Dante Rossetti and the Pre-Raphaelite movement

by Esther Wood

INDEX.

• Academy, The Royal, [33], [74]-75, [80]-81, [108], [122], [126]-128, [161].
• Academy Schools, [23], [27]-31.
• Academicians of last generation, [33].
• “Adam and Eve,” [34].
• “Alastor,” [108].
• Albert Gallery, Edinburgh, [118].
• Allingham, William, [136].
• “Anniversary of the Death of Beatrice,” [118], [255].
• “Annunciation, The,” [204]-205.
• Anthony, Mark, [87], [128]-129.
• “April Love,” [125].
• “Art and Poetry,” [72].
• “Arthur conveyed to Avalon,” [143].
• Art Union, The, [129].
• Arundel Club, The, [117].
• “Astarte Syriaca,” or “Venus Astarte,” [59], [184]-185, [189].
• “Aurelia, or Fazio’s Mistress,” [117], [157].
• Australia, [108].
• “Autumn Leaves,” [121], [127], [229].
• “Awakening Conscience, The,” [149], [224], [236], [239].

• “Ballads and Sonnets,” [186], [298].
• Banks, Mrs., [168].
• Barbizon School, [134].
• Baring, Miss, [168].
• Bateman, E.L., [109].
• “Beata Beatrix,” [4], [91], [121], [157], [159], [161]-162, [224], [252]-253.
• “Beatrice,” [129].
• Behnes, [108].
• “Bello Mano, La,” [181].
• “Beloved, The,” or “The Bride,” [91], [157].
• “Benedick and Beatrice,” [106].
• Beryl Songs, [298].
• “Bethlehem Gate,” [116], [160], [217].
• Birchington, [190]-192.
• Birmingham Art Gallery, [153], [162].
• “Black Brunswicker, The,” [127], [148], [243]-244.
• Blake, [2], [137], [267].
• “Blessed Damozel, The,” [4], [162], [175]-176, [180], [185], [217], [257], [263], [287], [290], [301]-304.
• “Blind Girl, The,” [121]-122, [228]-229.
• “Blue Bower, The,” [91], [117], [157].
• “Blue Closet, The,” [117]-118.
• “Boat of Love, The,” [180], [251].
• “Bocca Baciata,” [104], [117], [157].
• “Body of Harold, The,” [34].
• Bognor, [181]-182.
• Botticelli, [48], [50].
• “Bower Garden, The,” [117].
• “Bower Maiden, The,” [172], [179].
• Boyce, W.P., [129].
• Boyd, Miss Alice, [168], [171].
• Brett, Mr. John, [118], [129].
• “Briar Rose, The,” [232].
• “Bride’s Prelude, The,” [263], [286], [299]-301.
• British Institution, [108].
• Brotherhood, The Pre-Raphaelite, formed, [62]-69;
  • dispersed, [107], [119].
• Brown, Ford Madox, [32]-35, [64], [71], [73], [87], [118], [138], [151]-155, [161]-162, [175], [178], [193], [219];
  • some characteristics of, [34], [64], [107], [151]-155, [219], [226];
  • portrait of, [110].
• Browning, Robert, [85], [94]-96, [104], [165]-166, [199];
  • portraits of, [109], [117].
• “Burd, Helen,” [127].
• Burlington Club, [204].
• Burne-Jones, E., [4], [140]-143, [214];
  • some characteristics of, [205], [219]-221, [224], [232], [246]-248.
• Burne-Jones, Mrs., [168].
• Burton, W.S., [129], [248].
• Byron, [268].

• Caine, Mr. Hall, [188]-189, [190], [192].
• Campbell, James, [129].
• “Caractacus,” [35].
• “Carlisle Tower,” [116].
• Carlyle, Thomas, [85], [154];
  • portrait of, [108].
• Carrick, J.M., [129].
• Cary’s Academy, [23], [30].
• “Cassandra,” [189].
• Cassavetti, the Misses, [168].
• “Chapel before the Lists, The,” [116].
• “Charity Boy’s Début, The,” [63].
• Chatham Place, [94], [159], [163].
• Chatterton, [3], [267], [280].
• “Chaucer at the Court of Edward III.,” [35], [153].
• Chelsea, [163], [172], [180], [193].
• Christchurch, Albany Street, [169].
• Christianity in English Art, [5], [76]-77, [196]-221.
• Christianity in Italian Art, [40]-43, [46]-48, [50]-52.
• “Christian Priests Escaping,” or, “The Christian Missionary,” [76], [146].
• “Christ in the House of His Parents,” [75]-78, [126], [205]-208.
• “Christ in the Temple,” [4], [150], [218].
• “Christmas Carol, A,” [118].
• “Christ’s Entry into Jerusalem,” [129].
• Cimabue, [39], [47], [57].
• Classicism, characteristics of, [9]-12, [45], [49]-50.
• Classicism of the Eighteenth Century, [9]-10.
• Classicism under the Puritans, [11].
• “Claudio and Isabella,” [149], [224], [244], [246].
• Clifton, J.T., [61].
• Coleridge, [267].
• Collins, Charles, [118], [126].
• Collins, William, [126].
• Collinson, James, [4], [63], [74], [93], [99], [126].
• Combe, Mr. Thomas, and Mrs., [146].
• Constable, [2], [3].
• “Convent Thoughts,” [126].
• “Cordelia’s Portion,” [153].
• Cornelius, [134].
• Coronio, Mrs., [168].
• “Cottager’s Return, The,” [125].
• Cox, David, [131].
• “Cromwell Dictating,” [155].
• “Cromwell on his Farm,” [155].
• “Crucifixion, The,” [116], [215].
• Cumberland, [188]-189.
• Cuyp, [132].
• Cyclographic Society, [60]-61.
• “Cymon and Iphigenia,” [62].

• Dalrymple, Mrs., [168].
• “Damozel, The Blessed,” [4], [162], [175]-176, [180], [185], [217], [257], [263], [287], [290], [301]-304.
• “Damozel of the Sanct Grael, The,” [116], [181].
• Danby, [132].
• “Dante at Verona,” [215], [262], [284]-285.
• Dante, influence of, [22], [98];
  • illustrations of, [99], [104]-105, [116]-118, [129], [180], [190], [249]-258, [269].
• “Dante’s Dream,” [4], [116], [118], [138], [162], [168], [173], [188], [190], [253]-255.
• “Day and Night Songs,” [136].
• “Day-dream, The,” [139], [180]-181, [186]-187.
• Davis, William, [118], [129].
• “Death of Boadicea,” [108].
• “Death of Breuse sans Pitié, The,” [116].
• “Death of Chatterton, The,” [128].
• “Death of Lady Macbeth, The,” [236].
• “Death of Sir Tristram, The,” [154].
• Dennis, William, [61].
• Deverell, Walter, [5], [61], [99], [119].
• “Devout Childhood of St. Elizabeth, The,” [126].
• “Dis Manibus,” or “The Roman Widow,” [167], [175], [180].
• “Donna della Finestra, La,” or “Our Lady of Pity,” [181], [224], [256]-258.
• Döpplegänger Legends, The, [106], [225].
• “Down Stream,” [172].
• “Dream of Sardanapalus, The,” [154].
• Dunn, Mr. H.T., [170].
• Dürer, Albrecht, [51], [82].
• Dutch School, [39].

• “Ecce Ancilla Domini,” [4], [64], [78]-79, [92], [203].
• “Edward Grey,” [139].
• “Eleanor Sucking the Poison,” [108].
• “Elijah and the Widow’s Son,” [155].
• Eliot, George, [196]-199.
• Elnore, [134].
• “Enemy Sowing Tares, The,” [122], [147].
• English Art in 1850, [2], [3].
• “Entombment, The,” [4], [155], [219].
• “Eros and Euphrosyne,” [108].
• “Eve of St. Agnes, The,” [4], [121]-122, [125], [147], [248]-249.
• Exhibitions, Pre-Raphaelite, [67], [118].
• Expression in Art, [25]-26.

• “Fair Rosamund,” [118].
• “Farmer’s Daughter, The,” [118].
• “Fazio’s Mistress,” [117], [157].
• “Feeding the Hungry,” [108].
• “Ferdinand Lured by Ariel,” [75]-78, [91].
• “Fiametta,” [168].
• “Fiametta, A Vision of,” [119], [181], [185].
• Fine Art Society, The, [118].
• “Fleshly School of Poetry, The,” [176].
• “Flight of Madeline and Porphyro,” [62], [248].
• Foreign Schools, [134].
• .pn+1
• Forsyth, Rev. P.F., [199], [216], [241].
• “Found,” [4], [107], [236]-237, [306].
• Frescoes at Manchester, [155];
  • at Oxford, [142]-146;
  • at Westminster Hall, [33]-35, [108], [128], [151].
• Fra Angelico, [5], [48].
• “Fra Angelico Painting,” [117].
• Fra Bartolomeo, [113].
• Fra Lippo Lippi, [48].
• “Fra Pace,” [117].
• “Francesca da Rimini,” [215], [234]-235.

• “Galahad, Sir,” [116], [138], [143], [232].
• “Gate of Memory, The,” [107], [236]-238.
• “George, St., A Wedding of,” [118].
• “George, St., and Princess Sabra,” [160], [245].
• “Germ, The,” [69]-74, [95].
• Ghiberti, [57].
• “Ghirlandata, La,” [91], [158], [167], [180].
• Giorgione, [49].
• “Giorgione Painting,” [117].
• Giotto, [39], [48], [57], [113].
• “Giotto Painting,” [251].
• “Girlhood of Mary Virgin, The,” [1], [4], [55], [66]-67, [92], [202], [225].
• Glasgow Institute of Fine Arts, [118].
• “Goblin Market,” [139].
• Goodall, [134].
• Gosse, Mr. Edmund, [166].
• Graham, Mr. William, [175].
• Gray, Miss Euphemia Chalmers, [148].
• Green, N.E., [61].
• Guildhall Loan Exhibition, [162].

• Hake, Dr. Gordon, [175], [178]-179, [181];
  • portrait of, [109].
• Hake, Mr. George, [175], [178];
  • portrait of, [110].
• Halliday, M.F., [129].
• Hancock, John, [61], [129].
• “Hand and Soul,” [71]-72.
• Hannay, James Lennox, [79].
• “Hark!” [30].
• Harris, Dr., [190], [192].
• Haydon, [90].
• “Heart of the Night, The,” [160], [231].
• Heaton, Mrs. Aldham, [167].
• Heaton, Miss, [168].
• Heine, [11], [14], [117], [277].
• Hellenism in Italy, [42]-49.
• Herbert, Miss, [103], [167].
• “Hesterna Rosa,” [107], [118], [236]-238.
• “Hireling Shepherd, The,” [149].
• Hogarth Club, [117].
• “House of Life, The,” [161], [262]-282.
• Howell, Mrs., [168].
• “How They Met Themselves,” [106], [224]-226.
• “Hugenot, A,” [4], [121], [127], [147], [243], [246].
• Hughes, Arthur, [4], [118], [125], [136]-137, [142]-143, [204]-205, [249].
• Hunt, William Holman, [29]-31, [35]-36, [63]-67, [86]-87, [92], [95], [100], [101], [109], [118]-119, [122], [137], [146], [148]-150;
  • characteristics of, [6], [15], [86], [107], [138], [208]-213, [215]-217, [224], [230], [236], [239], [244], [246], [248];
  • portrait of, [109].

• “Il Ramoscello,” [157].
• Inchbold, [118].
• “Infant Christ Adored, The,” [116], [156], [218].
• “Infants’ Repast, The,” [34].
• “Isabella,” [55], [60], [65], [67], [229].
• “Isabella and the Pot of Basil,” [150].
• “Isumbras at the Ford, Sir,” [148], [245]-246.
• Italian Pre-Raphaelites, The, [39]-57, [113].

• “Jenny,” [304]-307.
• “Jesus Washes Peter’s Feet,” [155].
• “Joan of Arc,” [191], [245].
• Johnson, Dr., and the Methodist Ladies, [159].
• “Joli Cœur,” [119].
• “Justice,” [34].

• “Kate the Queen,” [95].
• Keats, influence of, [58], [267], [277];
  • subjects from, [60]-62, [65], [117], [229], [248]-249.
• Keene, J.B., [61].
• Kelmscott, [172], [178].
• Kernahan, Mr. Coulson, [174].
• “King Arthur Receiving Excalibur,” [143].
• “King Arthur’s Tomb,” [116], [233].
• Kingdon, Miss, [168].
• “King René’s Honeymoon,” [154].
• Kingsley, Charles, [141].
• “King’s Tragedy, The,” [8], [186], [263], [286], [289]-292.
• Knewstub, Mr., [170].

• “Laboratory, The,” [105], [238].
• “Lady Lilith,” [157], [214].
• “Lady of Good Children, Our,” [34], [155].
• “Lady of Pity, Our,” [181], [224], [256]-258.
• “Lady of Shalott, The,” [138].
• “La Pia,” [157], [159].
• “La Ricordanza” (“Mnemosyne, or the Lamp of Memory”), [91], [175], [180].
• “Last Confession, A,” [304]-307.
• “Last Day in the Old Home, The,” [127].
• “Last of England, The,” [4], [153].
• “Launcelot Escaping,” [116].
• “Launcelot, Sir, before the Shrine,” [143], [233].
• Lawrence, [2], [122].
• Lear, Edward, [129].
• Leathart, Mrs., [168].
• Leighton, Sir F., [134].
• Leonardo, [49], [51], [121], [132].
• Leopardi, [277].
• Leyland, Mr. F.R., [163], [175], [190];
  • portrait of, [109].
• Lewes, J.F., [129].
• “Light of the World, The,” [4], [146], [211]-213.
• Linnell, [132].
• Liverpool Academy, The, [87]-88, [118].
• Liverpool, Walker Art Gallery, [150], [154], [174], [190].
• Llandaff Cathedral, Triptych for, [104], [116], [156], [218].
• “Loving Cup, The,” [157].
• “Lucretia Borgia,” [106], [117]-118, [159].
• “Luke the Painter, St.,” [117].
• Lushington, Mr. Godfrey, [140].
• Lushington, Mr. Vernon, [141].
• Lushington, Mrs., [168].
• Lyell, Mr. Charles, [109].
• “Lyra Innocentium,” [126].

• “Maids of Elfinmere,” [137].
• Manchester, Frescoes at, [155].
• “Mariana,” [137].
• “Mariana in the South,” [137].
• “Mariana of the Moated Grange,” [80]-82, [124], [231].
• “Mariana” (Shakespeare’s), [157].
• Marshall, Dr. John, [162], [190].
• Marston, Philip Bourke, [166], [192], [269], [277].
• Martineau, R.B., [127].
• Martin’s, St., Scarborough, [169].
• “Mary in the House of John,” [215].
• “Mary Magdalene at the Door,” [118], [213]-215.
• Masaccio, [57].
• Massey, Mr. Gerald, [131].
• “Matilda Gathering Herbs,” [215].
• Maurice, Frederick Denison, [141], [199];
  • portrait of, [154].
• “May in the Regent’s Park,” [126].
• “May Morning on Magdalen Tower,” [150].
• “Melancholia,” [51].
• Memmi, Simon, [113].
• “Merciful Knight, The,” [246].
• Meredith, Mr. George, [164]-166.
• “Merlin Lured into the Pit,” [143].
• Michaelangelo, [45], [49], [121], [132], [165], [261], [275].
• “Michael Scott’s Wooing,” [106], [180], [224]-226.
• Millais, Sir John Everett, [28]-31, [61], [63], [65], [74]-78, [86]-87, [92], [100], [109], [118]-120, [136]-139, [146]-148;
  • change of style, [122]-124, [133];
  • some characteristics of, [6], [15], [17], [65], [86], [106], [113], [120], [137], [201], [206]-208;
  • on colour, [88]-89;
  • portrait of, [109].
• “Mirror of Venus, The,” [129].
• “Mnemosyne, or the Lamp of Memory,” [91], [175], [180].
• Models, [64]-67, [79]-80, [100]-103, [105], [110], [126]-127, [145], [154], [167], [186], [214].
• “Modern Painters,” [36]-39, [83].
• “Monna Pomona,” [160].
• “Monna Rosa,” [117]-163.
• “Monna Vanna,” [157].
• Monro, Alexander, [105], [142]-143.
• “Morning Music,” [105].
• Morris, William, [140]-145, [165], [168], [172], [178], [274]-275.
• Morris, Mrs. William, [145], [168], [186].
• Morris, Miss May, [168].
• Morten, Thomas, [129].
• Mount Temple, Lord and Lady, [161], [168], [175], [185].
• Moxon’s “Tennyson,” [137].
• Murillo, [132].
• Museum, South Kensington, [102].
• Myers, Mr. T.W.H., [7], [273].

• National Gallery, The, [79], [159].
• “Nativity, The,” [205].
• Nature as a Background, [15]-16.
• “Nature’s Mirror,” [129].
• “New Day, The,” [179].
• Nicholson, P.W., [200].
• “Nimuë Brings Sir Peleus,” [143].
• “Nineveh,” [140].

• “Old Churchyard, The,” [129].
• “Ophelia,” [4], [121]-122, [147], [227], [229].
• Orchard, John, [73].
• “Order of Release, The,” [121], [147].
• “Oriana,” [138].
• “Orlando and Adam,” [106].
• “Our Lady of Good Children,” [34], [155].
• “Our Lady of Pity,” [181], [224], [256]-258.
• Outlines, Rossetti’s, [24].
• Overbeck, [134].
• Oxford, [77], [140]-141, [145];
  • frescoes at, [142]-146.
• “Oxford and Cambridge Magazine, The,” [140].

• Painters of the Last Generation, [33].
• “Palace of Art, The,” [138].
• “Palomides’s Jealousy, Sir,” [143].
• “Pandora,” [59], [118], [157], [162], [241]-242.
• “Paolo and Francesca,” [215], [234]-235.
• “Parable of Love, A,” [105].
• “Parable of the Vineyard, The,” [169].
• “Parisina and Manfred,” [154].
• “Passover in the Holy Family, The,” [116], [192], [205]-206.
• Patmore, Mr. Coventry, [71], [73], [80].
• Paton, Sir Noel, [129], [174].
• Payne, John, [166].
• Penkill, [171].
• Pessimism in Art, [13]-16.
• Poetry, Rossetti’s, [23], [68], [71]-73, [140], [161], [176]-177, [179], [259]-309.
• “Poetry, Art and,” [72].
• Polidori, Gaetano, [20].
• Polidori, Miss Margaret, [169].
• Pollen, J. Hungerford, [142]-143.
• Portraits, Pre-Raphaelite, [66], [102], [108]-114, [117], [145]-146, [148], [154], [161], [168], [186], [214].
• “Portrait, The,” [263], [283].
• Pre-Raphaelite Exhibitions, [67], [118].
• Pre-Raphaelitism, Characteristics of, [5]-6, [9], [12]-17, [58], [63]-64, [69], [80], [84]-86, [122], [124], [130], [133]-135, [198]-201.
• “Pretty Baa-Lambs,” [152].
• Prices of Pictures, [67], [150], [190].
• “Prince’s Progress, The,” [140].
• Prinsep, Mr. Val, [129], [142]-143, [173].
• “Proscribed Royalist, The,” [126], [147], [247].
• “Proserpine,” [118]-119, [157], [180], [191], [241].
• “Protestant Lady, The,” [127].
• “Psyche,” [236], [239]-40.
• “Puck,” [108].

• “Queen’s Page, The,” [117].
• “Question, The,” or “The Sphinx,” [181], [191].

• “Rachel and Leah,” [116].
• “Rainbow, The,” [108].
• “Rainbow, The Spirit of The,” [181].
• “Ramoscello, Il,” [157].
• “Random Shot, The,” or “L’Enfant du Regiment,” [148].
• Raphael, [6], [49], [52]-54, [83], [132].
• “Reaper and the Flowers, The,” [125].
• Redgrave, [24].
• “Regina Cordium,” [160], [167].
• Renaissance in Italy, The, [40]-55, [121].
• “Renunciation of St. Elizabeth, The,” [93].
• Replicas, [162].
• “Rescue, The,” [148], [245].
• “Retro me, Sathana,” [66].
• “Return of the Dove, The,” [80].
• Reynolds, Sir Joshua, [89]-90.
• “Rienzi swearing Revenge,” [66]-67.
• Roehampton, [178].
• “Roman Widow, The” (“Dis Manibus”), [167], [175], [180].
• Romance, Characteristics of, [12]-16, [45]-46, [49]-50, [183]-184.
• “Romeo and Juliet,” [4], [154], [226].
• “Rosa Triplex,” [168].
• “Rose Garden, The,” [160].
• “Rose Mary,” [179], [263], [286], [290], [296]-299.
• Rossetti, Christina, [22], [71], [139], [275].
• Rossetti, Gabriel Charles Dante, commonly called Dante Gabriel, Rossetti, [7], [19]-28, [30]-31, [35], [58]-68, [90], [92]-107, [109], [115], [136]-140, [141]-143, [156]-196;
  • some characteristics of, [3], [5]-8, [15], [24], [28], [58], [86], [96]-98, [106]-107, [121], [176], [194]-195, [201]-206, [213]-218, [223]-226, [230]-238, [241]-242, [245], [250]-258, [259]-309;
  • portraits of, [109], [192]-193;
  • Rossetti’s Outlines, [24];
  • Colour, [91], [99].
• Rossetti, Gabriele, [20].
• Rossetti, William Michael, [63], [71], [73], [109], [120], [164];
  • portrait of, [109].
• Royal Academy, [33], [74]-75, [80]-81, [108], [122], [126]-128, [161].
• Royal Scottish Academy, [118].
• Rubens, [132].
• Ruskin, John, [4], [36]-39, [56]-57, [85]-87, [99], [113]-115, [127], [141], [150], [200], [229];
  • portraits of, [109], [147];
  • letters to the “Times,” [80]-84.
• Russell Place Exhibition, [118].

• “Sancta Lilias,” [181].
• “Saint Agnes of Intercession,” [72].
• “Saint George, A Wedding of,” [118].
• “Saint George and Princess Sabra,” [160], [245].
• “Saint Luke the Painter,” [117].
• “Salutation of Beatrice, The,” [189]-190, [250]-251.
• Sandys, Mr. Frederick, [128]-129, [175].
• Sarrazin, M. Gabrièl, [233].
• Sass’s Academy, [28].
• “Scapegoat, The,” [4], [150], [210]-211.
• Scott, Mr. W. Bell, [178].
• “Sea-Spell, The,” [167], [175], [181].
• Seddon, Mr. J.P., [118], [129], [190], [193].
• “Sermon on the Plain, The,” [169].
• Sevenoaks, [95].
• “Seward, John,” [73].
• “Shadow of Death, The,” [150], [205], [208]-211.
• Sharp, Mr. William, [190], [192].
• Shelley, [267]-268, [277].
• Shields, Mr. Frederick, [129], [175], [187], [190], [192]-193.
• “Sibylla Palmifera,” [157], [167], [214].
• Siddal, Miss (Mrs. D.G. Rossetti), [99]-103, [159]-161;
  • portraits of, [102], [117], [159]-161.
• “Sir Galahad,” [116], [138], [143], [232].
• “Sir Isumbras at the Ford,” [148], [245]-246.
• “Sir Palomides’s Jealousy,” [143].
• “Sir Patrick Spens,” [101].
• “Sister Helen,” [263], [286], [290], [293]-295.
• Smith, Bernhard, [108].
• Sonnets, Rossetti’s, [23], [161], [170], [179], [214], [237], [242], [269]-282, [304].
• South Kensington Museum, [102].
• Spartali, Miss (Mrs. Stillman), [167].
• Specialism in Art, [6]-8.
• “Sphinx, The,” or “The Question,” [181], [191].
• “Spirit of the Rainbow, The,” [181].
• “Spring,” [118].
• “Staff and Scrip, The,” [140], [287].
• Stained Glass, Designs for, [168]-169.
• Stanhope, Mr. Spencer, [129], [142].
• “Stealthy School of Criticism, The,” [177].
• Stephens, Mr. F.G., [61], [63], [73], [75], [88], [95], [109], [120];
  • portrait of, [109].
• Stillman, Mr. W.J., [110].
• Stillman, Mrs. (Miss Spartali), [167].
• Stobhall, [162], [178].
• Stone, [134].
• “Strayed Sheep, The, or Our English Coasts,” [149].
• “Stream’s Secret, The,” [263], [283].
• Strudwick, Mr. J.M., [5], [230].
• Sumner, Mrs., [175].
• “Sun may Shine, The,” [105].
• “Surgeon’s Daughter, The,” [127].
• Swinburne, A.C., [145], [164], [166], [177], [242], [266], [275];
  • portraits of, [109], [117].

• “Taurello’s First Sight of Fortune,” [105].
• Tebbs, Mrs. Virtue, [168].
• Technique, Imperfect, [25], [39].
• Tennyson, [85], [94]-95, [104], [165]-166, [199];
  • illustrations of, [116], [137]-139, [142]-143, [154], [160], [230]-234;
  • portraits of, [108]-109, [117], [137].
• Thomas, Mr. Cave, [69], [128].
• Thomson, James, [269], [277].
• “Tibullus’s Return to Delia,” [118].
• “Times,” Ruskin’s letters to the, [80]-84.
• Tirebuck, William, [223].
• “Titania,” [108].
• Titian, [2], [5], [49].
• “Too Late,” [127].
• “Transfiguration, The,” [155].
• “Tree of Life, The,” [220].
• “Tristram and Iseult,” [116], [160].
• “Triumph of the Innocents, The,” [150], [217].
• “Tune of the Seven Towers, The,” [116].
• Tupper, Mr. J.L., [71]-72.
• Turner, [2], [16].
• “Two Mothers,” [119].

• “Under the Microscope,” [177].

• “Vale of Rest, The,” [16], [129], [148], [228]-229.
• “Valentine and Sylvia,” [79]-80, [87]-101.
• Venables, [146].
• “Venetian Pastoral, A,” [68].
• Venetian School, [49]-50.
• “Venus Astarte,” or “Astarte Syriaca,” [59], [184]-185, [189].
• “Venus Verticordia,” [157].
• “Veronica Veronese,” [91], [167], [180].
• Vinter, Mr. J.A., [23]-24, [31], [61].
• “Viola,” [100]-101.
• “Vision of Fiametta, A,” [119].

• “Waiting,” [154].
• Walker Art Gallery, Liverpool, The, [150], [154], [174], [190].
• Walker, Frederick, [16].
• Walker, Sir A.B., [88].
• Wallis, Henry, [4], [128].
• “Washing Hands,” [118], [160].
• “Water Willow,” [119].
• Watkins, F., [61].
• Watson, J.D., [129].
• Watts, Mr. G.F., [4], [34], [113], [151], [227], [235]-236, [239]-240.
• Watts, Mr. Theodore, [101], [174], [181], [185], [190], [192], [195];
  • portrait of, [109].
• “Wedding of St. George, A,” [118].
• Wells, Mrs. W.T., [168].
• “White Ship, The,” [182], [263], [286], [288]-290.
• “Wicked Husbandmen, The,” [169].
• “Wiclif Reading,” [34], [152].
• “Widow’s Mite, The,” [35].
• Wilding, Miss, [167].
• Wilkie, [90].
• Williams, Miss, [168].
• Windus, W.L., [118], [127], [248].
• “Woodman’s Daughter, The,” [80], [228]-229.
• Woodward, Mr., [142].
• Woolner, Thomas, [63], [71], [105], [108]-109, [129], [137], [153].
• Wordsworth, [279], [183].
• “Work,” [154].
• Working Men’s College, The, [141].
• Wyatt, Mr. James, [145].

CHISWICK PRESS:—C. WHITTINGHAM AND CO., TOOKS COURT,

CHANCERY LANE.

Footnotes

---

[1]. F.W.H. Myers, “Rossetti and the Religion of Beauty.”

[2]. “Some Thoughts on the Transition from Paganism to Christianity.”

[3]. “On Pantheism and Cosmic Emotion.”

[4]. “The Magazine of Art,” 1888.

[5]. Gerald Massey: “Lectures on Pre-Raphaelitism,” 1858.

[6]. W.M. Rossetti: “Fine Art; Chiefly Contemporary.”

[7]. Rev. P.F. Forsyth: “Religion in Recent Art.”

[8]. The Round Table Series: “Rossetti,” by P.W. Nicholson.

[9]. William Tirebuck: “D.G. Rossetti; his work and influence.”

[10]. Gabriel Sarrazin: “Poètes Modernes d’Angleterre.”

[11]. Rossetti’s sonnet, “Found.”

[12]. Rev. P.F. Forsyth: “Religion in Recent Art.”

[13]. Rossetti’s sonnet, “Pandora.”

[14]. Walter Pater, “The Renaissance: Studies of Art and Poetry.”

[15]. F.W.H. Myers, “Essays: Modern.”

---

Transcriber’s Note

Errors in the text have been corrected where they can be reasonably attributed to the printer or editor, or where the same word appears as expected elsewhere. Inconsistencies in punctuation, particularly in the Index, have been resolved.

p. [xi]	“Bethlehem Gate”[—]	Added.
p. [4]	Ruskin: “I believe [Rosetti’s]	Sic.
p. [22]	its poet[r]y, its self-devotion	Added.
p. [30]	Mill[ia/ai]s’s	Transposed.
p. [67]	duly signed and [monogramed]	Sic.
p. [71]	a poem called “The Seasons,” Mr[.] Tupper	Added.
p. [73]	[“]Ruggiero and Angelica”	Added.
p. [74]	apologia for the Pre-Rapha[e]lite Brotherhood	Added.
p. [74]	heaped upon the Pre-R[e/a]phaelites	Corrected.
p. [79]	seen only in the oscure little Portland Gallery	Added.
p. [84]	is to [to] have a principal	Removed.
p. [131]	‘You see purple,’ ‘You see red,’ [‘]You see yellow.’	Added.
p. [224]	marked degree perhaps tha[t/n] any other drawings	Corrected.
p. [239]	ever-significant story of “Psyche” suggest the same	Added.