Contents
| PAGE | |
| Introduction, | [11] |
| Esthetic versus Structural Analysis, | [15] |
| Sources of Information Concerning Musical Compositions, | [23] |
| Traditional Beethoven Playing, | [32] |
| Beethoven: The Moonlight Sonata, Op. 27, No. 2, | [45] |
| Beethoven: Sonata Pathétique, Op. 13, | [50] |
| Beethoven: Sonata in A Flat Major, Op. 26, | [55] |
| Beethoven: Sonata in D Minor, Op. 31, No. 2, | [61] |
| Beethoven: Sonata in C Major, Op. 53, | [64] |
| Beethoven: Sonata in E Minor, Op. 90, | [68] |
| Beethoven: Music to “The Ruins of Athens,” | [72] |
| Weber: Invitation to the Dance, Op. 65, | [81] |
| Weber: Rondo in E Flat, Op. 62, | [86] |
| Weber: Concertstück, in F Minor, Op. 79, | [90] |
| Weber-Kullak: Lützow’s Wilde Jagd, Op. 111, No. 4, | [93] |
| Schubert: (Impromptu in B Flat) Theme and Variations, Op. 142, No. 3, | [99] |
| Emotion in Music, | [105] |
| Chopin: Sonata, B Flat, Op. 35, | [113] |
| The Chopin Ballades, | [118] |
| Chopin: Ballade in G Minor, Op. 23, | [123] |
| Chopin: Ballade in F Major, Op. 38, | [130] |
| Chopin: Ballade in A Flat, Op. 47, | [137] |
| Chopin: Polonaise, A Flat Major, Op. 53, | [142] |
| Chopin: Impromptu in A Flat, Op. 29, | [147] |
| Chopin: Fantasie Impromptu, Op. 66, | [149] |
| Chopin: Tarantelle, A Flat, Op. 43, | [152] |
| Chopin: Berceuse, Op. 57, | [156] |
| Chopin: Scherzo in B Flat Minor, Op. 31, | [158] |
| Chopin: Prelude, Op. 28, No. 15, | [161] |
| Chopin: Waltz, A Flat, Op. 42, | [168] |
| Chopin’s Nocturnes, | [172] |
| Chopin: Nocturne in E Flat, Op. 9, No. 2, | [174] |
| Chopin: Nocturne, Op. 27, No. 2, | [176] |
| Chopin: Nocturne, Op. 32, No. 1, | [179] |
| Chopin: Nocturne, Op. 37, No. 1, | [183] |
| Chopin: Nocturne, Op. 37, No. 2, | [186] |
| Chopin: Polish Songs, Transcribed for Piano by Franz Liszt, | [191] |
| Liszt: Poetic and Religious Harmonies, No. 3, Book 2, | [194] |
| Liszt: First Ballade, | [199] |
| Liszt: Second Ballade, | [201] |
| Transcriptions for the Piano by Liszt, | [203] |
| Wagner-Liszt: Spinning Song from “The Flying Dutchman,” | [205] |
| Wagner-Liszt: Tannhäuser March, | [208] |
| Wagner-Liszt: Abendstern, | [209] |
| Wagner-Liszt: Isolde’s Love Death, | [210] |
| Schubert-Liszt: Der Erlkönig, | [213] |
| Schubert-Liszt: Hark! Hark! the Lark, | [216] |
| Schubert-Liszt: Gretchen am Spinnrad, | [217] |
| Liszt: La Gondoliera, | [219] |
| The Music of the Gipsies and Liszt’s Hungarian Rhapsodies, | [222] |
| Rubinstein: Barcarolle, G Major, | [237] |
| Rubinstein: Kamennoi-Ostrow, No. 22, | [241] |
| Grieg: Peer Gynt Suite, Op. 46, | [247] |
| Grieg: An den Frühling, Op. 43, No. 6, | [257] |
| Grieg: Vöglein, Op. 43, No. 4, | [260] |
| Grieg: Berceuse, Op. 38, No. 1, | [261] |
| Grieg: The Bridal Procession, from “Aus dem Volksleben,” Op. 19, No. 2, | [264] |
| Saint-Saëns: Le Rouet d’Omphale, | [271] |
| Saint-Saëns: Danse Macabre, | [276] |
| Counterparts among Poets and Musicians, | [281] |
DESCRIPTIVE
ANALYSES OF
PIANO WORKS