CHAPTER VII.
The evening comes, and brings the dew along,
The rodie welkin sheeneth to the eyne,
Around the alestake minstrels sing the song,
Young ivy round the door-post doth entwine;
I lay me down upon the grass, yet to my will,
Albeit all is fair, there lacketh something still.
Chatterton.
The people of southern England are apt to sneer at the enthusiasm with which Lancashire men speak of Tim Bobbin; and, if this imperfect sketch should fall into the hands of any such readers, it is not improbable that they may look upon the whole thing as a great fuss about next to nothing. One reason for this is, that, for the most part, they know next to nothing of the man—which is not much to be wondered at. But the greatest difficulty in their case is the remote character of the words and idioms used by Tim. To the majority of such readers, the dialogue of "Tummus and Mary" is little more than an unintelligible curiosity; and I believe, speaking generally, that it would be better understood by the natives of the metropolis if it had been written in French. The language in which the commanding genius of Chaucer wrought, five hundred years ago, and which was the common language of the London of those days, is, even in its most idiomatic part, very much the same as that used in all the country parts of Lancashire at this hour. But great changes have come round since the time of Chaucer; and though an Englishman is an Englishman in general characteristics, all the world over, there is as much difference now in the tone of manners and language in the North and South as there is between the tones of an organ and those of a piano. I have hardly ever met with a southern man able to comprehend the quaint, graphic wealth which hutches and chuckles with living fun and country humour, under the equally quaint garb of old language in which Tim clothes his story of "Tummus and Mary." But, on its first appearance, the people of his own district at once recognised an exquisite picture of themselves; and they hailed it with delight. He superintended several editions of his works during his lifetime—a time when the population of Lancashire was very scanty, and scattered over large, bleak spaces; and when publishing was a very different thing to what it is now. Since then, his principal story has continually grown in the estimation of scholars and students, as a valuable addition to the rich treasures of English philology, even apart from the genius which combined its humorous details with such masterly art, and finished and rounded it into the completeness of a literary dewdrop. That tale was calculated to command attention and awaken delight at once—and it will long be cherished with pride, by Lancashire men at least, as an exceedingly natural "glimpse of auld lang syne." But those who wish to understand the force of Tim's character, must look to his letters, and other prose fragments, such as "Truth in a Mask." These chiefly reveal the sterling excellence of the man. He was a clear-sighted, daring, independent politician—one of the strong old pioneers of human freedom in these parts. He had a curious audience in that secluded corner of Lancashire where he lived—in those days—a people who had worn their political shackles so long that they almost looked upon them as ornaments.
But Tim kent what was fu brawly;
and he was continually blurting out some startling truth or another, in vigorous, unmistakable English; and he gloried in the then disreputable and dangerous epithet of "Reforming John." This, too, in the teeth of patrons and friends whose political tendencies were in an entirely opposite direction. Let any man turn to the letter he writes to his friend, the Rev. Mr. Heap, of Dorking, who had desired him to "spare the levitical order," and then say whether there was any shadow of sycophancy in the soul of John Collier. Under the correction of magnifying the matter through the medium of one's native likings then, I will venture to declare a feeling akin to veneration for the spot where he was born; and I know that it is shared by the men of his native county, generally, even by those who find themselves at a difficult distance from his quaint tone of thought and language—for it takes a man thoroughly soaked with the Lancashire soil to appreciate him thoroughly. But, apart from all local inclinings, men of thought and feeling will ever welcome any spark of genuine creative fire, which glows with such genial human sympathies, and such an honourable sense of justice as John Collier evinces, however humble it may be in comparison with the achievements of those mighty spirits who have made the literature of our sea-girt island glorious in the earth. The waters of the little mountain stream, singing its lone, low song, as it struggles through its rocky channel, are dear and beautiful, and useful to that rugged solitude, as is the great ocean to the shores on which its surges play. Nay, what is that ocean, but the gathered chorus of these lonely waters, in which the individual voice is lost in one grand combination of varied tones. With this imperfect notice, I will, at present, leave our old local favourite; and just take another glance at Flixton, before I bid adieu to his birthplace.
The reader may remember that, on the day of my first visit to John Collier's birthplace, I lounged some time about the hamlet of Urmston, conversing with the inhabitants. Leaving that spot, I rambled leisurely along the high road to Flixton, hob-nobbing, and inquiring among different sorts of people, about him, whenever opportunity offered. When I drew near to Shaw Hall, I had traversed a considerable part of the length of the parish, which is only four miles, at most, by about two in breadth. There is nothing like a hill to be seen; but as one wanders on, the country rises and falls, in gentle undulations. Now and then, a pool of water gleamed afar off in the green fields, or, close by the road, rippled into wavelets by the keen wind, which came down steadily from the north that day, whistling shrill cadences among the starved thorns. I cannot give a better idea of the character of the soil than by borrowing the words of Baines, who says: "Much of the land in the parish of Flixton is arable, probably to the amount of nine-tenths of the whole. The farms are comparatively large, and the soil is in general a rich black, sandy, vegetable loam, producing corn, fruit, and potatoes in abundance." I believe the land is now in better cultivation than when these words were written. Shaw Hall is an important place in the history of Flixton. The lords of the land dwelt there in old times. At the time of my visit it was occupied, as a boarding-school, by Mr. James M'Dougall, who was kind enough to show me through the interior when I called there in my ramble. Baines says of Shaw Hall: "It is a venerable mansion, of the age of James I., with gables and wooden parapets on the S. W. and N. sides. The roof has a profusion of chimneys, and a cupola in the centre. In one of the apartments is a painting covering the principal part of the ceiling, which represents the family of Darius kneeling in supplication before Alexander the Great. This picture, though two hundred years old, is in fine preservation, and the faces and figures indicate the hand of a master. There are some smaller paintings and tapestry in the rooms, on one of which is represented a Persian chief at parley with Alexander, and, afterwards, submitting to the conqueror. Stained glass in the windows exhibit the arms of Asshawe and Egerton, successive lords of Flixton.... Adjoining the ample gardens and filbert grove was once a moat, which has partly disappeared. Shaw Hall is now used as a boarding-school, a purpose to which, by its situation, it seems well adapted." I cannot leave this place without mentioning, that the, then, tenant of the hall was a poet of no mean promise, who has contributed an interesting volume of poems and songs to the literature of this district. From the high road, a little beyond the hall, the most prominent and pleasing object in the landscape is the old parish church of Flixton, standing in its still more ancient graveyard, upon the brow of a green knoll, about an arrow's flight off; with the village of Flixton clustered behind it. At the foot of that green knoll, to the westward, where all the country beyond is one unbroken green,
The river glideth by the hamlet old.
The ground occupied by the church seemed to me the highest in the landscape; and the venerable fane stands there, looking round upon the quiet parish like a mother watching her children at play, and waiting till they come home, tired, to lie down and sleep with the rest. It was getting late in the evening when I sauntered about the churchyard, looking over the gravestones of Warburtons, Taylors, Cowpes, Gilbodys, Egertons, and Owens of Carrington. Among the rest, I found the following well-known epitaph, upon William Oldfield of Stretford, smith:—
My anvil and my hammer lie declined,
My bellows have quite lost their wind;
My coals are done, my debt is paid,
My vices in the dust are laid.
This epitaph, which appears here in such an imperfect shape, is commonly attributed to Tim. In Rochdale parish churchyard, it appears in a much completer form on the gravestone of a blacksmith, who lived in Tim's time.
I rambled about the old village a while in the dusk. Now and then a villager lounged along in the direction of the inn, near the church; where I could hear several boisterous country fellows talking together in high glee, while one of them sang snatches of an old ballad, called the "Golden Glove:"—
Coat, waistcoat, and breeches she then did put on,
And a-hunting she went with her dog and gun;
She hunted all around where the farmer did dwell,
Because in her heart she did love him full well.
At length the horses were put to, and we got fairly upon the road, which took us back in another direction, round by Davy Hulme, the seat of the Norreys family. Immediately after clearing the village, Flixton House was pointed out to me; "a plain family mansion, with extensive grounds and gardens." The wind was cold, and the shades of night gathered fast around; and before we quitted Flixton parish, the birthplace of Tim Bobbin had faded from my view. I felt disappointed in finding that the place of his nativity yielded so little reminiscence of our worthy old local humorist; the simple reason for which is, that very little is known of him there. But there was compensating pleasure to me in meeting with so many interesting things there which I did not go in search of.
