THE INCOMPARABLE ONION
Too often the poet sees but the tears that live in an onion; not the smiles. And yet the smiles are there, broad and genial, or subtle and tender. "Rose among roots," its very name revives memories of pleasant feasting; its fragrance is rich forecast of delights to come. Without it, there would be no gastronomic art. Banish it from the kitchen, and all pleasure of eating flies with it. Its presence lends colour and enchantment to the most modest dish; its absence reduces the rarest dainty to hopeless insipidity, and the diner to despair.
The secret of good cooking lies in the discreet and sympathetic treatment of the onion. For what culinary masterpiece is there that may not be improved by it? It gives vivacity to soup, life to sauce; it is the "poetic soul" of the salad bowl; the touch of romance in the well-cooked vegetable. To it, sturdiest joint and lightest stew, crisp rissole and stimulating stuffing look for inspiration and charm—and never are they disappointed! But woe betide the unwary woman who would approach it for sacrilegious ends. If life holds nothing better than the onion in the right hand, it offers nothing sadder and more degrading than the onion brutalised. Wide is the gulf fixed between the delicate sauce of a Prince de Soubise, and the coarse, unsavoury sausage and onion mess of the Strand. Let the perfection of the first be your ideal; the horrid coarseness of the latter shun as you would the devil.
The fragrance of this "wine-scented" esculent not only whets the appetite; it abounds in associations glad and picturesque. All Italy is in the fine, penetrating smell; and all Provence; and all Spain. An onion or garlic-scented atmosphere hovers alike over the narrow calli of Venice, the cool courts of Cordova, and the thronged amphitheatre of Arles. It is only the atmosphere breathed by the Latin peoples of the South, so that ever must it suggest blue skies and endless sunshine, cypress groves and olive orchards. For the traveller it is interwoven with memories of the golden canvases of Titian, the song of Dante, the music of Mascagni. The violet may not work a sweeter spell, nor the carnation yield a more intoxicating perfume.
And some men there have been in the past to rank the onion as a root sacred to Aphrodite: food for lovers. To the poetry of it none but the dull and brutal can long remain indifferent.
Needless, then, to dwell upon its more prosaic side: upon its power as a tonic, its value as a medicine. Medicinal properties it has, as the drunkard knows full well. But why consider the drunkard? Leave him to the tender mercies of the doctor. Gourmandise, or the love of good eating, here the one and only concern, is opposed to excess. "Every man who eats to indigestion, or makes himself drunk, runs the risk of being erased from the list of its votaries."
The onion is but the name for a large family, of which shallots, garlic, and chives are chief and most honoured varieties. Moreover, country and climate work upon it changes many and strange. In the south it becomes larger and more opulent, like the women. And yet, as it increases in size, it loses in strength—who shall say why? And the loss truly is an improvement. Our own onion often is strong even unto rankness. Therefore, as all good housewives understand, the Spanish species for most purposes may be used instead, and great will be the gain thereby. Still further south, still further east, you will journey but to find the onion fainter in flavour, until in India it seems but a pale parody of its English prototype. And again, at different seasons, very different are its most salient qualities. In great gladness of heart everyone must look forward to the dainty little spring onion: adorable as vegetable cooked in good white sauce, inscrutable as guardian spirit of fresh green salad, irreproachable as pickle in vinegar and mustard.
Garlic is one of the most gracious gifts of the gods to men—a gift, alas! too frequently abused. In the vegetable world, it has something of the value of scarlet among colours, of the clarionet's call in music. Brazen, and crude, and screaming, when dragged into undue prominence, it may yet be made to harmonise divinely with fish and fowl, with meat, and other greens. Thrown wholesale into a salad, it is odious and insupportable; but used to rub the salad bowl, and then cast aside, its virtue may not be exaggerated. For it, as for lovers, the season of seasons is the happy spring time. Its true home is Provence. What would be the land of the troubadour and the Félibre without the ail that festoons every greengrocer's shop, that adorns every dish at every banquet of rich and poor alike? As well rid bouillabaisse of its saffron as of its ail; as well forget the pomme d'amour in the sauce for macaroni, or the rosemary and the thyme on the spit with the little birds. The verse of Roumanille and Mistral smells sweet of ail; Tartarin and Numa Roumestan are heroes nourished upon it. It is the very essence of farandoles and ferrades, of bull-fights and water tournaments. A pinch of ail, a coup de vin, and then—
Viva la joia,
Fidon la tristessa!
And all the while we, in the cold, gloomy north, eat garlic and are hated for it by friends and foes. Only in the hot south can life ail-inspired pass for a galejado or jest.
To the onion, the shallot is as the sketch to the finished picture; slighter, it may be; but often subtler and more suggestive. Unrivalled in salads and sauces, it is without compare in the sumptuous seasoning of the most fantastic viands. It does not assert itself with the fury and pertinacity of garlic; it does not announce its presence with the self-consciousness of the onion. It appeals by more refined devices, by gentler means, and is to be prized accordingly. Small and brown, it is pleasant to look upon as the humble wild rose by the side of the Gloire de Dijon. And, though it never attain to the untempered voluptuousness of the onion, it develops its sweetness and strength under the hottest suns of summer: in July, August, and September, does it mature; then do its charms ripen; then may it be enjoyed in full perfection, and satisfy the most riotous gluttony.
Shallots for summer by preference, but chives for spring: the delicate chives, the long, slim leaves, fair to look upon, sweet to smell, sweeter still to eat in crisp green salad. The name is a little poem; the thing itself falls not far short of the divine. Other varieties there be, other offshoots of the great onion—mother of all; none, however, of greater repute, of wider possibilities than these. To know them well is to master the fundamental principles of the art of cookery. But this is knowledge given unto the few; the many, no doubt, will remain for ever in the outer darkness, where the onion is condemned to everlasting companionship with the sausage—not altogether their fault, perhaps. In cookery, as in all else, too often the blind do lead the blind. But a few years since and a "delicate diner," an authority unto himself at least, produced upon the art of dining a book, not without reputation. But to turn to its index is to find not one reference to the onion: all the poetry gone; little but prose left! And this from an authority!
The onion, as a dish, is excellent; as seasoning it has still more pleasant and commodious merits. The modern chef uses it chiefly to season; the ancient cordon bleu set his wits to work to discover spices and aromatic ingredients wherewith to season it. Thus, according to Philemon,—
If you want an onion, just consider
What great expense it takes to make it good;
You must have cheese, and honey, and sesame,
Oil, leeks, and vinegar, and assafœtida,
To dress it up with; for by itself the onion
Is bitter and unpleasant to the taste.
A pretty mess, indeed; and who is there brave enough to-day to test it? Honey and onion! it suggests the ingenious contrivances of the mediæval kitchen. The most daring experiment now would be a dash of wine, red or white, a suspicion of mustard, a touch of tomato in the sauce for onions, stewed or boiled, baked or stuffed. To venture upon further flights of fancy the average cook would consider indiscreet, though to the genius all things are possible. However, its talents for giving savour and character to other dishes is inexhaustible.
There is no desire more natural than that of knowledge; there is no knowledge nobler than that of the "gullet-science." "The discovery of a new dish does more for the happiness of the human race than the discovery of a planet!" What would be Talleyrand's record but for that moment of inspiration when, into the mysteries of Parmesan with soup, he initiated his countrymen? To what purpose the Crusades, had Crusaders not seen and loved the garlic on the plains of Askalon, and brought it home with them, their one glorious trophy. To a pudding Richelieu gave his name; the Prince de Soubise lent his to a sauce, and thereby won for it immortality.
A benefactor to his race indeed he was: worthy of a shrine in the Temple of Humanity. For, plucking the soul from the onion, he laid bare its hidden and sweetest treasure to the elect. Scarce a sauce is served that owes not fragrance and flavour to the wine-scented root; to it, Béarnaise, Maître d'Hôtel, Espagnole, Italienne, Béchamel, Provençale, and who shall say how many more? look for the last supreme touch that redeems them from insipid commonplace. But Sauce Soubise is the very idealisation of the onion, its very essence; at once delicate and strong; at once as simple and as perfect as all great works of art.
The plodding painter looks upon a nocturne by Whistler, and thinks how easy, how preposterously easy! A touch here, a stroke there, and the thing is done. But let him try! And so with Sauce Soubise. Turn to the first cookery book at hand, and read the recipe. "Peel four large onions and cut them into thin slices; sprinkle a little pepper and salt upon them, together with a small quantity of nutmeg; put them into a saucepan with a slice of fresh butter, and steam gently"—let them smile, the true artist would say—"till they are soft." But why go on with elaborate directions? Why describe the exact quantity of flour, the size of the potato, the proportions of milk and cream to be added? Why explain in detail the process of rubbing through a sieve? In telling or the reading these matters seem not above the intelligence of a little child. But in the actual making, only the artist understands the secret of perfection, and his understanding is born within him, not borrowed from dry statistics and formal tables. He may safely be left to vary his methods; he may add sugar, he may omit nutmeg; he may fry the onions instead of boiling, for love of the tinge of brown, rich and sombre, thus obtained. But, whatever he does, always with a wooden spoon will he stir his savoury mixture; always, as result, produce a godlike sauce which the mutton cutlets of Paradise, vying with Heine's roast goose, will offer of their own accord at celestial banquets. What wonder that a certain famous French count despised the prosaic politician who had never heard of cutlets à la Soubise?
However, not alone in sauce can the condescending onion come to the aid of dull, substantial flesh and fowl. Its virtue, when joined to sage in stuffing, who will gainsay? Even chestnuts, destined to stuff to repletion the yawning turkey, cannot afford to ignore the insinuating shallot or bolder garlic; while no meat comes into the market that will not prove the better and the sweeter for at least a suspicion of onion or of ail. A barbarian truly is the cook who flings a mass of fried onions upon the tender steak, and then thinks to offer you a rare and dainty dish. Not with such wholesale brutality can the ideal be attained. The French chef has more tact. He will take his gigot and sympathetically prick it here and there with garlic or with chives, even as it is roasting; and whoever has never tasted mutton thus prepared knows not the sublimest heights of human happiness. Or else he will make a bouquet garni of his own, entirely of these aromatic roots and leaves, and fasten it in dainty fashion to the joint; pleasure is doubled when he forgets to remove it, and the meat is placed upon the table, still bearing its delicious decoration. Moods there be that call for stronger effects: moods when the blazing poppy field of a Monet pleases more than the quiet moonlight of a Cazin; when Tennyson is put aside for Swinburne. At such times, call for a shoulder of mutton, well stuffed with onions, and still further satiate your keen, vigorous appetite with a bottle of Beaune or Pomard. But here, a warning: eat and drink with at least a pretence of moderation. Remember that, but for an excess of shoulder of mutton and onions, Napoleon might not have been defeated at Leipzig.
But at all times, and in all places, onions clamour for moderation. A salad of tomatoes buried under thick layers of this powerful esculent must disgust; gently sprinkled with chopped-up chives or shallots, it enraptures. Potatoes à la Lyonnaise, curried eggs, Irish stew, Gulyas, ragoût, alike demand restraint in their preparation, a sweet reasonableness in the hand that distributes the onion.
For the delicate diner, as for the drunkard, onion soup has charm. It is of the nature of sauce Soubise, and what mightier recommendation could be given it? Thus Dumas, the high priest of the kitchen, made it: a dozen onions—Spanish by preference—minced with discretion, fried in freshest of fresh butter until turned to a fair golden yellow, he boiled in three pints or so of water, adequately seasoned with salt and pepper; and then, at the end of twenty full minutes, he mixed with this preparation the yolks of two or three eggs, and poured the exquisite liquid upon bread, cut and ready. At the thought alone the mouth waters, the eye brightens. The adventurous, now and again, add ham or rice, vegetables or a bouquet garni. But this as you will, according to the passing hour's leisure. Only of one thing make sure—in Dumas confidence is ever to be placed without doubt or hesitation.
Dumas' soup for dinner; but for breakfast the unrivalled omelette of Brillat-Savarin. It is made after this fashion: the roes of two carp, a piece of fresh tunny, and shallots, well hashed and mixed, are thrown into a saucepan with a lump of butter beyond reproach, and whipped up till the butter is melted, which, says the great one, "constitutes the speciality of the omelette;" in the meantime, let some one prepare, upon an oval dish, a mixture of butter and parsley, lemon juice, and chives—not shallots here, let the careless note—the plate to be left waiting over hot embers; next beat up twelve eggs, pour in the roes and tunny, stir with the zeal and sympathy of an artist, spread upon the plate that waits so patiently, serve at once; and words fail to describe the ecstasy that follows. Especially, to quote again so eminent an authority, let the omelette "be washed down with some good old wine, and you will see wonders," undreamed of by haschish or opium eater.
When the little delicate spring onion is smelt in the land, a shame, indeed, it would be to waste its tender virginal freshness upon sauce and soup. Rather refrain from touching it with sharp knife or cruel chopper, but in its graceful maiden form boil it, smother it in rich pure cream, and serve it on toast, to the unspeakable delectation of the devout. Life yields few more precious moments. Until spring comes, however, you may do worse than apply the same treatment to the older onion. In this case, as pleasure's crown of pleasure, adorn the surface with grated Gruyère, and, like the ancient hero, you will wish your throat as long as a crane's neck, that so you might the longer and more leisurely taste what you swallow.
Onions farcis are beloved by the epicure. A nobler dish could scarce be devised. You may make your forcemeats of what you will, beef or mutton, fowl or game; you may, an' you please, add truffles, mushrooms, olives, and capers. But know one thing; tasteless it will prove, and lifeless, unless bacon lurk unseen somewhere within its depths. Ham will answer in a way, but never so well as humbler bacon. The onion that lends itself most kindly to this device is the Spanish.
One word more. As the ite missa est of the discourse let this truth—a blessing in itself—be spoken. As with meat, so with vegetables, few are not the better for the friendly companionship of the onion, or one of its many offshoots. Peas, beans, tomatoes, egg-plant are not indifferent to its blandishments. If honour be paid to the first pig that uprooted a truffle, what of the first man who boiled an onion? And what of the still mightier genius who first used it as seasoning for his daily fare? Every gourmet should rise up and call him blessed.