RAJRAJESWURREE GHĀT.
On the sands in the foreground is the hut of a Baniyā, or grain merchant, from whom the dandīs procure chabenī, the parched grain of Indian corn (maize), also flour for their chappatīs. A group of pilgrims are seated on one side of the hut.
Rajrajeswurree Ghāt, which is seen in the distance, takes its name from an ancient temple of Devī, under the appellation of Rajrajeswurree (“queen of queens”). The title Devī, is usually applied to Bhawanī. The façade of this building is a good specimen of the mixed style of Hindū and Moresque architecture; the former is observable in the lower half of the central compartment; while the projecting stone gallery, with its parapet, tukya mootukka, and the domed octagonal buruj at the two corners, giving relief to the rectangular pavilion in the centre, are seen to be essentially Moorish, from the character of the pillar, and scalloped arch (mehrab).
The man in green is one of a very fine corps of men, called Gardner’s Horse; they were raised by the late Colonel Win. Linnæus Gardner, a most highly distinguished and gallant officer: they are such masters of their horses and weapons, that it is said, single-handed, nothing can resist them; and one of these men, well known in the up-country, was considered to be the finest horseman in India. For an account of Colonel Gardner’s romantic, adventurous, and distinguished life, we refer you to a work lately published, the “Wanderings of a Pilgrim during Four and Twenty Years in the East.”
The two men who next appear belong to Skinner’s Horse, a most efficient irregular corps, taking its name from its gallant colonel, by whom it was raised and stationed at Delhi. Skinner’s Horse rendered important services in the Mahratta and Pindaree campaigns. They are well mounted and appointed, and are an intelligent, fine body of men: with a lance of great length, they are exceedingly expert, and excellent shots with the matchlock, a most unwieldy fire-arm.
A native carriage, called a bilī, drawn by two bullocks, stands in the rear: these decorated carriages are principally used by women in the higher ranks of life; and within the curtains, which are closely drawn and fastened down, a lady is completely protected from the profane gaze of man.
In the distance you now behold the Dusaswumed Ghāt. The mythological legends which give rise to the name of this ghāt and temple, are connected with the story of Divadas’s usurpation of Siva’s kingly authority in Kashī. Siva having sent from heaven the yoginis, or heavenly nymphs, and tried various other stratagems in vain, to turn the earthly monarch aside from virtue, next deputed Brumha himself, who entered the place, disguised as an old Brahman, and obtaining access to the king, received permission from him to perform ten (dus) aswumedha, or horse sacrifices, upon the spot here represented. The horse sacrifice, as described in the purans, is a very curious ceremony. A horse having peculiar colours and qualities is selected, and after a course of pūja (worship), is turned loose upon the world, followed by the sacrificing party, with an armed retinue: if stopped by the sovereign of another country through which the animal may pass, war must be declared, and the interrupter of the sacrifice subdued:—in this way, after traversing the world, the horse returns, and is put to death by suffocation.