CHAPTER VI
THRESHING
That day had come to which the whole of the farming year leads up—the day of the threshing, when the grain is at last released from danger and made ready to be stored in barns, to be ground in mills. "Guldise," as it is still called in West Cornwall, is an epic occasion, when all the months, from the first breaking of the land to the piling of the reaped sheaves, culminate at the apex of achievement.
In the field, between the waiting stacks, was the thresher; the traction-engine which had dragged it there stood beyond, only harnessed to it now by the long driving-belt that would, when the time came, make of the thresher a living creature. Presently all the men began to arrive, not only the labourers who always worked on the Manor farm, but the men from the neighbouring farms, from those owned by Ishmael and from others, for every threshing is a festival with a great dinner and refreshments in the field and good cheer, even for the crowds of children and stray dogs that always turn up out of nowhere. In the kitchen the maids were busy with the preparations for the dinner, and in the breakfast-room even Lissa, always late, was hurrying through her breakfast so as to go out and start work on the series of quick sketches she meant to do of the thresher at work and the groups around it.
Lissa was a young-looking woman for her thirty-five years, no more pretty than she had ever been, but graceful, and with a strong charm in her lazy voice and long grey eyes and in the mouth that was so like Georgie's, only less regular. Her chin and jaw had the clear sharpness of Ishmael's; she was far more like him both in character and aspect than the sweet round Ruth, and Ishmael had grown to feel more and more that no matter how long a time elapsed between the occasions when he and Lissa saw each other, yet they could always pick up where they had left off, that there was never need for more than half-sentences between them. She, who was supposed to be the selfish one of the family because she lived in London most of the year and seldom wrote—she was still the only member of the household who had known something was wrong with Ishmael. She had found him uncommunicative on the subject, but she watched him with her clear understanding eyes that always made him think her so restful.
"Come on, do Auntie Lissa!" urged Jim. "It's begun; I can hear it."
"So can I," said Lissa drily; for the great moaning hum of the thresher filled the air, went on and on as it would all day except at food-times, sounding like some vast wasp held captive and booming unceasingly—some great dragon of a wasp, as Jimmy put it.
They went out together, but Lissa insisted on going to find grandpa first and helping him on with his light coat; then they all three went out across the farmyard and through the open gate into the field.
The thresher stood humming and palpitant, its great bulk painted a dull pinkish colour like a locust, but faded and stained with rust. Upon its trembling roof the piles of oats, thrown by the men on the stack alongside, showed a pure golden; above the sky was dazzlingly blue, and in it the white cumuli rode brilliantly. The men working on the top of the thresher showed bronzed against the luminous blue, their shirts as brightly white as the clouds, the shadows under their slouched hats lying soft and blue across their clear eyes.
Poised on the stacks the men were busy feeding the sheaves to the men on the thresher, who in their turn tilted them into the great concave drum in its hidden heart. From one end poured out steady streams of golden grain, into the hanging sacks that boys took away as they filled, bringing in their place empty sacks that hung limply for a minute and then began to fill, swelling and puffing out to sudden solidity. The sieves beneath the thresher shook back and forth, back and forth, tirelessly, while chaff poured away from the open jaws at the side in a fine dusty column of pale gold, from which the topmost husks blew up into the air, so that it was always filled with a whirling cloud that danced and gleamed in the sunlight like a swarm of golden bees.
At the far end of the thresher, away from the traction-engine, the fumbling lips of the shakers, mouthing in and out beneath their little penthouse, pushed out the beaten straw into the maw of an automatic trusser, which Ishmael had only bought that year and which he was watching eagerly. For one moment the formless tumble of straw, pushed out by those waggling wooden lips above, was lost in the trusser, then it shot forth below in bound bundles that had been made and tied by the hidden hands of the machinery within, to the never-ceasing wonder of the gaping children, who stared at the solemnly revolving spools of string in the little pigeon-holes on either side and from them back to where the string was perpetually disappearing, sucked into the interstices of the trusser, as though, if only they stared hard enough, they must eventually see how the miracle was accomplished. And from the ground yet more men picked up the bundles on their pitchforks and tossed them to men who were building the straw-ricks at the same time as the corn-stacks were diminishing. Little boys bore away the chaff gathered into sacks or swept it into a golden pile, feather-soft, from which smoke-like whirls wreathed in the little breezes.
In line with the thresher stood the engine, looped to it by trembling curves of driving-belt, that wavered like a great black ribbon from the driving-wheel of the traction-engine to that of the thresher, and that showed a line of quivering light along its edge. A trail of dark smoke blew ceaselessly from the traction-engine, staining the blue of the sky, against which it faded and died away. The engine rocked a little unceasingly upon its wheels as it stood, even as the thresher did, and its governor whirled round and round like a demented spirit, so fast that its short arms with the blobs on their ends made a little dark circle in the air. A pool of steamy water lying in the grass beneath the waste-pipe gave off white wreaths that wavered upwards and fell again, while from a huge black butt upon wheels the greedy boiler sucked up more and more through a coiling tube that glittered like a serpent.
It was dark, ugly, smelly, the traction-engine, but it was what endowed the murmurous thresher with life. In spite of its dirt and oil and dripping secretions, it kept going that wonderful life which was filling the world, the rising and falling hum, the streams of pouring grain, the swelling sacks, the great glossy bundles of straw, the blown column of chaff, the cloud of dancing golden magic bees that made of the air an element transmuted, glorified.
With all the threshings he had seen, it seemed to Ishmael that he had still never seen any quite so wonderful, so radiant, so rich to eye and ear and nostril, as this; and to little Jimmy, who had never been there for guldise before, it was a golden miracle. He stood, silent for once, transfixed, fronting the wondrous monster who did so many different things at once with such perfect ease, never making a mistake or getting out of time….
He helped, too, to carry out "crowse"—the midmorning lunch—to the men, and he wandered about with the crowds of stray children and patted the unresponsive dogs, and was admired by the women and bored by them, and himself partook of big saffron buns, that Marjorie said would spoil his dinner, but that didn't. Nothing, he felt, could have spoilt anything that day.
With evening and the last whirring of the thresher Ishmael, watching him at play, felt, as he always had, that it is impossible to watch children without an ache for the inevitable pity of it that they should have to grow up. It was not, he felt, because they are particularly happy—for never again can there be griefs blacker than those which darken all a child's horizon, but simply because they stand for something beautiful which can never come again. Now, looking at Jim and the other children, he felt the old pity, but tinged with something new. For the first time he saw that it was only by realising that children were symbols, the mere passing exponents of a lovely thing which was itself ever present, that it became possible to look at them without that aching. There would always be, he supposed, some people who could look at children and feel, not so much pity that these young things must age as self-pity that they themselves had lost childhood; but others looked as he always had, with a more impersonal pang, sorry that so beautiful a thing should fade. And it was for the comfort of such as he to realise that it did not matter in the least, because, though children grew up and away, childhood remained—a bright banner carried from hand to hand, always in a new grasp before the old one could tarnish it. More, he saw that it was this very evanescence which had for him given childhood its sadness that also gave it its beauty; if there were anywhere on earth a race of perpetual children it would not be beautiful. For he saw that it was the inevitable slipping-away of all life which gave poignancy to loveliness.
He spoke something of his thought to Lissa, and she nodded in comprehension.
"That's why no picture or sculpture can be as beautiful as the human model," she said, "not because of any necessary inferiority, but simply in the terrible permanence of man's work as compared with God's."
They stood a while longer side by side, and then Jimmy, who with the last whirring note of the thresher suddenly felt very tired, came and leant up against his grandfather. Ishmael stooped over the boy, and with a great heave, despite Marjorie's protests—she had come out to take her son to bed—he hoisted him up to his old bowed shoulder.
"Say good-night to the thresher," he told him. "You are going to bed, and it is going to bed too."
"Is it very tired?" asked Jimmy.
"Yes, nicely tired, like you when you have been running about all day."
"Not nasty tired like I am after lessons?"
"No, not nasty tired."
"Are you tired, Grandad?"
"Yes," said Ishmael.
"Nice tired or nasty tired?"
"Nice tired," said Ishmael; "old men and little boys both go nice tired."
"Like the thresher?" persisted Jimmy, and, receiving an answer that satisfied him, allowed his grandfather to carry him in to bed, though he could have gone in so much more quickly himself, for grandpapa could not run with him on his shoulder as his father could. But Jimmy was in no hurry, because every minute gained was a minute out of bed and in this wonderful world where threshers hummed and golden clouds wove themselves ceaselessly in the air.
Ishmael too felt very tired, as he had said; but, as he had also said, it was a pleasant tiredness. His day had been too full for thought other than of what was happening before his eyes. An exquisite sense of fitness, of something that was falling into place as everything in the history of the harvest had done, a sense as of gathered sheaves and stored grain, was with him, though sub-consciously. His brain felt filled with visual impressions, his old eyes held a riot of blue and gold, and a humming was still in his ears. As he closed his lids that night golden motes danced within them.
He sank off into sleep, and then drifted, half-awake again, to that state when the mind is not fully aware of where it is or of what has happened. It seemed to him, for one blurred moment, that he was a little boy again, falling to sleep on that evening when the Neck was cried …; and then, out of the far past, came back to him the remembrance that it was at the Vicarage he had slept that night. Something told him he was not there now…. Vaguely, in the darkness, he put up his hand to feel if the plaster Christ were above his head. His groping old fingers found it, and he stayed, half-reared up against his pillows for an instant, while he touched the drooping head with its thorny crown, and on that familiar touch he let his hand fall, and with it fell asleep.