2
They parted at the station, and Felix went to the office. It was strange to take his place at his desk again. It seemed as though he had been away a thousand years; he had the feeling of a truant who has returned to school and wonders if he will ever catch up with his lessons.... Mr. Devoe had said to come in and see him when he got back. But Harris sent him out on an interview the first thing, and when he had finished writing it, Mr. Devoe was out in the composing room overseeing some change in the editorial page. Felix did not like to bother him. Doubtless he had spoken lightly, and had already forgotten what he had said to Felix.
As Felix sat idly before his typewriter, Hawkins came up. “Glad to see you back,” he said, and shook hands. And then: “Come in my office, will you?”
One of the last things Felix had done before falling ill was to “do” a play for Hawkins, on a night when there were two openings. His way of doing plays was so unlike Hawkins’s serious method of assigning praise and blame that he had been afraid Hawkins would never ask him to do another; but he had been encouraged by Willie’s laughter at his piece of foolery, and Clive’s only half-ironical remark: “When Willie Smith enjoys a piece of writing, you can figure on ten thousand other people liking it, too!” The idea of those ten thousand other people liking his whimsical criticism had offset the supposedly unfavorable judgment of the serious Hawkins.
“Sit down,” Said Hawkins. “I suppose”—with an embarrassed air—“you’ve heard I’m writing a play.” Then, more cheerfully, “Well, I want to get as much time away from the office as possible, so I’ve persuaded Devoe to let me have an assistant. Would you like the job?”
Felix flushed with incredulous pleasure. “All right,” Hawkins went on. “There’s a certain amount of detail to be attended to—making up the Saturday dramatic page, selecting the pictures and arranging the layout, seeing publicity people or letting them see you, once a week—that sort of thing. You can take all that off my hands, besides doing some of the shows for me. There’s two opening tonight, and I’d like to have you do one of them.” He felt in his pocket, and took out two envelopes. A little apologetically, he said, “I’m sending you to the one I don’t want to do myself—but you’ll get a chance at the real shows a little later. All right?”
“I’m—everlastingly grateful to you,” said Felix. “Is this all settled with—with Mr. Devoe?”
“Oh, yes. You made quite a hit with the Old Man, you know—something you wrote in that thing you did for me—something about the fatted laugh and the prodigal joke—I forget, but he went around the shop all morning that day repeating it to everybody. Yes, the Old Man thinks you’re all right. You’d better go in and see him; not now—I want to tell you some more about this job. Have a cigarette?”
It appeared that Felix was to commence his duties at once, taking a desk in Hawkins’ office and the title of assistant dramatic editor. He would be relieved of his regular work as a reporter, but he would be expected to help along a little with the editorial page, especially in the summer, when there would be hardly any theatrical stuff to take care of. And there was to be a small raise in salary; he would get thirty dollars a week—to begin with, as Hawkins put it.
These happy prospects were confirmed by a brief interview with Mr. Devoe, who seemed to beam on Felix with paternal benevolence. “I think we’ve found the right place for you,” he said. And then his eyes narrowed and his lips straightened. “You can prove whether we are right or not,” he said sternly, and held out his hand in a formal gesture.
“Yes, sir—thank you!” said Felix, a little frightened, and went out.