CONTENTS.

PAGE
Advantage of wax flower modelling over other fancy work[8]
Anecdote—Bridal[32]
AnemoneAnemone Hortensis[20]
Art of modelling wax flowers introduced into England[4]
Awards of the press[61]
Blossom[43]
Botanical words, explanation of[13]
Bouquets—her Majesty's marriage[32]
Brushes, method of applying them[13]
Brushes, how to cleanse[13]
Cactus[53]
Call for the book[1]
Camellia, VariegatedVariegata[50]
CarnationDianthus[35]
Chatsworth[58]
CrocusCrocus Luteus[16]
Crystal Palace[58]
Curling pins and scissors, use of[12]
DahliaDahlia[48]
DaisyBellis Perennis[23]
Directions for mixing colours[11]
Dry colouring, objections to[7]
Exhibition, (Great)[58]
Extract from family letters of his Grace the Duke of Devonshire[4]
Foliage, Instructions for[56]
Forget-me-notMyosotis[40]
Flowers, mounting of, etc.[55]
Flowers, various, to be described[15]
Floral life[15]
Flowering seasons, the[15]
FuchsiaFuchsia Fulgens[38]
Fuchsia, CrimsonFuchsia Coccinea[39]
Geranium, PinkPelargonium[40]
Geranium, Scarlet[42]
Grouping Flowers[54]
Her Majesty's patronage[2]
Hollyhock, LemonAlthæa[53]
HoneysuckleCaprifolium[37]
How to cleanse the scissors, pins, and marbles[13]
Introduction[1]
Jasmine, YellowJasminum Revolutum[28]
Jasmine, WhiteJasminum Officinale[29]
Jasmine, CapeGardenia[29]
Jonquil[23]
KalmiaKalmia Latifolia[28]
Kew Gardens[8]
Lilac Rhododendron[26]
Lily, WhiteLilium Alba[44]
Lily, Pink-spottedLilium Lancifolium[45]
Lily, White WaterNymphea Alba[46]
Lily, Yellow WaterNymphea, Yellow[47]
Lily, Blue WaterNymphea, Blue[47]
Materials required for wax flower modelling[8]
Mignonette, (origin of)Reseda Odorata[42]
Moral view of the art[4]
MyrtleMyrtus Communis[36]
Narcissus[23]
Nature, how to copy from[14]
Orange BlossomCitrus[43]
Passion FlowerPassiflora[51]
PrimrosePrimula[17]
Professional sketch, etc.[3]
Progress of the art[5]
Pupils—necessarily limited—testimony of former pupils[2]
Purposes to which the materials are applied[9]
Regent's Park Gardens[8]
Rhododendron[26]
Roses—instructions[30]
Rose, CabbageRosa Centifolia[30]
Rose, MossRosa Muscosa[32]
Rose, WhiteRosa Alba[32]
Rose, DamaskRosa Damascena[33]
Rose, Sweet-scented TeaRosa Safrano[34]
Rose, YellowRosa, Cloth of Gold[34]
Rose, Austrian BriarRosa Lutea[35]
SalviaSalvia Patens[49]
SeringaOleineæ[44]
Sir Joseph Paxton[58]
SnowdropGalanthus Nivalis[17]
The Lady's Newspaper, articles in[2]
The Queen's warrant[3]
The Manchester Examiner answered[6]
The colours[10]
Tulip, Van TholTulipa Præcox[22]
Tulip, Summer[22]
Victoria Regia, TheVictoria Regia[57]
Violet, WhiteViola Odorata[19]
Violet, PurpleViola Purpurea[20]
Visitors[59]
WallflowerCheiranthus Cheiri[25]
Wax Flowers, as ornaments for the hair[55]
Wax, artistically prepared[6]

PEACHEY'S ROYAL GUIDE
TO
WAX FLOWER MODELLING.

Before I commence my course of instruction in the fascinating art of representing in wax the floral beauties of nature, I deem it necessary to prelude by a brief explanation as to my pretensions, and the cause of my offering such instructions to the notice of the public.

I have constantly applied myself, during the last fourteen years, in strictly copying from nature every flower that has come under my notice, from the simple wild flowers of our hallowed native fields, to the latest and rarest exotics brought home by our most eminent collectors. I have also been materially assisted in this particular branch of my art, by the nobility and gentry having kindly granted me the indulgence of selecting as copies, from their conservatories, aught that I might consider as valuable additions to my specimens.

I have been frequently asked by my pupils to publish such a work as the present; but diffidence, amounting perhaps to a weakness, has hitherto prevented me from even momentarily exchanging the pencil of the artist for the pen of the author:

"Authors, you know, of greatest fame,
Through modesty, suppress their name."

In the year 1847, I wrote several articles for the Lady's Newspaper, in the shape of instruction in Wax Flower Modelling, which articles appeared under the initials of "E. H., late pupil of Mrs. Peachey." I must confess I felt much gratified upon hearing my pupils, as well as other ladies, speak of these articles in terms of commendation. I trust I may be pardoned for this little piece of deception, and beg to remind those who might regard the "ingenious device" with censure, that Sir Walter Scott and many other writers of celebrity have done the same. If great and talented persons shrink from making their compositions known as their own creations, it is not surprising that I, who have no pretension to literature, should be equally tenacious of my incognito.

I have at this period determined upon publishing a book of instructions, purely in consequence of feeling quite inadequate to receive, as pupils, the numerous applicants that daily visit me, and express much anxiety to be initiated into my method of modelling and grouping.

They are two distinct things—to accomplish an art well, and to impart it to others. I hope I may not be considered egotistical in boldly asserting that, as an instructress, I stand pre-eminent. I feel proud, most proud, in having received repeated assurances from the distinguished and numerous ladies who have placed themselves under my tuition, that my method of teaching is such as to enable the most inexperienced to acquire with facility a perfect knowledge of this pleasing art.

The distinguished patronage I have from the first received at the hands of her Most Gracious Majesty, must surely convey to the minds of all, that I have a right to lay claim to artistic skill.

When I first commenced the agreeable occupation of imitating nature, I had not the slightest idea of ultimately making it a profession. My anxious desire, I may say, my ambition, was to produce something that might be considered worthy the notice of our most Gracious Queen, who at the period I allude to, 1837, had just ascended the throne.

A spirit of loyalty had been fostered in me from my earliest infancy; and a pardonable glow of pleasure always animates me, at the remembrance that I am the daughter of an old officer, who served as surgeon in the British army the long period of fifty years. The result of my wishes has been great success. Our beloved Sovereign, ever ready to encourage talent or industry in any form, condescended to permit a bouquet, which I designed and executed for her inspection (in token of my loyalty), to be placed as an ornament in one of the royal palaces. This was indeed an honour I had scarcely dared to anticipate. Two years after the period alluded to, the Queen became acquainted with the fact, that a change of circumstances had compelled me to make the art of wax flower modelling a source of profit. Her Majesty, unsolicited by any, spoke to the then Lord Chamberlain relative to a warrant of appointment being granted to me; and I forthwith received the Royal Letters Patent, being the first in this country who enjoyed the privilege of being styled "Artist in Wax Flowers to Her Majesty." I hope I may not be deemed prolix in giving these particulars; it is not from any feeling of vanity, but from gratitude due to the high power that encouraged my talent in its infancy. The auspicious patronage I received gave an impetus to my labours; and I have from that royal day taxed my energies to the utmost, to prove that my works deserved the high honour that had been conferred upon them.

As this work is intended for the perusal of the young, as well as the adult, I trust I may be pardoned for pausing a moment to dwell upon the all-wise dispensations of Providence. The talent which inspired me would have been useless, had not the "Giver of all good" discovered to me the knowledge that I possessed it; and I wish to impress upon the notice of my young friends and pupils, the advantage, I may say necessity, of embracing every opportunity of improving any talent committed to their charge; for my life has shown that what is acquired as an accomplishment or amusement, may one day become of vital importance to them.

It occurs to me, that it may not be uninteresting to many of my readers, to become acquainted with the period and by whom