Imagination
In his very stimulating book, Learning and Doing, Professor Swift quotes from a business man as follows: “Modern business no longer waits for men to qualify after promotion. Through anticipation and prior preparation every growing man must be largely ready for his new job when it comes to him. I find very few individuals make any effort to think out better ways of doing things. They do not anticipate needs, do not keep themselves fresh at the growing point. If ever they had any imagination they seem to have lost it, and imagination is needed in a growing business, for it is through the imagination that one anticipates future changes and so prepares for them before they come. Accordingly, as a general proposition, the selection of a man for a vacancy within the organization is more or less a matter of guesswork. Now and then an ambitious, wide-awake young man works into the organization and in a very short time is spotted by various department managers for future promotion, but the number of such individuals is discouragingly small. The difficulty with which we are always confronted is that our business grows faster than do those within it. The men do not keep up with our changes. The business grows away from them, and quite reluctantly the management is frequently compelled to go outside for necessary material. We need, at the present time, four or five subordinate chiefs in various parts of the factory and I can fill none of the positions satisfactorily from material in hand.”
This business man, unconsciously perhaps, puts his finger upon one of the weak places in our school procedure. He convicts us of stifling and repressing the imagination of our pupils. For it is a matter of common knowledge that every normal child is endowed with a vivid imagination when he enters school. No one will challenge this statement who has entered into the heart of childhood through the gateway of play. He has seen a rag doll invested with all the graces of a princess; he has seen empty spools take on all the attributes of the railway train; and he has seen the child’s world peopled with entities of which the unimaginative person cannot know. Children revel in the lore of fairyland, and in this realm nothing seems impossible to them. Their toys are the material which their imagination uses in building new and delightful worlds for them. If this imagination is unimpaired when they become grown-ups, these toys are called ideals, and these ideals are the material that enter into the lives of poets, artists, inventors, scientists, orators, statesmen, and reformers. If the child lacks this quality at the end of his school life, the school must be held responsible, at least in part, and so must face the charge of doing him an irreparable injury. It were better by far for the child to lose a leg or an arm somewhere along the school way than to lose his imagination. Better abandon the school altogether if it tends to quench the divine fire of imagination. Better still, devise some plan of so reconstructing the work of the school that we shall forever forestall the possibility of producing a generation of spiritual cripples.
The business man already quoted gives to the schools their cue. He shows the need of imagination in practical affairs and, by implication, shows that the school has been recreant to its opportunities in the way of stimulating this requisite quality. We must be quite aware that the men and women who have done things as well as those who are doing things have had or have imagination. Otherwise no achievements would be set down to their credit. It is the very acme of unwisdom to expect our pupils to accomplish things and then take from them the tools of their craft. Imagination is an indispensable tool, and the teacher assumes a grave responsibility who either destroys or blunts it. Unless the school promotes imagination it is not really a school, seeing that it omits from its plans and practices this basic quality. Too much emphasis cannot be laid upon this patent truth, nor can we deplore too earnestly the tendency of many teachers to strangle imagination.
We all recognize C. Hanford Henderson as one of our most fertile and sane writers on educational themes and we cannot do better just here than to quote, even at some length, from his facile pen: “To say of man or woman that they have no imagination is to convict them of many actual and potential sins. Such a defect means obtuseness in manners and morals, sterility in arts and science, blundering in the general conduct of life. Children are often accused of having too much imagination, but in reality that is hardly possible. The imagination may run riot, and, growing by what it feeds upon, come dangerously near to untruthfulness,—the store of facts may have been too small. But the remedy is not to cripple or kill the imagination; it is rather to provide the needed equipment of facts and to train the imagination to work within the limits of truth and probability. The unimaginative man is exceedingly dull company. From the moment he opens his eyes in the morning until he closes them at night, he is prone to the sins of both omission and commission. No matter how good his intentions, he constantly offends. No matter how great his industry, he fails to attain. One can trace many immoralities, from slight breaches of manners to grave criminal offenses, to a simple lack of imagination. The offender failed to see,—he was, to all intents and purposes, blind. At its best, imagination is insight. It is the direct source of most of our social amenities, of toleration, charity, consideration,—in a word, of all those social virtues which distinguish the child of light.” Another fertile writer says: “Many a child has been driven with a soul-wound into corroding silence by parents who thought they were punishing falsehood when they were in reality repressing the imagination—the faculty which master-artists denote as the first and loveliest possession of the creative mind.”
Some of our boys will be farmers but, if they lack imagination, they will be dull fellows, at the very best, and, relatively speaking, not far above the horse that draws the plow. The girls will be able to talk, but if they lack imagination they can never become conversationalists. The person who has imagination can cause the facts of the multiplication table to scintillate and glow. The person who lacks imagination is unable to invest with interest and charm even the mountain, the river, the landscape, or the poem. The gossip, the scandal-monger, or the coarse jester proves his lack of imagination and his consequent inability to hold his own in real conversation. We hope, of course, that some of our pupils may become inventors, but this will be impossible unless they possess imagination. A sociologist states the case in this fashion: “Wealth, the transient, is material; achievement, the enduring, is immaterial. The products of achievement are not material things at all. They are not ends, but means. They are methods, ways, devices, arts, systems, institutions. In a word, they are inventions.” In short, to say that one is an inventor is but another way of saying that he has imagination.
It is one thing to know facts but quite another thing to know the significance of facts. And imagination is the alembic that discovers the significance of the facts. A thousand men of England knew the facts touching the life and education of the children of that country, but the facts remained mere facts until the imagination of Dickens interpreted them and thus emancipated childhood from the thralldom of ignorance and cruelty. A thousand men knew the fact touching the steam that issues from the tea-kettle, but not until Watts discovered the significance of the fact did the tea-kettle become the precursor of the steam-engine that has transformed civilization. It required the imagination of Newton to interpret the falling of the apple and to cause this simple, common fact to lead on to the discovery of the great truth of gravitation. Had Galileo lacked imagination, the chandelier might have kept on swinging but the discovery of the rotation of the earth would certainly have been postponed.
In this view of the matter we can see one of the weaknesses of some of the work in our colleges as well as in other schools. The teachers are fertile in arriving at facts, but seem to think their tasks completed with these discoveries and so proclaim the discovery of facts to be education. It matters not that the facts are devoid of significance to their students, they simply proceed to the discovery of more facts. They combine two or more substances in a test-tube and thus produce a new substance. This fact is solemnly inscribed in a notebook and the incident is closed. But the student who has imagination and industry inquires “What then?” and proceeds with investigations on his own initiative that result in a positive boon to humanity. Imagination takes the facts and makes something of them, while the college teacher has disclosed his inability to cope with his own students in fields that only imagination can render productive.
To quote Henderson once again: “In most of our current education, instead of cultivating so valuable a quality, we have stupidly done all that we can to suppress it. We have not sufficiently studied the actual boy before us to find out what he is up to, and what end he has in mind. On the contrary, we proclaim, with curious indifference, some end of our own devising, and with what really amounts to spiritual brutality, we try to drive him towards it. We do this, we irresponsible parents and teachers, because we ourselves lack imagination, and do not see that we are blunting, instead of sharpening, our human tool. Yet we define education in terms of imagination when we say that education is the unfolding and perfecting of the human spirit; or, that education is a setting-up in the heart of the child of a moral and æsthetic revelation of the universe; for the human spirit which we are trying to establish is not a fact, but a gracious possibility of the future.”
Happy is the child whose teacher possesses imagination; who can touch the common things of life with the magic wand of her fancy and invest them with supreme charm; who can peer into the future with her pupils and help them translate the bright dreams of today into triumphs in the realms of art, music, science, philosophy, language, and philanthropy; and who builds air-castles of her own and thus has the skill to help the children build theirs. It is not easy, if, indeed, it is possible, for the teacher to quicken imagination in her pupils unless she herself is endowed with this animating quality. Dr. Henry van Dyke puts the case thus: “I care not whether a man is called a tutor, an instructor, or a full professor; nor whether any academic degrees adorn his name; nor how many facts or symbols of facts he has stored away in his brain. If he has these four powers—clear sight, quick imagination, sound reason, strong will—I call him an educated man and fit to be a teacher.” And, of a surety, imagination is not the least of these.
To this end every teacher should use every means possible to keep her imagination alive and luxuriant, and never, on any account, permit the exigencies of her task to repress it. The success of her pupils depends upon her, and she should strive against stagnation as she would against death. The passing out, the evaporation of imagination is an insidious process, and when it is gone she is but a barren fig-tree. If her imagination is strong and healthy she cannot have a poor school and her pupils will bless her memory throughout the years. As applying to every grade of school we may well note the words of Van Dyke: “Every true university should make room in its scheme for life out-of-doors. There is much to be said for John Milton’s plan of a school whose pupils should go together each year on long horseback journeys and sailing cruises to see the world. Walter Bagehot said of Shakespeare that he could not walk down a street without knowing what was in it. John Burroughs has a college on a little farm beside the Hudson; and John Muir has a university called Yosemite. If such men cross a field or a thicket they see more than the seven wonders of the world. That is culture. And without it, all scholastic learning is arid, and all the academic degrees known to man are but china oranges hang on a dry tree.” And without imagination this type of culture is impossible.
All reforms and, indeed, all progress depend upon imagination. We must be able to picture the world as it ought to be before we can set on foot plans for betterment. It is the high province of the imagination to enter into the feelings and aspirations of others and so be able to lend a hand; to build a better future out of the materials of the present; to soar above the solemnities and conventions of tradition and to smile while soaring; to see the invisible and touch the intangible; and to see the things that are not and call them forth as realities. Seeing that the business man, the fertile-brained essayist, and the gifted poet agree in extolling the potential value of imagination, we have full warrant for according to it an honored place in the curriculum of the school. Too long has it been an incidental minor; it is now high time to advance it to the rank of a major.