XIII. BAPTIST HYMN WRITERS

While the Methodists were enriching the hymnody of the Christian Church, the Baptists were not idle. The second reformation of England did not leave them unaffected, even though they were not officially associated with it.

Their chief hymn writer was Anne Steele (1716-1778), an invalid of great spirituality and piety and of much literary felicity as well as facility. She wrote one hundred and forty-four hymns and thirty-four versions of psalms. Her hymns are meditative in style, graceful and gentle in spirit. She is best remembered by her hymn of resignation, “Father, whate’er of earthly bliss.” Other hymns still widely used are “Now I resolve with all my heart,” the hymn regarding the Scriptures, “Father of mercies, in Thy word What endless glory shines,” and the (for her) enthusiastic hymn of praise to Christ, “To our Redeemer’s glorious name.” Her vogue in America at one time was very great.

John Fawcett was another Baptist hymnist of note. He issued one hundred and sixty-six hymns, three of which are standards in our day: “How precious is the book divine,” “Lord, dismiss us with Thy blessing,” and “Blest be the tie that binds.” Besides the duties of a heavy pastorate at Wainsgate (with a salary of less than two hundred dollars) he did a great amount of literary work. The third hymn mentioned above has done more for Christian unity than all arguments and commissions.

Another hymn writer of note, who may be classed as a Baptist, was Robert Robinson (1735-1790). Converted under Whitefield’s preaching, he later took a Baptist pastorate at Cambridge. He was very active in a literary way. He began a History of Baptists in 1781 which appeared in 1790, but in spite of laborious research it did not reach the completeness he desired. Besides eleven hymns of but moderate value written for Whitefield, he wrote a Christmas hymn, “Mighty God, while angels bless Thee” and the ever-useful and prayerful “Come, Thou Fount of every blessing.” This was another favorite basis for “Spiritual” revival choruses in America. There was a lack of steadiness in his temperament. After writing A Plea for the Divinity of Our Lord Jesus Christ, he later came under suspicion as a Unitarian and Socinian.

Samuel Medley was a midshipman in the navy, but being sorely wounded in a terrible naval battle off Cape Lagos, he refused to continue as a naval officer. During his recovery he was soundly converted under the influence of his grandfather Tonge. After being at the head of a school for a time, he accepted a Baptist pastorate. Medley wrote a number of hymns, of which “O could I speak the matchless worth,” “Awake, my soul, to joyful lays,” “I know that my Redeemer lives,” and “Mortals, awake, with angels join,” are still found in most of our hymnals. He claimed no literary merit for himself, but his hymns have found a hearty response in England, and even more in America.

Joseph Grigg (1720-1768) was not a Methodist or a Baptist, but a Presbyterian. He is further noteworthy as an “infant phenomenon,” having written a very familiar hymn, “Jesus, and shall it ever be?” at the age of ten years. He was in humble circumstances at first, “a laboring mechanic.” He was assistant minister in a prominent London Presbyterian church for four years, then “married well” and retired, still writing and preaching. His “Behold, a Stranger at the door,” with a stirring tune by T. C. O’Kane, has been widely used in America as an evangelistic hymn with a refrain.

Chapter XVII
HYMNS IN THE CHURCH OF ENGLAND