1. Peer Gynt and Ingrid
This is also called “Ingrid’s Complaint” and “Brautraub,” or the robbery of the bride. It is the first of the scenes in the drama which Grieg has rendered into music, and represents one of the earliest escapades in the life of the hero, when he attended the rustic festivities of a wedding in the neighborhood, and, seized with a sudden infatuation for the bride, Ingrid, ran away with her to the mountains, in the face of the assembled company. The first four measures, marked “allegro furioso,” suggest the furious movement and delirious excitement of the flight and pursuit, contrasting ludicrously with the dazed, helpless astonishment of the disappointed bridegroom.
The following protracted plaintive minor strains embody the complainings and reproaches of Ingrid, grieving for a life ruined and happiness destroyed, from which Peer suddenly makes his escape, brutally leaving her to her fate in the hills; and the first four measures are repeated at the close, to indicate that the only lasting impression made upon him by the whole affair was that of the exciting and triumphant moment of his success.
2. Troll Dance
This is the most graphic of all the numbers, and is sometimes called “In the Hall of the Mountain King.” The troll seems to be the Scandinavian mountain spirit, but more of the nature of gnomes, kobolds, and goblins than of the gentle elves and fairies of English lore. After deserting the unfortunate Ingrid in the forest, Peer fled still deeper into the rugged fastnesses, where he was surrounded at nightfall by a pack of trolls, who alternately teased and entertained him with their pranks and antics, until scattered at dawn by the sound of church-bells in the distance.
The grotesque character of this movement admirably depicts the uncanny mood and nature of the trolls. The opening measures are light and weird, fantastically suggesting the stealthy footsteps of the gathering pack of trolls, emerging on tiptoe from the mists and shadows of the night, and cautiously surrounding their uninvited guest. Little by little the movement becomes more impetuous, as the hilarity and excitement increase, until toward the close it grows to an incoherent whirl and rush, above which ring out sharply the gruesome shrieks of the infuriated goblins, balked of the continuance of their vindictive delight in tormenting their victim, by the approach of dawn.