MYTHOLOGY AND RELIGION.
In order to enter into a full understanding of the social, economic, and aesthetic life we must have some knowledge of the mythology and religious beliefs, for these pervade every activity.
Several stories accounting for natural phenomena and the origin of the tribe were heard. One of these relates that the sun and moon were married and lived happily together until many children had been born to them. At last they quarreled and the moon ran away from her husband who has since been pursuing her through the heavens. After the separation of their parents the children died, and the moon gathering up their bodies cut them into small pieces and threw them into space. Those fragments which fell into water became fish, those which fell on land were converted into snakes and animals, while "those which fell upward" remained in the sky as stars.
A somewhat different version of this tale agrees that the quarrel and subsequent chase occurred, but denies that the children died and were cut up. It states that it is true that the offspring were animals, but they were so from the time of their birth. One of these children is a giant crab named tambanokaua who lives in the sea. When he moves about he causes the tides and high waves; when he opens his eyes lightning appears. For some unknown reason this animal frequently seeks to devour his mother, the moon, and when he nearly succeeds an eclipse occurs. At such a time the people shout, beat on gongs, and in other ways try to frighten the monster so that he can not accomplish his purpose.[106] The phases of the moon are caused by her putting on or taking off her garments. When the moon is full she is thought to be entirely naked.
[106] The writer found almost identical beliefs and practices among the Batak and Tagbanua of Palawan.
According to this tale the stars had quite a different origin than that just related, "In the beginning of things there was only one great star, who was like a man in appearance. He sought to usurp the place of of the sun and the result was a conflict in which the latter was victorious. He cut his rival into small bits and scattered him over the whole sky as a woman sows rice."
The earth was once entirely flat but was pressed up into mountains by a mythical woman, Agusanan. It has always rested on the back of a great eel whose movements cause earthquakes. Sometimes crabs or other small animals annoy him until, in his rage, he attempts to reach them, then the earth is shaken so violently that whole mountains are thrown into the sea.
A great lake exists in the sky and it is the spray from its waves which fall to the earth as rain. When angered the spirits sometimes break the banks of this lake and allow torrents of water to fall on the earth below.
According to Mr. Maxey, the Mandaya of Cateel believe that many generations ago a great flood occurred which caused the death of all the inhabitants of the world except one pregnant woman. She prayed that her child might be a boy. Her prayer was answered and she gave birth to a son whose name was Uacatan. He, when he had grown up, took his mother for his wife and from this union have sprung all the Mandaya.
Quite a different account is current among the people of Mayo. From them we learn that formerly the limokon,[107] although a bird, could talk like a man. At one time it laid two eggs, one at the mouth and one at the source of the Mayo river. These hatched and from the one at the headwaters of the river came a woman named Mag,[108] while a man named BEgenday[109] emerged from the one near the sea. For many years the man dwelt alone on the bank of the river, but one day, being lonely and dissatisfied with his location, he started to cross the stream. While he was in deep water a long hair was swept against his legs and held him so tightly that he narrowly escaped drowning. When he succeeded in reaching the shore he examined the hair and at once determined to find its owner. After wandering many days he met the woman and induced her to be his wife. From this union came all the Mandaya.
[107] See p. 63 note.
[108] Also known as Manway.
[109] Also known as Samay.
A variant of this tale says that both eggs were laid up stream and that one hatched a woman, the other a snake. The snake went down the current until it arrived at the place where the sea and the river meet. There it blew up and a man emerged from its carcass. The balance of the tale is as just related. This close relationship of the limokon to the Mandaya is given as the reason why its calls are given such heed. A traveler on the trail hearing the cooing of this bird at once doubles his fist and points it in the direction from whence the sound came. If this causes the hand to point to the right side it is a sign that success will attend the journey.[110] If, however, it points to the left, in front, or in back, the Mandaya knows that the omen bird is warning him of danger or failure, and he delays or gives up his mission. The writer was once watching some Mandaya as they were clearing a piece of land, preparatory to the planting. They had labored about two hours when the call of the limokon was heard to the left of the owner. Without hesitation the men gathered up their tools and left the plot, explaining that it was useless for them to plant there for the limokon had warned them that rats would eat any crop they might try to grow in that spot.
[110] Maxey states exactly the opposite, for the Mandaya of Cateel, i. e., the right side is bad, the left good.
The people do not make offerings to this bird, neither do they regard it as a spirit, but rather as a messenger from the spirit world. The old men were certain that anyone who molested one of these birds would die.
Another bird known as wak-wak "which looks like a crow but is larger and only calls at night" foretells ill-fortune. Sneezing is also a bad omen, particularly if it occurs at the beginning of an undertaking. Certain words, accompanied by small offerings, may be sufficient to overcome the dangers foretold by these warnings. It is also possible to thwart the designs of ill-disposed spirits or human enemies by wearing a sash or charm which contains bits of fungus growth, peculiarly shaped stones, or the root of a plant called gam. These charms not only ward off ill-fortune and sickness, but give positive aid in battle and keep the dogs on the trail of the game.[111]
[111] The use of these magic sashes, known as anting-anting, is widespread throughout the southern Philippines both with the pagan and Mohammedan tribes.
There is in each community one or more persons, generally women, who are known as ballyan. These priestesses, or mediums, are versed in all the ceremonies and dances which the ancestors have found effectual in overcoming evil influences, and in retaining the favor of the spirits. They, better than all others, understand the omens, and often through them the higher beings make known their desires. So far as could be learned the ballyan is not at any time possessed, but when in a trance sees and converses with the most powerful spirits as well as with the shades of the departed. This power to communicate with supernatural beings and to control the forces of nature, is not voluntarily sought by the future ballyan, but comes to the candidate either through one already occupying such a position or by her being unexpectedly seized with a fainting or trembling fit, in which condition she finds that she is able to communicate with the inhabitants of the spirit world. Having been thus chosen she at once becomes the pupil of some experienced ballyan from whom she learns all the secrets of the profession and the details of ceremonies to be made.
At the time of planting or reaping, at a birth or death, when a great celebration is held, or when the spirits are to be invoked for the cure of the sick, one or more of these women take charge of the ceremonies and for the time being are the religious heads of the community. At such a time the ballyan wears a blood-red waist,[112] but on other occasions her dress is the same as that of the other women, and her life does not differ from their's in any respect.
[112] PEDRO ROSELL, writing in 1885, says that the ballyan then dressed entirely in red. BLAIR and ROBERTSON, Vol. XLIII, p. 217.
When about to converse with the spirits the ballyan places an offering before her and begins to chant and wail. A distant stare comes into her eyes, her body begins to twitch convulsively until she is shivering and trembling as if seized with the ague. In this condition she receives the messages of the spirits and under their direction conducts the ceremony.
Rosell gives the following description of the possession of a ballyan.[113] Nothing of this nature was seen by the writer.
[113] BLAIR and ROBERTSON, Vol. XLIII, p. 218.
"They erect a sort of small altar on which they place the manaúgs or images of the said gods which are made of the special wood of the bayog tree, which they destine exclusively for this use. When the unfortunate hog which is to serve as a sacrifice is placed above the said altar, the chief bailana approaches with balarao or dagger in hand which she brandishes and drives into the poor animal, which will surely be grunting in spite of the gods and the religious solemnity, as it is fearful of what is going to happen to it; and leaves the victim weltering in its blood. Then immediately all the bailanas drink of the blood in order to attract the prophetic spirit to themselves and to give their auguries or the supposed inspirations of their gods. Scarcely have they drunk the blood, when they become as though possessed by an infernal spirit which agitates them and makes them tremble as does the body of a person with the ague or like one who shivers with the cold."