INDEX.
Outline, Force of, [41], [132], [139], [140], [144], [145], [213], [214] Outline, Mastery of, recommended to the printer, [23] Paper, [141], [165], [167] Papyrus, [208] Parallel lines. (See Printing), [115], [117], [123], [125] Paul, Herman, [132], [145] Pens, Various, may be used, [118], [120] Pen-Drawing, A, may be on large or small scale, [113] Penlick, [214], [221] Pen practice, Method of, [117], [129], [131] Pen technic, [112]–[130], [135], [139]–[146], [147] Pen technic from printers’ view-point, [113] Perspective, [19], [20], [22], [35], [36], [38], [39] Petrarchian letters, [200] Phœnician letters, [158], [208], [209] Photo-engraving, [113]–[148] Placing, Preliminary, of objects in beginning a drawing, [45], [50]–[66], [211] Plane, Objects seen in one, [33], [34], [39] Plant form, [205], [206] Pomeroy, F. W., [178] Posters, [177]–[179], [219] Preface, [3]–[5] Printer must have an educated taste to design correctly, [200], [201] Printing, Artistic, [154]–[167], [203], [223], [229] Printing, City newspaper, [115]–[119], [127]–[129], [143], [156], [161]–[168], [239] Printing, Country newspaper, [113]–[119], [125]–[129], [156], [161]–[168], [238] Printing, Magazines, [113]–[115], [118] Printing, Printers’ experience a guide in adapting technic to, [113], [115] Printing, Recent change in the character of, [17] Printing, Rough, defined, [164] Printing, Technics which are adapted to, [23], [32], [68], [78], [79], [90], [92], [108], [112]–[119], [123], [127], [128], [177] Process plate, [230] Proportion and direction, [50]–[55] Proportions, [65] Quill pen, [116], [118], [191]–[195], [197], [198], [200] Ratdolt, Erhard, [158] Reed pen, [208] Reduction of drawing for printing, [112]–[119], [124], [146], [149], [150], [164], [171], [176], [215] Renaissance lettering, [155] Renard, E., [114], [115], [123] Resumé of Part I, [133]–[150] Ricketts, Charles, [183], [184] Rivoire, [176], [179] Rococo design, [220] Rogel, Hans, [187], [188], [194], [198], [209] Roman lettering. (See Lettering), [155], [198] Schafhausen, [225], [226], [228] Scratch-board, Whites in, and wood engraving, [91], [92], [93], [94], [138], [148] Seeing properly, Drawing a matter of, [19]–[27], [50], [74]–[78] Shaded drawings, [42], [43], [46], [47], [48], [66]–[78], [146], [214] Shadows, Finding direction of, [65], [66], [67], [70] Shadows, Large, versus minor ones, [74], [76] Shadows, Thrown and modeling, [43], [46], [149] Sickert, Walter, [118], [119], [150] Silhouette, An old-fashioned, [125], [204], [230] Silhouette, its use as typographical ornament, [32] Silhouette, used by Egyptians, [26], [27] Silhouetting, Practice in, objects, [33], [157], [213], [214] Solid Blacks, (See Silhouette) Spanish scribes, [198] St. Elme, [123], [124], [126] Stevenson, Robert Louis, portrait of, [116], [117], [118] Still-life studies, [142], [145] Stimmer, Chr., [187], [188], [198], [209] Stipple, [138] Strange’s book on alphabets recommended, [181], [187], [202], [204] Stuck, Franz, [171], [172], [173], [177], [236] Summary, [211] Synthetic drawing, [58], [59], [62] Taste. (See Printing, Artistic), [158], [159], [160], [161], [163], [165] Technic. (See Pen Technic), [87] Texture, [30], [41], [42], [82] Thick and thin pen lines. (See Printing), [118] Tint lines, [228], [231] Touraine font, [158] Toussaint, T., [88], [89] Transfer, How to, a drawing, [131] Typographer should be designer, [17] Vale press, [183], [185], [186] Vallet, [128], [129] Vallotton heads, [133], [134], [135] Values, [42], [43], [68]–[71], [94] Venetian lettering, [198], [204] Verdyen, [92], [93] Vierge, Daniel, [122], [123] Visigothic letter, [155], [158], [198] Walker, Fred, [101], [102], [149] Watts, George Frederick, R. A., [78]–[88], [90], [94], [101], [103], [107], [112], [113] White, Gleason, [183] Windows in perspective. (See Perspective), [19], [20], [22] Wood engraving, [134], [135], [153], [218], [220], [223], [230] Wood engraving, Practice, [224], [232], [233] Written language, [207], [208] Youth, Portrayal of, [101]–[108] Zinc plate, [75], [230]–[236]