Thomas Seccombe
“Her novels are perenially fresh. They do not fatigue, or sear, or narcotise. We return to them with an unfading and constant delight. Her books engender a feeling of gratitude towards the writer along with a strong sentimental regret—regret that a life so happy, so sympathetic, so well balanced, and, in short so beautiful, could not have been prolonged, that her vivid mind and pen should not have irradiated our particular generation.
“Could you imagine England personified as a sentient and intelligent being, on the death of Elizabeth Gaskell, as on the death of Charles Lamb or Walter Scott, you would expect her to draw a long sigh as one feeling sensibly poorer for a loss that never could be repaired. You may think this to be a deliberate exaggeration, but it certainly is not. So far as artistic perfection is attainable in such a formless and chaotic thing as the modern novel, it is my deliberate belief that Mrs. Gaskell has no absolute rival in the measure of complete success which she was enabled to achieve.…
“If you ask for the normal type of English novel in the highest degree of perfection to which it ever attained, I should certainly be inclined to say take Mary Barton, North and South, Sylvia’s Lovers, and Wives and Daughters. Not one of them altogether or entirely attained to the perfection of which Mrs. Gaskell herself was capable. But they fully and adequately reveal her power and likewise her intention of subordinating herself in some degree to a form of the potentialities and limitations of which alike, it seems to me, she had an intuition surpassing the utmost efforts of any of her greater contemporaries.” (Introduction to Sylvia’s Lovers, 1910.)