FOOTNOTE:
[A] Some, like the Turkey-buzzards, have not yet been heard to sing, but I believe they do.
TALE 7
Brook Brownie, or How the Song Sparrow Got His Streaks
His Mother was the Brook and his sisters were the Reeds,
They, every one, applauded when he sang about his deeds.
His vest was white, his mantle brown, as clear as they could be,
And his songs were fairly bubbling o'er with melody and glee.
But an envious Neighbour splashed with mud our Brownie's coat and vest,
And then a final handful threw that stuck upon his breast.
The Brook-bird's mother did her best to wash the stains away;
But there they stuck, and, as it seems, are very like to stay.
And so he wears the splashes and the mud blotch, as you see;
But his songs are bubbling over still with melody and glee.
Brook Brownie
TALE 8
Diablo and the Dogwood
The Dogwood Bloom
What a glorious thing is the Maytime Dogwood in our woods! How it does sing out its song! More loudly and clearly it sings than any other spring flower! For it is not one, but a great chorus; and I know it is singing that "The spring, the very spring is in the land!"
I suppose if one had King Solomon's fayland ears, one might hear the Dogwood music like a lot of church bells pealing, like the chorus of the cathedral where Woodthrush is the preacher-priest and the Veeries make responses.
It was Adam's favourite tree, they say, in the Garden of Eden. And it grew so high, flowered so wonderfully, and gave so much pleasure that Diablo, who is also called the Devil, wanted to kill it. He made up his mind that he would blight and scatter every shining leaf of its snowy bloom. So one dark night he climbed a Honey Locust tree near the gate, and swung by his tail over the wall, intending to tear off all the lovely blossoms. But he got a shock when he found that every flower was in the shape of a cross, which put them beyond his power to blight. He was furious at not being able to destroy its beauty, so did the worst he could. Keeping away from the cross he bit a piece out of the edge of every snowy flower leaf, and then jumped back to the Honey Locust tree.
The Locust was ashamed when she found that she had helped Diablo to do such a mean bit of mischief, so she grew a bristling necklace of strong spikes to wear; they were so long and sharp that no one since, not even Diablo himself, has ever been able to climb that Honey Locust tree.
But it was too late to save the Dogwood bloom. The bites were out, and they never healed up again, as you can see to this very day.
TALE 9
The Woolly-bear
The Woolly-bear (the moth is 1-1/4 life size)
Do you know the Woolly-bear Caterpillar? It is divided into three parts; the middle one brown, the two ends black. Everyone notices the Woolly-bear, because it comes out in early spring, as soon as the frost is over, and crawls on the fences and sidewalks as though they belonged to it. It does not seem to be afraid of any one or anything. It will march across the road in front of a motor car, or crawl up the leg of your boot. Sometimes when you brush it off with your hand, little hairs are left sticking in your fingers, because it is really like a small porcupine, protected by short spears sticking out of its skin in all directions. Here at the side of the picture, is one of these hairs seen under a microscope.
Where did the Woolly-bear come from? It was hatched from an egg last summer.
And now what is going to happen? It will stuff itself with rib-grass or other low plants, till it has grown bigger; then it will get a warning from the All-mother to prepare for the great change. In some low dry place under a log, stone or fence-rail, it will spin a cocoon with its own spikey hairs outside for a protector. In this rough hairy coffin it will roll itself up, for its "little death," as the Indians call it, and Mother Carey will come along with her sleeping wand, and touch it, so it will go into sound sleep, but for only a few days. One bright sunny morning old Mother Carey comes around again, touches the Woolly-bear bundle-baby, and out of it comes the Woolly-bear, only now it is changed like the Prince in the story into a beautiful Moth called the Tiger-Moth! Out he comes, and if you look up at one end of the coffin he is leaving, you may see the graveclothes he wore when first he went to sleep. Away he flies now to seek his beautiful mate, and soon she lays a lot of eggs, from each of which will come another little Woolly-bear to grow into a big Woolly-bear, and do it all over again.
TALE 10
How the Violets Came
The Meadow she was sorry
For her sister Sky, you see,
'Cause, though her robe of blue was bright,
'Twas plain as it could be.
And so she sent a skylark up
To trim the Sky robe right
With daisies from the Meadow
(You can see them best at night).
And every scrap of blue cut out
To make those daisies set
Came tumbling down upon the grass
And grew a violet.
TALE 11
Cocoons
Everyone loves to go a-hunting. Our forebears were hunters for so many ages that the hunting spirit is strong in all of us, even though held in check by the horror of giving pain to a fellow being. But the pleasure of being outdoors, of seeking for hidden treasures, of finding something that looks at first like old rubbish, and then turns out to be a precious and beautiful thing, that is ours by right of the old law—finders, keepers. That is a kind of hunting that every healthy being loves, and there are many ways and chances for you to enjoy it.
Go out any time between October and April, and look in all the low trees and high bushes for the little natural rag-bundles called "cocoons." Some are bundle-shaped and fast to a twig their whole length. Some hang like a Santa Claus bag on a Christmas tree; but all may be known by their hairiness or the strong, close cover of fine gray or brown fibre or silk, without seams and woven to keep out the wet.
Cocoons
They are so strongly fastened on, that you will have to break the twig to get the bundle down. If it seems very light, and rattled when you shake it, you will likely see one or more small, sharp, round holes in it. This means that an insect enemy has destroyed the little creature sleeping within. If the Cocoon is perfect and seems solid and heavy, take it home, and put it in a cardboard, or wooden box, which has a wire screen, or gauze cover. Keep it in a light place, not too dry, till the springtime comes; then one day a miracle will take place. The case will be cut open from within, and out will come a gorgeous Moth. It is like the dull, dark grave opening up at the resurrection to let forth a new-born, different being with wings to fly in the heavens above.
In the drawing I have shown five different kinds of bundle-baby, then at the bottom have added the jug-handled bundle-baby of the Tomato worm; it does not make a Cocoon but buries itself in the ground when the time comes for the Great Sleep. Kind Mother Earth protects it as she does the Hickory Horn-Devil, so it does not need to make a Cocoon at all.
There is a wonderful story about each of these bundle-babies. You will never get weary if you follow and learn them, for each one differs from the last. Some of them I hope to tell you in this book, and before we begin I want you to know some of the things that men of science have learned, and why a Butterfly is not a Moth.
TALE 12
Butterflies and Moths
Do you remember the dear old fairy tale of Beauty and the Beast? How Beauty had to marry the Beast to save her father's life? But as soon as she had bravely agreed to sacrifice herself—as soon as she gave the fateful "Yes" the Beast stood up on his hind legs, his horns, hoofs and hide rolled off, and he was turned back into his true shape, a splendid young Prince whom she could not help loving; and they lived happy ever after.
Do you know that just such transformations and happy weddings are going on about us all the time? The Beast is an ugly Caterpillar, the Princess Beauty is the Butterfly or the Moth. And when the Beast is changed into the Prince Charming and meets with Princess Beauty, they are just as madly happy as they tell it in the fairy books. I know it, for I have seen the transformation, and I have seen the pair go off on their wedding flight.
Men of science have been trying to explain these strange transformations, and to discover why the Prince and Princess do not need to eat or drink, once they have won their highest form, their life of wings and joy. But they have not got much farther than giving names to the things we have long loved and seen as children, dividing the winged wonders into two big families called Butterflies and Moths.
Do you know the difference between a Butterfly and a Moth?
Taken together they make a large group that are called Scale-wings, because they alone among insects, have scales or tiny feathers like dust on the wings. Butterflies are Scale-wings that fly by day, and have club-shaped feelers; they mostly fold one wing against the other when they alight, and in the chrysalis, or bundle-baby stage, they are naked and look like an African ear-drop.
Moths are Scale-wings that fly by night, and have switch or feather-shaped feelers; they keep their wings spread open when they alight, and in the bundle-baby stage, they are wrapped in a cocoon. There are some that do not keep to these rules, but they are rare, and the shape of the feelers will tell whether it is a Moth or a Butterfly.
All of these Scale-wings are hatched from eggs, and come first, as a worm, grub, or caterpillar; next as a chrysalis pupa or bundle-baby; last as the winged creature. That is, first a Beast and last a Beauty. Each of them must at one time be the ugly one, before the great change comes. But I must tell you a truth that the Fairy Books left out, and which maybe you have guessed—Princess Beauty too was at one time forced to live and look like a Beast, till she had fought her own fight, had worked out her own high destiny, and won her way to wings.
TALE 13
The Mourning-cloak Butterfly, or the Camberwell Beauty
There was once a lady who dwelt in Camberwell. She was so good to see that people called her "The Camberwell Beauty." She dressed so magnificently that her robe was covered with gold, and spangled with precious stones of most amazing colours. Especially proud was she, of the row of big blue diamonds that formed the border; and she loved to go forth into the world to see and be seen; although she knew that the country was full of robbers who would be sure to steal her jewels if they could. Then she made a clever plan, she kept on the beautiful things that she loved to dress in, but over all she hung a black velvet mourning cloak which nobody could possibly want to steal. Then she went up and down the roads as much as she pleased.
Mourning-cloak Butterfly (3/4 life size)
Well, this story may be not quite true, but it is partly true, and the beautiful lady is known to-day as the Mourning-cloak Butterfly. There it is, plain to be seen, the black mourning cloak, but peeping from under it, you can see the golden border and some of the blue diamonds too, if you look very carefully.
In the North Woods where I spent my young days, the first butterfly to be seen in the springtime was the Mourning-cloak, and the reason we saw it so early in the season, yes, even in the snowtime, was because this is one of the Butterflies that sometimes sleep all winter, and so live in two different seasons.
Its eggs are laid on the willows, elms, or poplars, in early springtime. The young soon hatch, and eat so much, and grow so fast, that five weeks after the eggs are laid, and three after they are hatched, the caterpillar is full grown, and hangs itself up as a chrysalis under some sheltering board or rail. In two weeks more, the wonderful event takes place, the perfect Butterfly comes forth; and there is another Mourning-cloak to liven the roadside, and amaze us with its half-hidden beauty.
TALE 14
The Wandering Monarch
Did you ever read the old Greek story of Ulysses, King of Ithaca, the Wandering Monarch, who for twenty years roamed over sea and land away from home—always trying to get back, but doomed to keep on travelling, homesick and weary, but still moving on; until his name became a byword for wandering?
MONARCH BUTTERFLY
"The Wanderer" in Three Stages: Cocoon, Caterpillar, and Butterfly
In our own woods and our own fields in America we have a Wandering Monarch—the "Big Red Butterfly" as we children called it—the "Monarch" as it is named by the butterfly catchers.
It is called the "Wanderer" chiefly because it is the only one of our Butterflies that migrates like the birds. In the late summer it gathers in great swarms when the bright days are waning, and flies away to warmer lands. I have often seen it going, yet I do not remember that I ever saw it come back in the springtime; but it comes, though not in great flocks like those that went south.
One of the common names of this splendid creature is "Milkweed Butterfly" because its grub or caterpillar is fond of feeding on the leaves of the common milkweed.
The drawing shows the size and style of the grub; in colour it is yellow or yellowish green with black bands.
As soon as it is grown big enough and fat enough, the grub hangs itself up as a "chrysalis" which is a Greek word that may be freely rendered into "golden jewel." The middle drawing shows its shape; in colour it is of a pale green with spots of gold, or as it has been described "a green house with golden nails."
After about two weeks the great change takes place, and the bundle-baby or chrysalis opens to let out the splendid red-brown Butterfly, of nearly the same red as a Cock Robin's breast in springtime, with lines and embroidery of black and its border set with pearls. Near the middle of the hind wing is a dark spot like a thickening of one rib. This has been called a "sachet bag" or "scent-pocket," and though not very ornamental to look at, is of more use to it than the most beautiful white pearl of the border. For this is the battery of its wireless telegraph. We think our ships and aeroplanes very far advanced because they can signal miles away, and yet the Wandering Monarch had an outfit for sending messages long before it was ever dreamed of by man. Maybe it is not a very strong battery, but it certainly reaches for miles; and maybe its messages are not very clear, but they serve at least to let the Monarchs know where their wives are, and how to find them, which is something.
There is one other reason for calling this the Wanderer. Although it is an American by birth, it has travelled to England and the Philippines and is ever going farther over the world till at last no doubt it will have seen all lands and possessed them.
It makes old Ulysses look like a very stay-at-home, for his farthest travels never went beyond the blue Mediterranean, and his whole twenty years of voyaging covered less than the states east of the Mississippi—much less than our Red Wanderer covers in a single summer.
TALE 15
The Bells of the Solomon Seal
Let us go out into the woods, and look for the Solomon Seal. This is May and we should find it in some half open place, where it is neither wet nor dry. Here it is! See the string of bells that hangs from its curving stem. Dig out its roots, wash off the earth, and you will see the mark of King Solomon's Seal that gives its name to the plant. Now listen to the story of it all.
King Solomon had the "second sight" that means the deeper sight, the magic eyesight which made him see through a stone wall, or read men's thoughts. King Solomon had fayland ears; which means, he could hear all sounds from A to Z; while common ears, like yours and mine, hear only the middle sounds from K to Q.
Everything that lives and moves is giving out music; every flower that blooms is singing its song. We cannot hear, our ears are too dull; but King Solomon could. And one day, as he walked through the woods, he heard a new flower-song that made him stop and listen. It had strange music with it, and part of that was a chime of golden bells.
The Bells of the Solomon Seal
The great King sat down on a bank. His fayland eyes could see right into the ground. He saw the fat fleshy root like a little goblin, reaching its long white fingers down into the soil, picking out the magic crystals to pack away in its pockets; and he could see the tall stem like a wood-elf carrying them up, and spreading them upon its flat hands, so they could soak up the juices of the sun and air. He could see them turning into a wonderful stuff like amber dew, with a tang like new-cut timber. But it was not yet done, so he could not tell just what it might be good for. Now it was springtime, and it would be harvest red moon before the little worker would have the magic healing stored in its treasure bags underground. So to prevent any one harming or hindering the plant till its work was done, the King took out his seal ring and stamped seal marks all along the root, where they are unto this day. And then to make it sure he made the golden bell chimes become visible so every one could see them. There they hang like a row of ringing bells.
But the King never came back to learn the rest of it, for he had to build the temple; and he had many wives who took up a great deal of his time. So the world has never found out just what is the magic power of the plant. But it is there, be sure of that, just as surely as the peal of golden bells is there, and the marks of the great King's Seal.
TALE 16
The Silver Bells of the False Solomon Seal
The Silver Bells of the False Solomon Seal
Over a month later, the King suddenly remembered that he had not been out to see the plant whose root he had sealed. He was very busy at the time, as he had the temple to build, and many wives to look after; so he called Djin, a good goblin, who does hard work and said, "Go and see that no one has harmed that plant," then told him how to find it.
Away went the good goblin, like a flash. He was a very obedient servant, but not very bright; and when he came to the woods, he looked all around for the plant with the chime of bells, for King Solomon had forgotten to say that the bells do not ring after June, and it was now July. So the goblin looked about for a long time. He did not dare to go back and say he could not find it—that would have been a terrible crime, so he looked and looked. At last he heard a little tinkle of bells away off in the woods. He flew to the place, and there was a plant like the one he sought but its bells were of silver, and all in a bunch instead of a long string. The good goblin dug down to the big fat root in the ground and found that the seal marks had grown over—at least he thought they had—for they were nowhere to be seen. So he looked around for something to help. His eye fell on an acorn cup. He took this, and using it for a seal, he stamped the root all over.
Then he took a piece of the root and a sprig and flew back to show the King. Solomon smiled and said: "You did the best you could, but you have marked the wrong root. Listen! This is not the golden chime, but the chime of silver bells."
That is the story of it and that is why it has ever since been called the False Solomon Seal.