THE MORNING AFTER
White and gold were the decorations of Martha's apartment in the Webster—all white and gold except the dainty bedroom, which was in pink. Visitors, however, saw only the white and gold of the parlor and the drawing-room, with perhaps an occasional glimpse into the dark-oak dining-room.
The first streaks of early dawn, penetrating the crevices behind the heavy, drawn curtains, cast a few shadows, and in the dim light one might have seen a dozen baskets of flowers, mostly orchids and roses, ranged about the drawing-room.
It must have been almost nine o'clock when Lizzie, entering from the maid's room, drew the curtains and flooded the white and gold parlor with rich, warm sun-light. The curtains of the bedroom were still drawn, but evidently Martha was wide awake, for a voice called from the inner room.
"Is that you, Lizzie?"
"Yes, Miss Martha," replied the maid. "It's 'most nine o'clock. Shall I get you the papers?"
Martha, hastily throwing on a pink dressing-gown, entered the parlor. Her eyes were still heavy, and her face was drawn and troubled.
"I've had a wretched night," she said, dropping into a great arm-chair. "I couldn't sleep. After that terrible ordeal—"
"Terrible?" repeated Lizzie, aghast. "Lord, Miss, I heard all the stage hands say the show was great. The actors are the only ones I heard roast it at all."
"I'm afraid I made a terrible mistake," sighed Martha. "I tried to do things too quickly. I was ambitious, but I forgot that the race is not always to the swift. I should have spent years and years in preparation before attempting last night. Of course I was misled by the management, who made me believe I was being promoted because of my ability."
"And wasn't that the truth?" demanded Lizzie.
Martha smiled wanly. "I can't explain now," she said. "I know I never realized until after last night what an absolute failure I had been."
"Oh, don't say that, Miss Martha," protested Lizzie. "Look at the applause you got, and all these flowers."
"Applause and flowers—that's all failures ever get," and Martha shook her head wearily. "The end of my dreams has come. I shall close the theater to-night."
"Lord, Miss Martha," cried Lizzie, "don't be hasty. Ah," as a knock sounded on the door, "there are the papers. Shall I open them up for you?"
"I can find the notices easily enough," said Martha, taking the papers. "I am sure the horrid headlines will stare me in the face. Mr. Clayton tried to encourage me last night, but I am sure the verdict will be against me."
"I wouldn't bother with the papers if I felt that way, Miss Martha. Lots of the actors at Mrs. Anderson's said they never read no criticisms, but once in a great while when an actor got a good line, I always noticed he'd find a way to read it aloud at the supper table."
"By the way, Lizzie," said Martha, suddenly, "is Mrs. Anderson's full now, do you suppose?"
"It wasn't yesterday."
"Do you suppose I could get my old room again?"
"Your old room?" cried the amazed Lizzie. "Why, that's no place for a real actress."
Martha sighed again and tried to smile. "But I'm not a real actress and I must find a cheaper place. Pack up to-day. Better 'phone the hotel office at once that we shall leave in an hour."
Lizzie went to the 'phone while Martha opened the newspapers. She turned the pages idly until she found the headlines she sought, and for a moment read in silence. Suddenly she sprang to her feet and threw the papers on the floor.
"Infamous," she cried bitterly. "Why need they be so cruel? I won't read another line."
At that moment there was a knock at the door, and Pinkie, resplendent in a new tailor-made gown, brilliantly red, burst into the room.
"Just rushed in to tell you how perfectly grand you were last night, and what perfectly lovely things the papers said about me," she cried. "Of course, that smart critic on the American might have said I had improved a little, but then he said I was just as artistic when playing lines as when I was only in the sextette. Nice, wasn't it?"
Martha smiled. "What did the Journal say?" she asked.
"Oh, something nice—I don't quite remember," evaded Pinkie.
"And the Herald?"
"Success!" cried Pinkie. "But I think it's a shame what some of them said about you, Martha. It isn't so at all."
"Never mind, dear," said Martha, somewhat wearily. "We did the best we could."
"The trouble was the play was bad," continued Pinkie. "Don't know what that author meant by putting me only in one act, and then letting Flossie come on twice to interrupt my scenes. But come along, Martha—you must put some powder on that nose if you expect to live through another day. I'll help you dress."
"This is infamous, infamous! I won't read another line."
Half an hour later, as Martha had almost completed her toilette, Lizzie interrupted to say that the hotel clerk wanted to send some one up to look at the apartment—a newly married couple. Would it disturb Miss Farnum? If so, they would make the couple call again.
"Certainly not," replied Martha. "Show them around yourself. I'll be ready to leave in a few minutes."
Some three minutes later, Mr. "Marky" Zinsheimer and his bride, formerly Miss Flossie Forsythe, were ushered into the white and gold apartment, entirely ignorant of the fact that it was occupied by Miss Farnum. Mr. and Mrs. Zinsheimer having been married a little more than one hour, were already looking for a dove-cote for their honeymoon.
"This might suit us all right—" began Zinsheimer, when Flossie interrupted him with a shriek.
"Bless my soul, if it ain't Lizzie," shrieked Flossie.
"Lizzie?" repeated Zinsheimer. "What are you doing here?"
"Why, this is Miss Farnum's apartment," explained the maid. "I'll tell her you're here, Miss Forsythe—"
"Mrs. Zinsheimer, if you please," responded that young lady, haughtily. "We were married this morning."
"Fact," admitted Zinsheimer. "I always liked you best, Flossie, until you got mad at me because I helped Pinkie, but when I saw you playing the demure little maid last night, with Pinkie lording it all over you, and you never answering back, I said: 'There's the girl for me.' So I waited at the stage door, and when you came out I grabbed you and we sat up so late at Jack's that it was morning before we finished talking things over. So then there was only one thing to do—get married."
"Sure, you both look happy," said Lizzie.
"And we are happy, aren't we, Marky?" cried Flossie. "I'm going to give up the stage for good and all."
"You can have this apartment in an hour," said Lizzie. "Miss Farnum is giving it up because it's too expensive."
"Too expensive for her, eh?" smiled Zinsheimer; then he added confidentially: "I know lots of people who would consider it an honor to be allowed to pay her rent."
"Marky," cried Flossie, warningly. "Remember you are a married man now."
"Marky," to conciliate his bride, took her in his arms and kissed her. At this psychological moment, Miss Pinkie Lexington emerged from the boudoir. She shrieked at the sight.
"Marky," she cried. "You here with Flossie?"
Flossie proudly drew Zinsheimer far from the possibility of contact with Miss Lexington, and proudly, almost haughtily, threw a defiant look at her rival.
"My husband, Mr. Zinsheimer," she said.
Pinkie, with a scream, sank upon the big arm-chair and rocked herself to and fro. "They are married," she moaned. "They are married."
"This morning, dear," smiled Flossie, coldly. "Thanks so much for your congratulations."
"Married," repeated Pinkie, incredulously. "Married."
Zinsheimer advanced cautiously, and gave her several encouraging pats on the shoulder.
"There, now, don't take on so," he said suavely. "There's other fish in the sea, almost as good. It isn't half as bad as what they say in the papers about the play. Listen to this," he added, unfolding a newspaper and reading: "'A luridly ludicrous exhibition of maudlin mush,' Ach Gott, what you think of that? 'A misguided author loaded a thirteen-inch gun to the muzzle with idiotic words and reduced a large and long-suffering audience to a peppered wreck. As an author, he's a joke. As a murderer, he has the punch.' What funny fellows those critics are. Here's what he says about Miss Farnum: 'The star—who, by the way, could only be observed with the aid of a Lick telescope—was only a shooting star. She made one faint, fantastic fizzle, then dropped without even a hiss into the gloom of merciful oblivion. She was not even a meteor, and only an innate sense of delicacy prevents our calling her a devil-chaser.' No wonder the ladies love the Sun. Now, Pinkie, listen—here's what he says about you."
"What?" shouted Pinkie. "Does that man dare—"
"He does. Listen: 'Among the cast appeared Miss Pinkie Lexington, with a German accent on her Lex; a portly person of the oval type. She looked like a turnip and acted the part artistically. Had this succulent vegetable only burst from her scant foliage—but there, who roasts a turnip?'"
"Oh, if he were only here now, where I could get my mitts on him," shouted the frantic Pinkie, springing to her feet. "Oh, let me go. I am stifling. Thank heaven, the air outside at least is pure." And Pinkie stormed from the room.
Flossie gazed after the retreating form of her former chum.
"Good exit, that," she observed. "Pinkie really ought to go in for melodrama."
Martha, who had heard enough of the commotion to realize what was going on, entered and congratulated both Flossie and Mr. Zinsheimer.
"Sorry you are leaving this place," volunteered "Marky." "Any—er—money troubles?"
"None whatever, thank you," replied Martha. "I am going to leave the stage and go back to my old home in Indiana."
"Leave the stage?" gasped Flossie.
"If you ever need assistance, you know"—"Marky" coughed confidentially.
"She looked like a turnip and acted the part artistically."
"Thank you. Good-bye," replied Martha, smiling.
"Marky," pouted Flossie, "I think we'd better be going. Come—you promised to buy me a lot of new things this morning. Hurry up, angel."
"Angel?" repeated Zinsheimer. "That's just what I would like to be, but she won't let me. All right, Flossie, I'm coming."