I

The only powers that dared oppose the will of Jupiter were the Fates and Destiny, who issued their irrevocable decrees without regard to the wishes of the ruler of Olympus. Jupiter's sovereignty is thus described by Homer:—

"He whose all-conscious eyes the world behold,
The eternal Thunderer sat, enthroned in gold,
High heaven the footstool of his feet he makes,
And wide beneath him all Olympus shakes.

* * * * *

He spoke, and awful bends his sable brows,
Shakes his ambrosial curls, and gives the nod,
The stamp of fate and sanction of the god;
High heaven with trembling the dread signal took,
And all Olympus to the center shook."

—Pope's Translation.

The principal temples of Jupiter were the Capitol at Rome, and the Temple of Jupiter Ammon in Libya. At Dodona was the oracle of Jupiter, called the "Speaking Oak," where the responses were given by the trees whose rustling branches made sounds that were interpreted by the priests. The oracle was said to have been established at Dodona in the following manner: two black doves took their flight from Thebes in Egypt. One flew to Dodona in Epirus; and alighting in a grove of oaks, it proclaimed, in human language, to the people of that region, that they must establish there an oracle of Jupiter. The other dove flew to the temple of Jupiter Ammon, and delivered a similar command there. Another account says that two priestesses were carried off from Thebes in Egypt by the Phœnicians, and set up oracles at Dodona and the Libyan Oasis.

A magnificent temple at Olympia was dedicated to Jupiter, and here, every fifth year, the Greeks assembled to celebrate games. These festivals lasted five days, and were known as the Olympic Games. Vast numbers of spectators flocked to them from every part of Greece and from Asia, Africa, and Sicily. The Greeks usually reckoned time by Olympiads or five-year periods,—the space of time between the celebrations. The first Olympiad was about 776 B.C.

Inside the temple at Olympia stood a wonderful statue of Jupiter made of ivory and gold. The parts representing flesh were of ivory laid on a framework of wood, while the drapery and ornaments were of gold. It was the work of Phidias, and was considered the highest achievement of Grecian sculpture. The height of the figure was forty feet, and the pedestal was twelve feet. The god was represented as seated on his throne, with his brows crowned with a wreath of olive and in his hand a scepter. The statue was considered one of the Seven Wonders of the world, but our knowledge of it is confined to literary descriptions and to copies on coins.