VII. LATER ORTHODOX HYMN WRITERS

To this generation George Duffield, Jr. (1818-1888), may be said to have belonged. His hymn, “Stand up, stand up for Jesus,” is never omitted from any reputable collection of hymns, liturgic or popular. He was a foremost figure in the Philadelphia revival of 1857 and 1858, being associated with Alfred Cookman, the Methodist, and Dudley A. Tyng, the Episcopalian, whose dying words suggested the hymn.

Old Dr. Lyman Beecher was a giant in his day, but his chief glory was in his remarkable family of children. While Henry Ward was most conspicuous in his day, he was hardly more so than Harriet Beecher Stowe (1812-1896), the author of Uncle Tom’s Cabin, which, with Hanby’s Darling Nellie Gray, prepared the heart of the North to buy at a tremendous cost of treasure and blood the Emancipation Proclamation. But Mrs. Stowe is not simply a historic character whose work is done; she is living still in her hymns, notably the exquisite morning hymn, “Still, still with thee, when purple morning breaketh,” a fitting mate for Lyte’s evening hymn, “Abide with me; fast falls the eventide.”

Mention should be made of Anna Warner (1820-1915), whose children’s hymn, “Jesus loves me, this I know,” set to Bradbury’s simple pentatonic melody has girdled the globe. Other hymns by Miss Warner are “One more day’s work for Jesus” and “We would see Jesus; for the shadows lengthen.”

Among later American hymn writers is Mary Artemisia Lathbury (1841-1913), who wrote “Break Thou the bread of life” (not a communion hymn, by the way) and “Day is dying in the West,” with William F. Sherwin’s tunes, which are to be found in all our hymnals and which are very tender, very useful.

The American Episcopal Church has supplied some admirable hymns through Bishop Arthur Cleveland Coxe (1818-1896), who wrote “Oh, where are kings and empires now,” the almost apocalyptic “We are living, we are dwelling,” and the missionary “Saviour, sprinkle many nations,” all hymns of high worth; and Bishop Phillips Brooks (1835-1893), whose “O little town of Bethlehem” is a favorite Christmas carol.

Mrs. Frances Crosby Van Alstyne (1820-1915), familiarly known as “Fanny Crosby,” would be the premier hymn writer of America if the criteria were quantity and wideness of use. There can be no question as to the evangelistic and devotional value of her hymns, whatever their literary quality or permanent appeal may be. “Safe in the arms of Jesus,” “Rescue the perishing,” “Blessed Assurance,” “Pass me not, O gentle Saviour,” “Saviour, more than life to me,” “I am thine, O Lord, I have heard thy voice,” “Jesus, keep me near the cross,” and many others will probably be permanent in hymnals and song collections of a popular and evangelistic type.

Valuable hymns of the same practical gospel song type have been written by Mrs. Lydia Baxter, Philip Paul Bliss, Annie Sherwood Hawks, Mrs. Ellen Huntington Gates, Rev. E. A. Hoffman, Miss E. E. Hewitt, Mrs. C. H. Morris, President J. E. Rankin, D.D., and many others.

Mrs. Elizabeth Prentiss (1818-1878), daughter of the saintly and greatly beloved Rev. Edward Payson, wrote Stepping Heavenward, a book that stimulated and cheered multiplied thousands and lifted their spiritual ideals. Of her 123 Religious Poems, one has won a permanent place in our hymnals, “More love to Thee, O Christ.” It is not a substitute for Mrs. Adams’ “Nearer, my God, to Thee,” but a complement.

Other writers of single hymns that the Church has used with great effect are Dr. Washington Gladden’s (1836-1918) “O Master, let me walk with Thee,” a hymn of Christian service; Dr. Sylvanus Dryden Phelps’ “Saviour, Thy dying love;” Dr. Edward Hopper’s “Jesus, Saviour, pilot me;” Dr. Joseph Henry Gilmore’s (1834-1918) “He leadeth me, O blessed thought;” Ernest W. Shurtleff’s (1862-1917) “Lead on, O King eternal;” Frank Mason North’s (1850-1935) “Where cross the crowded ways of life”; the second, third, and fourth of the songs just mentioned have a Gospel song origin.

More recent writers are Rev. Frederick L. Hosmer and Rev. William C. Gannett in whose The Thought of God are found hymns of deep piety and strong religious feeling. Room is made for two stanzas of Dr. Hosmer’s “Found,”

“O Name, all other names above,

What art thou not to me,

Now I have learned to trust thy love

And cast my care on thee?

What is our being but a cry,

A restless longing still,

Which thou alone canst satisfy,

Alone thy fullness fill?”

A more important recent hymn writer is Rev. Louis F. Benson, D.D. (1855-1930), the editor of the current Presbyterian hymnals. This history of Christian hymnody cannot close more fittingly than to quote part of a stirring hymn by this greatest of American hymnologists:

“Forward! singing ‘Glory

To our Lord the King’;

Forward! Trusting only

In the name we sing.

See the day is breaking

And the road points far;

March, with eyes uplifted

To the Morning Star.

Blessed is the Kingdom;

Blessed be the King!

Crowned is every duty

His commandments bring.

Now to serve like soldiers,

Now to work like men;

Oh, to love as God loves

And to conquer then.”