BJÖRNE BJÖRNESON
eyvind was his name. A low, barren cliff overhung the house in which he was born; fir and birch looked down on the roof, and wild cherry strewed flowers over it. Upon this roof there walked about a little goat, which belonged to Oeyvind. He was kept there that he might not go astray; and Oeyvind carried leaves and grass up to him. One fine day the goat leaped down, and away to the cliff; he went straight up, and came where he never had been before.
[20] From A Happy Boy in J. G. Whittier's Child Life in Prose.
Oeyvind did not see him when he came out after dinner, and thought immediately of the fox. He grew hot all over, looked round about, and called, "Killy-killy-killy-goat!"
"Bay-ay-ay," said the goat, from the brow of the hill, as he cocked his head on one side and looked down.
But beside the goat there kneeled a little girl. "Is it yours—this goat?" she asked.
Oeyvind stood with eyes and mouth wide open, thrust both hands into the breeches he had on, and asked, "Who are you?"
"I am Marit, mother's little one, father's fiddle, the elf in the house, granddaughter of Ole Nordistuen of the Heide farms, four years old in the autumn, two days after the frost nights, I!"
"Are you really?" he said, and drew a long breath, which he had not dared to do so long as she was speaking.
"Is it yours, this goat?" asked the girl again.
"Ye-es," he said, and looked up.
"I have taken such a fancy to the goat. You will not give it to me?"
"No, that I won't."
She lay kicking her legs, and looking down at him, and then she said, "But if I give you a butter-cake for the goat, can I have him then?"
Oeyvind came of poor people, and had eaten butter-cake only once in his life; that was when grandpa came there, and anything like it he had never eaten before or since. He looked up at the girl. "Let me see the butter-cake first," said he.
She was not long about it, and took out a large cake, which she held in her hand. "Here it is," she said, and threw it down.
"Ow, it went to pieces," said the boy. He gathered up every bit with the utmost care; he could not help tasting the very smallest, and that was so good he had to taste another, and, before he knew it himself, he had eaten up the whole cake.
"Now the goat is mine," said the girl.
The boy stopped with the last bit in his mouth, the girl lay and laughed, and the goat stood by her side, with white breast and dark brown hair, looking sideways down.
"Could you not wait a little while?" begged the boy; his heart began to beat. Then the girl laughed still more, and got up quickly on her knees.
"No, the goat is mine," she said, and threw her arms round its neck, loosened one of her garters, and fastened it round. Oeyvind looked up. She got up, and began pulling at the goat. It would not follow, but twisted its neck downward to where Oeyvind stood.
"Bay-ay-ay," it said.
But she took hold of its hair with one hand, pulled the string with the other, and said gently, "Come, goat, and you shall go into the room and eat out of mother's dish and my apron." And then she sang:
"Come, boy's goat,
Come, mother's calf,
Come, mewing cat
In snow-white shoes.
Come, yellow ducks,
Come out of your hiding-place;
Come, little chickens,
Who can hardly go;
Come, my doves
With soft feathers;
See, the grass is wet,
But the sun does you good;
And early, early is it in summer,
But call for the autumn, and it will come."
There stood the boy.
He had taken care of the goat since the winter before, when it was born, and he had never imagined he could lose it; but now it was done in a moment, and he would never see it again.
His mother came up humming from the beach, with wooden pans which she had scoured; she saw the boy sitting with his legs crossed under him on the grass, crying, and she went up to him.
"What are you crying about?"
"Oh, the goat, the goat!"
"Yes; where is the goat?" asked his mother, looking up at the roof.
"It will never come back again," said the boy.
"Dear me! How could that happen?"
He would not confess immediately.
"Has the fox taken it?"
"Ah, if it only were the fox!"
"Are you mad?" said his mother. "What has become of the goat?"
"Oh-h-h, I happened to—to—to sell it for a cake!"
As soon as he had uttered the word, he understood what it was to sell the goat for a cake; he had not thought of it before. His mother said:
"What do you suppose the little goat thinks of you, when you could sell him for a cake?"
And the boy thought about it, and felt sure that he could never again be happy in this world, and not even in heaven, he thought, afterwards. He felt so sorry, that he promised himself never again to do anything wrong, never to cut the thread on the spinning wheel, nor let the goats out, nor go down to the sea alone. He fell asleep where he lay, and dreamed about the goat, that he had gone to heaven; our Lord sat there with a great beard, as in the catechism, and the goat stood eating the leaves off a shining tree; but Oeyvind sat alone on the roof, and could not come up.
Suddenly there came something wet close up to his ear, and he started up. "Bay-ay-ay!" it said; and it was the goat, who had come back again.
"What! have you got back?"
He got up, took it by the two forelegs, and danced with it as if it were a brother; he pulled its beard, and he was just going in to his mother with it, when he heard someone behind him, and, looking, saw the girl sitting on the greensward by his side. Now he understood it all, and let go the goat.
"Is it you who have come with it?"
She sat tearing the grass up with her hands, and said:
"They would not let me keep it; grandfather is sitting up there, waiting."
While the boy stood looking at her, he heard a sharp voice from the road above call out, "Now!"
Then she remembered what she was to do; she rose, went over to Oeyvind, put one of her muddy hands into his, and, turning her face away, said:
"I beg your pardon!"
But then her courage was all gone; she threw herself over the goat, and wept.
"I think you had better keep the goat," said Oeyvind, looking the other way.
"Come, make haste!" said grandpapa, up on the hill; and Marit rose, and walked with reluctant feet upwards.
"You are not forgetting your garter?" Oeyvind cried after her. She turned around, and looked first at the garter and then at him. At last she came to a great resolution, and said, in a choked voice:
He went over to her, and, taking her hand, said:
"Thank you!"
"Oh, nothing to thank for!" she answered, but drew a long sigh, and walked on.
He sat down on the grass again. The goat walked about near him, but he was no longer so pleased with it as before.
The goat was fastened to the wall; but Oeyvind walked about, looking up at the cliff. His mother came out and sat down by his side; he wanted to hear stories about what was far away, for now the goat no longer satisfied him. So she told him how once everything could talk: the mountain talked to the stream, and the stream to the river, the river to the sea, and the sea to the sky; but then he asked if the sky did not talk to any one; and the sky talked to the clouds, the clouds to the trees, the trees to the grass, the grass to the flies, the flies to the animals, the animals to the children, the children to the grown-up people; and so it went on, until it had gone round, and no one could tell where it had begun.
Oeyvind looked at the mountain, the trees, the sky, and had never really seen them before. The cat came out at that moment, and lay down on the stone before the door in the sunshine.
"What does the cat say?" asked Oeyvind, pointing. His mother sang:
"'At evening softly shines the sun,
The cat lies lazy on the stone.
Two small mice,
Cream, thick, and nice,
Four bits of fish,
I stole behind a dish,
And am so lazy and tired,
Because so well I have fared,'
says the cat."
But then came the cock, with all the hens. "What does the cock say?" asked Oeyvind, clapping his hands together. His mother sang:
"'The mother hen her wings doth sink,
The cock stands on one leg to think:
That grey goose
Steers high her course;
But sure am I that never she
As clever as a cock can be.
Run in, you hens, keep under the roof to-day,
For the sun has got leave to stay away,'
says the cock."
But the little birds were sitting on the ridgepole, singing. "What do the birds say?" asked Oeyvind, laughing.
"'Dear Lord, how pleasant is life,
For those who have neither toil nor strife,'
And she told him what they all said, down to the ant who crawled in the moss, and the worm who worked in the bark.
That same summer, one day, his mother came in and said to him, "To-morrow school begins and then you are going there with me."
Oeyvind had heard that school was a place where many children played together, and he had no objection. Indeed, he was much pleased, and he was so anxious to get there that he walked faster than his mother up over the hills.
When he came in there sat as many children around a table as he had ever seen at church. Others were sitting around the walls. They all looked up as Oeyvind and his mother entered, and as he was going to find a seat they all wanted to make room for him. He looked around a long time with his cap in his hand, and just as he was going to sit down he saw close beside him, sitting by the hearth-stone, Marit of the many names. She had covered her face with both hands, and sat peeping at him through her fingers.
"I shall sit here," said Oeyvind quickly, seating himself at her side, and then she laughed and he laughed too.
"Is it always like this here?" he whispered to Marit.
"Yes, just like this; I have a goat now," she said.
"Have you?"
"Yes; but it is not so pretty as yours."
"Why don't you come oftener up on the cliff?" said he.
"Grandpapa is afraid I shall fall over."
"But it is not so very high."
"Grandpapa won't let me, for all that."
"Mother knows so many songs," said he.
"Grandpapa does too, you can believe."
"Yes, but he does not know what mother does."
"Grandpapa knows one about a dance. Would you like to hear it?"
"Yes, very much."
"Well, then, you must come farther over here, and I will tell it to you."
He changed his place, and then she recited a little piece of a song three or four times over so that the little boy learned it, and that was the first he learned at school.
Then the children sang, and Oeyvind stood with Marit by the door. All the children stood with folded hands and sang. Oeyvind and Marit also folded their hands, but they could not sing. And that was the first day at school.
The Emperor's New Clothes
here once lived an Emperor who was so fond of fine clothes that he spent great sums of money in order to be beautifully dressed. He cared little about his army or other affairs of State; he did not care for amusements; nothing pleased him so much as walking abroad to show off his new clothes. He had a coat for every hour of the day; and as they often say of a king, "He is in the council chamber," here it would usually be, "The Emperor is at his toilet."
The great city in which he lived had always something fresh to show; every day many strangers came there. One day two men arrived who said that they were weavers, and knew how to manufacture the most beautiful cloth imaginable. Not only were the material and texture uncommonly beautiful, but clothes made of the stuff possessed this wonderful property that they were invisible to anyone who was not fit for his office, or who was very stupid.
"Those must indeed be splendid clothes," thought the Emperor. "Besides, if I had an outfit, I could find out which of my servants are unfit for the offices they hold; I should know the wise from the stupid! Yes, this cloth must be woven for me." And he gave the men much money that they might begin at once to weave their cloth.
Of course they were impostors, but they put together two looms, and began to move about as if they were working, though they had nothing whatever on the looms. They were also given quantities of the finest silk and the best gold, which they hid.
"I wonder how far they have got on with the cloth," thought the Emperor one day. He remembered that whoever was stupid or not fit for his office would be unable to see the material. He certainly believed that he had nothing to fear for himself, but he decided first to send a high official in order to see how he stood the test. Everybody in the whole town knew by this time what a wonderful power the cloth had, and all were curious to see what was to happen.
"I will send my prime minister to the weavers," thought the Emperor. "He can judge best what the cloth is like, for he is the wisest man in my kingdom."
Accordingly the old minister went to the hall where the impostors sat working at the empty looms. "Dear me!" thought the old man, opening his eyes wide, "I cannot see any cloth!" But he did not say so. "Dear, dear!" thought he, "can I be stupid? Can I be not fit for my office? No, I must certainly not admit that I cannot see the cloth!"
"Have you nothing to say?" asked one of the men.
"Oh, it is lovely, most lovely!" answered the old minister, looking through his spectacles. "What smooth texture! What glowing colours! Yes, I will tell the Emperor that it is certainly very fine."
"We are delighted to hear you say that," said both the weavers, and they proceeded to name the colours and describe the appearance of the texture.
The old minister listened with great attention, so that he could tell the Emperor all about it on his return.
The impostors now demanded more money, and more silk and gold to use in their weaving. They pocketed all, and went on as they had done before, working at the empty loom. The Emperor soon sent another official to report as to when the cloth would be finished. The minister looked and looked, but there was nothing on the empty loom and of course he could see nothing.
"Is it not a beautiful piece of cloth?" asked the impostors, and they appeared to display material which was not there.
"Stupid I am not!" thought the minister, "so it must be that I am not fitted for my office. It is strange certainly, but no one must be allowed to notice it." And he, too, praised the cloth and pretended delight at the beautiful colours and the splendid texture. "Yes, it is indeed beautiful," he reported to the Emperor.
Everybody in the town was talking of the magnificent cloth, and the Emperor decided to see it himself while it was still on the loom. With a great crowd of courtiers, among whom were both the ministers who had been there before, he went to the impostors, who were making believe to weave with all their might.
"Is it not splendid!" said both the old statesmen. "See, your Majesty, how fine is the texture! What remarkable colours!" And then they pointed to the empty loom, believing that all but themselves could see the cloth quite well.
"What is wrong?" thought the Emperor. "I can certainly see nothing! This is indeed horrible! I must be stupid, or unfit to be Emperor! It will never do to let it be known! Yes, it is indeed very beautiful," he said. "It has my entire approval."
And then he nodded pleasantly, and examined the empty loom with an appearance of interest, for he would not admit that he could see nothing.
His courtiers, too, looked and looked, and saw no more than the others; but they said like the Emperor, "Oh! it is beautiful!" Everyone seemed so delighted that the Emperor gave to the impostors the title of Weavers to the Emperor.
Now there was to be a State procession the following week and throughout the night before and the morning of the day on which this was to take place the impostors were working by the light of many candles. The people could see that they appeared to be busy putting the finishing touches to the Emperor's new clothes. They pretended that they were taking the cloth from the loom; they cut nothing with huge scissors, sewed with needles without thread, and at last said, "The clothes are finished!"
The Emperor came himself with his favourites and each impostor held up his arms as if he were showing something and said, "See! here are the breeches! Here is the coat! Here the cloak!" and so on.
"Our clothes are so comfortable that one might imagine one had nothing on; that is the beauty of them!"
"Yes," nodded the courtiers, although they could see nothing, there being nothing there.
"Will it please your Majesty graciously to disrobe," said the impostors.
The Emperor took off all his clothes, and the men busied themselves as if they were putting on various garments, while meantime the Emperor surveyed himself in the mirror.
"How beautifully they fit! How well they suit his Majesty!" said everybody.
"If it please your Majesty, the procession is ready," announced the Master of the Ceremonies.
"I am ready," said the Emperor. And he turned again to the mirror as if to take a last admiring view of his finery.
The courtiers whose duty it was to bear the Emperor's train put their hands near the floor as if to lift the train; then they acted as if they were holding it up. They would not have it known that they could see nothing.
So the Emperor strutted forward in the procession under a splendid canopy, and the people in the streets and at the windows said, "How grand are the Emperor's new clothes! What beautiful silk, how it shines!"
No one would admit that he could see nothing, for that would have proved him unfit for his office, or stupid. None of the Emperor's clothes had ever been so praised.
"But the Emperor has nothing on!" said a child at last.
"Listen to the innocent child!" said the father, and each one whispered to his neighbour what the child had said.
"The Emperor has nothing on!" the people began to call out at last.
This seemed to the Emperor to be true; but he thought to himself, "I must not stop now." And the courtiers walked behind him with pompous air, gravely holding up the train which was not there.