“WHO LOVES A RAINY DAY?”
The bored editor; who, for one millennial day, in slippered feet, controls his arm chair, exchanges, stove, and inkstand; who has time to hunt up delinquent subscribers; time to decipher hieroglyphical manuscripts; time to make a bonfire of bad poetry; time to kick out lozenge boys and image venders; time to settle the long-standing quarrel between Nancy, the type-setter, and Bill, the foreman, and time to write complimentary letters to himself for publication in his own paper, and to get up a new humbug prospectus for the dear, confiding public.
Who loves a rainy day?
The little child of active limb, reprieved from bench, and book, and ferule; between whom and the wire-drawn phiz of grim propriety, those friendly drops have drawn a misty vail; who is now free to laugh, and jump, and shout, and ask the puzzling question—free to bask in the sunny smile of her, to whom no sorrow can be trivial that brings a cloud over that sunny face, or dims the brightness of that merry eye.
Who loves a rainy day?
The crazed clergyman, who can face a sheet of paper, uninterrupted by dyspeptic Deacon Jones, or fault-finding brother Grimes; or cautious Mr. Smith; or the afflicted Miss Zelia Zephyr, who, for several long years, has been “unable to find out the path of duty;” or the zealous old lady Bunce, who hopes her pastor will throw light on the precise locality fixed upon in the future state for idiots, and those heathen who have never seen a missionary.
Who loves a rainy day?
The disgusted clerk, who, lost in the pages of some care-beguiling volume, forgets the petticoat destiny which relentlessly forces him to unfurl endless yards of tinsel lace and ribbon, for lounging dames, with empty brains and purses, whose “chief end” it seems to be to put him through an endless catechism.
Who loves a rainy day?
The tidy little housewife, who, in neat little breakfast-cap and dressing-gown, overlooks the short-comings of careless cook and house-maid; explores cupboards, cellars, pantries, and closets; disembowels old bags, old boxes, old barrels, old kegs, old firkins; who, with her own dainty hand, prepares the favorite morsel for the dear, absent, toiling husband, or, by the cheerful nursery fire, sews on the missing string or button, or sings to soothing slumbers a pair of violet eyes, whose witching counterpart once stole her girlish heart away.
Who loves a rainy day?
I do! Let the rain fall; let the wind moan; let the leafless trees reach out their long attenuated fingers and tap against my casement: pile on the coal; wheel up the arm-chair; all hail loose ringlets and loose dressing-robe. Not a blessed son or daughter of Adam can get here to-day! Unlock the old writing desk; overlook the old letters. There is a bunch tied with a ribbon blue as the eyes of the writer. Matrimony quenched their brightness long time ago.
Irish help (?) and crying babies,
I grieve to say, are ’mong the may-be’s!
And here is a package written by a despairing Cœlebs—once intensely interested in the price of hemp and prussic acid; now the rotund and jolly owner of a princely house, a queenly wife, and six rollicksome responsibilities. Query: whether the faculty ever dissected a man who had died of a “broken heart?”
Here is another package. Let the fire purify them; never say you know your friend till his tombstone is over him.
What Solomon says “handwriting is an index of character?” Give him the cap and bells, and show him those bold pen-marks. They were traced by no Di Vernon! Let me sketch the writer:—A blushing, smiling, timid, loving little fairy, as ever nestled near a true heart; with a step like the fall of a snowflake, and a voice like the murmur of a brook in June. Poor little Katie! she lays her cheek now to a little cradle sleeper’s, and starts at the distant footstep, and trembles at the muttered curse, and reels under the brutal blow, and, woman-like—loves on!
And what have we here? A sixpence with a ribbon in it! Oh, those Saturday and Wednesday afternoons, with their hoarded store of nuts and candy—the broad, green meadow, with its fine old trees—the crazy old swing, and the fragrant tumble in the grass—the wreath of oak leaves, the bunch of wild violets, the fairy story book, the little blue jacket, the snowy shirt-collar, the curly, black head, with its soft, blue eyes. Oh, first love, sugar-candy, torn aprons, and kisses! where have ye flown?
What is this? only a pressed flower; but it tells me of a shadowy wood—of a rippling brook—of a bird’s song—of a mossy seat—of whispered leaf-music—of dark, soul-lit eyes—of a voice sweet, and low, and thrilling—of a vow never broken till death chilled the lips that made it. Little need to look at the pictured face that lies beside me. It haunts me sleeping or waking. I shall see it again—life’s trials passed.