Picture Writing
Picture writing can not be said to be much practiced by any of these tribes, though it is to some extent by all, principally by the Crow and Sioux Indians. The former of these nations are incessant in the war expeditions against the Blackfeet, and in the absence of the warriors the camp from which they departed moves in quest of game, but pursue a direction made known to the warriors before they leave. It often happens that the trail made by the camp is effaced by rain or covered with snow before their return, also that they (the camp) are obliged to diverge from the route agreed upon, and in these cases leave intelligence in pictorial devices in some of their encampments as guides to the returning absentees, who, if they find them, can not fail to reach their friends by following the instructions pointed out by these means. ([Fig. 35].) Another occasion where it is useful is where a war party, after having made an attack, whether successful or not, have reason to believe more of their own people are out for like purposes, wish to convey to them the intelligence that their enemies are on the alert, and prevent if possible their falling into their hands, as would happen if they attempted to steal the horses before the late excitement caused by their own appearance had subsided. The information, together with the success or failure of their own expedition and any other matters they wish their friends to know, are pictured in some place likely to be found by those for whom it is intended.
Figure 35.—Picture writing. Key: “We are a camp of 13 lodges (1); encamped on a creek above the forks (2); started hunting with eight horsemen (3); and two women on foot (4); slept two nights out (5); found buffalo beyond the second creek from the camp (6); killed some, and made travails (7); and slept but one night on our return home (8)
There is, however, this danger in these records, that if they are stumbled upon by their enemies in their war excursions they are as certain a guide to them as to their own people, and this is one of the reasons why it is so seldom done. But the Crow Indians, who rove through the spurs of the Rocky Mountains, frequently making long and rapid marches, are compelled to leave such marks behind, or some of their warriors would ramble about for months searching for their homes, which would be extremely inconvenient should they be driving before them a herd of their enemies’ horses. The information conveyed by this system of writing is complete as far as it is intended, which is only to represent leading and general facts, and is not nor could it be applied to minute details. All warriors read and understand the devices of their enemies and most of them practice it when necessary, but the direction to war pursued by the Cree and Assiniboin in the summer, being over plains, there are no places noted as their usual encampments, and timber is seldom found; they therefore practice this manner of writing less than the others, owing to the probable uncertainty of their being found by their friends. In the winter, however, it is occasionally done by them when their way lies along some river, and their encampments are found by the small forts in which they have slept every night being left standing.
The same species of intelligence is sometimes left in hunting grounds with the view of announcing to any of their own nation who are supposed to pass the same way that the game, as denoted by the carcasses round, has been killed by friends, not war parties of enemies, intimating to them the direction and situation of their camp, that meat may be had there, that a juncture of forces is desirable, etc. The number and kind of game taken are not painted as the heads of the animals around would show that, but it, too, could be explained if wished.
These devices are generally drawn on some dry tree without the bark, the characters being cut in the wood and filled up with vermilion mixed with grease to prevent it being washed off by rain. Pieces of bark and portions of skins are used, and in default of either soft stone will answer. Powder dissolved in water is used to mark on the skin, the impression being made with a pointed stick, inked and pressed forcibly on the skin.
The meaning of every mark is fixed and exact, understood by the mass of warriors of all tribes, not confined to or practiced by the priests unless their situation in traveling be the same as the warriors or hunters and they desire in like manner to convey some information to the nation. The foregoing purposes in different forms are the only ones to which we have had the opportunity of witnessing the application of these devices. Perhaps they are the only cases as yet necessary for their present operations, but there would be no difficulty in their picturing the passage of whites or other nations through their country should it be required, and the same be intelligible to them.
Another form, and the one in which this manner of writing appears to be of more importance among them, is the devices drawn on the robes, exhibiting their standing as warriors whenever they appear. The height of distinction in an Indian, and his greatest ambition, is to impress upon his own people or strangers the idea of his being brave, of his having done acts that entitle him to appear among men, of his superiority in this respect over others in the crowd; therefore the actions which lead to these impressions are pictured on his robe; his biography is carried on his back so that “he who runs may read.” It insures him respect through life, an honorable shroud at his death, and is believed to merit reward in futurity. A further use these devices are made to serve is the representation of monsters said to be seen by them in dreams, and supposed to have the effect when painted on their lodges of averting strokes of lightning, disease, etc.
In like manner buffalo heads are pictured to bring those animals in the direction of the camp, besides a great variety of smaller devices are seen on their shields, drums, medicine sacks, and envelopes of their amulets, to all of which appropriate and general meanings are attached corresponding with their superstitious belief or to insure success in domestic affairs. In conversation with most elderly Indians regarding locations, travels, or to explain battles and other events, resort is had by them to drawing maps on the ground, on bark with charcoal, or on paper if they can get it, to illustrate more clearly the affair in question. In this way the chief of the Crow Nation three years since made and left with us a map [pl. 77]) of his intended travels during the entire fall and winter succeeding, embracing a circumference of 1,500 miles, with the different encampments to be made by that nation in that time, and so correct was the drawing that we had no difficulty in finding their camp the following winter in deep snow, one month’s travel from this place. It is regretted that those Indians are not now in this neighborhood, as in that case some specimens of their charts and devices could be inserted, but in default of better we present in this place some Assiniboin drawings, with their explanations, which will serve to give a general idea how they are managed, and other pictorial devices are attached in several parts of this work.
These are the only forms the pictorial art of the Indians takes. It is more largely applied to the designs represented on their robes and mythological subjects when appearing on their lodges, fetish envelopes, etc., as has been stated. Songs can not be recorded in this or any other form. The value it may be to a people who are without letters is mostly apparent in the instances where it denotes the rank and standing of individuals when painted on their robes. The information intended only for their friends when cut on trees is liable to be interpreted to their disadvantage by enemies, which would consequently be a bar to its general practice. None of their drawings are executed with neatness, but occasionally have some pretensions to proportion. It appears to be the meaning only that is desired, for paintings done by whites correctly are not more appreciated as work of art, perhaps not so much, as their own rude representations, but are looked upon with more superstitious dread.
The explanation of the drawing [pl. 78]) would be as follows: “We were a party of 20 men (1) and stole 39 horses (2) from the Blackfeet” (see the 39 horse tracks so marked going away from the camp). “The camp turned out, killed one of us” (see the picture of a hand pointing toward their enemy’s camp (3) and a scalped man drawn) “and recaptured from us 14 horses (4)” (see the 14 tracks going back to camp, each track always standing for a horse). “We forted and fought with them” (see (1) representing a brush fort and the men therein; the guns pointing toward the fort (5) are those of their enemies and the others signify the firing kept up by themselves).
“In the battle three of us were wounded and six horses killed” (see 6 representing a wounded man, and six horses stationary, seven; that is, going neither way, proving them to be unable to travel). “We got off with 19 horses” (8) (this being the tracks of horses leaving the fort); “the first night we encamped on the plains near a spring” (9) (the dotted line shows the path, and 9 is intended to represent a small fort or sleeping place, with another dotted line to the left where the spring (10) is marked). “In the encampment we left a wounded man (6); we made two more encampments after that, when we now leave this painting and intend pursuing our course home to the right. A band of buffalo (11) was seen on the opposite side of the river on a creek while the battle was going on, which are all we have yet seen.” (These marks mean buffalo tracks.)
The end of the dotted line is as far as they have then gone, and other marks show the road they intend to pursue, but if they expect to get home without sleeping the dotted line is made as far as the lodges.
Explanation of [Plate 79].—“We are a party of 10 men (1), have stolen 21 horses (2) from the Blackfeet and taken a scalp (3), but lost one of our own party. The first night we forted on a creek (4), the second night we slept on the prairie in a small fort at the foot of some timbered hills (5), the third night we slept at a lake (6), the fourth at a spring (7) where we are now. We intend to make three more encampments to get to our lodges, which are on the head of the next river (8). These figures (9) represent the lodges of their enemies, and the horses’ tracks going from the lodges, indicating them to have been stolen, each single mark (10) counting a horse. The guns, bows, and lances show the party to be 10 (1). The hand pointing the direction in which they are traveling and toward a scalp (11) intimates that they have killed an enemy. The hand pointing the other way with the scalp (12) explains they have lost one of their party. The dotted line is their path home along a river and only extends as far as they have traveled to the place where the painting was left. The number of days they expect yet to travel to reach home are indicated by these characters (8, 10), the one a brush fort, signifies the number of encampments, and the horse track with it means it is the road they intend to travel.”
BUREAU OF AMERICAN ETHNOLOGY
FORTY-SIXTH ANNUAL REPORT PLATE 77
Map of Region Above Fort Union
BUREAU OF AMERICAN ETHNOLOGY
FORTY-SIXTH ANNUAL REPORT PLATE 78
Diagram of a Battle Field
BUREAU OF AMERICAN ETHNOLOGY
FORTY-SIXTH ANNUAL REPORT PLATE 79
Diagram of a Battle Field
BUREAU OF AMERICAN ETHNOLOGY
FORTY-SIXTH ANNUAL REPORT PLATE 80
Musical Instruments