THE NIGHTINGALE’S SONG.
The Day has furled
Her banners red,
And all the world
Lies cold and dead;
All light and gladness fled.
Asleep!—asleep,
In slumber deep,
Are maid and boy;
And grief and joy,
And pleasures—pains
Are bound—fast bound in slumber’s chains.
Ah, slumbers keep
The maid who sighs,
The boy who cries,
The bee that flies,
In charmèd sleep.
See how the moon shines in the sky
Her light so pale,
O’er hill and dale;
O’er dale and hill,
So calm and still,
In splendour flinging;
And Mother Earth,
At her bright birth,
Hears me the night-bird singing.
’Tis I!
Who in the darkness cry;
The nightingale who sings, who sings on high.
I call the elves
To show themselves;
They creep from tree, from grass, from flower;
In forest-bower
At midnight hour,
They dance—they dance,
All night so bright—so light;
While I the woods with song entrance.
Singing—Singing,
My voice is ringing
Thro’ the still leaves,
Till all the dark night heaves
With pain—with pain
Again—oh, sing again;
Bring joy—bring tears,
Till o’er the lawn
The red, red dawn
Appears—appears—appears.
While the nightingale was thus singing in such a capricious manner, paying no attention to metre or rhyme, the whole glade changed, but I was so entranced with the bird music, that I did not notice the transformation until I found myself in a splendid hall with a lofty ceiling, seated on a couch of green velvet. The trees around were now tall slender pillars of white marble, and between them hung long curtains of emerald velvet. The pool was still in the centre, with its broad white water-lilies asleep on its breast, but it was now encircled by a rim of white marble, and reflected, not the blue sky, but an azure ceiling, upon which fantastic patterns in gold reminded me somewhat of the intricate traceries of the trees. High up in the oval ceiling, in place of the moon, there hung a large opaque globe, from whence a soft, cool light radiated through the apartment.
As I was looking at all these beautiful things, I heard a soft laugh, and, on turning round, saw a man of my own height, dressed in robes of pale green, with a sweeping white beard, a purple cap on his head, and a long slender staff in his hands.
“You don’t know me?” he said in a musical voice. “My name is Phancie, and I am the librarian of the King.”
“Were you the faery?” I asked, looking at him.
“I am always a faery,” he replied, smiling. “You saw me as I generally appear to mortals; but, as the King has given you permission to learn some of the secrets of Faeryland, I now appear to you in my real form.”
“So this is the King’s library?” I said, looking round; “but how did I come here?—or rather, how did the glade change to the library?”
“The glade has not changed at all,” said Phancie quietly; “it is still around you, but your eyes have been unsealed, and you now see beneath the surface.”
“But I don’t understand,” I observed, feeling perplexed.
“It is difficult,” assented Phancie gravely, “but I can show you what I mean by an illustration. When you see a grub, it only looks to your eyes an ugly brown thing; but my eyes can see below the outside skin, to where a beautiful butterfly is lying with folded wings of red and gold. The glade you saw was, so to speak, the skin of the library. Now, your sight has been made keen by the command of the King. You see this splendid room—it is still the glade, and still the room; only it depends upon your sight being lightened or darkened.”
“It doesn’t look a bit like the glade.”
“You don’t think so, of course,” said Phancie kindly; “but I will explain. The white pillars are the trunks of the trees; the green curtains between are the green leaves; the ceiling is the blue sky; the white globe that gives light is the moon; and the golden fretwork on the ceiling is the leaves and boughs of the trees shining against the clear sky.”
“And the books?” I asked quickly.
“Here are the books,” he replied, drawing one of the green curtains a little on one side, and there I saw rows of volumes in brown covers, which reminded me somewhat of the tint of the withered leaves.
“You can stay here as long as you like,” said Phancie, dropping the curtain, “and read all the books.”
“Oh, I can’t stay long enough for that,” I said regretfully. “I would be missed from my house.”
“No, you would not,” he replied. “Time in Faeryland is different from time on earth—five minutes with you means five years with us—so if you stay here thirty years, you will only have been away from earth half an hour.”
“But I’m afraid”—
“Still unconvinced!” interrupted Phancie, a little sadly, leading me forward to the pool of water. “You mortals never believe anything but what you see with your own eyes—look!”
He waved his white wand, and the still surface of the water quivered as if a breeze had rippled across it; then it became still again, and I saw my own room, and myself seated asleep in the arm-chair in front of a dull red fire. I closed my eyes for a moment, and when I looked again the vision had vanished.
“How is it my body is there and I am here?” I asked, turning to Phancie.
“What you saw is your earthly body,” he said quietly, “but the form you now wear is your real body—like the butterfly and the grub of which I told you. Now, you can look at the books. You will not remember all you read, because there are some thoughts you may not carry back to earth; but the King will let you remember seven stories which you can tell to the children of your world. They will believe them, but you—ah! you will say they are dreams.”
“Oh no, I won’t,” I said eagerly, “because it would not be true. This is not a dream.”
“No, it is not a dream,” he said sadly; “but you will think it to be so.”
“Never!”
“Oh yes, you will. Mortals never believe.”
I turned angrily away at this remark, but when I looked again to reply, Phancie had vanished—faded away like a wreath of snow in the sunshine, and I was alone in the beautiful room.
Oh, it was truly a famous library, containing the most wonderful books in the world, but none of which I had seen before, except the faery tales. In one recess I found the lost six books of Spenser’s Faerie Queene, the last tales told by Chaucer’s Canterbury Pilgrims, the end of Coleridge’s Christabel, some forgotten plays of Shakespeare, and many other books which had been lost on earth, or which the authors had failed to complete. I learned afterwards that they finished their earthly works in Faeryland, and that none of the books they had written during their lives were in the library, but only those they had not written.
You will not know the names of the books I have mentioned, because you are not old enough to understand them but when you grow up, you will, no doubt, read them all—not the faery books, of course, but all the others which the men I mention have written.
In another recess I found nothing but faery tales—Jack and the Beanstalk, The White Cat, The Yellow Dwarf, and many others, which were all marked The Chronicles of Faeryland.
I do not know how long I was in the library, because there was no day or night, but only the soft glow of the moon-lamp shining through the room. I read many, many of the books, and they were full of the most beautiful stories, which all children would love to hear; but, as Phancie said, I only remember seven, and these seven I will now relate.
I hope you will like them very much, for they are all true stories in which the faeries took part, and there is more wisdom in them than you would think.
The faeries understand them, and so do I, because I have faery blood in my veins; but many grown-up people who read them will laugh, and say they are only amusing fables. The wise children, however, who read carefully and slowly will find out the secrets they contain, and these secrets are the most beautiful things in the world.
So now I have told you how I was permitted to enter Faeryland, I will relate the stories I remember which I read in the faery palace, and the clever child who finds out the real meanings of these stories will perhaps some day receive an invitation from King Oberon to go to Faeryland and see all the wonders of his beautiful library.