HISTORY OF MUSIC.
In the midst of this energetic life of professional exertion, family avocations, worldly prosperity, and fashionable distinction, Dr. Burney lost not one moment that he could purloin either from its pleasures or its toils, to dedicate to what had long become the principal object of his cares,—his musical work.
Music, as yet, whether considered as a science or as an art, had been written upon only in partial details, to elucidate particular points of theory or of practice; but no general plan, or history of its powers, including its rise, progress, uses, and changes, in all the known nations of the world, had ever been attempted: though, at the time Dr. Burney set out upon his tours, to procure or to enlarge materials for such a work, it singularly chanced that there started up two fellow-labourers in the same vineyard, one English, the other Italian, who were working in their studies upon the same idea—namely, Sir John Hawkins, and Padre Martini. A French musical historian, also, M. de La Borde, took in hand the same subject, by a striking coincidence, nearly at the same period.
Each of their labours has now been long before the public; and each, as usual, has received the mede of pre-eminence, according to the sympathy of its readers with the several views of the subject given by the several authors.
The impediments to all progressive expedition that stood in the way of this undertaking with Dr. Burney, were so completely beyond his control, that, with his utmost efforts and skill, it was not till the year 1776, which was six years after the publication of his plan, that he was able to bring forth his