EZEKIEL AND THE LESSER PROPHETS
At the left-hand side of the frieze and next to Daniel, stands Ezekiel. Ezekiel lived at the same time as Daniel and, like him, began his prophetic career after he was exiled to Babylon. During the twenty-seven years of his exile he kept his fellow exiles informed as to all dangers which were besetting and threatening their people at home in Jerusalem and Judah. His book abounds in visions and poetical images. Mr. Sargent has given him the absorbed expression of one who sees beyond the present and whose vision includes both evil and good.
Micah, Haggai, Malacchi, Zechariah. The Frieze of the Prophets
Nahum, standing next to Ezekiel, seems to be predicting the wickedness and fall of Nineveh, of which he has given us such a powerful and vivid account; while Amos denounces idolatry and the sins of the nations, also predicting a brighter future for the people of Israel.
The four figures in the last panel to the left of Moses represent the prophets of despair. We cannot fail to notice that among the hopeful prophets there is one discouraged figure, while among the prophets of despair we find the hopeful figure of Hosea.
Obadiah, Joel, and Zephaniah urged their people to repentance of sin, and warned them of disaster to come, but their warnings were not heeded. In the picture Joel is attempting to shut out the sight of the fearful plague of locusts, of the famine, and of the drought which he knows must come to his people because they will not repent. The other two prophets seem crushed by a hopeless despair. But love is the keynote of Hosea’s pleadings. He speaks of the unquenchable love of Jehovah for his erring people.
It is interesting to know that Mr. Sargent’s favorite figure in the frieze is this young prophet in white, Hosea. Is it any wonder he should choose this one? The name Hosea means salvation. In him we see beauty, grace, and simplicity, and we feel the steady purpose, the earnest faith, of that calm, quiet face. There is no despair in that face or figure; the very folds of his robe give us a feeling of strength and stability; they suggest marble.
Obadiah, Joel, Zephaniah, Hosea. The Frieze of the Prophets
We are interested in this great mural painting, “The Frieze of the Prophets,” not only for its intellectual and religious suggestiveness, but for its composition, its masses of dark and light, and its beauty of form. Each of the groups of figures is complete in itself, yet by the position of the figures and by the light upon them, the frieze is held together as one composition.
Mr. Sargent spent many years, and studied his Bible very thoughtfully, before he attempted to draw this great picture.
Questions to help the pupil understand the picture. Who were the prophets? What had they to do with the development of religion? Who painted this picture? Where is the original? What can you say of the composition of this picture? of the light and shade? What do we call paintings on a wall? What is there unusual about this painting? For what do you admire it? Why was Moses given the most important place in this picture? Tell the story of his life. Why is he often represented with two little horns on his forehead? Tell something about each one of the prophets. Which one is Mr. Sargent’s favorite?
To the Teacher: Certain pupils may be selected to study and give orally a description of different portions of this picture.
Subjects for Composition
1. How the Prophets Helped in the Development of Religion.
2. The Most Interesting Prophet.
3. The Most Pleasing Group of Prophets.
4. Life of the Artist.
5. Reasons Why This Painting Has Become Famous.
6. How Fresco or Mural Painting Is Done.
The story of the artist. We are especially interested in Mr. Sargent because he is one of the living American artists who has won fame both in his own country and abroad. Although John Singer Sargent was born in Florence, Italy, we claim him as an American because his parents were Americans and because he has always considered himself an American. His boyhood was spent in Florence, where it was his delight to wander in the art galleries. He showed an early talent for drawing, and when he was nineteen years old he went to Paris to become the pupil of some of the best artists.
Mr. Sargent is famous for his many portraits as well as for his mural decorations. He has traveled extensively and has visited the United States many times, painting and exhibiting his paintings here, but most of his life has been spent in London, where he is now living. In 1908 he was elected to the Royal Academy. He has won many medals of honor for his paintings, and is a member of the leading art societies of America and Europe.
Among the noted pictures by Mr. Sargent are: “Carnation Lily, Lily Rose,” “Fishing for Oysters at Cancale,” “Neapolitan Children Bathing,” “El Jaleo” (Spanish Dance), “Fumes of Ambergris,” “Ellen Terry as Lady Macbeth,” and “La Carmençita.” As a portrait painter Mr. Sargent has been commissioned by men and women of high distinction in literary, political, social, and artistic life in America and Europe. Among his eminent sitters have been: Joseph Chamberlain, Carolus Duran, Theodore Roosevelt, Secretary Hay, and Octavia Hill.
Questions about the artist. Why do we feel an especial interest in Mr. Sargent? Where was he born? Why do we claim him as an American? Where did he study drawing and painting? For what kind of paintings is he famous? Where does he live?
Copyright by Edwin A. Abbey; from a Copley Print
Copyright by Curtis & Cameron, Publishers, Boston
GALAHAD THE DELIVERER. THE HOLY GRAIL