CHAPTER IV
[1]The vagaries of credit for writing given hymns is illustrated in the appearance of the intensely Calvinistic Toplady’s name as the writer of Charles Wesley’s intensely Arminian “Blow ye the trumpet, blow.”
[2]Those who care to make a fuller study of the revision of hymns than the following discussion affords are referred to the full treatment of the subject, and to the abundant cases cited, by Professor Edwards A. Park, D.D., of Andover Theological Seminary, in Hymns and Choirs, issued in 1860 by Drs. Austin Phelps, Edwards A. Park, and Daniel L. Furber. The lapse of years has in no way diminished the value of this volume. It is unfortunately out of print and inaccessible to the average pastor, outside of public libraries.