of whom the poet says:—

"She was the heart

And hinge of all our learning and our loves."

The beauty and gentleness of disposition by which, in after years, Dorothy Wordsworth developed into such a perfect woman were not absent in her early childhood. Although we know so little, we have abundant testimony that as a child she was fittingly named Dorothea—the gift of God—and that then her life of ministry to her poet-brother began. We can well imagine how the little dark-eyed brunette, sparkling and impulsive damsel as she was, and the only girl in the family, became the darling of the circle. In after years, when her favourite and famous brother had entered on the career which she helped so much to stimulate and to perfect, we find in his poems many allusions to her, as well in her prattling childhood as in her mature years. The sight of a butterfly calls to the poet's mind the pleasures of the early home, the time when he and his little playmate "together chased the butterfly." The kindness of her child heart is told in a few expressive words. He says:—

"A very hunter did I rush

Upon the prey;—with leaps and springs

I followed on from brake to bush;

But she—God love her!—feared to brush

The dust from off its wings."

The sight of a sparrow's nest, many years after, also served to bring to the poet's remembrance his father's home and his sister's love. The "bright blue eggs" appeared to him "a vision of delight." In them he saw another sparrow's nest, in the years gone by daily visited in company with his little sister.

"Behold, within that leafy shade,

Those bright blue eggs together laid!

On me the chance-discovered sight

Gleamed like a vision of delight.

I started, seeming to espy

The home and sheltered bed,

The Sparrow's dwelling, which, hard by

My Father's house, in wet or dry,

My sister Emmeline and I

Together visited.

She looked at it and seemed to fear it,

Dreading, though wishing, to be near it:

Such heart was in her, being then

A little Prattler among men.

The Blessing of my later years

Was with me when a boy:

She gave me eyes, she gave me ears;

And humble cares, and delicate fears;

A heart, the fountain of sweet tears,

And love, and thought, and joy."

It is to her early thoughtfulness that the poet alludes in another poem having reference to the same period. In this poem he represents his sister and her young play-fellows gathering spring flowers, and thus records her prudent "Foresight":—

"Here are daisies, take your fill;

Pansies, and the cuckoo-flower:

Of the lofty daffodil

Make your bed or make your bower;

Fill your lap and fill your bosom;

Only spare the strawberry-blossom!

* * * * * * * *

God has given a kindlier power

To the favoured strawberry-flower.

Hither soon as spring is fled

You and Charles and I will walk;

Lurking berries, ripe and red,

Then will hang on every stalk,

Each within the leafy bower;

And for that promise spare the flower!"

An incident showing the tender sensibility of her nature when a child is also deserving of special mention. In a note to the "Second Evening Voluntary," Wordsworth says: "My sister, when she first heard the voice of the sea from this point (the high ground on the coast of Cumberland overlooking Whitehaven and the sea beyond it) and beheld the sea spread before her, burst into tears. Our family then lived at Cockermouth, and this fact was often mentioned among us as indicating the sensibility for which she was so remarkable."

The death of their mother was, however, the signal for separation. Her brother William was sent to school at Hawkshead, in North Lancashire, and Dorothy went to reside with her maternal grandfather at Penrith. Subsequently, during her brother's school and college days, we are informed that she lived chiefly at Halifax with her cousin, occasionally making lengthened visits at Forncett, to her cousin, Dr. Cookson, Canon of Windsor. Although they were in this way for some years deprived of each other's society, except during occasional college vacations, they were not forgotten by each other, and their early love did not grow cold. Wordsworth, having gone to Cambridge in 1787, during one of his early vacations visited his relations at Penrith, when he was for a short period restored to his sister's society. In his autobiographical poem, "The Prelude," he has thus recorded the fact:—

"In summer, making quest for works of art,

Or scenes renowned for beauty, I explored

That streamlet whose blue current works its way

Between romantic Dovedale's spiry rocks;

Pried into Yorkshire dales, or hidden tracts

Of my own native region, and was blest

Between these sundry wanderings with a joy

Above all joys, that seemed another morn

Risen on mid noon; blest with the presence

Of that sole Sister ——

Now, after separation desolate,

Restored to me—such absence that she seemed

A gift then first bestowed."

It cannot be doubted that the poetic tendency of Dorothy Wordsworth's mind, like that of her brother, was fostered by the beauties of the natural scenery in the midst of which a large portion of her childhood was cast. The beauty of wood, and lake, and mountain early sank into their receptive minds, and helped to make them what they became, both to each other, and to the world. To the influence of Nature in the maturing of their intellect, the development of both mind and heart, it may be necessary to refer later.

During the last of his college vacations—that of the year 1790, so remarkable in French history—Wordsworth made a three months' tour on the Continent with his friend, Mr. Robert Jones. Writing to his sister, then budding into womanhood, from the Lake of Constance, a fine description of the scenery through which they were passing, he says: "I have thought of you perpetually; and never have my eyes rested upon a scene of great loveliness but I have almost instantly wished that you could for a moment be transported to the place where I stood to enjoy it. I have been more particularly induced to form those wishes, because the scenes of Switzerland have no resemblance to any I have found in England; consequently it may probably never be in your power to form an idea of them." And he concludes by saying: "I must now bid you adieu, with assuring you that you are perpetually in my thoughts."

Wordsworth took his degree, and left Cambridge in 1791. Being undecided as to his future occupation, he spent the succeeding twelve months in France. His life for some time was wandering and uncertain. He has himself stated that he was once told by an intimate friend of his mother's that she had said the only one of her five children about whose future life she was anxious was William; and he, she said, would be remarkable either for good or for evil.

Wordsworth's experience of the French Revolution was far from being happy. His expectations were ruthlessly disappointed. With his ardent spirit he could not be an unconcerned observer of the stirring events which then agitated that ill-fated country. He had bright hopes of great results from the Revolution—of signal benefits to mankind. How bitterly he was disappointed we learn something from "The Prelude." The awful scenes of the time of blood and terror which followed were so deeply imaged on his mind, that for years afterwards they haunted his dreams, and he seemed

"To hear a voice that cried,

To the whole city, sleep no more."

Fortunately for him he was obliged to return home, led, as he afterwards acknowledged, "by the gracious Providence of heaven."

It was now quite time that Wordsworth should determine upon his future career; and this important subject seems to have occasioned some anxiety amongst his friends. His father, having been taken away in the prime of life, had not been able to make much provision for his children, especially as a considerable sum which had been due to him from the Earl of Lonsdale remained unpaid. It had been intended that, after leaving the University, Wordsworth should enter the Church. To this, however, he had conscientious objections. On other grounds the profession of the law was equally distasteful to him. His three brothers had chosen their pursuits, in which they all lived to distinguish themselves; but the one who was destined to be the greatest of them all, we find, at the age of twenty-three, still undetermined as to his future course of life. He had, indeed, at an early age, begun to write some of his earlier poems, to which, it is worthy of remark, he was incited and encouraged by his sister. Among other pieces, his "Evening Walk," addressed to his sister, had been composed when, at school and during his college vacations, he had been "far from that dearest friend."

However much Wordsworth's relatives and friends generally may have been disappointed in his want of decision, Dorothy's confidence in him and her love to him never wavered. In a letter, written to a dear friend, dated February, 1792, she says, speaking of her brothers Christopher and William: "Christopher is steady and sincere in his attachments. William has both these virtues in an eminent degree, and a sort of violence of affection—if I may so term it—which demonstrates itself every moment of the day, when the objects of his affection are present with him, in a thousand almost imperceptible attentions to their wishes, in a sort of restless watchfulness which I know not how to describe, a tenderness that never sleeps, and, at the same time, such a delicacy of manner as I have observed in few men." Again, writing in June, 1792, to the same friend, she says: "I have strolled into a neighbouring meadow, where I am enjoying the melody of birds and the busy sounds of a fine summer's evening. But, oh! how imperfect is my pleasure whilst I am alone! Why are you not seated with me? and my dear William, why is he not here also? I could almost fancy that I see you both near me. I hear you point out a spot, where, if we could erect a little cottage and call it our own, we should be the happiest of human beings. I see my brother fired with the idea of leading his sister to such a retreat. Our parlour is in a moment furnished; our garden is adorned by magic; the roses and honeysuckles spring at our command; the wood behind the house lifts its head, and furnishes us with a winter's shelter and a summer's noonday shade. My dear friend, I trust that ere long you will be, without the aid of imagination, the companion of my walks, and my dear William may be of our party.... He is now going upon a tour in the West of England with a gentleman who was formerly a schoolfellow—a man of fortune, who is to bear all the expenses of the journey, and only requests the favour of William's company. He is perfectly at liberty to quit this companion as soon as anything more advantageous offers. But it is enough to say that I am likely to have the happiness of introducing you to my beloved brother. You must forgive me for talking so much of him. My affection hurries me on, and makes me forget that you cannot be so much interested in the subject as I am. You do not know him; you do not know how amiable he is. Perhaps you may reply: 'But I know how blinded you are.' Well, my dearest, I plead guilty at once; I must be blind; he cannot be so pleasing as my fondness makes him. I am willing to allow that half the virtues with which I fancy him endowed are the creation of my love; but surely I may be excused! He was never afraid of comforting his sister; he never left her in anger; he always met her with joy; he preferred her society to every other pleasure—or, rather, when we were so happy as to be within each other's reach, he had no pleasure when we were compelled to be divided. Do not, then, expect too much from this brother, of whom I have delighted so to talk to you. In the first place, you must be with him more than once before he will be perfectly easy in conversation. In the second place, his person is not in his favour—at least, I should think not—but I soon ceased to discover this; nay, I almost thought that the opinion I had formed was erroneous. He is, however, certainly rather plain, though otherwise has an extremely thoughtful countenance; but when he speaks, it is often lighted up by a smile which I think very pleasing. But enough, he is my brother; why should I describe him? I shall be launching again into panegyric." Again she says: "William writes to me regularly, and is a most affectionate brother."

It is gratifying to know that this warm attachment of Miss Wordsworth to her brother was at all times returned. In the year 1793, when they were discussing the means of realising their cherished idea of retiring to their little cottage, Wordsworth writes: "I will write to my uncle, and tell him I cannot think of going anywhere before I have been with you. Whatever answer he gives me, I certainly will make a point of once more mingling my transports with yours. Alas! my dear sister, how soon must this happiness expire; yet there are moments worth ages." Again he says: "Oh, my dear, dear sister, with what transport shall I again meet you! with what rapture shall I again wear out the day in your sight!... I see you in a moment running, or rather flying, to my arms."

In the early part of 1794, having still no fixed residence, we find Wordsworth staying at Halifax. Writing in February of that year to a friend, he says: "My sister is under the same roof with me; indeed, it was to see her that I came into the country. I have been doing nothing, and still continue to do nothing. What is to become of me I know not." About this time the brother and sister together made a tour in the Lake District. She writes: "After having enjoyed the company of my brother William at Halifax, we set forward by coach towards Whitehaven, and thence to Kendal. I walked, with my brother at my side, from Kendal to Grasmere, eighteen miles, and afterwards from Grasmere to Keswick, fifteen miles, through the most delightful country that was ever seen. We are now at a farmhouse about half a mile from Keswick. When I came I intended to stay only a few days; but the country is so delightful, and, above all, I have so full an enjoyment of my brother's company, that I have determined to stay a few weeks longer."

In his uncertainty of mind Wordsworth projected the publishing of a periodical, and afterwards contributing to the London Newspaper Press. That the latter scheme was not put into practice was owing to the fact that just at this time an incident occurred which had no small influence upon what may be considered the turning point in his life.

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[CHAPTER III.]
RACEDOWN AND ALFOXDEN.

To all lovers of Wordsworth it is well known how, while he was yet undecided as to his future calling, he went to nurse a young friend named Raisley Calvert, who was afflicted with a malady which threatened to prove fatal, and by whose side he felt it his duty to remain. After a protracted illness his friend died, and bequeathed him a legacy of £900. It is probable that in this generous act, to which Wordsworth has more than once recorded his indebtedness, Mr. Calvert was actuated by mixed motives; that it was to be regarded not only as an expression of gratitude, but that he also perceived in his friend talents which others were slow to recognise, and desired thus to provide him with the means of devoting himself, at any rate for a time, to the pursuit of poetry. However this may be, the incident cannot but be regarded as a link in the chain of providential circumstances which combined to prepare the poet for his future high calling. It is not, however, intended in this sketch to refer to Wordsworth himself more than is necessary for the purpose of elucidating any events in the life and character of his sister, or of tracing her influence upon him. Having thus obtained the means of livelihood for a few years, one of their cherished hopes was realised. His childhood's playmate became his constant and lifelong companion, devoting herself to him and his interests and aims as only a noble woman could have done.

At what a critical time Miss Wordsworth thus entered more closely into the life of her brother we learn from his biography, as well as from his works. Dejected and despondent by reason of the scenes of which he had been an eyewitness in France, and the terrible days which followed, Wordsworth was at this time greatly in danger of becoming misanthropic, and of giving way to a melancholy which might have coloured all his life, and deprived his works of the healthful and educating influence which they breathe. All disappointment and sorrow may become the precursor of blessing, the mother of a great hope. It is the bruised herb that exudes its fragrance; the broken heart that, when bound, pulsates most truly. It was a saying of Goethe that he never had an affliction which did not turn into a poem. But disappointment may also be the parent of gloom, and pave the way to a spirit of morose indifference. At such junctures a life may, by the skilful leading of a wise affection, be saved for beauty and happiness, for greater good and more exalted attainment and enjoyment, by reason of the very sorrow which, unhallowed, would have plunged it into bitterness.

However much Wordsworth's goodness of heart and ardent love of Nature helped to protect him, it was at this critical period that he was chiefly indebted to the soothing and cheering power of his sister for uplifting him from the gloom which had gathered around him, and for restoring and maintaining that equable frame of mind which from thenceforth unvaryingly characterised him. Her clear insight and womanly instinct at this time saw deeper into the sources of real satisfaction; and her helpful and healing sympathy came to his aid. By her tact she led him from the distracting cares of political agitation to those more elevating and satisfying influences which an ardent and contemplative love of Nature and poetry cultivate, and which sweet and kindred human affections strengthen and develop. It remained for Miss Wordsworth, if not to awaken, to draw out and stimulate her brother's better nature, to deaden what was unworthy, and to encourage, by tender care and patient endeavour, that higher life towards which his mind and soul were turned. She became, and for many years continued to be, the loadstar of his existence, and affords one of the most pleasing instances of sisterly devotion and fidelity on record. In her brother was verified the poet's prophecy:—

"True heart and shining star shall guide thee right."

Well was it for Wordsworth, and for us, that he had a sister, and that it was to this brother—one after her own heart—she at this juncture devoted herself. In this we may see another of the providential circumstances that beset the career of Wordsworth. As Spenser says:—

"It chanced—

Eternal God that chance did guide."

Writing of Miss Wordsworth at this time, her nephew, the late Bishop of Lincoln, says: "She was endowed with tender sensibility, with an exquisite perception of beauty, with a retentive recollection of what she saw, with a felicitous tact in discerning and admirable skill in delineating natural objects with graphic accuracy and vivid gracefulness. She weaned him from contemporary politics, and won him to beauty and truth."

A writer in The Quarterly Review, many years ago (I believe the late Mr. J. G. Lockhart), referring to this period, writes: "Depressed and bewildered, he turned to abstract science, and was beginning to torment his mind with fresh problems, when, after his long voyage through unknown seas in search of Utopia, with sails full set and without compass or rudder, his sister came to his aid, and conducted him back to the quiet harbour from which he started. His visits to her had latterly been short and far between, until his brightening fortunes enabled them to indulge the wish of their hearts to live together, and then she convinced him that he was born to be a poet, and had no call to lose himself in the endless labyrinth of theoretical puzzles. The calm of a home would alone have done much towards sobering his mind. While he roamed restlessly about the world he was drawn in by every eddy, and obeyed the influence of every wind; but when once he had escaped from the turmoil, into the pure and peaceful pleasures of domestic existence, he felt the vanity and vexation of his previous course."

Wordsworth himself, afterwards writing of this same period of his life, says:—

"Depressed, bewildered thus, I did not walk

With scoffers, seeking light and gay revenge

From indiscriminate laughter, nor sit down

In reconcilement with an utter waste

Of intellect.

* * * * * * * *

Then it was—

Thanks to the bounteous Giver of all good!—

That the beloved sister in whose sight

Those days were passed, now speaking in a voice

Of sudden admonition—like a brook

That did but cross a lonely road, now

Is seen, heard, felt, and caught at every turn,

Companion never lost through many a league—

Maintain'd for me a saving intercourse

With my true self; for, though bedimmed and changed

Much, as it seemed, I was no further changed

Than as a clouded, and a waning moon;

She whispered still that brightness would return.

She in the midst of all preserved me still

A poet; made me seek beneath that name,

And that alone, my office upon earth."

We thus find Miss Wordsworth keeping house with her brother, who, having at length determined upon his course of life, was, in 1795, living at Racedown Lodge in Dorsetshire. From this time forth, amid all the changes of fortune and condition, they were close and life-long companions.

However great may have been her influence upon him previously, it now became a moulding and educating power. They were both in the strength of their youth—that time of radiant enjoyment—bound not only by that most endearing of natural ties, but by tastes, aims, and hopes most singularly mutual. The close association of daily intercourse and community of thought, together with a thorough sympathy, seemed now, as only an ardent enthusiasm and devoted love of kindred objects can do, to cement their lives. In this their first home, the only one which they had really known since childhood, and to which they had so longingly looked forward, they were all in all to each other. Separation from the busy world, and from society, was no hardship to them, so long as they were uninterrupted in the society of each other, and in the pursuits they loved. Though in a part of the country, then so remote that they had only a post once a week, they went into raptures over their lot. The house which they temporarily occupied was, we are informed, pretty well stocked with books, and they were industrious in both indoor and outdoor occupations. They read, and thought, and talked together, rambling through the lovely combs and by the ever-changing sea. "My brother," she says, "handles the spade with great dexterity," while she herself was engaged in reading Italian authors.

A writer in Blackwood, a few years ago, referring to Miss Wordsworth at this time, says: "She had been separated from her brother since their childhood, and now at the first moment when their re-union was possible, seems to have rushed to him with all the impetuosity of her nature. Without taking his sister into consideration, no just estimate can be formed of Wordsworth. He was, as it were, henceforward, the spokesman to the world of two souls. It was not that she visibly or consciously aided and stimulated him, but that she was him—a second pair of eyes to see, a second and more delicate intuition to discern, a second heart to enter into all that came before their mutual observation. This union was so close, that in many instances it becomes difficult to discern which is the brother and which the sister. She was part not only of his life, but of his imagination. He saw by her, felt through her, at her touch the strings of the instrument began to thrill, the great melodies awoke. Her journals are Wordsworth in prose, just as his poems are Dorothy in verse. The one soul kindled at the other. The brother and sister met with all the enthusiasm of youthful affection, strengthened and concentrated by long separation, and the delightful sense that here at last was the possibility of making for themselves a home." After referring to their pecuniary means, the writer adds: "And with this, in their innocent frugality and courage, they faced the world like a new pair of babes in the wood. Their aspirations in one way were infinite, but in another modest as any cottager's. Daily bread sufficed them, and the pleasure to be derived from Nature, who is cheap, and gives herself lavishly without thought or hope of reward."

Although at this remote place friends and visitors were few, it was here the Wordsworths first made the acquaintance of Samuel Taylor Coleridge, who, in conjunction with Southey, had already begun to make a name. This acquaintance ripened into a close and uninterrupted friendship, only to be ended by death. It was here also that Wordsworth composed his tragedy The Borderers and "The Ruined Cottage," which latter poem afterwards formed the first part of the "Excursion." The ardour with which the young poets entered into each other's plans, and the enthusiasm of the sister, who was in such perfect rapport with them, is gathered from her statement that the "first thing that was read when he (Coleridge) came was William's new poem, 'The Ruined Cottage,' with which he was much delighted; and after tea he repeated to us two acts and a half of his tragedy Osorio. The next morning William read his tragedy The Borderers."

The following description of Coleridge, from the pen of Miss Wordsworth, cannot fail to be of interest. Writing to a friend, she says: "You had a great loss in not seeing Coleridge. He is a wonderful man. His conversation teems with soul, mind, and spirit. Then he is so benevolent, so good-tempered and cheerful, and, like William, excites himself so much about every little trifle. At first I thought him very plain—that is, for about three minutes. He is pale, thin, has a wide mouth, thick lips, and not very good teeth; longish, loose-growing, half-curling, rough, black hair. But if you hear him speak for five minutes, you think no more about them. His eye is large and full, and not very dark, but grey—such an eye as would receive from a heavy soul the dullest expression; but it speaks every emotion of his animated mind. It has more of the 'poet's eye in fine frenzy rolling' than I ever witnessed. He has fine dark eyebrows and an overhanging forehead."

By the side of this striking picture of Coleridge may be fittingly placed his first impressions of Miss Wordsworth. Writing to Mr. Cottle from Nether Stowey, in Somersetshire, where he was then residing, he says: "Wordsworth and his exquisite sister are with me. She is a woman, indeed!—in mind, I mean, and heart; for her person is such that, if you expected to see a pretty woman, you would think her ordinary; if you expected to see an ordinary woman, you would think her pretty; but her manners are simple, ardent, impressive. In every motion her most innocent soul outbeams so brightly that who saw her would say:

'Guilt was a thing impossible in her.'

Her information various; her eye watchful in minutest observation of Nature; and her taste a perfect electrometer. It bends, protrudes, and draws in at subtlest beauties and most recondite faults."

From this description of Coleridge it might appear that Miss Wordsworth was one of those happy possessors of a face and features which though in repose might appear homely, became illumined by the sweet smiles of love—flashed into beauty by the gleam of the soul-lit eye.

The pleasure which the friendship of Coleridge afforded them induced Wordsworth and his sister to change their residence in order to be near him. Accordingly, in the summer of 1797, they settled at Alfoxden, near Nether Stowey. Alfoxden is described by Hazlitt as a "romantic old family mansion of the St. Aubins," and he gives the additional information that it was then in the possession of a friend of the poet, who gave him the free use of it. De Quincey states that he understood that the Wordsworths had the use of the house on condition of keeping it in repair.

Although Miss Wordsworth afterwards spoke of Racedown as the dearest place of her recollections upon the whole surface of the island, as the first home she had, she was soon enamoured of her new abode, and the scenery of Somersetshire. Of the neighbourhood of Nether Stowey she says, in a letter to a friend, dated 4th July: "There is everything there—sea, woods wild as fancy ever painted; brooks clear and pebbly as in Cumberland; villages as romantic; and William and I, in a wander by ourselves, found out a sequestered waterfall in a dell formed by steep hills, covered by full-grown timber-trees. The woods are as fine as those at Lowther, and the country more romantic; it has the character of the less grand parts of the neighbourhood of the lakes."

Being settled at Alfoxden, she writes again, on 14th August: "Here we are, in a large mansion, in a large park, with seventy head of deer around us. But I must begin with the day of leaving Racedown to pay Coleridge a visit. You know how much we were delighted with the neighbourhood of Stowey. The evening that I wrote to you, William and I had rambled as far as this house, and pryed into the recesses of our little brook, but without any more fixed thoughts upon it than some dreams of happiness in a little cottage, and passing wishes that such a place might be found out. We spent a fortnight at Coleridge's: in the course of that time we heard that this house was to let, applied for it, and took it. Our principal inducement was Coleridge's society. It was a month yesterday since we came to Alfoxden.

"The house is a large mansion, with furniture enough for a dozen families like ours. There is a very excellent garden, well stocked with vegetables and fruit. The garden is at the end of the house, and our favourite parlour, as at Racedown, looks that way. In front is a little court, with grass-plot, gravel-walk, and shrubs; the moss roses were in full beauty a month ago. The front of the house is to the south; but is screened from the sun by a high hill which rises immediately from it. This hill is beautiful, scattered irregularly and abundantly with trees, and topped with fern, which spreads a considerable way down it. The deer dwell here, and sheep, so that we have a living prospect. From the end of the house we have a view of the sea, over a woody, meadow country; and exactly opposite the window, where I now sit, is an immense wood, whose round top from this point has exactly the appearance of a mighty dome. In some parts of this wood there is an under-grove of hollies, which are now very beautiful. In a glen at the bottom of the wood is the waterfall of which I spoke, a quarter of a mile from the house. We are three miles from Stowey, and not two miles from the sea. Wherever we turn we have woods, smooth downs, and valleys with small brooks running down them, through green meadows, hardly ever intersected with hedgerows, but scattered over with trees. The hills that cradle these valleys are either covered with fern and bilberries, or oak woods, which are cut for charcoal.... Walks extend for miles over the hill-tops; the great beauty of which is their wild simplicity: they are perfectly smooth, without rocks.

"The Tor of Glastonbury is before our eyes during more than half of our walk to Stowey; and in the park, wherever we go, keeping about fifteen yards above the house, it makes a part of our prospect."

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[CHAPTER IV.]
RESIDENCE AT ALFOXDEN.—REMOVAL TO GRASMERE.

The year succeeding the time when Miss Wordsworth and her brother became resident at Alfoxden was one of glowing enjoyment and fruitful industry. We are not without a few pleasing pictures of this charmed primitive period of their lives—its profitable intercourse, its delightful rambles.

"Upon smooth Quantock's airy ridge we roamed,

Unchecked, or loitered 'mid his sylvan combs;

Thou, in bewitching words with happy heart,

Didst chant the vision of that ancient man,

The bright-eyed mariner; and rueful woes

Didst utter of the Lady Christabel—

And I, associate with such labours, steeped

In soft forgetfulness the livelong hours,

Murmuring of him who, joyous hap, was found

After the perils of his moonlight ride,

Near the loud waterfall; or her who sate

In misery near the miserable thorn."

We can imagine the happy meetings and rapturous feelings of the two young poets in the company of the bright young woman, who was gifted with a no less poetic soul, wandering amid the delightful scenery of Somersetshire, revelling in the beauties of woodland and ocean, and the pleasant evenings, when each read to the other his growing poems; and they together discussed their ambitious schemes for the golden future, receiving the suggestions and approval of the ever-sympathetic sister and friend. Wordsworth has described this as a "very pleasant and productive time" of his life.

It was during one of the short tours of Wordsworth and Coleridge, with the bright and faithful Dorothy by their side, inspiring and stimulating (the expenses of which tour they desired to defray by writing a poem), that the story of "The Ancient Mariner" was conceived. Wordsworth has said of it in a passage oft-repeated:—

"In the autumn of 1797, Mr. Coleridge, my sister, and myself, started from Alfoxden pretty late in the afternoon, with a view of visiting Linton and the valley of stones near it; and as our united funds were very small, we agreed to defray the expense of the tour by writing a poem, to be sent to the new Monthly Magazine. In the course of this walk was planned the poem of 'The Ancient Mariner,' founded on a dream, as Mr. Coleridge said, of his friend, Mr. Cruikshank. Much the greatest part of the story was Mr. Coleridge's invention; but certain parts I suggested. For example, some crime to be committed, which was to bring upon the Old Navigator, as Coleridge afterwards delighted to call him, the spectral persecution, as a consequence of that crime and his own wanderings. I had been reading in 'Shelvocke's Voyages,' a day or two before, that, while doubling Cape Horn, they frequently saw albatrosses in that latitude—the largest sort of sea-fowl, some extending their wings 12 or 13 feet. Suppose, said I, you represent him as having killed one of these birds on entering the South Sea, and that the tutelary spirits of these regions take upon them to avenge the crime. The incident was thought fitting for the purpose, and adopted accordingly. I also suggested the navigation of the ship by the dead man; but I do not recollect that I had anything more to do with the scheme of the poem."

It was about this time that the Wordsworths made the acquaintance of Hazlitt. He was then staying with Coleridge, who took him over to Alfoxden. Of this visit Hazlitt says:—

"Wordsworth himself was from home; but his sister kept house, and set before us a frugal repast; and we had free access to her brother's poems, the lyrical ballads, which were still in manuscript, or in the form of sybilline leaves. I dipped into a few of these with great satisfaction, and with the faith of a novice. I slept that night in an old room, with blue hangings, and covered with the round-faced family portraits, of the age of George I. and II., and from the woody declivity of the adjoining park that overlooked my window, at the dawn of day,

'Heard the loud stag speak.'

"Next morning, as soon as breakfast was over, we strolled out into the park, and, seating ourselves on the trunk of an old ash tree, that stretched along the ground, Coleridge read aloud, with a sonorous and musical voice, the ballad of 'Betty Foy.' I was not critically or sceptically inclined. I saw touches of truth and nature, and took the rest for granted. But in 'The Thorn,' 'The Mad Mother,' and 'The Complaint of the Poor Indian Woman,' I felt that deeper power and pathos, which have been since acknowledged,

'In spite of pride, in erring reason's spite,'

as the characteristics of this author, and the sense of a new style and a new spirit in poetry, came over me. It had to me something of the effect that arises from the turning up of the fresh soil, or of the first welcome breath of spring,

'While yet the trembling year is unconfirmed.'

"Coleridge and myself walked back to Stowey that evening, and his voice sounded high,

'Of Providence, foreknowledge, will, and fate;

Fixt fate, free will, foreknowledge absolute,'

as we passed through the echoing groves, by fairy stream or waterfall, gleaming in the solemn moonlight.... We went over to Alfoxden again the day following, and Wordsworth read us the story of 'Peter Bell' in the open air. There is a chant in the recitation, both of Coleridge and Wordsworth, which acts as a spell upon the hearer, and disarms the judgment. Perhaps they have deceived themselves by making habitual use of this ambiguous accompaniment. Coleridge's manner is more full, animated, and varied; Wordsworth's more equable, sustained, and internal. Coleridge has told me that he himself liked to compose in walking over uneven ground, or breaking through the straggling branches of a copsewood, whereas Wordsworth always composed walking up and down a straight gravel walk, or in some spot where the continuity of his verse met with no collateral interruptions.... Returning the same evening, I got into a metaphysical argument with Wordsworth, while Coleridge was explaining the different notes of the nightingale to his sister, in which we neither of us succeeded in making ourselves perfectly clear and intelligible."

This year was also celebrated by an introduction to Charles Lamb (the quaint and gentle-hearted "Elia") and his excellent sister Mary. Lamb was an old schoolfellow, and a close friend of Coleridge. They had been boys together at the Christ's Hospital, where the sympathy between them had been formed which became a life-long bond. A short emancipation from the toils of the East India House found Lamb and his sister spending a little time with Coleridge at Nether Stowey. From the time of the commencement of the acquaintance of Mary Lamb and Dorothy Wordsworth in this manner, their friendship was constant and their correspondence frequent. While, in temperament, they were totally unlike each other, there was that in the tenor of their lives, in the tender and helpful devotion of each of them to her brother—a devotion in both cases so warmly reciprocated—together with much in common in their tastes and pursuits, which served to cement a friendship begun under such pleasurable circumstances.

The poem "To my Sister," written in front of Alfoxden, is suggestive of the happy rural life at this time enjoyed by the poet and his sister. What lover of Wordsworth does not remember how on "the first mild day of March," when, to the receptive spirit of the poet, each minute of the advancing, balmy day appeared to be lovelier than the preceding one, while, sauntering on the lawn, he wrote, desiring her to hasten with her household morning duties, and share his enjoyment of the genial sunshine?

"It is the first mild day of March:

Each minute sweeter than before

The red-breast sings from the tall larch

That stands beside our door.

"There is a blessing in the air,

Which seems a sense of joy to yield

To the bare trees, and mountains bare,

And grass in the green field.

"'My sister! ('tis a wish of mine),

Now that our morning meal is done,

Make haste, your morning task resign;

Come forth and feel the sun.

"'Edward will come with you—and, pray,

Put on with speed your woodland dress;

And bring no book; for this one day

We'll give to idleness.

"'No joyless forms shall regulate

Our living calendar:

We from to-day, my Friend, will date

The opening of the year.

"'Love, now a universal birth,

From heart to heart is stealing,

From earth to man, from man to earth;

—It is the hour of feeling.

"'One moment now may give us more

Than years of toiling reason:

Our minds shall drink at every pore

The spirit of the season.

"'Some silent laws our hearts will make,

Which they shall long obey;

We for the year to come may take

Our temper from to-day.

"'And from the blessed power that rolls

About, below, above,

We'll frame the measure of our souls:

They shall be tuned to love.

"'Then come, my Sister! come, I pray,

With speed put on your woodland dress;

And bring no book: for this one day

We'll give to idleness.'"

It was also during their residence at Alfoxden that Miss Wordsworth and her brother made their tour on the banks of the Wye, so signally memorialised in his famous lines on Tintern Abbey, of which he says, no poem of his was composed under circumstances more pleasant for him to remember. Its elevating reflections and rhythmic strains take captive the affections of the lover of Nature, and linger in his memory like the music of youth. In this place our interest in it arises from the allusions it contains to his beloved companion. He refers to the sweet sensations which, in hours of weariness in towns and cities, he has owed to the beauteous forms of Nature to which his mind has turned. He calls to memory the time when he had, indeed, loved Nature more passionately, and compares it with his present more mature and thoughtful affection, concluding with a fervid address to her who was by his side, and whose presence imparted an added charm—that of double vision—to every object and feeling; a sense of blessing shared:—

"For thou art with me here upon the banks

Of this fair river: thou, my dearest Friend,

My dear, dear Friend; and in thy voice I catch

The language of my former heart, and read

My former pleasures in the shooting lights

Of thy wild eyes. Oh! yet a little while

May I behold in thee what I was once,

My dear, dear Sister! And this prayer I make,

Knowing that Nature never did betray

The heart that loved her; 'tis her privilege

Thro' all the years of this our life, to lead

From joy to joy: for she can so inform

The mind that is within us, so impress

With quietness and beauty, and so feed

With lofty thoughts, that neither evil tongues,

Rash judgments, nor the sneers of selfish men,

Nor greetings where no kindness is, nor all

The dreary intercourse of daily life,

Shall e'er prevail against us, or disturb

Our cheerful faith, that all which we behold

Is full of blessings. Therefore let the moon

Shine on thee in thy solitary walk;

And let the misty mountain-winds be free

To blow against thee; and, in after years,

When these wild ecstasies shall be matured

Into a sober pleasure; when thy mind

Shall be a mansion for all lovely forms,

Thy memory be as a dwelling-place

For all sweet sounds and harmonies; oh! then,

If solitude, or fear, or pain, or grief,

Should be thy portion, with what healing thoughts

Of tender joy wilt thou remember me,

And these, my exhortations! Nor, perchance,

If I should be where I no more can hear

Thy voice, nor catch from thy wild eyes these gleams

Of past existence—wilt thou then forget

That on the banks of this delightful stream

We stood together....

Nor wilt thou then forget

That after many wanderings, many years

Of absence, these steep woods and lofty cliffs,

And this green pastoral landscape, were to me

More dear, both for themselves and for thy sake!"

Although Coleridge was at this time married, his wife does not seem to have entered very warmly into his pursuits—not, indeed, with the same interest that Miss Wordsworth did. It cannot be out of place, since it is a matter of almost common knowledge, to remark that we have in Coleridge one more instance of the many men of genius who have not been very suitably mated. Mrs. Coleridge did not feel the sympathy in her husband's aims to enable her to take pleasure in their intellectual conversations or perpetual rambles. In both of these Miss Wordsworth delighted. De Quincey, in his uncontrollable propensity to chatter, has taken occasion from this fact to suggest that Mrs. Coleridge resented the familiar friendship of the poetic trio. Although not mentioning Miss Wordsworth by name, he refers to a young lady who became a neighbour and a daily companion of Coleridge's walks, and who was "intellectually much superior to Mrs. Coleridge," in a way that shows that none other than Miss Wordsworth could be alluded to. He adds: "Mrs. Coleridge, not having the same relish for long walks or rural scenery, and their residence being at this time in a very sequestered village, was condemned to a daily renewal of this trial. Accidents of another kind embittered it still further. Often it would happen that the walking party returned drenched with rain; in which case the young lady, with a laughing gaiety, and evidently unconscious of any liberty that she was taking, or any wound that she was inflicting, would run up to Mrs. Coleridge's wardrobe, array herself, without leave asked, in Mrs. Coleridge's dresses, and make herself merry with her own unceremoniousness and Mrs. Coleridge's gravity. In all this she took no liberty that she would not most readily have granted in return; she confided too unthinkingly in what she regarded as the natural privileges of friendship, and as little thought that she had been receiving or exacting a favour as, under an exchange of their relative positions, she would have claimed to confer one." Although De Quincey states that the feelings of Mrs. Coleridge were moderated by the consideration of the kind-heartedness of the young lady, that she was always attended by her brother, and that mere intellectual sympathies in reference to literature and natural scenery associated them, it is to be regretted that the perfectly innocent friendship should have been the cause of this small gossip, a thing in which De Quincey rather delighted, and which sometimes mars the pleasurableness of his otherwise felicitous recollections. He was not at this time acquainted either with Coleridge or the Wordsworths, and the information could only have been derived from them during subsequent years of confidential friendship, and not intended for repetition. However it may have appeared to her then, Mrs. Coleridge had in the future much cause to be thankful for the disinterested friendship of Miss Wordsworth.

How conducive to the best interests of her brother at this time was the companionship of Miss Wordsworth, and how complete was his restoration to a healthy and vigorous life after the political distractions of his Continental experience we gather from an allusion in the Biographia Literaria of Coleridge. Referring to his life at Nether Stowey, he says: "I was so fortunate as to acquire, shortly after my settlement there, an invaluable blessing in the society of one to whom I could look up with equal reverence, whether I regarded him as a poet, a philosopher, or a man. His conversation extended to almost all subjects, except physics and politics; with the latter he never troubled himself."

The residence of Miss Wordsworth and her poet brother at Alfoxden, was terminated by circumstances which serve to illustrate at once something of the political attitude of the times, and also of the mental condition of their rustic neighbours in Somersetshire. Coleridge tells an amusing story how he and Wordsworth were followed and watched in their rambles by a person who was suspected to be a spy on their proceedings employed by the Government of the day. Whether this be well founded or not, the mere fact of two men living in their midst, without any apparent object, appears to have rather discomposed their neighbours. Why should they be continually spending their time in taking long and apparently purposeless rambles, engaged in earnest conversation? It was inconceivable that any one should walk a few miles in the light of the moon merely to look at the sea! They must be engaged in smuggling, or have other nefarious designs. In connection with this subject, there is one good story told. Some country gentlemen of the neighbourhood happened to be in the company of a party who were discussing the question whether Wordsworth and Coleridge might be traitors, and in correspondence with the French Administration, when one of them answered: "Oh! as to that Coleridge, he is a rattlebrain that will say more in a week than he will stand to in a twelvemonth. But Wordsworth, he is the traitor. Why, bless you! he is so close that you'll never hear him open his lips on the subject from year's end to year's end." The public belief in the absurd theory of Wordsworth's traitorous designs was, however, sufficient to induce the owner of the mansion in which he lived to put an end to the occupation.

The reputation of his friends and visitors suffered with his. In allusion to this, Mr. Howitt says: "The grave and moral Wordsworth, the respectable Wedgewoods, the correct Robert Southey, and Coleridge, dreaming of glorious intellectualities beyond the moon, were set down for a very disreputable gang. Innocent Mrs. Coleridge and poor Dolly Wordsworth were seen strolling about with them, and were pronounced no better than they should be. Such was the character that they unconsciously acquired that Wordsworth was at length actually driven out of the country."

It may not be out of place to repeat here Mr. Cottle's version of the affair. He says: "Mr. Wordsworth had taken the Alfoxden house, near Stowey, for one year (during the minority of the heir), and the reason why he was refused a continuance by the ignorant man who had the letting of it arose, as Mr. Coleridge informed me, from a whimsical cause, or rather a series of causes. The wiseacres of the village had, it seemed, made Mr. Wordsworth the subject of their serious conversation. One said that he had seen him wandering about by night and look rather strange at the moon! And then he roamed over the hills like a partridge! Another said he had heard him mutter, as he walked, in some outlandish brogue that nobody could understand! Another said: 'It is useless to talk, Thomas. I think he is what people call a wise man (a conjurer).' Another said: 'You are every one of you wrong. I know what he is. We have all met him tramping away toward the sea. Would any man in his senses take all that trouble to look at a parcel of water? I think he carries on a snug business in the smuggling line, and in these journeys is on the look-out for some wet cargo!' Another very significantly said: 'I know that he has got a private still in his cellar; for I once passed his house at a little better than a hundred yards' distance, and I could smell the spirits as plain as an ashen faggot at Christmas!' Another said, 'However that was, he was surely a desperd (desperate) French Jacobin; for he is so silent and dark that nobody ever heard him say one word about politics!' And thus these ignoramuses drove from their village a greater ornament than will ever again be found amongst them."

After leaving Alfoxden, in the autumn of 1798, Miss Wordsworth accompanied her brother during a residence of six months in Germany, their chief object being the attainment of a knowledge of the language. Although, from the absence of society at Goslar, where they were, they do not seem to have been fortunately circumstanced in this respect, Wordsworth was, according to his sister, very industrious, and here composed several poems.

Their life in Germany was not altogether without adventure. Mr. Howitt gives an account of an incident related to him by the poet of his arriving late one evening, accompanied by Miss Wordsworth and Coleridge, at a hamlet in Hesse Cassel, where they were unable to gain admittance to the inn, and feared having to pass the night in the open street. A continued knocking at the inhospitable doors only brought out the landlord armed with a huge cudgel, with which he began to beat them. Regardless of their personal danger, and thinking of their female companion, to whom the prospect of an inclement night in the open air was by no means cheering, Wordsworth and his friend managed, after warding off the blows of the cudgel, to force their way into the house, and by reasoning with the surly landlord, and appealing to his better feelings, induced him to afford them a scanty lodging for the night. It appears that strangers travelling in these remote parts at this time received scant courtesy, even from those professing to provide them with entertainment, and that personal violence and plunder were not unfrequently resorted to.

On returning to England in the spring of 1799, Wordsworth, after spending some months with friends at Sockburn-on-Tees, wisely determined to have a fixed place of abode for himself, and, of course, his sister; eventually selecting that spot which is more than all others associated with his name and memory. A walking tour in company with his friend Coleridge in Westmoreland and Cumberland, resulted in his fixing upon Grasmere as the future home of himself and his faithful sister. To this place they accordingly repaired, walking a considerable part of the way—that from Wensleydale to Kendal—"accomplishing as much as twenty miles in a day over uneven roads, frozen into rocks, in the teeth of a keen wind and a driving snow," amid the crisp and biting blasts of a winter day, arriving at Grasmere—so long the scene of their future labours and rambles—on the shortest day of the last year in the last century.

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[CHAPTER V.]
THE LAKE DISTRICT.

The lake and mountain district of England, which has now become so famous, was happily chosen by these children of Nature as their residence. Born as they both were on its outskirts, they had long been familiar with its beauties, and the only matter for surprise is that they had not earlier turned their faces to their native hills instead of spending some intervening years elsewhere.

No region could have been more in harmony with their sympathies and pursuits. The hardy inhabitants of these dales, and the simplicity of their lives and manners, formed fitting objects of study and reflection for the single-minded poet of Nature, who came to live and die amongst them. It is quite unnecessary, in these days of travel and of guide-books, which have done so much to make the district familiar ground, to give any description of it. It may not, however, be out of place to quote an extract or two from Wordsworth's own Description of the lakes. Referring to the aspect of the district at different seasons of the year, he says:—"It has been said that in human life there are moments worth ages. In a more subdued tone of sympathy may we affirm that in the climate of England there are, for the lover of Nature, days which are worth whole months—I might say even years. One of these favoured days sometimes occurs in spring-time, when that soft air is breathing over the blossoms and new-born verdure which inspired Buchanan with his beautiful 'Ode to the First of May'; the air which, in the luxuriance of his fancy, he likens to that of the golden age—to that which gives motion to the funereal cypresses on the banks of Lethe; to the air which is to salute beatified spirits when expiatory fires shall have consumed the earth, with all her habitations. But it is in autumn that days of such affecting influence most frequently intervene. The atmosphere becomes refined, and the sky rendered more crystalline, as the vivifying heat of the year abates; the lights and shadows are more delicate; the colouring is richer and more finely harmonised; and, in this season of stillness, the ear being unoccupied, or only gently excited, the sense of vision becomes more susceptible of its appropriate enjoyments. A resident in a country like this we are treating of will agree with me that the presence of a lake is indispensable to exhibit in perfection the beauty of one of these days; and he must have experienced, while looking on the unruffled waters, that the imagination by their aid is carried into recesses of feeling otherwise impenetrable. The reason of this is that the heavens are not only brought down into the bosom of the earth, but that the earth is mainly looked at, and thought of, through the medium of a purer element. The happiest time is when the equinoctial gales are departed; but their fury may probably be called to mind by the sight of a few shattered boughs, whose leaves do not differ in colour from the faded foliage of the stately oaks from which these relics of the storm depend; all else speaks of tranquillity; not a breath of air, no restlessness of insects, and not a moving object perceptible, except the clouds gliding in the depth of the lake, or the traveller passing along, an inverted image, whose motion seems governed by the quiet of a time to which its archetype, the living person, is perhaps insensible; or it may happen that the figure of one of the larger birds—a raven or a heron—is crossing silently among the reflected clouds, while the voice of the real bird, from the element aloft, gently awakens in the spectator the recollection of appetites and instincts, pursuits and occupations, that deform and agitate the world, yet have no power to prevent Nature from putting on an aspect capable of satisfying the most intense cravings for the tranquil, the lovely, and the perfect, to which man, the noblest of her creatures, is subject."

His description of the Cumbrian cottages—

"Clustered like stars some few, but single most,

And lurking dimly in their shy retreats,

Or glancing on each other cheerful looks,

Like separated stars with clouds between—"

is exceedingly happy.

"The dwelling-houses and contiguous outhouses are, in many instances, of the colour of the native rock, out of which they have been built; but frequently the dwelling or fire-house, as it is ordinarily called, has been distinguished from the barn or byre by rough-cast and whitewash, which, as the inhabitants are not hasty in renewing it, in a few years acquires, by the influence of weather, a tint at once sober and variegated. As these houses have been, from father to son, inhabited by persons engaged in the same occupations, yet necessarily with changes in their circumstances, they have received without incongruity additions and accommodations adapted to the needs of each successive occupant, who, being for the most part proprietor, was at liberty to follow his own fancy; so that these humble dwellings remind the contemplative spectator of a production of Nature, and may (using a strong expression) rather be said to have grown than to have been erected—to have risen, by an instinct of their own, out of the native rock—so little is there of formality, such is their wildness and beauty. Among the numerous recesses and projections in the walls, and in the different stages of their roofs, are seen bold and harmonious effects of contrasted sunshine and shadow. It is a favourable circumstance that the strong winds which sweep down the valleys induced the inhabitants, at a time when the materials for building were easily procured, to furnish many of these dwellings with substantial porches; and such as have not this defence are seldom unprovided with a projection of two large slates over their thresholds. Nor will the singular beauty of the chimneys escape the eye of the attentive traveller. Sometimes a low chimney, almost upon a level with the roof, is overlaid with a slate, supported upon four slender pillars, to prevent the wind from driving the smoke down the chimney. Others are of a quadrangular shape, rising one or two feet above the roof; which low square is often surmounted by a tall cylinder, giving to the cottage chimney the most beautiful shape in which it is ever seen. Nor will it be too fanciful or refined to remark that there is a pleasing harmony between a tall chimney of this circular form, and the living column of smoke, ascending from it through the still air. These dwellings, mostly built, as has been said, of rough unhewn stone, are roofed with slates, which were rudely taken from the quarry before the present art of splitting them was understood; and are, therefore, rough and uneven in their surface, so that both the coverings and sides of the houses have furnished places of rest for the seeds of lichens, mosses, ferns, and flowers. Hence buildings, which in their very form call to mind the processes of Nature, do thus, clothed in part with a vegetable garb, appear to be received into the bosom of the living principle of things, as it acts and exists among the woods and fields; and, by their colour and their shape, affectingly direct the thoughts to that tranquil course of Nature and simplicity, along which the humble-minded inhabitants have, through so many generations been led. Add the little garden with its shed for beehives, its small bed of pot-herbs, and its borders and patches of flowers for Sunday posies, with sometimes a choice few too much prized to be plucked; an orchard of proportioned size; a cheese-press, often supported by some tree near the door; a cluster of embowering sycamores for summer shade; with a tall fir through which the winds sing when other trees are leafless; the little rill, or household spout, murmuring in all seasons; combine these incidents and images together, and you have the representative idea of a mountain cottage in this country so beautifully formed in itself, and so richly adorned by the hand of Nature.

"Till within the last sixty years[1] there was no communication between any of these vales by carriage-roads; all bulky articles were transported on pack-horses. Owing, however, to the population not being concentrated in villages, but scattered, the valleys themselves were intersected, as now, by innumerable lanes and pathways leading from house to house and from field to field. These lanes, where they are fenced by stone walls, are mostly bordered with ashes, hazels, wild roses, and beds of tall fern, at their base; while the walls themselves, if old, are overspread with mosses, small ferns, wild strawberries, the geranium, and lichens; and if the wall happen to rest against a bank of earth, it is sometimes almost wholly concealed by a rich facing of stone-fern. It is a great advantage to a traveller or resident, that these numerous lanes and paths, if he be a zealous admirer of Nature, will lead him on into all the recesses of the country, so that the hidden treasures of its landscapes may, by an ever-ready guide, be laid open to his eyes."

A much more recent writer, Mrs. E. Lynn Linton, in her charming work, full of graceful description and exquisite poetry, thus writes of the scenery of one of the lakes after a storm:—

"The woods glittered and sparkled in the sun, each dripping branch a spray of golden light, and the light was married to the loud music of the birds flowing out in rivulets of song. Countless flies shot through the air, and vibrated on the water; and the fish leaped up to catch them, dimpling the shining surface with concentric ripples, and throwing up small jets of light in the smooth black bays. Every crag and stone, and line of wall, and tuft of gorse, was visible on the nearer hills, where the colouring was intense and untranslatable; and on the more distant mountains, we could see, as through a telescope, the scars on the steeps, the slaty shingles, and the straight cleavings down the sides, the old grey watercourses, threaded now like a silver line—those silver lines, after the storm, over all the craggy faces everywhere; we could see each green knoll set like an island among the grey boulders, each belt of mountain wood, each purple rift, each shadowed pass, slope and gully, and ghyll and scaur—we could count them all glistening in the sun, or clear and tender in the shade; while the sky was of a deep, pure blue above, and the cumulus clouds were gathered into masses white and dazzling as marble, and almost as solid-looking.

"And over all, and on all, and lying in the heart of everything, warming, creating, fashioning the dead matter into all lovely forms, and driving the sweet juices like blood through the veins of the whole of earth, shone the glad sun, free, boundless, loving—life of the world's life, glory of its glory, shaper and creator of its brightest beauty. Silver on the lake, gold in the wood, purple over the hills, white and lazuli in the heavens—what infinite splendour hanging through this narrow valley! What a wealth of love and beauty pouring out for the heart of all Nature, and for the diviner soul of man!"

Of the mountain tarns, which in their solitary grandeur gleam like diamonds, she writes:—

"It is very lovely to watch the ripple of a tarn: a wonderful lesson in wave curvature, if small in scale, yet as true as the wildest ocean storm could give. Ever changing in line, and yet so uniform in law, the artist and the hydrographer might learn some valuable truths from half a day's study of one of these small mountain sheets of water. Now the broad, smooth, silky curves flow steadily across; now a fine network spreads over these, and again another network, smaller and finer still, breaks up the rest into a thousand fragments; then the tarn bursts out into tiny silver spangles, like a girl's causeless laughter; and then comes a grey sweep across the water, as if it shivered in the wind; and then again all subsides, and the long, silky flow sets in again, with quiet shadows and play of green and grey in the transparent shallows. It is like a large diamond set in emerald; for the light of the water is radiance simply, not colour; and the grass, with the sun striking through, is as bright as an emerald."

If one more extract from Mrs. Linton may be culled, it is to the following reflections that a day spent on Helvellyn gives rise:—

"Ah! what a world lies below! But grand as it is on the earth, it is mated by the grandeur of the sky. For the cloud scenery is of such surpassing nobleness while it lasts, and before it is drawn up into one volume of intensest blue, that no kind or manner of discord mars the day's power and loveliness. Of all forms and of all colours are those gracious summer clouds, ranging from roseate flakes of dazzling white masses and torn black remnants, like the last fragments of a widow's weeds thrust aside for her maturer bridal; from solid substances, firm and marble-like, to light baby curls set like pleasant smiles about the graver faces: words and pictures, in all their changes, unspeakably precious to soul and sense. And when, finally, they all gather themselves away, and leave the sky a vault of undimmed blue, and leave the earth a gorgeous picture of human industry and dwelling—when field and plain, and mountain and lake, and tarn and river are fashioned into the beauty of a primeval earth by the purity of the air and the governing strength of the sun and the fragrant sweetness of the summer, and when the very gates of heaven seem opening for our entering where the southern sun stands at gaze in his golden majesty—is it wonder if there are tears more glad than many smiles, and a thrill of love more prayerful than many a litany chanted in the church service? In the very passion of delight that pours like wine through the veins is a solemn outfall—in the very deliciousness of joy an intensity that is almost pain. It is all so solemn and so grand, so noble and so loving, surely we cannot be less than what we live in!

"Let any one haunted by small cares, by fears worse than cares, and by passions worse than either, go up on a mountain height on such a summer's day as this, and there confront his soul with the living soul of Nature. Will the stately solitude not calm him? Can the nobleness of beauty not raise him to like nobleness? Is there no Divine voice for him in the absolute stillness? No loving hand guiding through the pathless wilds? No tenderness for man in the lavishness of Nature? Have the clouds no lesson of strength in their softness? the sun no cheering in its glory? Has the earth no hymn in all its living murmur? the air no shaping in its clearness? the wind no healing in its power? Can he stand in the midst of that great majesty the sole small thing, and shall his spirit, which should be the noblest thing of all, let itself be crippled by self and fear, till it lies crawling on the earth when its place is lifting to the heavens? Oh! better than written sermon or spoken exhortation is one hour on the lonely mountain tops, when the world seems so far off, and God and His angels so near. Into the Temple of Nature flows the light of the Shekinah, pure and strong and holy, and they are wisest who pass into it oftenest, and rest within its glory longest. There was never a church more consecrated to all good ends than the stone waste on Helvellyn top, where you sit beneath the sun and watch the bright world lying in radiant peace below, and the quiet and sacred heavens above."

Probably there is no spot of English ground to which more pilgrimages have, during the last half-century, been made than the vale of Grasmere, which has for all time been rendered classic by the residence therein of Wordsworth and those sons of genius who loved to gather around him; and almost every prominent object and scene in which has been immortalised by his pen.

To lovers of his poetry the spirit of Wordsworth yet casts a spell over the landscape; and mountain and vale and lake are almost as articulate to the hearing ear as are the storied stones of Rome. But Life's grandest music is audible only to the ready ear. It is to the "inward eye" of love, gathering its treasured harvest, that the brightest halo is revealed. Earth may be

"Crammed with heaven,"—

"But only he who sees takes off his shoes."

As Nature whispers her secrets to her true lovers; so it is to the searching eye that the historic pile presents a vision of years, and the decaying cottage or hoary mountain speak of those who consecrated its stones or roamed beneath its shade.

Apart, however, from the interest which attaches to this locality from its many cherished associations, it is of unsurpassed beauty and loveliness. The scenery of this favoured district, so pleasingly varied as to inspire at once with gladness and awe, to thrill with rapture or to charm into repose, culminates in the transcendent loveliness of the mountain-guarded vale of Grasmere. It takes captive the affections like the features of a familiar friend.

The poet Gray, writing concerning it more than a century ago, says: "Passed by the little chapel of Wiborn [Wythburn], out of which the Sunday congregation were then issuing. Passed by a beck near Dunmail Raise, and entered Westmoreland a second time; now began to see Helm crag, distinguished from its rugged neighbours, not so much by its height, as by the strange, broken outline of its top, like some gigantic building demolished, and the stones that composed it flung across each other in wild confusion. Just beyond it opens one of the sweetest landscapes that Art ever attempted to imitate. The bosom of the mountains here spreading into a broad basin, discovers in the midst Grasmere Water; its margin is hollowed into small bays, with eminences, some of rock, some of soft turf, that half conceal and half vary the figure of the little lake they command. From the shore a low promontory pushes itself into the water, and on it stands a white village, with a parish church rising in the midst of it, having enclosures, cornfields, and meadows, green as an emerald, which, with trees, and hedges, and cattle, fill up the whole space from the edge of the water, and just opposite to you is a large farmhouse at the bottom of a steep, smooth lawn, embosomed in old woods, which climb half way up the mountain sides, and discover above a broken line of crags that crown the scene. Not a single red tile, no staring gentleman's house breaks in upon the repose of this unsuspected paradise; but all is peace, rusticity, and happy poverty, in its sweetest, most becoming attire."

This description must, of course, at the present day be somewhat modified. The scene upon which the eyes of the author of the Elegy rested is now varied by many residences and signs of human contact then absent.

In an account of a visit to Grasmere at a much later period, the late Nathaniel Hawthorne says: "This little town seems to me as pretty a place as ever I met with in my life. It is quite shut in by hills that rise up immediately around it, like a neighbourhood of kindly giants. These hills descend steeply to the verge of the level on which the village stands, and there they terminate at once, the whole site of the little town being as even as a floor. I call it a village, but it is no village at all; all the dwellings stand apart, each in its own little domain, and each, I believe, with its own little lane leading to it, independently of the rest. Many of these are old cottages, plastered white, with antique porches, and roses, and other vines, trained against them, and shrubbery growing about them, and some are covered with ivy. There are a few edifices of more pretension and of modern build, but not so strikingly as to put the rest out of countenance. The Post Office, when we found it, proved to be an ivied cottage, with a good deal of shrubbery round it, having its own pathway, like the other cottages. The whole looks like a real seclusion, shut out from the great world by those encircling hills, on the sides of which, whenever they are not too steep, you see the division lines of property and tokens of cultivation—taking from them their pretensions of savage majesty, but bringing them nearer to the heart of man."