VOICES FROM THE TOMB
“I don't think,” said Mr. Dooley, “that me frind Willum Jennings Bryan is as good an orator as he was four years ago.”
“He's th' grandest talker that's lived since Dan'l O'Connell,” said Mr. Hennessy.
“Ye've heerd thim all an' ye know,” said Mr. Dooley. “But I tell ye he's gone back. D'ye mind th' time we wint down to th' Coleesyum an' he come out in a black alapaca coat an' pushed into th' air th' finest wurruds ye iver heerd spoke in all ye'er bor-rn days? 'Twas a balloon ascinsion an' th' las' days iv Pompey an' a blast on th' canal all in wan. I had to hold on to me chair to keep fr'm goin' up in th' air, an' I mind that if it hadn't been f'r a crack on th' head ye got fr'm a dillygate fr'm Westconsin ye'd 've been in th' hair iv Gin'ral Bragg. Dear me, will ye iver f'rget it, th' way he pumped it into th' pluthocrats? 'I tell ye here an' now,' he says, 'they'se as good business men in th' quite counthry graveyards iv Kansas as ye can find in the palathial lunch-counthers iv Wall street,' he says. 'Whin I see th' face iv that man who looks like a two-dollar pitcher iv Napolyeon at Saint Heleena,' he says, 'I say to mesilf, ye shall not—ye shall not'—what th' divvle is it ye shall not do, Hinnissy?”
“Ye shall not crucify mankind upon a crown iv thorns,” said Mr. Hennessy.
“Right ye ar-re, I forgot,” Mr. Dooley went on. “Well, thim were his own wurruds. He was young an' he wanted something an' he spoke up. He'd been a rayporther on a newspaper an' he'd rather be prisidint thin write anny longer f'r th' pa-aper, an' he made th' whole iv th' piece out iv his own head.
“But nowadays he has tin wurruds f'r Thomas Jefferson an' th' rest iv th' sage crop to wan f'r himsilf. 'Fellow-dimmycrats,' he says, 'befure goin' anny farther, an' maybe farin' worse, I reluctantly accipt th' nommynation f'r prisidint that I have caused ye to offer me,' he says, 'an' good luck to me,' he says. 'Seein' th' counthry in th' condition it is,' he says, 'I cannot rayfuse,' he says. 'I will now lave a subject that must be disagreeable to manny iv ye an' speak a few wurruds fr'm th' fathers iv th' party, iv whom there ar-re manny,' he says, 'though no shame to th' party, f'r all iv that,' he says. 'Thomas Jefferson, th' sage iv Monticello, says: “Ye can't make a silk purse out iv a sow's ear,” a remark that will at wanst recall th' sayin' iv Binjamin Franklin, th' sage iv Camden, that “th' fartherest way ar-round is th' shortest way acrost.” Nawthin' cud be thruer thin that onliss it is th' ipygram iv Andhrew Jackson, th' sage iv Syr-acuse, that “a bur-rd in th' hand is worth two in th' bush.” What gran' wurruds thim ar-re, an' how they must torture th' prisint leaders iv th' raypublican party. Sam'l Adams, th' sage iv Salem, says: “Laugh an' the wurruld laughs with ye,” while Pathrick Hinnery, th' sage iv Jarsey City, puts it that “ye shud always bet aces befure th' dhraw.” Turnin' farther back into histhry we find that Brian Boru, th' sage iv Munsther, said: “Cead mille failthé,” an' Joolyus Caesar, th' sage iv Waukeesha, says, “Whin ye're in Rome, do th' Romans.” Nebuchedneezar—there's a name f'r ye—th' sage iv I-dinnaw-where, says: “Ye can't ate ye'er hay an' have it.” Solomon, th' sage iv Sageville, said, “Whin a man's marrid his throubles begins,” an' Adam, th' sage iv Eden, put it that “A snake in th' grass is worth two in th' boots.” Ye'll see be this, me good an' thrue frinds, that th' voices fr'm th' tombs is united in wan gran' chorus f'r th' ticket ye have nommynated. I will say no more, but on a future occasion, whin I've been down in southern Injyanny, I'll tell ye what th' sages an' fathers iv th' party in th' Ancient an' Hon'rable Association iv Mound-Builders had to say about th' prisint crisis.'”
“'Tisn't Bryan alone, Mack's th' same way. They're both ancesther worshippers, like th' Chinese, Hinnissy. An' what I'd like to know is what Thomas Jefferson knew about th' throubles iv ye an' me? Divvle a wurrud have I to say again' Thomas. He was a good man in his day, though I don't know that his battin' av'rage 'd be high again' th' pitchin' iv these times. I have a gr-reat rayspict f'r the sages an' I believe in namin' sthreets an' public schools afther thim. But suppose Thomas Jefferson was to come back here now an' say to himsilf: 'They'se a good dimmycrat up in Ar-rchy road an' I think I'll dhrop in on him an' talk over th' issues iv th' day.' Well, maybe he cud r-ride his old gray mare up an' not be kilt be the throlley cars, an' maybe th' la-ads'd think he was crazy an' not murdher him f'r his clothes. An' maybe they wudden't. But annyhow, suppose he got here, an' afther he'd fumbled ar-round at th' latch—f'r they had sthrings on th' dure in thim days—I let him in. Well, whin I've injooced him to take a bowl iv red liquor—f'r in his time th' dhrink was white—an' explained how th' seltzer comes out an' th' cash raygisther wurruks, an' wather is dhrawn fr'm th' fassit, an' gas is lighted fr'm th' burner, an' got him so he wud not bump his head again' th' ceilin' ivry time th' beer pump threw a fit—afther that we'd talk iv the pollytical situation.”
“'How does it go?' says Thomas. 'Well,' says I, 'it looks as though Ioway was sure raypublican,' says I. 'Ioway?' says he. 'What's that?' says he. 'Ioway,' says I, 'is a state,' says I. 'I niver heerd iv it,' says he. 'Faith ye did not,' says I. 'But it's a state just th' same, an' full iv corn an' people,' I says. 'An' why is it raypublican?' says he. 'Because,' says I, 'th' people out there is f'r holdin' th' Ph'lippeens,' says I. 'What th' divvle ar-re th' Ph'lippeens?' says he. 'Is it a festival,' says he, 'or a dhrink?' he says. 'Faith, 'tis small wondher ye don't know,' says I, 'f'r 'tis mesilf was weak on it a year ago,' I says. 'Th' Ph'lippeens is an issue,' says I, 'an' islands,' says I, 'an' a public nuisance,' I says. 'But,' I says, 'befure we go anny further on this subject,' I says, 'd'ye know where Minnysota is, or Westconsin, or Utah, or Californya, or Texas, or Neebrasky?' says I. 'I do not,' says he. 'D'ye know that since ye'er death there has growed up on th' shore iv Lake Mitchigan a city that wud make Rome look like a whistlin' station—a city that has a popylation iv eight million people till th' census rayport comes out?' I says. 'I niver heerd iv it,' he says. 'D'ye know that I can cross th' ocean in six days, an' won't; that if annything doesn't happen in Chiny I can larn about it in twinty-four hours if I care to know; that if ye was in Wash'nton I cud call ye up be tillyphone an ye'er wire'd be busy?' I says. 'I do not,' says Thomas Jefferson. 'Thin,' says I, 'don't presume to advise me,' I says, 'that knows these things an' manny more,' I says. 'An' whin ye go back where ye come fr'm an' set down with th' rest iv th' sages to wondher whether a man cud possibly go fr'm Richmond to Boston in a week, tell thim,' I says, 'that in their day they r-run a corner grocery an' to-day,' says I, 'we're op'ratin' a sixteen-story department store an' puttin' in ivrything fr'm an electhric lightin' plant to a set iv false teeth,' I says. An' I hist him on his horse an' ask a polisman to show him th' way home.”
“Be hivins, Hinnissy, I want me advice up-to-date, an' whin Mack an' Willum Jennings tells me what George Wash'nton an' Thomas Jefferson said, I says to thim: 'Gintlemen, they larned their thrade befure th' days iv open plumbin',' I says. 'Tell us what is wanted ye'ersilf or call in a journeyman who's wurrukin' card is dated this cinchry,' I says. 'An' I'm r-right too, Hinnissy.'”
“Well,” said Mr. Hennessy, slowly, “those ol' la-ads was level-headed.”
“Thrue f'r ye,” said Mr. Dooley. “But undher th' new iliction laws ye can't vote th' cimitries.”
The NEGRO PROBLEM
“What's goin' to happen to th' naygur?” asked Mr. Hennessy.
“Well,” said Mr. Dooley, “he'll ayther have to go to th' north an' be a subjick race, or stay in th' south an' be an objick lesson. 'Tis a har-rd time he'll have, annyhow. I'm not sure that I'd not as lave be gently lynched in Mississippi as baten to death in New York. If I was a black man, I'd choose th' cotton belt in prifrince to th' belt on th' neck fr'm th' polisman's club. I wud so.”
“I'm not so much throubled about th' naygur whin he lives among his opprissors as I am whin he falls into th' hands iv his liberators. Whin he's in th' south he can make up his mind to be lynched soon or late an' give his attintion to his other pleasures iv composin' rag-time music on a banjo, an' wurrukin' f'r th' man that used to own him an' now on'y owes him his wages. But 'tis th' divvle's own hardship f'r a coon to step out iv th' rooms iv th' S'ciety f'r th' Brotherhood iv Ma-an where he's been r-readin' a pome on th' 'Future of th' Moke' an' be pursooed be a mob iv abolitionists till he's dhriven to seek polis protection, which, Hinnissy, is th' polite name f'r fracture iv th' skull.
“I was f'r sthrikin' off th' shackles iv th' slave, me la-ad. 'Twas thrue I didn't vote f'r it, bein' that I heerd Stephen A. Douglas say 'twas onconstitootional, an' in thim days I wud go to th' flure with anny man f'r th' constitootion. I'm still with it, but not sthrong. It's movin' too fast f'r me. But no matther. Annyhow I was f'r makin' th' black man free, an' though I shtud be th' south as a spoortin' proposition I was kind iv glad in me heart whin Gin'ral Ulyss S. Grant bate Gin'ral Lee an' th' rest iv th' Union officers captured Jeff Davis. I says to mesilf, 'Now,' I says, 'th' coon'll have a chanst f'r his life,' says I, 'an' in due time we may injye him,' I says.
“An' sure enough it looked good f'r awhile, an' th' time come whin th' occas'nal dollar bill that wint acrost this bar on pay night wasn't good money onless it had th' name iv th' naygur on it. In thim days they was a young la-ad—a frind iv wan iv th' Donohue boys—that wint to th' public school up beyant, an' he was as bright a la-ad as ye'd want to see in a day's walk. Th' larnin' iv him wud sind Father Kelly back to his grammar. He cud spell to make a hare iv th' hedge schoolmasther, he was as quick at figures as th' iddycated pig they showed in th' tint las' week in Haley's vacant lot, and in joggerphy, asthronomy, algybbera, jommethry, chimisthry, physiojnomy, bassoophly an' fractions, I was often har-rd put mesilf to puzzle him. I heerd him gradyooate an' his composition was so fine very few cud make out what he meant.
“I met him on th' sthreet wan day afther he got out iv school. 'What ar-re ye goin' to do f'r ye'ersilf, Snowball,' says I—his name was Andhrew Jackson George Wash'n'ton Americus Caslateras Beresford Vanilla Hicks, but I called him 'Snowball,' him bein' as black as coal, d'ye see—I says to him: 'What ar-re ye goin' to do f'r ye'ersilf?' I says. 'I'm goin' to enther th' profission iv law,' he says, 'where be me acooman an' industhry I hope,' he says, 'f'r to rise to be a judge,' he says, 'a congrissman,' he says, 'a sinator,' he says, 'an' p'rhaps,' he says, 'a prisidint iv th' United States,' he says. 'Theyse nawthin to prevint,' he says. 'Divvle a thing,' says I. 'Whin we made ye free,' says I, 'we opened up all these opporchunities to ye,' says I. 'Go on,' says I, 'an' enjye th' wealth an' position conferred on ye be th' constitootion,' I says. 'On'y,' I says, 'don't be too free,' I says. 'Th' freedom iv th' likes iv ye is a good thing an' a little iv it goes a long way,' I says, 'an' if I ever hear iv ye bein' prisidint iv th' United States,' I says, 'I'll take me whitewashing' away fr'm ye'er father, ye excelsior hair, poached-egg eyed, projiny iv tar,' I says, f'r me Anglo-Saxon feelin' was sthrong in thim days.
“Well, I used to hear iv him afther that defindin' coons in th' polis coort, an' now an' thin bein' mintioned among th' scatthrin' in raypublican county con-vintions, an' thin he dhropped out iv sight. 'Twas years befure I see him again. Wan day I was walkin' up th' levee smokin' a good tin cint seegar whin a coon wearin' a suit iv clothes that looked like a stained glass window in th' house iv a Dutch brewer an' a pop bottle in th' fr-ront iv his shirt, steps up to me an' he says: 'How dy'e do, Mistah Dooley,' says he. 'Don't ye know me—Mistah Hicks?' he says. 'Snowball,' says I. 'Step inside this dureway,' says I, 'less Clancy, th' polisman on th' corner, takes me f'r an octoroon,' I says. 'What ar-re ye do-in'?' says I. 'How did ye enjye th' prisidincy?' says I. He laughed an' told me th' story iv his life. He wint to practisin' law an' found his on'y clients was coons, an' they had no assets but their vote at th' prim'ry. Besides a warrant f'r a moke was the same as a letther iv inthroduction to th' warden iv th' pinitinchry. Th' on'y thing left f'r th' lawyer to do was to move f'r a new thrile an' afther he'd got two or three he thought ol' things was th' best an' ye do well to lave bad enough alone. He got so sick iv chicken he cudden't live on his fees an' he quit th' law an' wint into journalism. He r-run 'Th' Colored Supplimint,' but it was a failure, th' taste iv th' public lanin' more to quadhroon publications, an' no man that owned a resthrant or theaytre or dhrygoods store'd put in an adver-tisemint f'r fear th' subscribers'd see it an' come ar-round. Thin he attimpted to go into pollytics, an' th' best he cud get was carryin' a bucket iv wather f'r a Lincoln Club. He thried to larn a thrade an' found th' on'y place a naygur can larn a thrade is in prison an' he can't wurruk at that without committin' burglary. He started to take up subscriptions f'r a sthrugglin' church an' found th' profission was overcrowded. 'Fin'ly,' says he, ''twas up to me to be a porther in a saloon or go into th' on'y business,' he says, 'in which me race has a chanst,' he says. 'What's that?' says I. 'Craps,' says he. 'I've opened a palachal imporyium,' he says, 'where,' he says, ''twud please me very much,' he says, 'me ol' abolitionist frind,' he says, 'if ye'd dhrop in some day,' he says, 'an' I'll roll th' sweet, white bones f'r ye,' he says. ''Tis th' hope iv me people,' he says. 'We have an even chanst at ivry other pursoot,' he says, 'but 'tis on'y in craps we have a shade th' best iv it,' he says.”
“So there ye ar-re, Hinnissy. An' what's it goin' to come to, says ye? Faith, I don't know an' th' naygurs don't know, an' be hivins, I think if th' lady that wrote th' piece we used to see at th' Halsted Sthreet Opry House come back to earth, she wudden't know. I used to be all broke up about Uncle Tom, but cud I give him a job tindin' bar in this here liquor store? I freed th' slave, Hinnissy, but, faith, I think' twas like tur-rnin' him out iv a panthry into a cellar.”
“Well, they got to take their chances,” said Mr. Hennessy. “Ye can't do annything more f'r thim than make thim free.”
“Ye can't,” said Mr. Dooley; “on'y whin ye tell thim they're free they know we're on'y sthringin' thim.”
The AMERICAN STAGE
“I've niver been much iv a hand f'r th' theaytre,” said Mr. Dooley. “Whin I was a young man an' Crosby's Opry house was r-runnin' I used to go down wanst in a while an' see Jawn Dillon throwin' things around f'r th' amusemint iv th' popylace an' whin Shakespere was played I often had a seat in th' gal'ry, not because I liked th' actin', d'ye mind, but because I'd heerd me frind Hogan speak iv Shakespere. He was a good man, that Shakespere, but his pieces is full iv th' ol' gags that I heerd whin I was a boy. Th' throuble with me about goin' to plays is that no matther where I set I cud see some hired man in his shirt sleeves argyin' with wan iv his frinds about a dog fight while Romeo was makin' th' kind iv love ye wuddent want ye'er daughter to hear to Juliet in th' little bur-rd cage they calls a balcony. It must've been because I wanst knowed a man be th' name iv Gallagher that was a scene painter that I cud niver get mesilf to th' pint iv concedin' that th' mountains that other people agreed was manny miles in th' distance was in no danger iv bein' rubbed off th' map be th' coat-tails iv wan iv th' principal char-ackters. An' I always had me watch out to time th' moon whin' twas shoved acrost th' sky an' th' record breakin' iv day in th' robbers' cave where th' robbers don't dare f'r to shtep on the rock f'r fear they'll stave it in. If day iver broke on th' level th' way it does on th' stage 'twud tear th' bastin' threads out iv what Hogan calls th' firmymint. Hogan says I haven't got th' dhramatic delusion an' he must be r-right f'r ye can't make me believe that twinty years has elapsed whin I know that I've on'y had time to pass th' time iv day with th' bartinder nex' dure.
“Plays is upside down, Hinnissy, an' inside out. They begin with a full statement iv what's goin' to happen an' how it's goin' to come out an' thin ye're asked to forget what ye heerd an' be surprised be th' outcome. I always feel like goin' to th' office an' gettin' me money or me lithograph pass back afther th' first act.
“Th' way to write a play is f'r to take a book an' write it over hindend foremost. They're puttin' all books on th' stage nowadays. Fox's 'Book iv Martyrs' has been done into a three-act farce-comedy an'll be projooced be Delia Fox, th' author, nex' summer. Webster's 'Onabridge Ditchnry' will be brought out as a society dhrama with eight hundherd thousan' char-ackters. Th' 'Constitution iv th' United States' (a farce) be Willum McKinley is r-runnin' to packed houses with th' cillybrated thradeejan Aggynaldoo as th' villain. In th' sixteenth scene iv th' last act they'se a naygur lynchin'. James H. Wilson, th' author iv 'Silo an' Ensilage, a story f'r boys,' is dhramatizin' his cillybrated wurruk an' will follow it with a dhramatic version iv 'Sugar Beet Culture,' a farm play. 'Th' Familiar Lies iv Li Hung Chang' is expicted to do well in th' provinces an' Hostetter's Almanac has all dates filled, I undherstand th' bible'll be r-ready f'r th' stage undher th'direction iv Einstein an' Opperman befure th' first iv th' year. Some changes has been niciss'ry f'r to adapt it to stage purposes, I see be th' pa-apers. Th' authors has become convinced that Adam an' Eve must be carrid through th' whole play, so they have considerably lessened th' time between th' creation an' th' flood an' have made Adam an English nobleman with a shady past an' th' Divvle a Fr-rinch count in love with Eve. They're rescued be Noah, th' faithful boatman who has a comic naygur son.”
“I see be th' pa-aper th' stage is goin' to th' dogs what with it's Sappho's an' th' like iv that,” said Mr. Hennessy.
“Well, it isn't what it used to be,” said Mr. Dooley, “in th' days whin 'twas th' purpose iv th' hero to save th' honest girl from the clutches iv th' villin in time to go out with him an' have a shell iv beer at th' Dutchman's downstairs. In th' plays nowadays th' hero is more iv a villain thin th' villain himsilf. He's th' sort iv a man that we used to heave pavin' shtones at whin he come out iv th' stage dure iv th' Halsted Sthreet Opry House. To be a hero ye've first got to be an Englishman, an' as if that wasn't bad enough ye've got to have committed as many crimes as th' late H. H. Holmes. If he'd been born in England he'd be a hero. Ye marry a woman who swears an' dhrinks an' bets on th' races an' ye quarrel with her. Th' r-rest iv th' play is made up iv hard cracks be all th' char-ack-ters at each others' morals. This is called repartee be th' learned, an' Hogan. Repartee is where I say: 'Ye stole a horse' an' ye say: 'But think iv ye'er wife!' In Ar-rchy r-road 'tis called disordherly conduct. They'se another play on where a man r-runs off with a woman that's no betther thin she ought to be. He bates her an' she marries a burglar. Another wan is about a lady that ates dinner with a German. He bites her an' she hits him with a cabbage. Thin they'se a play about an English gintleman iv th' old school who thries to make a girl write a letter f'r him an' if she don't he'll tell on her. He doesn't tell an' so he's rewarded with th' love iv th' heroine, an honest English girl out f'r th' money.”
“Nobody's marrid in th' modhern play, Hinnissy, an' that's a good thing, too, f'r annywan that got marrid wud have th' worst iv it. In th' ol' times th' la-ads that announces what's goin' to happen in the first act, always promised ye a happy marredge in th' end an' as ivrybody's lookin' f'r a happy marredge, that held the aujeence. Now ye know that th' hero with th' wretched past is goin' to elope with th' dhrunken lady an' th' play is goin' to end with th' couples prettily divorced in th' centher iv th' stage. 'Tis called real life an' mebbe that's what it is, but f'r me I don't want to see real life on th' stage. I can see that anny day. What I want is f'r th' spotless gintleman to saw th' la-ad with th' cigareet into two-be-fours an' marry th' lady that doesn't dhrink much while th' aujeence is puttin' on their coats.”
“Why don't they play Shakespere any more?” Mr. Hennessy asked.
“I undherstand,” said Mr. Dooley, “that they're goin' to dhramatize Shakespere whin th' dhramatizer gets through with th' 'Report iv th' Cinsus Department f'r 1899-1900.'”