Plates III., IV.
The Palace of Westminster, and Edward the Confessor’s body borne to the Church of St. Peter’s.
Several points of interest arise in connection with these two plates; it will be seen that the Palace of Westminster shows a general similarity to the representation in the first scene. The room in which Edward receives Harold is the same shape and similar turrets appear in each case. Further historical accuracy is shown in placing Edward’s palace immediately to the left of St. Peter’s Church.
This St. Peter’s Church is the earliest form of what has since been known as Westminster Abbey, before it was rebuilt in the Gothic style during the latter part of the 13th century. This picture is of particular interest, as considerable care seems to have been taken in the reproduction to give an accurate picture. The long series of Norman arches below and the smaller row above are particularly noticeable. The centre tower is also well portrayed. The hand of God appearing through a cloud as if in dedication, and a man placing a weather-cock on the roof, seem to suggest that the church was just being completed, a fact that is nowadays believed to be true, though before it used to be held that Edward never finished the church.
The foundations of this original edifice are still to be seen in Westminster Abbey and in their main features bear a strong resemblance to the Abbey of Jumièges (see “Social England,” Vol. I., p. 318), which was built about the same time and very likely designed by the same architect.
The whole question of the old building of St. Peter’s at Westminster has been discussed by Professor Lethaby and the Dean of Wells, Dr. Armitage Robinson (formerly Dean of Westminster), in the Proceedings of the Society of Antiquaries for 1910.