The Hôtel de Ville. Published by F. Sinnett, 15. Grande rue Verte.
We now arrive at the Hôtel-de-Ville, Place de Grève; the first stone of this interesting and venerable pile was laid in 1533, but was not completely finished until 1606, in the reign of Henry IV. The style of architecture is that which the French call La Renaissance des Arts, it is rich, rather heavy, and has an antique appearance; it is exactly according to the taste which prevailed in the 16th century, and was brought into vogue by Italian architects. There is a great deal of ornament about the building, and a profusion of statues, still they appear consistent with the style of the building, and have not the effect of redundancy. Over the doorway is a bronze equestrian statue of Henry IV. Along the principal front is a flight of steps, and an arcade and portico with ionic columns, between the arches facing the entrance is a fine bronze statue of Louis XIV. The Grande Salle or Salle du Trône is a most splendid apartment, and has been the scene of many most important events, being the room where Robespierre held his council and in which he attempted to destroy himself, and from which Louis XVI addressed the people with the cap of liberty upon his head. Most extensive additions and alterations have recently been effected, the original façade having been doubled in length and the whole body of the building nearly quadrupled, forming an immense quadrangle, preserving the same style of architecture as the original. The expense of these additions and improvements is estimated at four millions of francs, and they have been effected with a rapidity that is quite surprising, notwithstanding the number of public buildings in progress at the same time in Paris. The multitude of apartments, the richness of their decorations, and tasteful manner with which they are arranged, are only to be equalled by the careful attention which has been devoted to their distribution with regard to convenience and comfort. As Louis-Philippe justly observed when he recently inspected the exterior of the whole building, that it should no longer be called the Hôtel-de-Ville, but for the future the City Palace, as the splendour within it is not exceeded in any of the other palaces in Paris. The library belonging to this establishment consists of 55,000 volumes, and is very rich in manuscripts.
The Place de Grève has been the scene of more sanguinary tragedies than perhaps any spot of the same extent in Europe, and could the stones but speak, each could tell a tale of blood. In the north-west corner is still to be seen a relic of the middle ages, in a curious turret attached to one of the houses. Taking the Rue Poterie, we shall get into the Rue de la Verrerie, and proceeding westward will bring us to the church St. Merri, but to view it properly must enter the Rue St. Martin, and stand facing it, and well examine its curious and beautiful sculpture (vide page 88), presenting all the minute and singular characteristics of the period of its construction (1520); the carve-work is quite like lace, so minutely elaborate. The interior possesses several interesting objects in architecture, and some inconsistencies, the pulpit is extremely curious, and its effect is very striking. There are also some pictures above mediocrity, principally by French artists of the past school. The tower of this church is famed from the desperate resistance which was made from it by a few young men in 1832 against the king's troops.
We must follow the course of the Rue St. Martin, and observe No. 151, a fine hôtel of the time of Louis XIV, with a front adorned by ionic pilasters, and handsome entrance: a few paces farther on the opposite side, is the church of St. Nicolas-des-Champs, the west front was erected in 1420, as it now stands, and in 1576, the choir and chapels behind were constructed, and the tower probably at that period or since. A church has existed on the same spot ever since 1119, then standing as the name indicates in the fields, but it is doubtful whether any part of the old fabric remains. There is something fine and imposing in the interior, with regard to its general effect, although there is not any thing particularly remarkable in its architecture; the pictures it contains form its most striking feature, some of which are very good; many celebrated persons lie buried here, and amongst the rest Mademoiselle Scuderi.
A few steps to the north is the Conservatoire des Arts et Métiers. This edifice was formerly the ancient abbey of St. Martin-des-Champs, the chapel and refectory of which were built about the year 1240, and are still standing, the latter is in excellent preservation, and is one of the most curious and perfect specimens of the architecture of the period at which it was built; at the eastern end of the chapel are the remains of a building still more ancient, which is plain, and has not any thing striking in its appearance. In this establishment is to be found every description of machinery, and in fact all that ever can be imagined relative to the promotion of industry; scarcely any invention has been made public, of which there is not a model to be found in this curious museum, with specimens of all the various mechanical contrivances which Europe possesses. The celebrated Vaucanson, who was one of the greatest contributors to this institution, having quarrelled with the people of Lyons, vowed he would teach an ass to do what they did, and he absolutely invented machinery of such a description that it could be worked by that humble animal, and a piece of drugget with flowers is shown, which was produced by the united ingenuity of M. Vaucanson and the patient labour of the ass. Models of potteries, breweries, smelting-houses, steam engines, railways, etc. are amongst the number of interesting objects, and the names of our countrymen appear prominent, as Watt, Maudsley, Barker, Atkins, etc., who have benefited the world by their inventions. On ascending a very handsome staircase, the visiter finds a range of apartments, with a wonderful collection of models of pulpits (which in France are generally most ornamental objects), mills, turning machines, engineering and surveying instruments, with an immense number of others far too many to recapitulate, and an assortment of coloured papers stamped, and some exquisitely cut out; fans of mother of pearl of most elaborate workmanship, with other objects equally ingenious and beautiful. This venerable abbey appears to advantage from the garden, as a plain substantial old fashioned building, part of which is used as the Mairie of the 6th Arrondissement, and lecture rooms for the professors of the institution.
A short distance from it, is the Fontaine St. Martin, which is erected against a tower formerly belonging to the old abbey with which it was connected by a wall with a series of towers, but there is now no other remaining. Close by, is the market St. Martin, with 400 stalls, formerly the abbey gardens; there is a handsome fountain in the middle, of bronze, with three allegorical figures of the genii of hunting, fishing, and agriculture, there are also smaller fountains, and at the back of the market a little promenade planted with trees. From hence we pass eastward by the Rue Royale, and turning to the left, we shall see the Rue des Fontaines, in which we shall find the Maison d'Arrêt des Madelonnettes, formerly belonging to nuns called the Filles de la Madeleine, now appropriated to the temporary detention of 500 men and boys. A few steps farther, and the Temple appears before us in the Rue du Temple, now a nunnery occupied by the Dames Benedictines de l'Adoration perpetuelle du St. Sacrement. It formerly belonged to the society of Knights Templars, and afterwards to those of Malta; the palace of the grand prior is all that now remains of the ancient building, which was erected by Jacques de Souvré in 1566. The front has a portico formed of doric colums, and on each side a fountain with a colossal statue (by Pujol), upon a pedestal. The front towards the court is adorned with eight coupled ionic columns, and above are figures of Justice, Prudence, Hope and Abundance. A new chapel was built in 1823, which belongs to the convent, it is of the ionic order throughout, and though not particularly striking, is not inelegant, and remarkably neat; it may be seen on application at the porter's lodge, but from the nunnery strangers are most rigidly excluded. There was a tower belonging to this building, where the unfortunate Louis XVI was confined, as also Sir Sydney Smith and Toussaint-Louverture, but it was demolished in 1805. Behind the Temple is an immense space of ground called the Marché du Vieux Linge, containing 1888 shops or stalls, where old clothes, linen, shoes, tools, hats, old iron, and a variety of other articles are sold at low prices, and behind is an oval-formed arcaded building, with shops erected on the site of the ancient Temple and its dependencies.
The Fontaine Vendôme, named after the Chevalier de Vendôme, grand prior of France, was attached to the old wall of the Temple, it has a cupola and a military trophy. At No. 107, Rue du Temple, is the church of Ste. Élisabeth (vide page 96), which has had so many modern repairs and additions, that there is not much left of the first construction, but except the front it has little in it to attract notice; there are a few pictures and some painted windows by an Englishman named White. In proceeding northward to the Boulevards, we will just take a look at the Rue Vendôme, as it is full of hôtels, amongst which are some of the finest in Paris; on reaching the Boulevard du Temple, No. 50 may be remarked, it is always pointed out to strangers as the house from whence Fieschi discharged in 1835 his infernal machine (which is now to be seen at Madame Tussaud's exhibition in Baker Street, London). By the means of that diabolical affair, Marshal Mortier, Colonel Rieussec, and many others, were killed and wounded, but the King, at whom it was aimed, fortunately escaped. We shall now proceed by the Rue du Faubourg du Temple; at No. 68 is a large barrack which has been formed for infantry, but is a few steps out of the way, and hardly worth looking after, in an architectural point of view. I should therefore advise turning to the left, by the northern bank of the Canal St. Martin, and observing the Grand Entrepôt des Sels, from whence annually 9,000,000 lbs. of salt are distributed for the consumption of Paris. Opposite, on the southern bank, is the Entrepôt de la Compagnie des Douanes, which was built in 1834 by a joint stock company, for receiving goods in bond, consisting of a spacious area in which stand two large warehouses 250 feet in length, with a court covered in between for stowage, besides a number of sheds. They are constructed on a most solid plan, being built of stone with brick arches, and the wood-work of oak enclosing pillars of iron. It is altogether on a most extensive and commodious plan, with such regulations as have rendered it highly serviceable to the purposes of commerce. Adjoining are the warehouses of the Custom House, called the Douanes de Paris, the entrance is in the Rue Neuve Sanson, the house of the Director is attached, and particularly neat; the whole of the buildings, although constructed upon a solid principle, are light and handsome.
The first turning to the right, brings us to the Rue de l'Hôpital, in which is the hospital of St. Louis, a most noble establishment founded by Henry IV, in 1607. It contains 800 beds, and is justly celebrated for its excellent medicated and mineral baths. There is a chapel attached to it, of which the first stone was laid by Henry IV. It was called after St. Louis, from having been originally devoted to persons infected with the plague, he having died of that disease at Turin in 1270. At present it is appropriated to such as are afflicted with cutaneous complaints. As we cross the canal, we must notice the charcoal market, close to which is the Hospital of Incurables, for men, No. 34, Rue des Récollets, established in 1802 in the ancient convent of the Récollets. The number of men admitted is 400, male children 70. Those boys Who are capable, are encouraged to learn different trades, and at 20 years of age are sent to the Bicêtre. Strangers are admitted every day except Sundays and festivals. The church of St. Laurent is facing, in the Place de la Fidélité and Rue du Faubourg St. Martin; it was first built in 1429, enlarged in 1543, and in part rebuilt in 1595, and the porch and perhaps the lady chapel, added in 1622. A gridiron is the only object which attracts notice on the exterior, and the interior offers little more; the key stones of the vaulting ribs are deep pendent masses of stone, carved into groups of figures, fruit, etc., and in the vaulting there is some bold sculpture displayed in the northern aisle of the choir, which is the most ancient part of the church. The Foire of St. Laurent merits being visited, it is a market which has been built by a company for the supply of this part of the capital. The design is elegant, consisting of a parallelogram of two stories, with covered galleries and a fountain in the middle of the court. The whole is covered in by lateral windows, and a roof of glass. The street St. Laurent conducts immediately to the Maison Royale de Santé, No. 112, Rue Faubourg St. Denis, an institution in which invalids are received; persons who cannot afford the means of sustaining an expensive illness are admitted on paying from 3 to 6 francs a day, advice, medicine, board, and if required, surgical operations included. It contains 175 beds, the utmost attention is paid to the comforts of the patients.
Opposite, at No. 117, is St. Lazare, formerly the ancient Convent of the Lazarists, or Priests of the Mission, now a prison for female offenders. It was once a place of much importance, the remains of the kings and queens of France were carried to the convent of St. Lazare, prior to being conveyed to St. Denis, the coffin being placed between the two gates of the building on a tomb of state, with all the prelates of the kingdom surrounding it, chanting the service of the dead, and sprinkling it with holy water. It is now appropriated to the imprisonment of misguided women, and every encouragement is afforded them to amend, for which purpose they are allowed two-thirds of their earnings, and a variety of occupations are constantly going on. Children, under sixteen years of age, are kept by themselves; in all there are mostly from 900 to 1000 persons confined in St. Lazare, but the order, cleanliness and apparent comfort is such as to give an air of happiness to the whole establishment, and for the humane, it is one of the most gratifying sights in Paris. Attached to this institution is the general bakehouse, laundry, and linen depôt for all the prisons. A chapel is in the midst of the building, and the women attend service every Sunday. We will now return to the Boulevards, and taking the Rue de la Lune, we shall there find the church of Notre Dame de Bonne Nouvelle: the old building was destroyed during the wars of the League, in 1593, but was rebuilt in 1624; of this second construction the tower alone is still standing, the body of the present church having been erected in 1825, it is a plain edifice of the doric order, a fresco by Pujol merits attention, but is the only object throughout the edifice which can excite much interest. We must now retrace a few steps, and by the Rue St. Claude turn into the Rue St. Denis, and proceeding southwards observe the establishment of Les Bains St. Sauveur, at the corner of the street of that name, from which a street communicates with the Rue Thevenot, and about here was the Cour des Miracles, cited by Dulaure, and afterwards by Victor Hugo, as the resort of thieves and beggars, where five hundred families lived huddled together in the greatest state of filth that could be imagined; it was not until the year 1667 that they were partly dispersed. The stranger must not forget the manufactory of mirrors, No. 313, Rue St. Denis, he will there find an immense plate glass warehouse; the concern having been established since 1634; it is carried on to a great degree of perfection. A Frenchman named Thévart first discovered the art of casting glass, that of polishing it was invented by Rivière, and now glasses may be had at this establishment 154 inches by 104. The largest table of iron for polishing glass was made a few months since, weighing twenty-five tons. At No. 121 is the Cour Batave, so called from being erected by a company of Dutch merchants, in 1791; it is disfigured now by shops, but had the original design been carried out, instead of having been disturbed by the Revolution, it would have been one of the handsomest monuments of the capital.
A short distance northward, in the same street, is the church of St. Leu and St. Gilles; on the spot a chapel was erected in 1230, and in a small tower to the west a date is inscribed of 1230, but it has been repaired several times since that period, particularly in 1320; the nave, however, is supposed to be of the thirteenth century, and most likely of the date of the foundation, but other parts of the building are evidently of a more recent epoch, possibly of 1320; judging from the style of the architecture. Amongst the pictures is one of St. Margaret, Queen of Scotland, washing the feet of the poor; there are others which are well worthy attention, as also a representation of the Creation, which is a very curious piece of carve-work. As St. Leu had the credit of healing the sick, the kings of France, on their accession to the throne, for nine days successively used to visit this church to implore the saint to grant them health. We must now proceed to the southern extremity of the street, and take the last turning to the left, which is called the Rue St. Jacques de la Boucherie, and in groping about amongst some dirty streets, we shall find the tower of the same name; it is a remarkably curious object, and it is much to be regretted that the church belonging to it no longer stands it was begun in 1508; and finished in 1522, it is 156 feet high, and had formerly a spire thirty feet high; the style of architecture is rich and very singular, the gargouilles, or gutter spouts, are of a tremendous size; as it has been recently purchased by the Municipality of Paris from an individual, there are hopes that this interesting monument will be fully repaired and restored. Around its base a market is established for linen and old clothes. A little filthy street to the south will take us into the Place du Châtelet, where we can breathe a little fresh air; here stood the celebrated Châtelet, at once a court of justice and prison of olden time. In the middle is a fountain, from which rises a column representing a palm-tree, and upon it are inscribed the victories of Napoleon. Amongst other allegorical decorations, the statues of Justice, Strength, Prudence, and Vigilance adorn the pedestal, and joining hands encircle the column, the whole surmounted by a statue of Victory. At No. 1, upon the Place, is the chamber of notaries, where landed property and houses are sold by auction.
We must now return to the Rue St. Denis, and follow it until we come to the Rue de la Ferronnerie, which is to the left, into which we must proceed, and shall find that the second turning to the left is the Rue des Déchargeurs, and at No. 11 is an edifice of the seventeenth century, which is now the Dépôt général des Bonneteries (Hosiery) de France.
Returning a few steps northward, brings us to the corner of the Rue St. Honoré, and against No. 3 is a bust of Henry IV, and a stone with a latin inscription, indicating that it was exactly opposite that spot that he was stabbed by Ravaillac. The street was very narrow at that period, and at the moment when the deed was perpetrated, the carriage of Henri IV was stopped by a number of carts which choked up the passage. A little street nearly opposite, takes into the Marché des Innocents, which occupies an immense space formerly the cemetry of the Innocents. In the middle of the area is a fountain built by Pierre Lescot, in 1551, and is decidedly a most beautiful object, which is not sufficiently noticed by strangers, as it is surrounded by a crowded market and not at all hours easy of approach; the court-yard of a palace would be a more appropriate situation for this elegant edifice, and I particularly request my readers to pay it a visit. Around this fountain is certainly the largest and most frequented market in Paris, not only each description of vegetables, poultry, and almost all kind of eatables are sold here, but cloth, a large building being purposely constructed for that object 400 feet in length; another division is for every description of herbs, the northern side is devoted to potatoes and onions; a triangular building a little farther, is on purpose for butter, eggs, and cheese, whilst another edifice is for fish. At a short distance, in the Rue Mauconseil is the great hall for the sale of leather, which was formerly the Hôtel de Bourgogne, where the players used to perform scriptural pieces in the 15th century. To the west of the Marché des Innocents is the curious street de la Tonnellerie, an open passage running, through the ground floors of some of the houses, inhabited mostly by dealers in rags, cloth, and old furniture; in this street is the bread market, where it is sold cheaper than at the bakers in Paris. At the south end of the street at No. 3, is the site of the house where Molière was born, which was held by his father who was an upholsterer and valet de chambre to Louis XII; against the house is a bust of the author, with an inscription specifying the event.
Following the Rue de la Tonnellerie brings us opposite St. Eustache, which after Notre-Dame is the largest church in Paris, built on the site of a chapel of St. Agnes. The present edifice was begun in 1532, but not supposed to have been finished until 1642. The portico is more recent, being after a design by Mansart de Jouy, and erected in 1754: combining altogether a most incongruous mixture of styles and orders of architecture, originally commenced with the design that it should be a sort of mixed gothic, of which the southern door and front bear evidence, whilst the western portico has doric and ionic columns, and at the northern end are corinthian pillars, notwithstanding it is a bold imposing structure, and the interior has the appearance of a fine abbey, and is a monument which every stranger ought to visit. It is a pity that a number of little square knobs have been suffered to remain sticking out from different parts of the shafts of the columns of this church; it is strange that the French could not be made to understand that the beauty of a pillar in a great degree consists in a bold broad mass, which should never be cut up into littlenesses, by rings or any obtruding projections. In this church lie buried several celebrated persons, amongst the rest the great Colbert, which is indicated by a very handsome sarcophagus, sculptured by Coysevose. The sacred music here is sometimes most exquisitely delightful, the organ being particularly fine. Facing the southern front is the Marché des Prouvaires, a sort of appendage to the Marché des Innocents, and opposite the east side of the church, is the Fontaine de Tantale, at the point formed by the two streets, Montmartre and Montorgueil, which will repay the observer for a few minutes devoted to its examination. The west front of the church faces the Rue Oblin, which we will take, as it leads to the Halle au Blé, a fine extensive circular building, with a noble dome, it is built on the site of the Hôtel de Soissons, erected for Catherine de Médicis, in 1572, which in 1748 was demolished, and the present Halle constructed in 1763; the roof has a round skylight, 31 feet in diameter, and from the system adopted in its formation, it is considered by connaiseurs a chef d'œuvre in the art of building. It is indeed altogether so curious, and so commodious a building for the purpose for which it is designed, that the visiter must be highly gratified in viewing it: there is besides another attraction, which is on the southern side, one of the immense doric columns which once composed the noble Hôtel de Soissons; it was erected for the purposes of astrology, and contains a winding staircase, and is ornamented with emblematic symbols, of the widowhood of Catherine de Médicis, as broken mirrors, C. and H. interlaced, etc. An ingenious sundial is placed on its shaft, and a fountain in its pedestal.
By taking the Rue Sartine we shall arrive at the Rue Jean-Jacques Rousseau, and there find the Hôtel des Postes or General Post Office; it was formerly an Hôtel belonging to the Duke d'Epernon, and was afterwards inhabited by different proprietors, until 1757, when it was purchased by government, for its present purposes. It is an extensive building but badly situated amongst narrow streets, many additions have been made since it has become government property. Taking the Rue Verdelet, the street which runs along the north side of the building, and proceeding westward, we come to the Place des Victoires, which was built in 1685; in the centre is a very fine equestrian statue of Louis XIV, in bronze, which although weighing 16,000 lbs is entirely sustained by the hinder legs and the tail. It is the work of Bosio, and was modelled in 1822.
Proceeding to the south-west, by the Rue de la Petite-Vrillière, the Bank of France is before us. It was formerly the Hôtel de Toulouse, erected by Mansard, in 1720; for the Duke de la Vrillière; it is well situated, and adapted to its present use, but it has no striking architectural beauty. The Rue Vide Gousset, to the north-west of the Place des Victoires, leads to the Église des Petits-Pères, or de Notre-Dame des Victoires, erected in 1656. It was called Petits-Pères, or little fathers, on account of Henry IV, on two of the community of small stature having been introduced into his antechamber, asking, "who are those little fathers?" The convent which was attached, is now used as barracks for infantry. The portal of the church was built in 1739, and is composed of columns of the ionic and corinthian orders. The interior has some handsomely decorated chapels and altars; the pictures by Vanloo also are fine. Lulli, the musical composer, lies buried here. In the Rue Notre-Dame des Victoires is the immense establishment of the Messageries Royales, from whence start diligences to all parts of France; we will pass through the yard into the Rue Montmartre, at No. 44, is the Marché St. Joseph, at 166, the Fontaine de la Rue Montmartre, and at No. 176, the Hôtel d'Uzès erected by Le Doux, considered one of the finest hôtels in Paris.
We will now enter the Boulevard Poissonnière, by turning to the right, and in passing along to the Boulevard Bonne-Nouvelle must notice the very handsome Bazaar called the Galeries de Commerce, and the noble building called Maison du Pont de Fer with its curious iron bridge, uniting the back and front premises with the Boulevard. Taking, the Rue de l'Échiquier, to the left, will conduct us to the Rue du Faubourg-Poissonnière, and opposite, at No. 23, we find the Garde Meuble de la Couronne, containing all the furniture of the crown not in use, the regalia, and other articles of immense value, but to obtain admission is extremely difficult. Annexed to this building is the Conservatoire de Musique and the Salle des Menus Plaisirs. In this street are several handsome mansions particularly at Nos. 26 and 60, the gateway of which, with its fine ionic columns, is one of the most imposing in Paris; there also are large barracks for infantry with military trophies over the entrance. From thence a few steps lead into the Rue Lafayette, and will bring us to a new church which promises to be, when quite finished, one of the most elegant in the capital, it is situated at the summit of the Rue Hauteville. The order is ionic, which is solely and consistently preserved throughout the building, all the ornaments are in good taste, and the paintings promise to be in keeping with the rest, so that it augurs well towards being quite a chef-d'œuvre of art. It is intended to replace the old church of St. Vincent de Paule, which stands about a furlong from it to the west in the Rue Montholon, to where we will proceed, and look at the altar-piece, being the apotheosis of the philanthropist to whom it is dedicated, and the only object in the church worth attention.
Keeping straight on westward, we come to the beautiful church of Notre-Dame-de-Lorette, finished in 1837, it is exactly fronting the Rue Lafitte, from which the noble portico of corinthian columns has a most beautiful effect. The interior is splendid, indeed gorgeous, all that painting, sculpture, and gilding can produce, is here combined, and the effect is dazzling, and excites almost universal admiration, and would mine also were it a theatre, but the chaste, still solemnity of a holy sanctuary exists not here, amongst the gay colours and lurid glare which every where meets the eye from the glitter, which blazes around in this too profusely decorated church. Yet one must do justice as one examines it in detail, and admit that in point of execution all its different departments are most exquisitely wrought, and magnificent as a whole, only not consistent with our associations connected with a temple of worship.
We will now descend by the Rue Faubourg Montmartre to the Boulevards, and bearing a little westward, shall come to the very handsome Rue Vivienne, through which we will proceed until we are opposite the Bourse (Exchange), and there we pause and contemplate what I consider the beau idéal of fine architecture; its noble range of 66 corinthian columns have no unseemly projections to break the broad mass of light, which sheds its full expanse upon their large rounded shafts, no profusion of frittering ornaments spoil the chaste harmony which pervades the whole character of this building, which to me appears faultless. If there were any improvement possible, I should say that if the bold flight of steps which leads to the front entrance had been carried all round the building the effect would have been still more grand than it now is. The interior is adorned with paintings in imitation of bas relief, which are executed in the most masterly style. The grand Salle de la Bourse in the centre of the building, where the stock-brokers and merchants meet, is 116 feet in length by 76 in breadth, entirely paved with marble. The whole arrangements are such as to render it in every respect the most commodious for all commercial purposes.
From hence we proceed by the street opposite to the Rue Richelieu, and turning to the left, we arrive at the Place Richelieu, and must pass a few minutes in admiring the elegant bronze fountain in the centre with its noble basins and four allegorical figures representing the Seine, the Loire, the Saône, and the Garonne, round which the water falls from above, and flows beneath, producing a most beautiful effect.
Opposite is the Bibliothéque du Roi, or Royal Library, which certainly is the most extensive and most complete of any in the world, possessing nearly 1,000,000 books and printed pamphlets, 80,000 MSS, 100,000 medals, 1,400,000 engravings, 300,000 maps and plans. This institution may be considered to owe its foundation to St. Louis, who first made the attempt of forming a public library, and arranged some volumes in an apartment attached to the Holy Chapel; under successive reigns the number gradually increased, whilst the locality assigned for them was often changed, and it was not until the reign of Louis XV that they were placed where they now are, in a most extensive building, formerly the residence of Cardinal Mazarin, which, seen from the Rue Richelieu, presents nothing but a great ugly dead wall, with a high roof to it, and here and there a few square holes for windows, but when you enter the court-yard, you find rather a fine building than otherwise, and the interior displays, by the vast size of the apartments, some idea of what its former grandeur must have been; the richness of the ornaments and decorations in most instances are destroyed, and replaced by books, with which the walls are covered. The engravings occupy the ground floor, and amongst them are to be found fifty thousand portraits, including every eminent character which Europe has produced, and presenting all the varieties of costumes existing at the different epochs in which they flourished; in one of the rooms where the prints are kept is an oil portrait, in profile, of the unfortunate King John of France, which is curious as an antiquity, being an original, and executed at a time when the art of portrait painting was very little known, as John died in the year 1364. On ascending the staircase to the right, a piece of framed tapestry must be remarked, as having formed part of the furniture of the chateau of Bayard.
Those who are curious in typographical specimens must ask to see the most ancient printed book with a date, being 1457, also the Bible, called Mazarin, printed in 1456, with cut metal types. The oldest manuscript is one of Josephus, and others are of the fifth and sixth centuries; the amateurs of autography will be gratified in seeing letters from Henri IV to Gabrielle d'Estrée, and the writing of Francis I, Turenne, Madame de Maintenon, Voltaire, Rousseau, Racine, Corneille; Boileau, Bossuet, etc. Amongst other interesting objects is the chair of Dagobert, which is supposed to be much older even than his time, and of ancient Roman fabric, the vase of the Ptolemies, the famous cameo representing the apotheosis of Augustus, the seal of Michael Angelo, and the armour of Francis I, and the admirers of vertu must be delighted with the collection of exquisitely beautiful intaglios and cameos. Two globes, twelve feet in diameter, being the largest extant, cannot be overlooked. Mount Parnassus in bronze, which the French poets and musicians are ascending with Louis XIV on the summit, is a fine piece of workmanship; there is also a model of the Pyramids of Egypt, with figures and trees to denote their height. There are a few very good paintings, and many objects calculated to excite the highest interest, which it would take years properly to examine and appreciate. The prayer-books of St. Louis and Anne of Brittany, and one which belonged in succession to Charles V Charles IX, and Henri III, bearing their signatures are exceedingly curious. Amongst the books and manuscripts may be found some of every known language which has characters. This noble institution is open daily for students; authors; etc., from ten till three, except Sundays and festivals; and those who merely wish to view the establishment may be admitted from ten till three on Tuesdays and Fridays; except during the vacation, which is from the 1st September to the 15th October.
In the same street, a little farther southward, at the corner of the Rue Traversière, the preparations will be observed for a statue to Molière, on the spot where stood the house in which he died, and nearly opposite is a small passage which passes under a house; and takes one opposite another of a similar description, which leads into the Palais Royal: suddenly emerging from the little dark alleys into a beautiful area, has a most extraordinary and pleasing effect; you see before you a parallelogram of 700 feet by 300, completely surrounded by a beautiful building with arcades, and having flower-gardens; statues, and a splendid fountain in the centre. To see this extraordinary scene to the greatest advantage, the first visit should be by night, and the impulsive coup-d'œil tempts the beholder to imagine that he has around him the realization of some gay dream of a fairy palace, the immense glare of light glittering on the falling waters, the brilliance of the illuminated shops; the magnificence and richness of the articles therein displayed, with reflecting lamps so contrived as to throw a powerful light on their sparkling jewels and glittering ware, the vistas of trees, the borders of flowers, the well dressed company and animated groups, with the gilded coffee-houses beaming all round, form such a picture as it is more easy to imagine than describe. Four galleries with shops encircle the garden of the Palais Royal, three of them are under piazzas opening to the grand area, the fourth, called the Galerie d'Orléans, is enclosed on both sides, and the roof is formed by one immense skylight, whilst the effect of the whole is superb. Over the shops are mostly either coffee-houses or restaurateurs, some of them splendidly decorated and most brilliantly lighted; as may be imagined, this amusing locality forms the lounge of thousands, and no stranger ever comes to Paris without making an early visit to the Palais Royal. It was originally intended by Cardinal Richelieu for his own residence, but the magnificence which he had already developed, with intentions of augmenting his design to so extravagant and luxurious a degree, began to excite the jealousy of Louis XIII, and finally the Cardinal made him a present of it shortly before his death. Since then it has been inhabited by several royal visiters, and such changes have been made that the original plan is scarcely to be traced, it having formerly been so much more extensive as to occupy several of the surrounding streets. So numerous are the shops, and so various are the articles within them, that it has been observed that a person might live in the Palais Royal without ever stirring out of it, finding all within it required to supply the wants of a reasonable being.
Although under the comprehensive title of Palais Royal, the whole extent is included, not only garden but all the surrounding shops and the stories above, yet that part which specifically is the Palais Royal, or Royal Palace, is situated at the southern extremity, looking into two court-yards, and where the present King with his family resided until 1831, when he removed to the Tuileries. It is entered by the Rue St. Honoré, and may be considered rather a fine building; the doric, ionic, and corinthian orders are visible in different parts of the edifice, in the interior there are some extremely handsome apartments, beautifully furnished but not very large for a palace; there are many very interesting pictures, particularly those relative to the King's life, from the period, of his teaching geography in a school in Switzerland, to his return to Paris; also the subjects connected with the events of the Palace are well worth attention, and many of them painted by the first rate artists. The apartments may usually be seen on Sundays from 1 till 4, on presentation of the passport.
Opposite the Palais-Royal is an open space called the Place du Palais Royal, on the southern side is the Château-d'Eau, a reservoir of water for supplying the neighbouring fountains; it is decorated with statues, and two pavilions. Just near it is the Rue St. Thomas-du-Louvre, where formerly stood the famous Hôtel de Longueville, the residence of the Duke de Longueville, and Elbœuf, where the intrigues of the Fronde were carried on, during the minority of Louis XIV, against Mazarin; it is now in part occupied by the king's stables, containing 160 horses, and may be visited any day by applying at the porter's lodge. We will now retrace a few steps eastward to the Rue St. Honoré, and passing by the large establishment of Laffitte, Caillard, et Compagnie, for diligences to all parts of France, we shall come to the Oratoire, built for the Prêtres de l'Oratoire in 1621, but now devoted to the protestant worship; it is adorned with doric columns, with a range of corinthian pillars above, and in the interior, the roof of which is highly ornamented. Service is performed in French every Sunday at half past 12. Within a hundred yards eastward is the Fontaine de la Croix-du-Tiroir, at the corner of the Rue de l'Arbre-Sec, rebuilt by Soufflot (on the site of one erected under Francis I). Adorned by pilasters and a nymph, which would have been graceful but is spoiled by their painting over it.
The first turning in the Rue de l'Arbre-Sec, is the Rue des Fossés St. Germain-l'Auxerrois, and at No. 14 is the house formerly called the Hôtel Ponthieu, in which Admiral Coligni was assassinated on St. Bartholomew's day, in 1572; in the very room where the event took place the witty actress, Sophie Arnould, was born, in 1740, then called the Hôtel Lisieux, and in 1747, it was occupied by Vanloo the celebrated painter. We return to the Rue de l'Arbre-Sec, and a few steps southward bring us in front of the venerable and mouldering church of St. Germain-l'Auxerrois (vide page 61); the oldest part still standing and supposed to be of the 14th century, is the western front; the porch was built by Jean Gausel in 1431, several other parts have been built at later periods; altogether it is a most interesting building and is connected with many sad historical associations, it was the bell of this church that tolled the signal for the massacre of the protestants on the night of St. Bartholomew; in a little street adjoining the south side of the church, is a house with a picturesque turret, supposed to have belonged to some building attached to the church; there is a very remarkable piece of carve-work in wood and some interesting pictures within the church; we will now leave its tranquil vaulted aisles, and quitting by the western porch, the most beautiful façade of the Louvre rises before us, which was erected in the reign of Louis XIV, after a design by Claude Perrault.
Champin del. Lith. Rigo Frères Cie St. Germain l'Auxerrois.
The Louvre has been so often described in works of so many different natures, descending the different grades from histories to pamphlets, that I shall not fatigue my readers with a too detailed review of its wonders, but endeavour to give them some impression of its grandeur, with as little prolixity as possible. I have already, in the historical sketch of Paris, touched upon its foundation, and the various epochs at which the different parts of the building were erected, and certainly let any one place himself in the middle of the grand court, and behold the four sides, and see if he can call to mind any thing equal to it, take it, for its all in all; I am well aware that there is rather a redundancy of ornament to satisfy the purest taste, and in that respect there is undoubtedly a deviation from perfection, but the approach is sufficiently near to excite the warmest admiration. Each side is 408 feet, and although there is a degree of uniformity, taken en masse, preserved, with two of the façades particularly, yet on examination the ornaments are found to be different, each side requires much close study after a coup-d'œil has been taken of the whole, and the more it is inspected, the more beautiful will it be found; the statues and different devices are by five different sculptors, the most celebrated of their day, the order of the pillars is generally corinthian, but there are some, which are composite. The external façades are by no means burthened with ornament, the north and western sides being perfectly plain, the south side has a noble effect, and faces the quay, having plenty of room to admit of its being properly viewed and justice rendered to its noble range of forty corinthian pilasters; this is by Perrault, as well as the eastern side, which is certainly one of the finest specimens of modern architecture that can be imagined.
A grand colonnade composed of 28 coupled corinthian columns has the most splendid effect, the basement story being perfectly simple, whilst the central mass of the building which forms the gateway is crowned by a pediment of stones, each 52 feet in length and three in thickness; all is vast, all is grand about this noble front, which is justly the admiration of every architectural connoisseur, no matter from what part of the world he may come.
Of the interior volumes might be said, I must first, after conducting my reader to the great door on the southern side of the building, direct his attention to the grand staircase, which is of a most splendid character, as to design, and consistently beautiful as to execution. The visiter after passing by a small room filled with very old paintings enters a larger when the grand gallery extends before him, which is unrivalled in the world, being above a quarter of a mile in length, and 42 feet in width, filled with paintings, principally from the old masters, but of them I will treat in a future chapter; it contains 1406 pictures some of them being of immense size. We will now pass on for the moment to the other apartments. The bed-room of Henry IV must arrest our attention, and the eye naturally falls on the alcove where his bed was placed, the oak carving, and gilded mouldings have been preserved exactly in the same state that they were when he died. We next proceed to a suite of rooms containing paintings of the Spanish, French, Flemish, and Italian schools; others devoted to drawings; of the latter there are 1293. Another range of apartments is on the ground floor and called the Museum of Antiquities, containing statues and various specimens of sculpture, in all 1,116 objects. Other suites of rooms are appropriated to Egyptian, Greek, and Roman antiquities, and in some of the apartments are objects of great value; that the amount of real worth of the contents of the Louvre must be incalculable, one casket alone of Mary de Medicis is estimated at several thousand pounds, and there are many articles equally costly. One portion of the building is devoted to every thing that concerns naval architecture and an immense variety of marine objects, with a number of curious models. The Louvre may be entered on presenting the passport, every day, and new wonders and beauties may be discovered at each visit, although they be repeated for months together.
We now pass on westward, and enter the Place du Carrousel, so called from Louis XIV having held a grand tournament there in 1662, but it was not then so extensive as at present. The triumphal arch erected by Napoleon in 1806, first strikes the eye a beautiful monument composed of different coloured marbles, of works in bronze with figures, and devices relative to war, and commemorative of the campaigns of the French army in 1805; all the different parts are admirable from the exquisite manner of their execution. On our left is the grand picture-gallery of the Louvre, communicating with the Tuileries, on the right, the same description of building exists in part, but is not yet completed. Before us spreads the extended dimensions of the palace of the Tuileries; with all deficiences it must be admitted that it is a noble pile, and has a grand, though heavy imposing air, the height of the roof is certainly a deformity, but we will enter the grand court-yard, which is separated from the Place du Carrousel by a handsome railing with gilt spear-heads, and then pass under the palace, and view the façade on the garden side, where the sameness of the building is relieved by a handsome colonnade in the centre, adorned with statues, vases, etc.; the wings also have a fine effect, they are more massive than the body of the building, which although not a beauty as respects the edifice in general, yet the execution of all the different parts is admirable in the identical detail; having a fair share of ornament not injudiciously disposed, situated as the Palace is seen, at the end of a splendid garden, it has a most striking and beautiful effect.
The interior contains many apartments which are, as might be expected, exceedingly handsome, one termed the Galerie de Diane is 176 feet long by 32 broad, it is of the time of Louis XIII, and rich in gilding and paintings, but generally the furniture is not so magnificent as might be imagined; those occupied by the Duke of Orléans are an exception; being very splendid. Amongst the numerous objects ofvertu which here abound is the large solid silver statue of Peace, presented to Napoleon by the city of Paris after the treaty of Amiens. The pictures are generally by the most eminent French artists. The Salle des Maréchaux contains the portraits of the living Marshals of France; Soult, Molitor, and Grouchy are the only remaining, whose names figured in the campaigns of Napoleon; on the whole it may be remarked that the apartments generally in the Tuileries are not equal in point of extent and decoration, to the saloons of many of the nobility of Paris. When the King is absent, the Palace may be viewed by applying to M. le Commandant du Château des Tuileries, and the same is the case with the apartments of the Duke of Orleans.
The gardens present a most agreeable aspect, although too stiff and formal to be in good taste, yet the mélange of noble high trees, wide gravel walks, marble basins, beautiful fountains, the most classic statues, beds of flowers, ornamental vases, and the commanding view to the Triumphal Arch, certainly form an ensemble which produces the most delightful sensation; in fact, I never enter them, such is the cheering effect upon me, without having but one unpleasant feeling, and that is, to think that I have not time to go there oftener, and pass hours amongst such charming scenes. To view the number of sweet merry looking children, with their clean and neat bonnes (nursery maids), all playing so happily together, enlivens the heart, then the retired walks between the dense foliage in the heat of summer invites the mind to meditation. The exquisitely beautiful statues are also most interesting objects of study, and I recommend them particularly to the attention of the visiter. On the northern side of the gardens, extends the handsome Rue Rivoli, with its noble colonnade; at No. 48, is the Hôtel des Finances, a spacious building covering a large extent of ground, containing several courts, with offices, and splendid apartments for the Minister. We shall now cross the Rue Rivoli, and take the Rue des Pyramides, also having an arcade all through the Rue St. Honoré, and facing us rises the noble church of St. Roch (vide page 97). The entrance is approached by a flight of steps, which have witnessed some sanguinary scenes, when Napoleon poured forth the iron hail of his artillery upon the opposing force which was there posted; again, in 1830, on the same spot, the people made a firm resistance against the gendarmerie of Charles X. The portal has two ranges of columns of corinthian and doric orders, the interior, although plain, has a fine appearance, heightened by the effect produced by many handsome monuments to illustrious characters who have been buried here, amongst the rest, Corneille; painting as well as sculpture has lent its aid in decorating this church, as it contains some fine pictures. The Royal Family attend here, and the music is very fine, but generally there are such crowds that it is difficult to enter. At No. 13 in the Rue d'Argenteuil, behind St. Roch, in 1684, Corneille died. A black slab in the court-yard bears an inscription and the bust of the poet.
Returning to the Rue St. Honoré, we proceed westward, and pass by the Rue Marché St. Honoré on our right, in which is a most commodious market. Pursuing our course we look down the Rue Castiglione, which communicates with the Rue Rivoli, and the Place Vendôme; it is remarkably handsome, and has a fine colonnade, at the corner is a fountain, which is plainer than they usually are, and a little farther to the west, at No. 369, is the Assomption (vide page 96). This church formerly belonged to a convent of nuns, styled Les Dames de l'Assomption, the remains may be perceived in the Rue Neuve du Luxembourg, and are now occupied as barracks. It was completed in 1676. It contains some interesting pictures. A chapel is contiguous, dedicated to St. Hyacinthe, which was erected in 1822. Continuing to follow the Rue St. Honoré, we cross the Rue Royale, displaying the fountains of the Place de la Concorde to our left, and the Madeleine on our right, we enter the Rue Faubourg St. Honoré, in which are many most superb hôtels, amongst the rest, the British Ambassador's, formerly the Hôtel Borghèse, occupied by the Princess Pauline, sister of Bonaparte; the next hôtel is that of the Baroness Pontalba, and is one of the most splendid in Paris, which the visiter must not fail to remark. We next come to the Palais de l'Elysée Bourbon, erected in 1718, and afterwards purchased and occupied by Madame de Pompadour, since when it has had many masters, amongst the rest, Murat, Napoleon, the Emperor of Russia, the Duke of Wellington, and the Duke de Berri, but it now belongs to the crown, and combines an appearance of splendid desolation, with a variety of associations, that cause us to muse on the fall of the great. The library which is over the council chamber was fitted up by Madame Murat, in the most exquisite style, as a surprise for her husband after his return from one of his campaigns; it next became the bed-room of Maria Louisa, and the birthplace of the daughter of the Duke and Duchess de Berri. Here also is shown the bed-room, and bed in which Napoleon last slept in Paris, after the battle of Waterloo. The building itself is handsome, and though not large, has an elegant appearance, some of the apartments are very splendid, but now having a solitary aspect. The garden, which is large, contains some noble trees, and is laid out in the Italian style. To see this Palace, apply for admission to M. l'Intendant de la Liste civile.
Facing the Elysée Bourbon, is the Hôtel Beauveau, in the Place Beauveau, occupied by the Neapolitan Ambassador. Still proceeding westward we come to the church St. Philippe du Roule, which was completed in 1784. It has but very little ornament, but is an exceedingly chaste production, the columns of the portico are doric, and those of the interior are ionic. It contains several good pictures. Nearly opposite is a handsome building with tuscan columns, and is used as stables for the King, and also a receptacle for his carriages. A short distance farther on is the Hôpital Beaujon, founded by the banker of that name in 1824, a handsome and well arranged building, having an air of health and cheerfulness; it contains 400 beds, and the situation is particularly salubrious, and so well ordered that the inspection of it will afford much gratification to the visiter. The Chapelle Beaujon, opposite, is by the same founder as the hospital, and may be considered as belonging to it.
We must now travel back as far as the British Ambassador's, and facing is the Rue d'Aguesseau, in which is the Episcopal Chapel, entirely appropriated to the English protestant worship, a building well adapted in every respect to the purposes for which it was erected. A few steps farther we turn to the right, which will bring us to the Rue de la Madeleine, in which we shall find the Chapelle Expiatoire, built over the spot where Louis XVI and Marie Antoinette were buried, immediately after their execution, and the interior is adorned by their statues; their remains were afterwards removed to St. Denis. This chapel is one of the most elegant and interesting monuments in Paris, it is in the form of a cross, with a dome in the centre. A short distance eastward, is the Collége Royal de Bourbon, No. 5, Rue St. Croix, which was built for a Convent of Capuchins, in 1781. It consists of a doorway in the centre, with columns, and two pavilions at the ends, one of which was the chapel of the convent, but is now the church St. Louis, a plain building of the doric order, but decorated by some fine fresco paintings, and four large pictures of saints, painted in wax. From hence we may take the Rue Joubert, opposite, and proceed until we arrive at the Rue de la Victoire, formerly called the Rue Chantereine, where resided Napoleon after his Italian campaign, and from hence went forth to strike the coup d'état which dissolved the government on the 18th Brumaire. The house was built for the famous dancer Guimard, then passed to Madame Talma, who sold it to madame Beauharnais, afterwards the Empress Joséphine, who added the pavilion at the nearer end. Bertrand inhabited this mansion a short time after his return from St. Helena, at present it is untenanted, and undergoing repair; it belongs to the widow of General Lefebvre Desnouettes. In the garden is a bust of Napoleon, which certainly possesses no great merit. If disposed to extend our walk, we may proceed northward to the Rue de Clichy and there find a prison for debtors, in an airy, healthy situation, which is satisfactory information for some of our prodigal countrymen, too many of whom, I regret to say, have been, and are still, inhabitants of this building, which contains from 150 to 200 persons. In returning we will amuse ourselves in wandering about many of the streets of the Chaussée-d'Antin, both right and left, which have in them some most beautiful houses decorated with statues and the most elaborate carve-work. On returning to the Boulevards by the Madeleine, as we pass along we notice the Hôtel des Affaires Etrangères, or residence of the Minister of Foreign Affairs, corner of the Rue Neuve-des-Capucines, formerly belonging to Marshal Berthier, we then proceed to the eastward, and turn down the Rue Neuve St. Augustin, which will bring us to the point where the streets La Michodière and Port Mahon meet, at the beautiful Fontaine de Louis-le-Grand, with the statue of a Genius striking at a dolphin, with consistent ornaments extremely well executed.
CHAPTER VII.
A matter of fact chapter, more useful than amusing; advice to Englishmen visiting or sojourning at Paris; several serviceable establishments recommended; hints as to management and economy.
Although I have already afforded my readers a transient glance at the Champs-Élysées on entering Paris, yet so charming a spot must not be passed over altogether in so hurried a manner; possessing as it does so many attractions for the happy portion of the Parisians, which do not only consist of its fine vistas of high trees, its broad walks, flowing fountains, etc., but a wide open space is left, where the people recreate themselves with athletic games, whilst in other parts there are swings, merry-go-rounds, shows, music, dancing, and every variety of amusement that can afford pleasure to those who are merrily inclined. Franconi has also a Theatre here for the display of horsemanship during the summer, which is extremely well conducted, and constantly filled. The prices are from 1 to 2 francs. In the south-western portion of the Champs-Élysées, is a quarter called Chaillot, in which is situated, at No. 78 bis, the Chapelle Marbœuf, where protestant service is regularly performed every Sunday. At No. 99 is Sainte Perine, a refuge for persons above 60 with small incomes, who by paying 600 francs a year, are comfortably provided for, or by depositing a certain sum at once, on entering. It was formerly a monastery, and can accommodate 180 men and women. The church of St. Pierre is a little farther on, in which there are a few pictures, and the choir is of the 15th century. There are a great number of very handsome houses about the Champs-Elysées; which is a favourite neighbourhood with the English, and it is an agreeable vicinity, on account of its airy position, its picturesque appearance, and affording pleasure in viewing the numbers who crowd there for the purpose of enjoyment, and with the determination to enjoy. It is also a fashionable resort for pedestrians, equestrians, and carriages, and whilst I am dilating on the attractions of the Champs-Elysées, I must not omit to direct the attention of my readers to the very delightful establishment which Doctor Achille Hoffman has formed in the Avenue Fortuné, which is called the Villa Beaujon, uniting within its interior every object desirable for health, comfort, and pleasure.
This establishment has been formed by the Doctor on such a system, as to render it in every respect a cheerful and agreeable residence for boarders; hence every rational and intellectual amusement is provided within its walls, a piano, and instruments for forming a quartetto, a billiard room, newspapers, periodical works, baths, etc., alternately present the inmates with a fund of amusement: possessing also the greatest advantage in having Madame Hoffman at the head of the establishment, who from the good society she has been accustomed to frequent, and her mental qualifications, is enabled, by her conversation, ever to cause the hours to pass most pleasantly with the residents of the Villa, to whose comforts, and wants, she pays the most unremitting attention, and unites the advantage of speaking English. Doctor Hoffman is willing to receive any patients except such as may be afflicted with either contagious complaints, or with mental alienation, and to attend them upon the homœpathic principles, in which he has attained considerable celebrity, having for many years practised upon that system with the greatest success. The apartments are fitted up in a style of elegance which at once convinces the spectator of the good taste of the director, and although they are numerous, each has its peculiar attraction, either in the view from the windows, or from the internal arrangement: but the quality which is most recommendable in this establishment, is the peculiar care which has been devoted to every minutia which can in any degree tend to comfort, and particularly for that season when it is most required, having by the means of two immense calorifères, so contrived that the whole house is warmed by a pure air, which is introduced from the garden, and conveyed not only into every apartment, but also to the staircases, corridors, and even into the closets, the degree of heat being regulated exactly to the grade desired; thus a person may pass a whole winter in this little Elysium, without ever feeling any of its baneful effects, which is a great desideratum for persons of delicate health, or having the slightest tendency to consumption, to whom the most powerful enemies are cold and damp, two intruders who are never permitted to enter under any pretext the Villa Beaujon.
For the pedestrian the greatest treat is afforded, as the neighbourhood consists of a most numerous variety of delightful walks, and for those who desire to enjoy the beauties of nature, without fatigue, the most favourable opportunity is offered, a terrace having been formed at the summit of the premises which commands a panoramic view for fifteen leagues round, comprehending within its circle an immense variety of villages, châteaux, hills, wood, water, and every description of picturesque scenery. There is also a garden prettily arranged, and kept in the nicest order, with kiosques and a jet d'eau, in fact there is no attraction omitted which could possibly contribute towards rendering the Villa a most desirable residence for every season; the charge is moderate, and the treatment in every respect the most liberal, the Doctor being in such a position that emolument is not an important object. Amongst other advantages which the establishment possesses, is that of always having one English servant. The situation which has been selected by the Doctor for his residence, is not only the most agreeable but considered decidedly one of the most healthy round Paris, as the few houses which are immediately around it are of the better order and environed by gardens, therefore the purity of the air is untainted by smoke or any effluvia arising from closely inhabited cities; indeed in that instance Paris has a great advantage over London, on account of wood being the principal fuel burnt in the former, and coal in the latter, hence Paris seen from a height, every object is visible from the clearness of the atmosphere, whilst London under the same circumstances is capped by a murky sort of cloud by which the greater part of the city is generally obscured.
Although the French capital is above three degrees south of the English, yet the former is colder in the winter, only that it is dryer, consequently more wholesome and the cold weather is of much shorter duration, as the springs are always finer and forwarder than in England, which is proved by the vegetables being much earlier in Paris, peas being sold cheap about the streets on the 20th or 25th of May, and other leguminous crops in proportion. The autumns are often very fine, generally, indeed, I have known the month of November to be quite clear and sunny, but of latter years the summers have been wet. The English in most instances have their health better in France than in England, which is considered to arise from several different causes; the lower and even some of the middle classes in London and other large towns are much addicted to drinking quantities of porter and ale, which are not so accessible in Paris or in any town in France; hence after a time they accustom themselves to the light wines of the country, and with the higher classes of English the case is nearly similar, as they renounce port, sherry, and Madeira, for Burgundy, Bordeaux, etc., and as a draught wine even good ordinaire, but a grand point is to obtain it of the best quality, proportioned to the price; perhaps there is not a town in the world where there are so many persons who sell wine as in Paris, but as there is a great deal of quackery and compounding practised, I must caution my countrymen not to purchase at any house to which they are not particularly recommended. I shall therefore advise them to give the preference to the old established house of Meunier, which has existed ever since 1800, now conducted by Messrs. Debonnelle et Guiard; I have myself long dealt there, as also my friends, and have ever found their prices the most reasonable, and the qualities unexceptionable; their tarif comprehends all descriptions of wine, and the charges in proportion, commencing on so moderate a scale that they are attainable to the most modest purse, and as there is no description of known wine which they do not possess, of course some there are at very high prices; the same case may be stated of their liqueurs, of which they have every variety. In this establishment persons may either be accommodated with a single bottle, or may purchase by the pipe, as they carry on an extensive wholesale business; their great warehouses are at Bercy which is the grand dépôt for the wine merchants of Paris. This is one of those houses to which I have before alluded as having, although nearly in the centre of the city, a delightful garden, and in the present instance quite a little aviary of canary and other birds, which is open to the street, situated No. 22, Rue des Saints-Pères, Faubourg St. Germain. The present proprietors were clerks in the house as long back as 1810, and have never since been absent from the business, which has been considerably augmented by their extreme attention and civility to their customers, and the reputation which they have acquired for keeping good articles, and vending them at fair prices.
As a great object of my work is to render it as serviceable as possible to my readers, I must not omit some cautionary remarks upon the tradespeople of Paris; an opinion has generally existed of their predisposition to overcharge the English, and in a great many instances it has been the case, when they first came over to France; an idea existed that they were extremely rich, and a bad feeling prevailed of making the wealthy pay: even amongst their own country people, they do the same, it is a common phrase with them, "Il est riche, alors faites-lui payer," "He is rich, so make him pay," and that system of calculating the weight of a person's means and making the charge, accordingly, is still followed in a degree; even the government have in some measure encouraged the practice, no doubt from a good motive, which has prompted them at certain periods to enforce regulations, that some articles should be sold for less to the poor, such as bread, and other necessaries of life. Another circumstance caused the French to continue their impositions upon the English, their having been duped by the latter, and in many instances to a considerable amount, as amongst the crowds who came over, were many persons who were not very scrupulous with respect to paying their debts, to whom the French willingly gave credit, the English name at that period having stood extremely high in the estimation of the French, but having sustained several losses on account of their too great facility in giving credit, they determined to make such of the English as they could attract, pay a portion towards what they had been mulcted by their runaway country-people. The French are not alone in that respect, as some of the fashionable tailors in London charge an immense price for their coats, because they say they only get paid for two out of three, therefore they make those pay dearly for such as do not pay at all.
The system now is rather better in Paris, so many shopkeepers having adopted the plan of selling at "Prix fixe" as they call it, which means fixed prices, from which they seldom or ever depart; but then there is a great difference with regard to the value of the articles in which they deal, some shops being infinitely cheaper than others, I therefore have been at considerable pains to discover those who conduct their business in an honourable manner and shall give my readers the benefit of my researches. With respect to provisions there certainly is a difference with regard to the quarters, which are the more or the less fashionable, the former being somewhat dearer than the latter, but there is a proportionate difference with regard to the quality, and therefore in some instances the higher priced articles are the cheapest in the end; for instance, M. Rolland, of No. 363, Rue St. Honoré, sells none but the very best meat; certainly in some of the obscurer parts of the town, and in the markets it is to be had cheaper; but the quality far inferior. I have heard the English complain of the meat not being so good in Paris as it is in London, but if they dealt with M. Rolland they could not in justice make the remark, he is always the possessor of the ox which is exhibited on Shrove Tuesday, and which weighed the last time nearly 4,000lbs; he retains a well executed portrait of it, which he shows to his customers, but he has often beasts approaching that weight, as about a dozen every year are fatted by the Norman graziers for the prize, and he is the principal purchaser; his other meat is proportionately fine, therefore I fancy that a good manager will find that economy is promoted by dealing with M. Holland in preference to any one who may sell at a nominally lower price.
Now that economy is on the tapis, I must endeavour to enlighten my reader as much on that head as I can, by giving him all the advantage of my own experience in the art, and as I am an old practitioner, I have the vanity to flatter myself that my advice on that score may count for something. On quitting England I advise my readers to disburthen themselves of all their clothes, except such as are absolutely requisite for travelling, and then on arriving at Paris to order those of which they may stand in need; indeed for myself, when I return to England I always provide a good stock of habiliments, convinced that the cloth procured in France is so much more durable than that obtained in England, and the workmen being paid much less, you have a superior article in France for a lower charge. As to the difference of fashion or cut, I leave that to be decided by a committee of dandies of the two countries, and to prevent my readers from getting into bad hands, I recommend them at once to M. Courtois, aux Montagnes Russes, No. 11, Rue Neuve-des-Petits-Champs, facing the Rue Vivienne, there the stranger is sure of being fairly treated with regard to the worth of the commodity, the solidity and neatness of the execution, and punctuality in the fulfillment of his engagements. The difference of prices between a fashionable London and Parisian tailor is immense, the former will make you pay 7l. 7s. for a coat of the best cloth, whilst M. Courtois only charges 100 francs (4l.) for the same article, equal in every respect, and furnishes every other description of clothing on equally moderate terms.
I shall now bid my reader to doff his hat, and obtain one that will sit so lightly on his brow, that he will scarcely be conscious that his head is covered, of which I had experience under circumstances rather ludicrous than otherwise. I entered a glover's shop with my mind I suppose occupied with divers meditations, and like a true uncourteous Englishman forgot to take off my hat to the Dame de Comptoir, as she is styled, but having obtained what I sought, in the act of departing I took up a hat which was on the counter, not dreaming that I had already one upon my head, but as I was making my obeissance to the mistress of the shop, she observed, very archly, that she should have thought Monsieur might be satisfied with having a hat on his head, without requiring to have one in his hand; surprised at finding myself absolutely committing a robbery, I made the best excuses the subject would admit, and retired after having furnished a subject of amusement for Madame, for Monsieur whose hat I had so illegally appropriated to myself, and to some pretty laughing-looking demoiselles who were ensconced behind a counter. These aerial hats are to be procured of M. Servas, No. 69, Rue Richelieu, who is the inventor, and for which he has received a medal from a scientific society, they are of so light and elastic a nature, that they do not cause the slightest pressure upon the brow, nor leave that unsightly mark upon the forehead, that is often a great annoyance to those gentlemen who object to having a stain upon the blanche purity of that feature, and as those who are tenacious in that respect must naturally be so with regard to the form and the material of which their hat is composed, they may rest assured on that point they will be suited in those of M. Servas, which have long had an acknowledged superiority and celebrity on that account, his establishment having for upwards of 30 years been famed under the firm of Coquel and Quesnoy, which by the ingenuity of his recent invention he has considerably augmented.
As I am now on a chapter devoted to usefulness, I must recommend my readers to get well and comfortably shod, particularly if they have any intention of visiting the monuments and antiquities I have described, for which purpose they must procure their shoes in Paris, the leather being prepared in such a manner as to render it infinitely more soft and flexible than it is in England, consequently one can walk twice the distance, without tiring, in French shoes, than one can in English; hence with the former all the tortures of new shoes are never felt, being fully as easy as an old pair of the latter, and for this purpose no one can better supply the article desired, than M. Deschamps, No. 14, Galerie d'Orléans, Palais-Royal, who stands so high in the estimation of my countrymen, that he is obliged to go to London twice a year to supply their demands. An attention to comfort in this respect is to me so essential, that in returning to England I always provide myself with a plentiful stock of boots and shoes, although not to the same degree that one of our celebrated tragedians practised this precaution, having furnished himself with thirty-six pair to the no small amusement of the Dover custom-house officers when they overhauled his luggage. One of the great advantages of the French shoes is that the upper leather never cracks nor bursts, and indeed I have not only found the material better, but also the workmanship. M. Deschamps has acquired much celebrity for the very elegant manner in which his shoes for balls and soirées are executed, after a system of his own, which have now become the fashion in all the saloons in Paris. Perhaps my readers may think I have devoted too much space to this subject, but being a great pedestrian, it is one of peculiar importance, to me (and it is so natural to judge every one by one's self), and in order to see all the interesting little bits of architectural antiquity, which are so numerous in Paris, the visit must be performed on foot, as it is sometimes requisite to go into little courts and alleys where no carriage can possibly enter; besides an antiquarian must peep and grope about in places where a vehicle would only be an incumbrance.
Whilst my memory is on, or, as some people would say, whilst my hand is in, I must not forget to recommend the stationer's shop, No. 159, Rue St. Honoré, next door to the Oratoire, as it is presumable that my readers, who intend to sojourn a while at Paris, must want to pay some visits, consequently will need visiting cards, with which they will provide themselves at the above establishment on terms so reasonable as quite to surprise a Londoner; also the visiter must write, and will here find an assortment of sixty different descriptions of English metal pens of Cuthbert's manufacture, and every variety of stationary that can be desired, and the manner in which they get up cards and addresses, with regard to the neatness of the engraving, printing, and quality of the card, is really surprising, for the price; whilst the mistress receives her customers with so much politeness, that having been once, is sure to prove the cause for other visits, when any of the articles in which she deals are required; and punctuality in the execution of the orders received is a quality to be met with in her, and in good truth, I cannot say much for the Parisians in general on that score, and one great cause is that they have too much business, and far more than they can attend to in a proper manner.
In the same street, at No. 416, is an establishment of which the English ought to be informed, being that of M. Renault, wherein good cutlery is to be obtained at very moderate prices; there is every variety that can be desired, either for the table or other purposes, all of the finest description; his shop is situated in the quarter most convenient for the English, being that in which they so frequently reside.
As health is a desideratum which is requisite for the pursuit of every occupation, and particularly for such as mean to enjoy Paris to its full extent, which will require a considerable degree of exercise, I must recommend the visiter a chymist and druggist on whom he may rely, where he may find the means of re-establishing any relaxation of strength or other malady to which all human nature is ever prone. There are innumerable establishments of this nature in Paris, and especially of those who announce English medicines, but the one which I have understood as possessing such as are truly genuine both in French and English pharmacy, is that of M. Joseau, and as a testimony of confidence in the respectability of his establishment, it has been made the chief depository of a medicine entitled the Copahine Mége, so particularly recommended by the Royal Medicine Academy of France, who have voted their thanks to the author, and granted him a patent for fifteen years, having proved so efficacious where patients have by their excesses deteriorated their health, and in fact, in all cases of blennorrhagies. M. Joseau may be also useful to my countrymen, who are in the habit of riding much on horseback, in providing them with belts of his own invention, which are made of India rubber, and in general use with the French cavalry. The establishment of M. Joseau is situated at No. 161, corner of the Rue Montmartre, and of the Gallery Montmartre, Passage Panorama, where my countrymen will be sure of meeting with the most assiduous attention, both from himself and his assistants, and that whatever they may require in his department will be of the best description, and at the most moderate prices; I know of no business whatever in which there is such an immense difference in the charges both in London and Paris, that it appears to me that chemists and druggists make you pay ad libitum, without having any fixed system, therefore I never enter any of their shops without I have had them particularly recommended.
Before I quit this chapter of shreds and patches, although of solid utility, a very useful establishment must be introduced to my readers, belonging to Messrs. Danneville, No. 16, Rue d'Aguesseau, Faubourg St. Honoré, facing the Protestant Chapel, consisting of every description of earthenware and crockery, on a very extensive scale, with a very quiet exterior, the premises having more the appearance of warehouses than shops; the assortment is quite of a multitudinous description, including vessels of the cheapest and most useful nature, at the same time containing numbers of superior articles, wherein extreme taste is displayed. The concern has been a long time established, and is quite in the centre of the quarter which such numbers of English choose for their residence; the proprietors are civil, quiet, unassuming people, and their articles exceedingly reasonable.
CHAPTER VIII.
Novel introductions of different branches of industry.—Recent inventions.—Extensions of commerce in various departments.—Establishments of several new descriptions of business, now flourishing, and formerly unknown.
The commerce of Paris has now extended to so vast a scale, that it has become an immense entrepòt for all the productions and manufactures of France; the foreign merchant now feels that in visiting Paris he shall there find the cheapest, the choicest, and the most extensive assortment of all that the nature of the country, aided by art, is able to produce; he is aware that he need not repair to Lyons, to Lille, Rouen, or other manufacturing districts, for their respective articles, for which they are famed, as he knows that in the great emporium of the Continent, all that the ingenuity of man can produce will there be found. Independent of that advantage, there are many branches of industry confined to Paris, first invented within its walls, improved, and wrought to a state of perfection, which is unrivalled in any other capital, and affording employ to an immense number of hands, from the multitude of ramifications into which these branches diverge; so that Paris once principally celebrated as a city of pleasure and gaiety, still retaining that reputation, is now also renowned for its extraordinary manufactures, and the curious and splendid specimens of art and ingenuity emerging from its numerous ateliers, and which would require an extent far beyond the limits of this work, to give a just and accurate review of their merits; but some there are which being of a nature totally novel in the annals of commerce, and having merely been introduced within the last few years, we shall devote some space to their description in order to afford our readers an idea of their beauty and utility.
Amongst the various articles of the above description, none perhaps occupy a more prominent position for beauty, taste, and ingenuity, than the extraordinary variety displayed in what is termed fancy stationary, the fabrication of which is now extended to such a degree, as to have become an important branch of the commerce of Paris. Its introduction is but of recent date, as in the reign of Charles X all the paper required for notes, letters, dispatches, etc., was procured from England, on account of its extreme superiority over that of France; the Court never using any other, the example was followed not only by the major part of the French nobility, but by all foreigners of distinction who happened to be sojourning at Paris, hence the importation of paper from England was to a considerable amount. But when Louis Philippe came to the throne, he with his usual policy observed, that paper of French manufacture was good enough for his purposes, it was therefore adopted at the Court, and the noblesse and gentry, following in the same line, that encouragement was afforded to their countrymen, that engendered the idea of rendering their own paper so tasteful and elegant that now the affair is quite reversed, and England takes from France an immense quantity of this beautiful manufacture, which employs even artists of talent for designing the elegant and fanciful devices which ornament their envelopes, with their enclosures of various sizes and forms, in which the arts of drawing, painting, gilding, stamping, etc., combine to render them so pretty and so gay, that one feels loath to destroy any of these ornamental epistles, however trifling their import; the subjects of the devices are as various as those which they are intended to illustrate, history, the heathen mythology, religion, friendship, a more tender passion, etc., are all allegorically or emblematically represented, in the fancy stationary, offering the writer the means of choosing a subject consistent with the text of his letter, as an invitation to dinner is designated by paintings of pheasants, game, etc., to a soirée dansante, the note is adorned by couples waltzing, etc., to a whist party, the cards and players are introduced, and if to tea, the cups and saucers of gilded and glowing hue, bedeck the gay margin; so that before a word is written in the letter, it foretells its errand.
There are very many who have gradually contributed their talents to this branch of industry, but it is M. Marion who may be considered the inventor, he having availed himself with the most effect of their abilities, and concentrated their respective merits, in which he has displayed much perseverance, taste, and judgment, as also in the manner in which he has organised this branch of commerce, and promoted its extension. At his establishment at No. 14, Cité-Bergère, will be found a most extensive assortment of fancy stationary, comprehending every description of variety that the most fertile imagination could depict, the prices of ordinary paper commencing at the very humble price of six sheets for a sou, and according to the degree that it is ornamented, gradually rising to 25 francs a sheet. M. Marion has also an establishment in London, at No. 19, Mortimer Street, Cavendish Square, exactly on a similar plan as that in Paris, containing an equal variety of specimens of this new branch of art.
When the visiter has a half hour to spare, he would not find it thrown away in visiting the establishment of Madame Merckel, she having found the means of applying the phosphorus and chemical matches, which she has invented, to such a number of purposes, and of introducing them in so curious and ingenious a manner into divers articles, calculated both for utility and ornament, that her manufactory might be considered quite a little museum; amongst a variety of pretty things, I was first struck with a time-piece which acts as an alarum, and not only answers the purpose of awakening you at any hour which you may desire, but a little figure representing a magician, at the instant strikes a magic mirror, by which means the taper he holds is ignited, and with all possible grace, he presents you with a light just as you open your eyes. A night lamp next attracted me, which represented Mount Vesuvius, and the means by which it is lighted, proceeds from an enormous dragon emitting fire from his throat; this article is equally useful as a paper press. Another night lamp I found particularly elegant, though perfectly simple, consisting merely of a gilded branch, gracefully carved into a sort of festoon, from which was suspended a little lamp of most classic form. The inkstands consist of an indescribable variety, displaying all kinds of contrivances, some so portable as easily to go into the pocket, and containing instantaneous light on touching a spring, with pens, ink, seal and wax. Amongst the endless number of paper presses is one with a blacksmith, who, when light is required, strikes the anvil and fire appears; abundance of cigar stands with matches are arranged after a variety of whimsical methods, some of them very tasteful, and having quite an ornamental effect. Fortunately, Madame Merckel has in a great degree met with the reward her ingenuity merits, receiving the greatest encouragement from the public, and not only having had a patent granted her to protect her inventions, but she has also been presented with medals from three scientific Societies. As her prices are as various as the objects are numerous, every purse may be accommodated, as there are some as low as a sou, whilst there are others which rise as high as twenty pounds, the charge elevating according to the degree of ornament or utility. It appears surprising that a business which was not known until within the last few years should have risen to such importance, as Madame Merckel not only transmits her merchandise to every town in France, but also to the principal cities throughout Europe. The manufactory is No. 24, Rue du Bouloi, in the Cour des Fermes; there is besides a similar establishment in London, at No. 30, Edmund Place, Aldersgate Street, which is entirely furnished by Madame Merckel, possessing the same varied assortment, and undertaking to execute the same extent of supply.
How very simple are some descriptions of inventions, and how very simple one is apt to think one's self in not having before thought of that which appears so trifling and easy when once known. So it is with a sort of portable desk, invented by M. Tachet, for which he has procured a patent; it needs no table nor any kind of support, as the student places it under him, and his own weight keeps it perfectly firm and steady; the plane (on which he writes or draws) being attached to the part on which he sits, rises before him, capable of accommodating itself to such elevation as may be desired; its principal utility is for sketching from nature, but as females could not make use of this desk in the same manner as men, M. Tachet has also such as are adapted to their accommodation, the base lying on the lap, and fastened by a band round the waist, which keeps it perfectly firm. M. Tachet has also devoted much time and attention in forming a collection of angular and carved pieces of wood, shaped and finished with extreme neatness, describing almost every form that can well be imagined, and composed of such wood as has been so well seasoned that it can never warp, either ebony, box, pear-tree, or indeed of every different country which produces the hardest woods; they are particularly used by engineers and architects, for drawing plans or elevations of buildings, as every curve or angle of any dimensions which can be required, may be traced by these curved and angular rulers. In French, on account of the form resembling that of a pistol, the curved pieces are called pistolet, which comprehends a complete set, and great demands for them come from England. At the establishment of M. Tachet will also be found almost every article that is required by the artist, and it is in fact the only house in Paris where there is any certainty of procuring real English colours, as there are so many counterfeits of them exposed in almost all the colour-shops in Paris, with the names and arms upon them of some of the most eminent English colour manufacturers. But I can assure my countrymen that those they obtain from M. Tachet are genuine, and that they may deal with him in the same confidence as they would with what we call a true Englishman; he has likewise a most complete collection of mathematical instruments; his shop is situated at No. 274, Rue St. Honoré, at the bottom of the court-yard, and although it has not so brilliant an appearance as many establishments of the same nature, it is not the worse for its quiet exterior, but on the contrary, the same articles will be found with him at a more moderate charge than they ever can be procured of his dashing rivals.
Another branch of industry which has risen into extreme importance latterly is that of producing such exquisitely beautiful objects in cut glass, for which the establishment of Messrs. Lahoche-Boin and Comp. has for many years been celebrated, and ever conspicuous on account of its glass staircase, but I should be afraid to trust myself with beginning to describe the multitude of tasteful and elegant articles assembled in this exhibition (for it is really much more worthy of being so called than many that bear the name), lest I should be inveigled into too much prolixity. Into many of their richly wrought services of glass, gold is so happily introduced, that the two brilliant substances seem to sparkle in rivalry of each other, and the deeper tone of bronze sometimes lends its aid and heightens the effect of both. Glass is now appropriated to a variety of purposes, formerly never thought of, as balustrades, the handles of locks and plates to doors, instead of brass, and a number of other objects; indeed from this establishment there is always emanating something new, and for the beauty of the works which they displayed at a national exhibition of specimens of art and industry, they were awarded the gold medal. Amongst other articles which attract the attention in their splendid collection, are some of the most magnificent china vases, painted by talented artists in that department, also services of Sèvres porcelain for the table, in the taste of times past; others of glass, gilded and elaborately carved, which style was also much in vogue with our ancestors; some likewise of a more simple description but always possessing a degree of elegance which excites admiration. The proprietors of this concern are merchants of respectability, and besides furnishing the Royal Family of France, and several of the courts of Europe, they have transactions with most parts of the world, charging themselves with the execution of orders for any country, and requiring the remuneration of a very moderate commission. The establishment of Messrs. Lahoche-Boin and Comp. is at Nos. 152, 153, Palais-Royal, and the carriage entrance, No. 19, Rue de Valois. This is one of those houses in Paris (of which doubtless there are many) where the stranger may feel every confidence that he will meet with none but the most honourable treatment.
For those of my countrymen who like to proceed to the fountain head, and obtain articles from the manufacturer himself, instead of purchasing them of the shopkeeper who vends them at a higher price, I would recommend a visit to the establishment of M. Vincent, which is in fact like a little town, the number of warehouses, workshops, offices, etc., on the premises, amounting to no less than 84. In this manufactory an endless variety of articles are produced, consisting of every description of knick-knackery, if I may be allowed the term, as snuff-boxes, cigar-cases, memorandum books, souvenirs, bon-bon boxes, tablets, tooth-picks, card and needle-cases, pocket mirrors, housewives, paper presses, port-crayons, rulers, seals, musical snuff-boxes, etc., etc. The above articles being executed in every possible variety that can be imagined, of tortoise-shell, ivory, or mother of pearl, inlaid with gold and silver in the richest and most elaborate manner, miniature frames of every description, composed of fancy woods, with chased circles, metal gilt, stamped tortoise-shell, bronze and of every sort of material adapted for the purpose, albums and pocket-books in great variety, dressing-cases both for ladies and gentlemen, tea caddies, work-boxes, and an infinity of articles too numerous to recapitulate, for some of which patents have been obtained. It is from this establishment that most of the showy shops in Paris, who deal in articles of the same nature, are provided, hence much economy is effected by purchasing of M. Vincent, the profit of the shopkeeper being saved by procuring the object from the manufacturer. Tradesmen who come to Paris from London, would find their interest in applying to this establishment, where they could obtain the goods they require of the descriptions stated, at considerably more advantageous terms than from other quarters. I will cite one article which will prove how very low are the charges compared to what we are accustomed to in London; the musical mechanism of a snuff-box, 10 francs (eight shillings) playing two airs, rising gradually in price to 90 francs, or about 3l. 12s. playing six tunes, which of course can be afterwards set in any description of box which the purchaser chooses, of gold, silver, or tortoise-shell, as fancy directs. All other articles sold by M. Vincent are equally reasonable. His residence is No. 4, Rue de Beauce, at the corner of the Rue de Bretagne, near the Temple, certainly not in a very desirable neighbourhood, but manufactories are seldom carried on in the most agreeable vicinities.
An art which has been recently brought to an astonishing degree of perfection in Paris, is that of dyeing, cleaning, scouring, and restoring almost all descriptions of habiliments; this has been effected by M. Bonneau, but not until he had visited the principal manufacturing towns, and had passed many years in studying the art scientifically, aided by persevering researches into the depths of chymistry, to which he is indebted for being able to perform that which has not until now been accomplished. I have seen instances of a soiled, faded, cashmere shawl, almost considered beyond redemption, committed to his charge, and reappear so resuscitated that the owners could scarcely believe it was the same dingy, deplorable-looking affair they had sent a fortnight before. The same power of restoring is effected upon all descriptions of satin, even that of the purest white, which, although so soiled as to be of a dirty yellow colour, is brought forth perfectly clean and with all its original lustre; with silks, merinos, gros de Naples of the tenderest tints, the process adopted is equally successful; blonde, guipure, and all descriptions of lace, no matter how discoloured, are restored to their original whiteness. With the apparel of men, the same advantages are obtained, silk, cashmere, velvet, and other waistcoats that many would throw aside as totally spoiled, or too shabby to be worn any longer, by being sent to M. Bonneau, are returned, having the appearance of being quite new. His establishment, at No. 17, Rue Lepelletier, just facing the French Opera, is well known to many English families; but having heard so much of the wonders he performed in reviving the lost colours of the elaborate borders of ladies' cashmeres, and rendering them their pristine brilliance, I determined to visit his premises, upon which he carried on his operations, in the Rue de Bondy, No. 40. I there found everything conducted upon a most methodical system of regularity and order, each room was appropriated to its peculiar department, and heated and ventilated by a certain process, and that which does M. Bonneau much honour, is, that all is so arranged, with the utmost consideration for the health of his work-people, by taking care that they shall be kept as dry as possible, and that a proper degree of warmth and air shall be admitted into every chamber. When required, M. Bonneau sends his men to clean furniture at persons' houses, which would be rather incommodious to remove. When any article is sent to him, the bearer is informed what day it will be completed, and is sure not to be deceived, and he has an apartment so arranged for preserving whatever is confided to him, from any injury which might be caused by moths or other insects.
Amongst those articles for which France used to depend upon England, but wherein the case is reversed by England taking from France, is that of pencil-cases, in which small pieces of lead are inserted, and emitted or withdrawn at pleasure; numbers of these formerly were sent from London and Birmingham to Paris, but recently M. Riottot has invented and obtained a patent for a pencil-case which has a little elastic tube of tempered steel placed at the end which is used, and into which the lead is inserted, and tightly held within it, so that there is no risk of breaking, either in the act of fixing in the lead, or from its afterwards shaking, the steel tube operating as a spring, retains it so firmly that it remains, even whilst writing with it, perfectly immoveable; these are arranged in gold or silver cases, more or less ornamental as may be required, and are found so infinitely more serviceable than those on the former principle, that as they are becoming more known in England, the demand for them continues to increase. The term by which they are designated, is Porte Crayon à Pince élastique; their advantages are such as tend to economy, as they are neither liable to fall out nor break, besides the convenience of their never moving about whilst one is using them, to which the previous system was constantly liable. M. Riottot has also an assortment of pens and pen-holders, either plated or of silver or gold, richly chased or simple, with a variety of seals and other articles; he likewise retains a stock of lead, properly prepared for inserting into the pencil-cases. His address is at No. 27, Rue Phélippeaux, Passage de la Marmite, Escalier A, completely in the quarter of Paris inhabited by the operatives, surrounded by workshops of different descriptions, not exactly calculated for very delicate ladies.
For the benefit of a little purer air, we will quit the working mechanics' rendez-vous, and take a lounge in the Palais-Royal, and as soon as we breathe a little freely, we will examine the engraved seals of M. Leteurtre-Maurisset, No. 33, Galerie d'Orléans, which, from the extreme delicacy of the execution, are objects well worth attention; his talents in this department have obtained him the distinction of being engraver to the Chamber of Deputies and to the royal museums; some of his specimens of armorial bearings, his designs for stamping impressions, in relief and heraldric devices, are extremely clever; he engraves on stones of different descriptions, with equal accuracy and on any kind of metal, as plates for visiting cards, etc., and whatever he undertakes he executes in the most perfect manner, that the nature of the work will admit. As he is attached to his profession, however trifling the order he may receive, he enters into it with the same zest as if it were of the first importance, of course it is engraving subjects for seals in which he finds the most pleasure, as it is in those that he has the greatest scope for the display of his abilities, and seldom fails to excel.
Although the progress which France has made in almost every branch of industry is most extraordinary, yet none is so striking as the advance which has been effected in cutlery, as I well remember when I first came to France, it was a common joke amongst the English, when speaking of the rarity of an object, to observe that it was as scarce as a knife in France that would cut, its appearance also was as dull as its edge, soon however their cutlery, with their ideas, began to brighten, and to sharpen; but even as recently as 1830, they were still so outshone by England, that if it was known that you were going from Paris to London, with the intention of returning, every lady asked you to bring her a pair of scissors, every man a pair of razors, and by all medical friends you were assailed to bring them over lancets or other machines for cutting and maiming human flesh; thanks to the genius, talents, and perseverance of M. Charrière, one is no longer troubled with such commissions, he having improved every description of surgical instruments to such a degree of perfection, that now many of our English surgeons provide themselves from his establishment on returning to England; not only has M. Charrière produced every variety of instrument used by our faculty, but he has invented several others, which have merited and obtained the thanks of his country, with letters and medals from several scientific societies. Even foreigners from all parts of Europe, from America, and from the East, are now becoming acquainted with the utility of his inventions, which are already well known in London and Edinburgh, and will soon be as much in demand in England as they are now in France. Some idea may be formed of how far M. Charrière has raised this branch of industry, when it is stated that but a few years since, the whole number of workmen occupied in this department was but 30 and now he alone employs 150! M. Charrière in fact possesses one quality which generally ensures success, a passion for his art; he is not to be regarded simply as a vender of cutlery, but as one possessing a scientific knowledge of his profession, and as a mechanic of considerable talent. To recapitulate all his inventions, with their respective merits, and the approbatory letters that he has received from different academical institutions, would half fill my little volume; suffice it to say that he is the only person in his business, to whom has ever been awarded the gold medal; besides which, the Royal Academy of Sciences have presented him with 1800 francs, for the improvement he has effected in surgical instruments. There is scarcely a disease and certainly not a single operation that can be performed on the human frame, for which M. Charrière has not the requisite materials in the utmost perfection, even for the fabrication of artificial noses; and for one invention he merits the gratitude of all mothers, the biberon, a machine for the purpose of supplying an infant with milk, when circumstances prevent the mother from affording that nourishment. This instrument is so contrived that the part which meets the lips is in point of texture exactly the same as that which nature provides, uniting an equal degree of softness and elasticity, that the child takes to the substitute, with the same zest as if it were the reality. I have known instances where the lives of children have been saved by this machine, the parents declaring to me that such was the case, and that they considered that every mother ought to be provided with so useful an instrument. The address of M. Charrière is No. 9, Rue de l'Ecole-de-Médecine. A variety of cutlery is kept of as perfect a description as those articles for which he has attained so high a celebrity.
It has generally in modern days been a reproach to France, that she has been rather lax in regard of religious matters; what there may be in the hearts of the inhabitants of that or other countries I shall not presume to give an opinion, but can only say that I find the churches in Paris, both protestant and catholic, always during service time nearly full, and many to overflowing. Not only that, but the French are much attached to holy associations, hence the prints of our Saviour, the Virgin, and the Saints, have a most inexhaustible sale; I need give my readers no greater proof than recommending them to visit the establishment of M. Dopter, No. 21, Rue St. Jacques, they will there find amongst his immense collection of engravings and lithographies, the portrait of every saint that ever was heard of, an innumerable variety of religious subjects for which there is a most extensive and incessant demand. Some of these are stamped and illuminated in a most splendid manner, and I verily believe there is scarcely a subject connected with the christian religion, of which M. Dopter has not a representation; his establishment is therefore known throughout all France, and many parts of Europe, to which he transmits numbers of his publications.
He likewise has a most useful assortment of maps and geographical illustrations, with portraits of celebrated characters, particularly those connected with the campaigns and adventures of Napoleon, as also his battles, and remarkable events of his life, as well as a great diversity of historical subjects, landscapes, academical studies, etc., etc.; M. Dopter is also the inventor of the new style of covers for binding, of which the present volume is a specimen, having them of an innumerable variety of patterns, and of every size likely to be demanded.
It has often struck me that maps were very incomplete, in consequence of their not being capable of giving the degrees of elevation of hills or mountains except in a very inefficient manner; the same idea, I suppose, actuated M. Bauerkeller, and induced him to invent those maps in relief, which are now becoming so generally demanded, as giving such an accurate illustration of the surface of a country, which is most beautifully exemplified in many of his specimens, but most particularly in that of Switzerland; every object having a degree of elevation proportioned to the reality, and coloured in a great measure similar to the subject intended to be represented, thus the snow-capped mountains of Switzerland have their white summits distinctly expressed, their blue lakes, their green meadows, grey rocks, etc., given with such fidelity, that a person obtains a most perfect notion of regions he may never have an opportunity to visit. This system of forming maps or plans upon embossed paper, is peculiarly applicable to cities, as the public buildings appear to such advantage, and M. Bauerkeller has already executed those of London, Paris, St. Petersburg, Vienna, New York, the city of Mexico, Hamburg, Basle, a Panorama of the Rhine from Coblentz to Mayence, besides several other cities and countries, and there is no doubt that in a short time the whole of Europe and many other distant districts will be illustrated in the same manner, as he is constantly adding to his collection which already excites the highest interest. M. Bauerkeller's plan of executing charts, maps, or views in relief, can be equally produced either upon velvet, silk, or leather, for the illustration of a diversity of subjects which can be applied to an innumerable variety of purposes, as shades for lamps, men's caps, slippers, reticules, stands for decanters, screens, etc., etc.; already he has extended his connexions to such a degree that he receives applications from all parts of Europe and America for different articles in which his invention is introduced. Some of his works which were displayed at the national exhibition excited universal admiration, and obtained him a medal; he has also been granted a patent for fifteen years. This invention is not only valuable in having rendered maps more ornamental, but it assists the study of geography; by the objects being rendered so much more distinct, it increases the interest and consequently makes a deeper impression on the memory; in fact, the numerous advantages to be derived from this system of giving plans in relief may be easily imagined, but are too long to be described. A specimen of the art will be found at the beginning of this work: M. Bauerkeller's address is No. 380, Rue St. Denis, Passage Lemoine.
Amongst the number of inventions which are constantly emanating from the brain of man, I know of few which unite more ingenuity, utility, and simplicity than that of M. Martin (gun-maker at No. 36, Rue Phélippeaux), relative to the improvement of every description of gun that is impelled by percussion. According to the system he has introduced, and for which he has obtained a patent, all the inconvenience to which the sportsman is subjected in priming is entirely obviated, as instead of having to place the percussion cap with one's fingers, so disagreeable in very cold weather, it is at once effected by the act of cocking, and the gun may be fired from 80 to 100 times, always as it were priming itself, as the number of percussion caps required are introduced through the butt, and conducted to the point desired. The method of inserting the percussion caps is perfectly easy; pressing a little button or nut at the bottom of the butt causes a plate to open, when two spiral wire-springs must be taken out, as also a moveable tube, from the interior of the gun, and the latter filled with percussion caps, which must be poured into fixed tubes which communicate with the anvil; they may contain from 40 to 50 each; when this number is introduced replace the spiral wire-springs which press the percussion caps exactly, regularly and successively as they are needed to the point desired, then fasten in the springs with the little hook attached for that purpose, lastly replace the moveable tube and shut the plate at the bottom of the butt. This process is executed in a far shorter time than it can be described. The immense advantage of this invention may not appear at the first view; but when it is considered how much more rapid may be the fire of an army in consequence of the time gained, which would be occupied in priming, the power it will give them over an enemy must be evident, and there is no doubt but that in a very short time they will be universally adopted. All such of my countrymen who come to Paris I would recommend to call on M. Martin; he will give them every possible explanation on the subject in the most obliging manner, and also give them practical evidence of the manner in which it operates.
However deficient the French were until a very few years since in almost every thing which relates to mechanics, yet in some articles they have now made such rapid strides, that it becomes a question whether they will not surpass us, if we do not exert the same energy in the spirit of improvement with which they have been recently actuated. Formerly the inferiority of French pianos to ours was most evident, and perhaps, generally speaking, I should still say it was the case, but there are a few manufacturers, the tone of whose instruments is superb; of such a description are those of M. Soufleto. It is really surprising how he has been enabled, in a small upright piano, to produce the force and depth of tone which he has found the means of uniting in comparatively so small a volume, the bass having absolutely the power and roundness of an organ; but that part of an instrument which most frequently fails, is that which is composed of the additional keys or the highest notes, which are apt to be thin and wiry, but with Mr. Soufleto's pianos it is not the case, the tone being soft and full, with a proportionate degree of force with the rest of the instrument. His merit has been duly acknowledged, having not only received the King's patent, but having been twice presented with medals, and appointed manufacturer to the Queen. As most English families who come to Paris for the purpose of residing or sojourning for a certain time, are desirous of hiring or purchasing a good piano, I can assure them that such they will find at M. Soufleto's, No. 171, Rue Montmartre, and that his terms are extremely moderate in consideration of the excellence of his instruments.
I am sure my readers will approve of my directing their attention to the establishment of M. Richond, styled the Phœnix, No. 17, Boulevard Montmartre, near the Rue Richelieu. They will there find such a splendid assortment of time-pieces, as constitutes a most beautiful sight, equally gratifying to the artist and the amateur, many of the subjects being perfectly classic, and exhibiting the tastes and costumes of different ages; some of these magnificent time-pieces are adorned with figures, either bronze or gilded, representing historical characters, after the designs of the first masters, which are most admirably executed, and indeed there is such a variety of subjects, that one might pass hours in the shop, deriving the greatest pleasure from the examination of so many interesting subjects. It is also a satisfaction to know that the works of M. Richond's time-pieces are equal to their external beauty. In fact it is a house that has been long established and has ever supported a good name, having a considerable connexion, not only throughout France, but in foreign countries, particularly with England, and is by far the most recommendable of any in Paris in that line of business. Every object has the price marked upon it, which is always adhered to, and the charges are as moderate as could possibly be expected from the superiority of the articles over those which are sold in so many other shops in Paris; some time-pieces there are which of course amount to a high price, consistent with their splendour. There is a stamp fixed by government upon the internal works of each time-piece, to prove that it is verified as being of the best quality. M. Richond undertakes, at his own risk, the conveyance of time-pieces to London which have been purchased at his shop, and warrants them against any accident which may happen to the works in travelling, having a correspondent in London who is in the same business, and is commissioned to execute any repairs which may be requisite.
Amongst other branches of industry which now have risen into considerable importance, is one which at present constitutes an extensive business of itself, although formerly only considered as a minor department of different concerns; that to which I allude is what the French term chemisier, which I can translate no otherwise than shirt-maker. There are now many following this business in Paris, but the largest establishment, and from which many others spring, is that of M. Demarne, No. 39, Rue Croix-des-Petits-Champs, and he has so exerted his ingenuity in this peculiar line that he has obtained a patent for the perfection to which he has elevated it; he has been twice honourably mentioned in the reports published of two national exhibitions in which he had specimens of his works. His fame has already travelled throughout the Continent, and he is patronised by the princes of several courts of Europe, amongst others Prince Ernest of Cobourg, and noticing the names of several of the English nobility, in a list which he showed me to prove the encouragement he received from my compatriots, I remarked that of a noble lord of sporting notoriety whose shirts were at the price of only 150 fr. (6l.) each. However, it must not be supposed that M. Demarne is dearer than other people, the price of all his articles are proportioned to the nature of the materials of which they are composed, and many are at the most moderate charges. At his extensive establishment will also be found an assortment of shirt collars, cravats, braces, silk handkerchiefs, etc., etc., arranged according to the prevailing fashions. One of the most curious, ingenious and incomprehensible inventions of any I have seen is that of M. Paris, coiffeur to the Princes and Princesses, 25, Passage Choiseul, and 22, Rue Dalayrac, near the new Italian Theatre, relating to all descriptions of false hair, which he contrives to arrange in such a manner that the skin of the head is seen through where the hair is parted, and the roots represented as springing from the head in so natural a manner, that the deception cannot be discerned even on the closest inspection; the extreme delicacy of the work in these fronts and toupies is really inimitable, a person may put one on the back of their hand, and the division appears so transparent that the skin is seen under it as clear as if not a single hair crossed it, and yet by some invisible means the parts are held together, which can only be by light transparent hairs which are not discernible to the naked eye. He has obtained a patent for this invention, and although I know my countrywomen have generally very fine heads of hair, yet as from fevers or other causes they are sometimes deprived of it, also that grey hairs will intrude, I cannot too strongly recommend them to patronise the talents of M. Paris, and which under similar circumstances will be found equally serviceable to gentlemen.
Whilst dilating upon different inventions which either contribute to comfort or convenience, I must not omit that of M. Cazal, who has obtained two patents, and medals for the umbrellas and parasols he has invented, with which he furnishes the Queen and Princesses, and which are entirely superseding all those of any other construction. In such as M. Cazal has brought into vogue, instead of the catches or springs which retain the umbrella when open or shut, being inserted in the stick, which always contributes towards weakening it, they are attached to the wire frame-work, and by merely touching a little button will slide up or down as required with the greatest facility, without those little annoyances which so frequently happen in the old method, of either pinching one's fingers, or the glove catching in the spring, or the latter breaking or losing its elasticity, etc., etc. The stick by this system, it must also be observed, is stronger, therefore can if desired be thinner, and consequently lighter. Another description, called travelling umbrellas, is also invented by M. Cazal and is particularly convenient, containing a cane inside the stick, by which it may be used as one or as the other, according as the weather or caprice may require; these are extremely desirable for lame persons who require a stick, as the umbrella when closed answers the purpose, and if required to be opened the cane drawing out equally affords support. M. Cazal has an assortment of canes and whips the most varied that can be imagined; it would be difficult to fancy any pattern or form that is not to be found in his numerous collection. His establishment is No. 23, Boulevard Italien, where there is always some one in attendance who speaks English. Whilst so near, I cannot resist mentioning so respectable a tradesman as M. Frogé, tailor, with whom the fashionable Englishmen sojourning at Paris have dealt for above twenty years, and ever found him so honourable in his transactions that they still continue to afford him their patronage; his address is No. 3, Boulevard des Capucines.
CHAPTER IX.
To the ladies.
As I have set out with professing to render my work of as much utility as possible, I am desirous of giving my fair countrywomen the benefit of my own experience in Paris, by indicating to them those establishments wherein they may abstract a portion of the contents of their purse, without having cause to think that it has been recklessly dissipated, as no one more than myself would regret to see their "glittering money fly like chaff before the wind," so am I extremely tenacious that they should only barter it for its full value, and as I know ladies must and will have perfumes, however superfluous in most instances, for it is but adding "sweets to the sweets," I shall conduct them to the emporium of delicious odours, appertaining to M. Blanche, whose dealings I can assure them are as pure as his name; he has besides the merit of being an excellent chymist, and the still greater merit of having devoted his talents to the fair sex, and in that point which they appreciate most highly, the embellishment and preservation of their personal attractions; he has therefore invented a peculiar description of vegetable soap, called Savon Végétal de Guimauve, which is so renowned amongst the Paris belles, that I should not be surprised at their forming themselves into a committee, and voting an address of thanks to M. Blanche for the signal services he has rendered to the cause of beauty, as not only are the medicinal powers attributed to this savon, of removing any impurities and softening the skin, but also that of giving it a smooth satiny lustre, which may be compared to adding the last coup de grâce to the female charms. In addition to these advantages it possesses that of having the most agreeable scent; its merits have in fact obtained it a patent and it is only sold at the establishment of M. Blanche, No. 48, Passage Choiseul, where also may be procured every description of perfumery and a variety of other articles, all good of their kind, as the proprietor would consider the vending of an inferior quality as a stain upon his character and upon his fair name.
Formerly the English ladies were very sharp and pointed in their reflexions upon French needles, much more so indeed than the objects to which their sarcasms were directed, which in fact were but blunt and brittle ware, and the consequence was that they not only tried all their own little arts to smuggle over as many as they could when they came from England, but they exacted the same pecadillo from their unfortunate friends; now of all things I most hate smuggling, principally I admit from the fear of being caught; which I think excessively disagreeable. Judge then how rejoiced I was when informed by some of my fair friends that there were as good needles to be had at the Maison Bierri, à la Ville de Lille, 32, Faubourg St. Honoré, as any that could be procured in London, and one respectable matron insisted that it was a moral duty incumbent upon me to mention an establishment so exceedingly useful to my countrywomen, not only because it contains so many articles which females are constantly requiring, but that every thing they have is of so superior a quality; in fact nothing would satisfy the good lady but my going myself to see how it was crowded with purchasers.
I obeyed, and in good truth found the shop quite like a fair, but the most perfect order and arrangement prevailing, the proprietor constantly upon the watch to see that the young people were civil and attentive to the customers, who were purchasing a variety of articles and particularly ribbands; of which there appeared a most brilliant assortment, and I heard it observed that in that department the Maison Bierri had a celebrity unique. There were also as great diversity of fringe, net, blonde, muslin, mercery, lace, jaconas, linings, worsteds, all kinds of haberdashery, etc., etc. I also remarked that in every drawer, containing the different articles which were produced, the prices were marked, so that in case of the least demur regarding the charge, a reference to the label decides the affair. By the excellence of his goods, the regular system upon which the business is conducted, and the assiduity of all concerned in the Maison Bierri, he has attracted numbers of the English, and amongst the rest the Ambassadress, and there is always some person attending who speaks their language. In the exterior there is no attempt at display; like many of the most respectable establishments, it depends so entirely on its extensive connexions, as not to need any efforts to promote publicity, and every one residing at Paris must have heard of the reputation of the Maison Bierri; it is particularly convenient for the English, being in the quarter in which they mostly dwell.
As there is no department of the toilet by which ladies either so disfigure or embellish themselves, as the hat, bonnet, or cap, I must beseech my fair countrywomen to procure those articles from such persons alone who have as it were obtained a diploma for good taste; as I am most anxious that when Englishwomen are in France, that they should in every respect appear to the best advantage; now as I consider that which adorns the head as having so important a bearing upon the beauty of a female, deep and frequent were my cogitations upon the subject, before I could make up my mind what modiste I should recommend to the patronage of my countrywomen, as I would not have the sin upon my head, for all the mines of Golconda, of having been accessary to an Englishwoman putting on a hat or bonnet that did not become her; therefore, after mature deliberation, I determined to call a council of all my female acquaintances, and beg of them to hold a debate upon this knotty point; the result was most satisfactory, the question being carried without a division, in fact there was not one dissentient voice, the name of Madame de Barenne being pronounced by one and all at the same moment; it being observed that there were several persons who had attained a certain degree of celebrity as modistes, but for uniting grace, elegance and simplicity with an artistical gusto, there were none in Paris who surpassed Madame de Barenne (14 place Vendôme). I have before alluded to this lady, and certainly have observed that her manners, her apartments, and every thing around her has an air distingué, and although I would never have the presumption of giving an opinion upon articles so far above my judgment, yet I can record the opinion of those who are considered true connaisseurs, from whom I learn that at Madame de Barenne's, hats, bonnets, caps, and turbans, of every variety, are arranged with the utmost perfection, the materials being of the most superior description consistent with the season of the year, adorned with marabouts, bird of paradise feathers, aigrettes, flowers from the celebrated Constantin, all selected from those houses which have the most renown for the respective articles in which they deal, but which are introduced with so much taste and judgment, that besides her ingenuity, having obtained a patent, she has been specially appointed modiste to the Queen of Belgium, the Princess Clémentine, and the Duchess de Nemours.
Not far from the English Ambassador's, in the centre as it were of what may be termed the English quarter, is an establishment styled La Tentation, which from the variety and excellence of its goods operates on the visiter consistently with its title. It is a Magasin de Nouveautés, containing almost every article appertaining to the toilet, as linen, drapery, hosiery, fancy goods, etc., and is on that extensive scale, that their assortment possesses every diversity that can be desired, whilst even the most fastidious cannot fail of meeting that which must suit their taste. This establishment is not like many in the same way of business, who spend a little fortune in advertising their goods, incurring tremendous expenses in obtruding themselves and their merchandise before the public, and then making that public pay the outlay they have made upon newspapers, pamphlets, etc., by either charging higher prices, or laying in stock of inferior quality, thereby even at an apparently moderate price they are enabled to obtain higher profits, whilst by continuing their puffing advertisements, they hope constantly to attract a new supply of dupes.
La Tentation, on the contrary, calculate only upon obtaining and retaining connexion, by keeping none but good articles, and selling them at a small profit; strict attention and civility to their customers, and having a stock ever consistent with the changes of the fashions and seasons, by a constant adherence to these objects a durable success has been effected. The progress of this establishment has been worthy of remark, commencing under a humble roof upon a modest scale, until with the process of time the proprietors were emboldened to enlarge their premises when at length it increased to its present magnitude, occupying a considerable portion of a noble mansion This has been achieved by a judicious selection of stock, with constant perseverance, and conducting their business on honourable principles, it is just such an establishment as is calculated to please the English, where great neatness and cleanliness is observed, and everything conducted in a quiet and unassuming manner. The charges on each article are fixed at a price that will admit of no diminution, and the English have the satisfaction of knowing that they pay no more than the French, which perhaps is not the case in all houses in Paris; persons wishing to view the goods are not pressed to purchase unless they feel disposed to do so, and however trifling may be the amount, they are not tormented, as in too many shops, to buy more than they wish. Whatever articles are selected are sent punctually to the residence of the parties at the time required, and orders, whether personally or by letter, meet with the strictest attention. There is always some person belonging to the establishment who speaks English. La Tentation is situated No. 67, Rue Faubourg St. Honoré, at the corner of the Avenue de Marigny.
Perhaps there is no branch of the arts which has been wrought to so high a perfection as that of making artificial flowers, and no place in the world where it is practised to such an extent as Paris, or with so high a degree of talent; but although it has been long and justly celebrated for the exquisite taste developed in forming bouquets, wherein all the varieties of colour are so assembled as to display each other to the best advantage, yet so arranged that a certain harmony should pervade the whole; still M. Constantin has discovered the means of availing himself of the abilities of the Parisians in this department of the art, that he has elevated it to a degree of altitude it had never before attained, and in fact his flowers have become so exclusively the mode, that if a lady wear any whatever, it would be offending her to suppose that they were any other than those of M. Constantin. Indeed, it is impossible to enter his apartments without feeling a thorough conviction of the elegance of his taste, first passing through a long corridor between two rows of real flowers, proving that he fears not the rivality of nature, conscious that his own works unite the same beauties of tints and colours which her highest powers can produce, and one room into which his customers are introduced, unites a degree of taste in the richness and splendour of its ornamental objects, with that proper tone of keeping which is pleasing to the eye; but it is at his little boudoir that the beholder is astonished, such luxuriant magnificence as is therein displayed can only be imagined from a description presented in the Arabian Nights! in fact the Dutch Ambassador was so delighted with the exquisite arrangement of this superb specimen of sumptuous decoration, that he requested permission to bring an artist to take an exact copy of the elegant little chamber and its contents, to form a similar boudoir for the Queen of Holland. As M. Constantin is now arrived at the summit of his profession, he is enabled to command prices commensurate with his talents, and has some bouquets as high as 1000 francs, but there are articles which may be purchased at the moderate charge of 10 francs; his residence is No. 37, Rue Neuve St. Augustin. M. Constantin possesses the recommendation of being extremely particular as to the morality and propriety of conduct with his young persons, and that degree of decorum is constantly preserved, that any ladies visiting his apartments will find the same order and discipline maintained as in the strictest boarding-schools.
I know not whether it is the case with all men, but I believe it is, that the first time I see a lady, I naturally look in her face, then my next impulse is to look at her foot; now as I have already done my utmost for my countrywomen for the ornamenting of the former, in recommending them to Madame de Barenne, I must now endeavour to serve them in respect to the latter, reminding them that in Lord Normandy's novel of "Yes and No," he observes, speaking of the feet of Parisian females, "How exquisitely they decorate that part of the person," and as I have already remarked that I do not wish English ladies in any one particular to yield to Parisian or any other ladies, I must request that they will, as soon as possible after they arrive at Paris, apply to M. Hoffman, No. 8, Rue de la Paix, who will fit them in such a light and elegant manner, giving such a "jolie tournure" to the foot, that they will scarcely know their own feet again, after having been accustomed to be shod in the English fashion; for although I have a very exalted idea of the transcendant talents of my countrymen, I do not consider that the vein of their abilities at all runs in the shoemaking line. M. Hoffman's residence is at the end of a court-yard, almost as quiet and as retired as if it were in a convent; his articles will be found of the best quality, both he and Madame speak English, and rival each other in attention and civility to their customers; they have an assortment of the different specimens of their work, consisting of every variety which is worn, according with the fashion and season.
I believe every lady before she quits England with the intention of visiting Paris, has already made up her mind to make some purchase of lace pretty soon after her arrival; to prevent them therefore from falling into bad hands, I recommend them to go at once to one of the most extensive and respectable establishments in that department of any in Paris, indeed I believe I may truly add the most so. It is one of those large wholesale houses of the French metropolis that transact business with all parts of the world in lace, ribbands, and silks; it is situated at No. 2ter, Rue Choiseul, the firm is Messrs. Bellart, Louys and Delcambre, where every description of blonde and lace, in all its multitudinous variety, from the most simple to the richest, rarest and most costly, will be found, and at extremely reasonable prices, as so many retail dealers furnish themselves from this establishment; besides which, they are themselves manufacturers of black Chantilly lace and white blonde. This concern has the character of being solely wholesale, but they make an exception with regard to lace. Their collection of ribbands is unrivalled both for the beauty and extent. They have also a most valuable assortment of silks, satins, velvets, stuffs, brocade, embroidery of gold and silver, etc., etc., selected with extreme taste and judgment, and indeed Mme de Barenne owes a great portion of her success to having supplied herself from this house with the material which she required, as being of so very superior a quality, it gave great vogue to whatever was produced by her ingenuity, to which certainly her own talents contributed in the taste displayed in the disposition and arrangement of the different articles, independent of their own excellence.
Whatever rivalry there may be between different countries, respecting their divers produce and manufactures, with regard to gloves none would have the audacity to cast the gauntlet at France, which has ever held the supremacy over other nations in that department, yet it has recently been elevated a step higher by an invention of M. Mayer, of No. 26, Rue de la Paix, for which he has been granted a king's patent, consisting in what are termed ball gloves, which are so made as to button and lace about half way up the arm, which prevents them from slipping down upon the wrist, they are besides furnished with trimmings also invented by M. Mayer, which may either be of the utmost simplicity, or of the richest description, and may be composed of either satin, velvet, lace, gold, or even pearls and diamonds may be and are frequently introduced; they may be also furnished with tassels which may be formed of materials equally costly, thus the trimmings of these gloves may either be had for four francs or may cost twenty guineas and upwards, according to the desires of the wearers. In fact M. Mayer has introduced a degree of luxury and splendour in the decorations of gloves, which has given them an importance in the toilet which they never before possessed, and have become so much the vogue with ladies of the highest distinction, that they have obtained for M. Mayer the privilege of furnishing the royal family of France, the Empress of Russia, the Queens of Naples, Spain, Belgium, etc. M. Mayer also occupies himself with gentlemen's gloves, and has just invented a peculiar description, without gussets between the fingers, by which means they set closer to the hand, and are not so liable to be come unsewed as by the former method; he has them likewise so arranged as to button at the side instead of the middle, which always left an unsightly aperture. Now I think of it, these last few lines had no business in the ladies' chapter, as they allude to that which are worn solely by gentlemen, but I dare say that my fair readers, if they find M. Mayer's gloves merit my commendations, will be equally anxious that their husbands, brothers, or sons should furnish themselves at the same place and excuse the intrusion. M. Mayer has a private apartment tastefully fitted up, appropriated for the ladies, where they can make their selections as uninterrupted and unobserved as at their own homes.
Next door to M. Mayer's, at No. 28, is an establishment which has received very distinguished and extensive patronage, known by the appellation of La Maison Lucy Hocquet, not only for hats, bonnets, capotes and turbans, but also for pelerines, fichus à la paysanne, canzous, chemisettes, collars, habit shirts, parures de spectacles, etc.; in these articles they have been so celebrated for the taste and elegance with which they are arranged, that the fame of their talents has attracted around them many of the most influential ladies in Paris, as also several of the most celebrated artistes whose good taste and jugement are proverbial; amongst others may be cited Mlle Rachel. La Maison Lucy Hocquet likewise furnishes several crowned heads, as the Empress of Russia, Queen of Portugal, etc., and amongst the leading personages of Paris, the Princess Demidoff, the Duchesses d'Eckmühl, de Montebello, de Valmy, Marquise d'Osmond, etc. To the above list might be added many names of the English nobility, who still continue to be supplied from this establishment, which independent of the merit which is displayed in the arrangement of every article which it produces, is also highly recommendable on account of the attentive civility which they extend to all who may have occasion to apply to them.
CHAPTER X.
The present artists in France and their productions, improvements in Paris, fortifications, humanity to animals, education of females, personal appearance of the French, army and navy, scientific Societies, and commercial enterprises.
Never perhaps at any period was there so much encouragement given to the arts and sciences in general in France as at the present, nor ever was there a monarch who reigned over the French, who so much endeavoured to promote every object which tended to usefulness, or to the advancement of the fine arts. No country in the world has such advantages as France for nurturing talent, and giving it the opportunity of developing itself, so numerous are the societies and institutions where lectures and instruction are afforded gratuitously, hence the great assistance to young artists; without any expense or trouble, they are admitted into a drawing academy, where they may acquire the fundamental principles of the graphic art; afterwards there are other different establishments which they can enter as their studies progress, and when they attain any degree of proficiency, they have a chance of being sent at the expense of government to Rome, to complete their studies, and if they excel to a moderate degree, are sure to be employed by the King, or some member of the royal family, or by the nation. With all these immense advantages, how much might be expected of the French artists, but the fact does not realise those hopes that might be justly formed from the solid rudimental education which they have the power of receiving. The exhibition this year at the Louvre of the paintings of the living artists was a complete illustration of what I have stated, as every one allows that it was far inferior to that of last year, which was considered much worse than those of former years.
At the same time it must be admitted that several of the best artists have not sent any pictures for the last few years, and particularly the present, when amongst the absentees might be cited Ingres, Horace Vernet, Ary Scheffer, Delaroche, etc., who it appears were all employed by the King or government; the consequence was, although there was an immense mass of large historical and scriptural subjects, it was what might have been called a most sorry display. Amongst the number one alone evinced a superiority of talent, and that was the taking of Mazagran by Phillippoteaux, which really had considerable merit, and the artist it appears passed some time in Algiers, and therefore was enabled to give a faithful representation of the inhabitants of the country. Of miscellaneous subjects, or what the French call tableau de genre, there were many most exquisite pictures, amongst the rest, the Miller, his Son and his Ass, by H. Bellangé, which was so full of character and expression, that it needed not language to tell the tale; there were also several other pieces by the same artist, possessing equal merit. An Assembly of Protestants surprised by Catholic Troops, by Karl Girardet, was a most superior picture in Wilkie's best style; Reading the Bible, by Edward Girardet, also exceedingly clever; but one of the most delightful pictures in the exhibition was by Gué, of Raymond of Toulouse reconciling himself to the Church; I never yet saw any performance of that artist but evinced some great merit, either the finest imagination, the most beautiful execution, or the utmost truth to nature, according to the subject he undertakes. I should certainly pronounce Gué as one of the best artists who now send their pictures to the Louvre; one he had two years since of the Crucifixion, at the annual Exhibition, which certainly was a most sublime composition, the approach of night, with a slight glare of parting light, was most admirably represented, and gave a sort of wild gloom which so beautifully harmonised with the nature of the subject; he had also introduced the dead rising from their tombs, which contributed to augment the solemn tone which pervaded the whole picture. However lightly or frivolously the mind might be engaged, one glance at this exquisite painting must at once strike awe into the beholder; it was true that there was a great similarity with one on the same subject, in the Louvre, by Karel Dujardin, but not sufficiently so to say it was borrowed, or to detract from its merit. T. Johanot had but one picture this year, which was very clever, as his always are; his subjects are mostly historical, and his illustrations of Walter Scott are universally known and admired. Schopin is another of the French artists whose pictures will always live, his females are so truly graceful, such sweetness of expression in their countenances; this year he did not shine so much as he has before, having but one picture, which was from Ruth and Boaz, and the latter was made to appear too old. A paralyzed old Man on an Ass, which his son was leading, was a true picture of nature, by Leleux; the vigour of the one and the feebleness of the other were admirably contrasted, although rather flat from wanting more shade.
Of this description there were far too many pictures possessing merit than I can afford room to cite, but amongst the portraits there were some such wretched daubs, that they would have been a disgrace to any country; in fact this is a branch in which the French are peculiarly deficient, and in which we far surpass them. The portrait painter who has now the greatest vogue is Winterhatter, who certainly has a great degree of merit, but rather sacrifices the face to the drapery; his picture of the Queen was very justly admired in many respects, but the laboured accuracy with which the lace was given, was rendered so conspicuous, that the eye fell upon the costume before it lighted upon the features; this pleases the ladies, I am aware, who like to have an exact map of their blonde and guipure, and it certainly is too much the case that an artist is obliged to be more or less the slave of his sitters and their friends; his miscellaneous pieces, where his pencil roves freely, are all that is delightful. His portrait of the Comte de Paris and the Duchess de Nemours, certainly display considerable talent. Two favourite and fashionable portrait painters are Dubuffe and Court, the works of the former are well known in England, they are exceedingly attractive from their softness and brilliance, but they want the crispness and tone of nature, the drawing also is sometimes defective. These observations equally apply to both these artists. The younger Dubuffe is rising rapidly in the estimation of artists. I have seen some portraits very true to life by Coignet, Roller, Laure, Rouilliard, and Vinchon; one of Sébastiani, by the latter, was quite nature itself. There are several very clever painters of marine subjects, amongst others Gudin and Isabey, and there is not any department which is more encouraged by the King and the government; for the last several years the former has had orders for at least a dozen each year, of naval combats between France and her enemies, but those subjects which he paints from his own spontaneous suggestions, are infinitely superior to such as he executes to order. Fruits and flowers are branches of the art in which the French artists particularly excel, one piece of flowers by Bergon I think was one of the most perfect I have met with.
Latterly they have much advanced in their representation of cattle, their sheep and cows are particularly good; some draught horses by Casey were executed with infinite spirit, as also some wild horses by Lepoitevin. Some delightful domestic pieces must excite admiration, of fishermen, their wives and children, by Colin, very much in the style of our own Collins, but not quite so good, as also others by Le Camus Duval. Several interesting subjects attracted much of my attention, by Henry Scheffer, Meissonnier, Bouchot, Dupré, Steuben, Rubio, Signol, Charlet, Storelli, and a few others; in water colours the French are now advancing with rapid strides, this year there were some exquisite specimens in that department of painting, particularly by Heroult: but the style in which the French now are most happy, is in what they call pastel, which consists in a great variety of coloured chalks, rather harder than what we understand by crayons; the manner in which they execute portraits about a quarter the size of life, with these materials, is surprising, it infinitely surpasses their oil portrait or their miniatures. There are several foreign artists within the last two years, who have sent their works to the Louvre which must not be passed unnoticed, amongst the rest is a Spanish artist named Villa amil, whose interiors are far above mediocrity, and who has given us some rich specimens of Spanish monuments, which are now admirably illustrated in a periodical lithographic work. Our countrymen, Messrs. Callow and Barker, have also sent several pieces, which do them and their country credit, the former, some beautiful subjects in water colours, and the latter of varied descriptions, in some of which the game has been particularly admired.
Miniature painting in France I should decidedly say was much inferior to that of England, they are very fond of thick muddy back-grounds, their colouring partakes of the same dirty hue, there is generally a stiffness in the position, and much high finish without effect; there are certainly some exceptions to this rule, at the head of which is Madame Lezinska de Mirbel, whose miniatures are broad, bold, and natural, but always plainer than the originals; there are a few others who have come forward latterly, whose performances are above mediocrity. There were some landscapes which evinced much talent, both as to composition and execution; the selection of subjects being from some of the wild romantic provinces of France and Switzerland, aided greatly in affording them a certain degree of interest. Taking a comparative view of the artists of England and France, there is no doubt, generally speaking, that the latter are superior in drawing, and the former in colouring; many of the French artists have latterly adopted a leady tone in their flesh tints, which gives their figures a half dead appearance. With whatever faults he may possess, I doubt if there be any other man that can do so much as Horace Vernet; many may be found who may excel him in the separate objects which he must introduce in a general historical subject, as a landscape, an architectural building, a ship, a horse, etc., might be better executed by such artists as have exclusively studied any one of those subjects, but I do not think there is any painter now living who could produce the ensemble so well, and manage to give the effect to the composition in the same masterly style as Horace Vernet. Delaroche also has completed many pictures which with his name will be immortal; the same may be said of Ary Scheffer, whilst Ingres is known and cited all over Europe for the perfection of his drawing, supposed to be the only man who could correctly draw the naked human figure in any position without a model. In portrait and miniature painting, landscapes and water colours, the French are still decidedly inferior to the English artists.
With respect to sculpture, it is so far more encouraged in France than in England, that of course the numbers who profess it are far more numerous in the former country, and there is a great deal of talent to be found amongst the present French sculptors, but perhaps not quite of the highest class. I never have seen anything which I considered so beautiful as Bailey's Eve, and I doubt whether there are any of them who could produce a work equal to Gibson, or that could surpass Cockerill in the representation of a horse, still most of their statues which have been executed for the government, are certainly better than many of those which have been placed in different parts of London.
There is a great taste for sculptural subjects in general throughout Paris, numbers of houses which have been recently built are adorned with statues, and an immense variety of devices and ornaments of different descriptions, all of which afford employment for the young sculptor; in fact there exists now quite a mania for decoration, and those mansions which still remain of the middle ages present the same predilection for rich carve-work and elaborate ornament which is now revived, and undoubtedly it gives a very picturesque richness to the aspect of a city. As a department of sculpture I certainly must not omit to state to what a high degree the French have wrought the art of casting in bronze, and I am sure I shall be procuring my readers a treat in directing them to the establishment of M. De Braux d'Anglure, No. 8, Rue Castiglione; they will there find an infinite variety of very splendid subjects, some executed with the most exquisite delicacy, others in fine broad masses, as animals the size of life, and some equestrian figures of the middle ages after the first masters displaying the full merit of the original designs. But that which is still more interesting is to visit M. De Braux's foundry, and atelier, No. 15, Rue d'Astorg, where he takes a pleasure in explaining the whole process requisite in casting the different objects, and showing them throughout the various stages through which they pass before they are completed. The French have brought this art to a high perfection, which it appears is facilitated by their having a peculiar sort of sand near Paris (which they cannot find elsewhere), particularly serviceable for the purpose of casting. The orders which come from England for works in bronze is immense; whilst I was at M. de Braux's he was at work upon a bust of the Duke of Wellington, which was part of what was to be a figure the size of life, destined as a national monument (as M. de Braux understood) for some part of London. The great art which he now practises, is that of casting whole masses at once, instead of small bits which were joined together according to the former method. Every amateur of the arts will find the highest gratification in viewing the number of interesting objects which present themselves in various forms at M. de Braux's atelier.
The shopkeepers and proprietors of coffee-houses, restaurants, etc., also have afforded much occupation to artists of moderate talent, having reliefs and paintings introduced upon their walls, that are by no means contemptible, and it is quite an amusement, in walking the streets of Paris, to observe to what an extent it is carried; many of the new houses in the most frequented thoroughfares, above the shops, are now so handsome that if they were appropriated for national purposes would be admired as public monuments, some of these may be remarked even in several of the narrow shabby streets, only (as already stated) they are compelled, by the Municipality, to build them a few feet farther back, to give greater width to the street. One of the beauties and attractions of Paris at the present period, is the Passages, in which are to be found some of the most splendid assortments of every article which the most refined luxury can desire; of such a description are the Passages des Panoramas, Saumon, Choiseul, Vero-Dodat, Vivienne, Opera and Colbert; in the latter is a Magasin de Nouveauté, styled the Grand Colbert, which peculiarly merits the attention, both of the amateur and the connaisseurs of such merchandise as will be found there displayed. In Paris there are many establishments of this nature on the most colossal scales, even surpassing in extent the far famed Waterloo House, but in none is the public more honourably served, or treated with a greater degree of courtesy and attention, than at the Grand Colbert; the taste and discernment with which their stock is selected, does the highest credit to the proprietors, and their premises being arranged and decorated so as to resemble a Moresque temple, as the purchasers behold spread around them in gay profusion all the rich and glowing tints which Cashmere can produce, they may almost fancy that they are in some oriental Bazaar, where the costly manufactures of those climes are displayed for the admiring gaze of the delighted spectator. In the choice of silks is developed the beau ideal of all that the genius, art, and industry of Lyons can effect, which has been selected as regards the tints and designs, with an artistical tact. A great advantage of this establishment is that one partner is French, possessing that degree of taste for which his countrymen are so justly celebrated in all that relates to fancy goods, whilst the other partner is English, partaking of that truly national character which pries deeply into the worth and solidity of every article, before it is presented to the public. Thus far I can speak from experience, having for sixteen years been accustomed to purchase every thing I required at the Grand Colbert, either in linen, drapery, mercery, hosiery, lace, millinery, etc. The premises are entered from two different points, the Rue Vivienne, and the Rue Neuve-des-Petits-Champs, of which streets it forms the corner. The central position adds another recommendation to the stranger, being close to the Palais Royal, in a street communicating with the Bourse, and the most fashionable part of the Boulevards, but a few minutes' walk from all the principal Theatres, at the back of the Royal Library, and in fact in the midst of the most attractive and frequented parts of Paris. Whilst a long range of immense squares of plate glass not only have an ornamental appearance but have the effect of throwing so powerful a light upon the premises that every possible advantage may be afforded for the examination of the goods.
Just near this spot they are about to open a new street, which will be on the spacious and handsome plan of those which have been recently constructed; many others are projected on the same system, and will have a most beneficial effect, in adding to the salubrity of the capital, by clearing away a number of little dirty lanes and alleys, hundreds of which have already been absorbed in the great improvements which have been effected in Paris within my recollection. The extensive projects which are in contemplation for the embellishing of the city, would cost some hundreds of millions of francs to carry into effect, but could have been executed, had not so large a sum been required for the erection of the fortifications, which are proceeding, if not rapidly, at any rate steadily. Concerning their utility or the policy of such a measure, opinion is much divided, but the majority conceive that such circumstances as could render them necessary are never likely to arrive, as they consider that by keeping the frontiers always in the best state of defense, there never could be any fear of an army reaching Paris, as when it occurred under Napoleon, it was after the resources of France had been exhausted by a war of upwards of twenty years, an event that in all probability never could happen again, and that the immense outlay of capital might be applied to purposes so much more calculated to promote the welfare of the country. Others contend that supposing France to be assailed by three armies, and even that she be victorious over two of them, and it be not the case with the third, that force might march on Paris, which might be immediately taken if it were open as at present, whereas if fortified, the resistance it would be enabled to make would give time for either of the victorious armies to come to its relief. Whilst a third party pretend that the fortifications are intended more to operate against Paris than in its defence; that in case of any formidable popular commotion the surrounding cannon can be pointed against the city and inhabitants, and any refractory bands that might be disposed to pour in from the province to join the factious could be effectually prevented entering Paris. Whatever may be the different opinions on the subject, every one must regret such a tremendous expense for almost a visionary object, whilst there is so much capital and labour required for increasing the facilities of communication by means of improved roads, canals, or railways from the opposite points of the kingdom.
With respect to the ameliorations which have already been effected in Paris, one may say that wonders have been accomplished, particularly in regard to cleansing and paving the streets, and in all possible cases opening and widening every available spot of ground, whereby a freer air could be admitted. I cannot conceive how people formerly could exist in such dirty holes emitting horrible odours, of which there still remain too many specimens, wherein even the physical appearance of persons one would imagine certainly must be affected, yet I have often remarked in the midst of the narrowest and most unsightly looking streets of Paris, numbers of persons with fresh colours and having a most healthy appearance; it is true that there are now open spaces in all quarters, from which a person cannot live more than about two hundred yards, the Boulevards encircling Paris, and the Seine running through it with its large wide quays, afford a free current of air all through the heart of the city, then there are such a number of spacious markets, of places, or, as we call them, squares, and of large gardens, which all afford ample breathing room; whereas in London that is not the case, in many parts, such as the city end of Holborn, Cheapside, Cornhill, Leadenhall street, Whitechapel, etc., where you must go a long way to get any thing like fresh air. That part of Paris termed La Cité, was the worst in that respect, but such numbers of houses have been swept away round Notre-Dame, that they have now formed delightful promenades with trees and gravelled walks.
The French are extremely fond of anything in the shape of a garden, and you come upon them sometimes where you would least expect to find them at the backs of houses, in the very narrow nasty little streets to which I have alluded, but if they have no space of ground in which they can raise a bit of something green, they will avail themselves of their balconies, their terraces, their roofs, parapets, and I have often seen a sort of frame-work projecting from their windows, containing flowers and plants. They evince the same partiality for animals, to whom they are extremely kind, and in several parts of Paris there are hospitals for dogs and cats, where they are attended with the utmost care. I was much amused the first time I heard of such an establishment; I went with a lady to pay a visit to a friend, and after the usual enquiries, the question of how is Bijou was added, in a most anxious manner: the answer was given with a sigh. "Oh! my dear, he is at the hospital," and then continued the lady in a somewhat less doleful tone, "but fortunately he is going on very well, and in another week we hope he will be able to come out." I thought all the while that they must be alluding to a servant of the family, who had been sent to the hospital, when the lady I had accompanied exclaimed, "Poor dear little creature." This somewhat puzzled me, and whilst I was pondering on what it could all mean, the other lady observed, "It is such a nice affectionate animal," and at last I found out it was a dog which excited so much sympathy.
I have also observed the same kind consideration towards their horses, and remember once seeing the driver of a cabriolet take off his great coat to cover his horse with it, and certainly at present I do not perceive any practical proof of what used to be said of Paris, that it was a "hell for horses, and a heaven for women," and as to the latter case it is very evident that the females work much more than they do in England, particularly amongst the middle-classes; accounts being strictly attended to in the course of their education, enables them to render most important aid in the establishments either of their husbands or brothers, to which they devote themselves with much cheerfulness and assiduity, arising from the manner in which they are brought up. Indeed the general system observed in female boarding-schools in Paris is very commendable, and as there are numbers of the English whose circumstances will not permit of their residing in France, yet are extremely desirous that their children should acquire a perfect knowledge of the French language, I know not any service that I can render such persons more important than that of recommending a seminary, in which I can confidently state that they will not only receive all the advantages of an accomplished education, but also be treated with maternal care; of such a description is the establishment of Madame Loiseau. Having known several young ladies who had been there brought up, and hearing them always express themselves in the most affectionate manner of its mistress, whilst the parents added their encomiums to those of their children, I was tempted to pay Madame Loiseau a visit, that I might be empowered to recommend her establishment, by having the advantage of ocular demonstration added to that of oral testimony.
I have known several boarding-schools in my own country, but never any one which was superior in regard to the extreme of neatness and cleanliness, or possessing a more perfect system of regularity, which appears to prevail in that of Madame Loiseau; although mine was rather an early morning call, yet all was in the nicest order. The house, which is in the Rue Neuve de Berri, No. 6, just close to the Champs Elysées, the favourite quarter of the English, is most advantageously situated, facing a park, and at the back is a good sized garden, with shaded walks, well calculated for the recreation of the pupils, and there is besides a spacious gymnasium, where the young ladies can always practise those exercises so much recommended for the promotion of health, when the weather will not permit of taking the air. The premises are so extensive, that different rooms are appropriated for different studies, the one for drawing, another for writing, several for music, etc., etc.; there is a chapel attached to the establishment, which is adapted to those who are of the Catholic persuasion, whilst the English Protestant pupils are sent with a teacher of their own country, either to the Ambassador's or to the Marbœuf English chapel, both of which are near to the residence of Madame Loiseau. The masters for the different accomplishments are judiciously selected, and although much attention is devoted to enriching the minds of the pupils with the beauties of literature, and elegant acquirements, Madame Loiseau takes still more pains in instructing them in every social duty, towards rendering them exemplary, either as daughters, wives, or mothers. In case of any pupils proving unwell, apartments are appropriated to them, separated from the dormitories, where they receive the most assiduous attention; baths are amongst other conveniences contained within the establishment. The table is most liberally supplied, and on those days which are observed as fasts by the catholics, joints are prepared for the protestants, the same as upon other days. The terms are moderate, proportioned to the advantages which are offered.
The physical appearance of the French strikes me as having undergone a considerable change; when I was a child, I can remember a host of emigrants who used to live mostly about Somers Town, and impressed me with the idea of their being tall and meagre, exactly as I was accustomed to see them represented in the caricatures; I remember particularly remarking that they had thin visages, hollow cheeks, long noses and chins, that I used to observe they were all features and no face, they had besides a sort of grouty snuffy appearance; of the females I have less recollection, except that I thought they looked rather yellow, and generally took snuff. When I came to France, therefore, I was very much struck with the change, particularly in the young men, whom I found with small features, and generally round faces, of the middle height, and well made, not so dark or so pale as I expected to find them. The same description applies to the females; there is not so much red and white as we are accustomed to see in England, nor the soft blue eye, nor flaxen nor golden hair, nor generally speaking such fine busts, and I know not why, but the French women have almost always shorter necks, but they have mostly very pretty little feet and ankles, and although their features may not be regular or handsome, taken separately, yet the ensemble is generally pleasing; their eyes are fine and expressive, and after all, in my opinion, expression is the soul of beauty. The female peasantry of France take no pains in guarding against the sun and wind, but merely wear caps, consequently get very much tanned, and look old very soon: whereas the Englishwomen preserve their appearance much longer by wearing bonnets, and particularly pokes, which effectually shelter the face. The sun also has more power in most parts of France, and the women work harder than in England, therefore cannot wear so well.
Proportioned to the price of provisions, wages are higher in France than in England; you cannot have an able bodied man in Paris, for the lowest description of work, for less than 40 sous a day, those who are now working at the fortifications have 50, that being the minimum, and if a person understand any trade, 3, 4, and 5 francs are the usual prices, and those who are considered clever at their business often get more. But many a young man's advancement in life is impeded by the conscription; it often occurs that an industrious shopman, or artisan, has with economy saved some hundred francs, when he is drawn for the army, and glad to appropriate his little savings towards procuring him some comforts more than the common soldier is allowed; the troops generally are very quiet and orderly behaved, in the different towns where they are quartered, but the infantry have not a very brilliant appearance, having found small men so very active and serviceable in climbing the rocks, enduring fatigue, and braving all kinds of impediments, men two inches shorter than would have before been received, were admitted into the ranks, the consequence is that the regiments of the line now make but a poor display, as regards the height of the men, and indeed in their manner of marching, and carrying their muskets, some nearly upright others more horizontally, they have not a regular orderly appearance, like many of the other troops on the Continent; most of the largest sized men are taken up for the cavalry, and very well looking fellows they many of them are, particularly in the Carabineers, which, in regard to the height of the men, is a remarkably fine regiment, but might be much more so, if the government paid that attention which is devoted by other powers to the selections for their choice regiments; in the Carabineers there are men as much as six feet three, and four, and others as short as five feet ten, whilst in other regiments, such as the Lancers and Dragoons, they have here and there men above six feet, which if placed in the Carabineers, and those who were the shortest in that corps removed into the others, all those regiments would be improved, as being rendered more even, whilst the Carabineers would then be equal in appearance, with regard to the men, to any regiment in the world. With respect to the horses, it would be more difficult to render it as perfect as our Life Guards, and as to their bridles and equipments in general (except their regimentals) there is often an inequality and want of care and attention as to uniformity of appearance, but throughout all the French cavalry, the men have an excellent command over their horses. I have been at many grand reviews both in France and in England, and in the former I never saw a man thrown, whereas in the latter it has frequently occurred, either from the horse falling or other circumstances.
With regard to the French army in general, the effect is that of the men having individually a degree of independent appearance, or as if each man acted for himself, instead of being as one solid machine set in motion as it were by a sort of spring, which moving the whole mass, all the parts must operate together. The French infantry, in point of marching, are an exact contrast to the most highly disciplined troops of Russia and Prussia, who pretend to assert that they have regiments who can march with such extreme steadiness and regularity, that every man may have a glass of wine upon his head and not a drop will be spilt; attempt the same thing with a French regiment, and wine and glass would soon be on the ground, and in all their military proceeding there is an apparent slovenliness and irregularity, a want of closeness and compactness in their movements; with regard to outward appearance, the National Guard have the advantage on a field day, as there is a sort of esprit du corps between the legions, which causes them to take great pains with regard to the tenue of their respective battalions; but after all, the great force of the French army is enthusiasm, and that would be excited to a much greater degree in a war with England, than with any other power, because they have been so taunted by the English press, with the old absurd doctrine, viz., that one Englishman can beat three Frenchmen, and several papers lately raked up the battles of Cressy, Poitiers, Agincourt, etc., but the reply of the French is indisputable, that those successes were most efficiently revenged, when it is remembered that England was in possession of the whole of the provinces of Guienne, Normandy, great part of Picardy and French Flanders, some portions of which were under England for nearly 500 years, but that we were overcome in such a succession of battles, that ultimately we were beaten out of every acre we had left in France; Calais, which surrendered to the Duke de Guise, in the reign of Mary, being the last place which we retained. These of course, as historical facts, cannot be denied. But I certainly do consider that portion of the English press much to blame, in recurring to events so distant, for the purpose of wounding national feeling; the effect has been to provoke reply on the part of the French press, and in all the virulence of party spirit, in defending their country against the odium cast upon her, they have been led into some of the most illiberal statements which have had a very baneful effect upon many persons, in exciting an extreme irritation against England; but generally speaking, the French people, if left alone, do not desire war with the English; if it were only for the sake of their interests, it is natural for the French to wish for peace with England, as her subjects are amongst the most liberal purchasers of the produce of the soil and manufactures of France.
The party the most anxious for war with England, is the navy, and they bitterly feel the sting which goads within them, of their having been so beaten by our fleets, and pant for an opportunity to efface the stain which they certainly do feel now tarnishes the honour of their flag. They consider, also, that the circumstances under which they were opposed to the forces of England, were so disadvantageous, that no other result could have been expected than such as occurred, as when the war broke out in 1793, France had not one experienced admiral in the service; all possessing any practical knowledge of naval affairs, being staunch adherents to the royal cause, had either quitted France, or retired from the navy, de Grasse, d'Éstaing, Entrecasteux, d'Orvilliers, Suffren, Bougainville and several others. The consequence was, that the command of the fleets were given to men who acquitted themselves very ably in the management of a single vessel, but were not at all competent to the office with which the necessity of circumstances invested them, and although there were several encounters between the frigates of the two nations, in which the reputation of both were well sustained, yet of the power of so doing, the French were soon deprived, by Napoleon, who at one period in his ardour for military glory, sacrificed the navy, by taking from it the best gunners in order to supply his artillery; also the choicest and ablest men were selected wherever they could be found, to fill up the ranks of the army, which were being constantly thinned by the universal war which he was always waging with the greater part of Europe. The ships were then manned with whatever refuse could be picked up, and a Lieutenant Diez told me, that the crew of the vessel to which he belonged was such, that they had not above twenty men who could go aloft, and had they met with an English vessel of the same size, they must have been taken without the least difficulty. But the officers in the present French navy know that the case is now very different, for the last twenty years the greatest attention has been devoted to that arm, which is candidly acknowledged on the part of our naval officers, of which I remember an instance at Smyrna, whilst dining at the English consul's with eight or ten of them, being the commanders of the ships which composed the English fleet, then lying at Vourla, when the conversation falling upon the French navy, it was observed that nothing could be more perfect than its state at that period, every man, down to a cabin boy, knowing well his duty, and all the regulations and manœuvres being carried on with such perfect order and regularity. There are however some advantages which we still maintain, afforded by our foreign commerce being the most extensive, enabling us always to have a greater number of sailors, and generally speaking more experienced seamen, and a French naval captain who has seen a good deal of service, once observed that there was another point in which we had a superiority, and that was with respect to our ship's carpenters, which was particularly illustrated in the combat at Navarin, as the morning after the action the English were far in advance of the French, with regard to the repairs which had been rendered necessary from the damages which had been sustained.
The French now have several officers who are experienced practical men, in whom the navy has great confidence, as, Admirals Duperré, Hugon, Rosamel, Lalande, Beaudin, Roussin, Bergeret, Mackau, Casey, etc., all of whose names have been before the public in different affairs in which they have created their present reputation. During the present reign, every means has been adopted to infuse within the minds of the French an interest for naval affairs, hence apartments have been fitted up in the Louvre, as before stated, with models, and representations of all connected with a ship, whilst the best artists have been employed to paint different naval actions, which have reflected honour on the French flag, and really I had no idea that they could have cited so many instances, in regard to encounters with our shipping, but on reference to James's Naval History, they will be found mainly correct, giving some latitude for a little exaggeration in their own favour, a habit to which I believe every nation is more or less prone. The government have certainly succeeded beyond their wishes, in engendering an extreme anxiety in the people with regard to the navy, which has just been elicited, in the singular anomaly of the opposition voting on the motion of M. Lacrosse a greater sum by three millions of francs for the navy than the minister demanded. With an eye also to the marine, Louis-Philippe has made some sacrifices to the promotion and extension of foreign commerce, and not without a considerable degree of success.
There is not at present any branch of art, science, or industry, that the French are not making great exertions to encourage, for that object many societies and companies are formed, of which I will state a few of the most important. There are four societies styled Athenæum, the Royal, which is at the Palais-Royal, No. 2, devoted to literature, and three others at the Hôtel de Ville for music, for medicine, and for the arts. The Geographical Society, Rue de l'Université, 23. Royal Antiquarian Society, Rue des Petits-Augustins, No. 16. Asiatic Society, and for elementary Instruction, Agriculture, Moral Christianity, No. 12, Rue Taranne. Society for universal French Statistics, Place Vendôme, 24. The Protestant Bible Society of Paris, Rue Montorgueil. Geological Society, Rue du Vieux-Colombier, No. 26. Philotechnic Society, No. 16, Rue des Petits-Augustins. Philomatic Society, Entomological, and for natural History, No. 6, Rue d'Anjou, Faubourg St. Germain. Society for intellectual Emancipation, No. 11, Rue St. Georges, as also a variety of other medical, surgical, phrenological, etc., etc., a number of schools besides those I have already alluded to, veterinary, for mosaic work, technography, and other purposes.
Although I have observed that in great commercial undertakings, the French are very slow and cautious, yet they are progressing visibly; there are now thirty-four coal mines at work in various parts of France, belonging to different public companies more or less flourishing, besides private enterprises, 16 more in agitation where coal has been found, and societies formed but not yet in active operation, and 15 now working in Belgium, of which the sharers are principally French. There are twenty Asphalte and Bitumen companies. Thirty-five Assurance companies, between twenty and thirty railway ditto, about the same number for canals and nearly as many for steam boats, and for bridges projected about 20, for gas, 14, for the bringing into cultivation the marshes and waste lands, 7, for markets, bazaars, and dépôts, 10, and for manufactures of glass, earthenware, soap and a variety of other things, there are about forty more public companies. These are such as now still offer their shares for sale; there are many others which have been for a length of time established, which no longer issue either advertisement or prospectus, but when enterprises of this kind are undertaken in France they generally succeed.
CHAPTER XI.
The Literature of the time being, principal authors. Music; its ancient date in France, performers, and singers.
Of the present state of literature in France, it is not possible to draw a very flattering picture; there is a good deal of moderate talent but certainly none that is transcendental, which remark may be applied to statesmen, orators, authors, artists, etc.; as to poetry there appears at present so little taste for it, and writers seem so thoroughly aware of its being the case, that they have too much good sense to attempt to obtrude it upon the public, and those who had obtained a certain reputation as poets seem to write no more. The works of de Lamartine certainly have many admirers, displaying a pleasing style of versification fraught with beautiful imagery, a happy arrangement of ideas enwreathed within the flowers of language, but little or no originality. As if himself conscious of that circumstance, he brought forth his Chute d'un Ange (the fall of an angel), which caused his own fall at the same time; if his sole desire was to attain originality, he gained his point, but at the price of common sense; the majority of the public appear to have been of this opinion, and M. de Lamartine seems to have passed from poetry to politics, being now one of the best and most conspicuous speakers in the Chamber of Deputies. A certain tone runs through M. de Lamartine's works, that leads one to infer he has deeply read and admired Lord Byron. M. Casimir Delavigne was a great favourite at one period; it might be my want of taste, or a deficiency in the knowledge of the French language sufficient to relish that class of poetry, but certainly I found his works laboured and tedious, and could not in spite of all my efforts derive any pleasure from their perusal. The productions of Béranger are confined within a very small compass, but containing that which causes one to regret that his works are not more voluminous. The true nerve and genius of poetry, continually sparkling throughout his writings, as a patriotic feeling and a generous love of liberty formed the principal points in his character. The efforts to suppress that spirit which was attempted in the reign of Charles X called forth the powers of his muse, but since the accession of the present monarch to the throne, as all has been conducted on a more liberal system, his pen has lain dormant, which has disappointed all who have read and admired those effusions of a free and exalted mind, which he has at present published, and led to the hope that they would be continued. Of Victor Hugo's productions I need say but little, as they are so generally known in England, particularly his Notre-Dame de Paris, which has been dramatised under the title of Quasimodo and acted at Covent Garden, as well as at other theatres, and few I believe there are who have not felt some sympathy for Esmeralda. When Victor Hugo wrote this, the works of Sir Walter Scott I think were bearing upon his mind; his poems and dramatic pieces at one period created much sensation, and undoubtedly possess a certain tone of merit. The Comte Alfred de Vigny is the author of one work which may be considered as a gem amongst the mass of publications which emanate from the French press of that nature; it is entitled, Cinq-Mars, an historical novel, which is decidedly one of the best and most interesting of any that have appeared either in England or in France for several years past; he has also written a tragedy on the subject of the unfortunate Chatterton, which at the time it came out excited a deep interest, but M. de Vigny, like many of the present literary characters in France, appears resting on his oars. Not so with Alexandre Dumas, whose prolific pen appears like himself to be ever active; what with travelling to different countries, then publishing accounts of his wanderings, novels of divers descriptions, detached pieces, and dramatic productions, he must be constantly on the qui vive. There are very different opinions respecting his writings, they certainly possess a good deal of spirit, some of them considerable feeling, and are generally amusing. Of novel writers there are many, but unfortunately the bad taste prevails of introducing subjects in them that prevent their being read by females, with a few exceptions; those of Balzac are by no means devoid of merit and are exceedingly entertaining, and some there are which any one may peruse of Eugène Sue, who has lately been knighted by the King of the Netherlands; the same may be said, although of the latter description there exist but few. Those of Paul de Kock are well known in other countries as well as France; they are very clever and exceedingly amusing, but partake of the fault alluded to. As a female writer and translator, Madame Tastu may be cited as having produced works which do credit to her taste and judgment. Madame Emile de Girardin, well known as Delphine Gay, is a talented writer, but would have been more esteemed had she steered clear of political subjects. Monsieur and Madame Ancelot both write tales and dramatic pieces, which are justly admired; but the author to whom the stage is most indebted is Scribe, who perhaps is one of the most multitudinous writers existing; his works completely made and sustained the Theatre du Gymnase, besides greatly contributing to the success of others. In consequence of their having been so much translated, and adapted to the English stage, they are almost as well known in one country as the other. M. Scribe is a man who is highly esteemed on account of his liberality to literary characters, and his extreme generosity to all who are in need of his aid. Of authors on more solid subjects there are not many who now continue to write, several of the most conspicuous having become completely absorbed in politics; of such a description is M. Guizot, whose works are generally known and admired, particularly his Commentaries on the English Revolution; partly a continuation of the same subject, it is stated he has now in preparation, but placed at the helm of the nation, as he now is, his time is too much occupied to be devoted to any other object than affairs of state, and his position is such as requires the exertion of every power of thought and mind to sustain, against its numerous and indefatigable assailants.
M. Thiers owes his success in life to his literary productions, and his talents as an author are universally admitted; his History of the French Revolution is as well known in England as in France, and generally allowed to be the best work upon the subject, but he is also so totally engaged in political affairs, that the public cannot derive much advantage from the effusions of his pen, as it is impossible that they can be very voluminous, when his time and abilities are so exclusively appropriated to a still more important object; but it is understood that it is his intention to afford the world the benefit of other works which are now in embryo. The same remarks may in a degree be applied to M. Villemain, who has written upon literature, in which he has displayed considerable ability, but having become an active Minister of Instruction, of his publications there is at present a complete cessation. Nearly a similar instance may be cited in M. Cousin, who has written very ably upon philosophy and metaphysics, but as a peer of France, literature has been forced to succumb to politics, his talents also being directed into the latter channel. Amidst this general languor which seems to have come over France, with regard to the exertions of her most eminent authors, there are a few who occupy themselves with history, which now appears to be the most favourite study with those who devote their minds to reading; the very delightful work on the Norman Conquest, by M. Thierri, I trust is well known to many of my readers, or if not, I wish it may be so, as it cannot do otherwise than give them pleasure; he has written several other things, and amongst the rest Récit des Temps Mérovingiens, which is highly interesting. A work of considerable merit, is l'Histoire des Ducs de Bourgogne, by Monsieur de Barante. M. Capefigue has published many historical productions, and amongst the rest a Life of Napoleon, which is perhaps one of the most impartial extant, and very interesting, as containing a sort of recapitulation of facts, without any endeavour to palliate such of his actions as stern justice must condemn. M. Mignet has also chosen the path of history, and has not followed it unsuccessfully; the foundation of his present prosperity consisting entirely in his writings, there are several other authors of minor note who have adopted the same course, but not any who have created any great sensation, or effected any permanent impression on the public.
The only living author whose name is likely to descend to posterity is that of Chateaubriand, who, although he has never been a writer of poetry, may be considered the greatest poet in France, as there is so much of imagination and of soul in his prose, so much of sublimity in his ideas, that the works in verse of his contemporaries appear insipid when compared to the wild flights of genius which ever emerge from his pen, yet when they are closely studied, and deeply sounded for their solid worth, it will be found that they consist merely of beautiful imagery, elegantly turned phrases, a sort of flash of sentiment, which catches the ear, but appeals not to the understanding, a gorgeous superstructure, as it were, without a firm foundation for its basis. As for example, in his preface to Attila, alluding to Napoleon, he observes "Qu'il était envoyé par la Providence, comme une signe de réconciliation quand elle était lasse de punir." Which may be rendered thus: that Napoleon was sent upon earth by Providence as a sign of reconciliation, when she was fatigued with punishing; this is certainly very pretty, but I will appeal to common sense, whether there was aught of fact to support such an assertion? Even those who were the most enthusiastic admirers of the martial genius of Bonaparte, could not participate in the fulsome compliment paid to their hero by M. Chateaubriand; but when strictly scrutinized, all his works will generally be found of the same tissue; yet, as there is so often a wild grandeur in his conceptions and in his mode of expressing them, whilst they are arrayed in all the grace and beauty which language can bestow, his volumes will always find a place in every well-assorted library, when probably those of most of the other French authors of the present period will be consigned to oblivion, excepting such as have written upon history, which will always maintain their ground, as they are in a degree works of reference.
There are several very clever men who write for the newspapers, or what may be styled pamphleteers, amongst whom are Jules Janin, and Alphonse Karr; the latter publishes a satirical work called the Guêpe, which possesses the talent of being very severe and stinging wherever it fixes. M. Barthélemy has written some poetry much in the same strain, which is rather pungent, but he latterly appears to have sunk into the same slumber which seems to have enveloped so many of the present literary men of France. M. Deschamps now and then produces some poetic effusions which are pleasing, and prove the author to be possessed of that ability which would induce a wish that his works were less brief and more frequently before the public. But taking all into consideration, this is by no means a literary era in France; the nineteenth century has not yet produced any such names as Montesquieu, Voltaire, Rousseau, and many others, who have shed a lustre on the French name; there are no doubt many clever men still living who have written scientific works upon medicine, surgery, natural history, physiology, botany, astronomy, etc., whilst the names of De Jussieu and Arago, as eminent in the latter sciences, are known all over Europe, as well as many others who are celebrated in their different departments.
Although the present age is not fecund in the production of French genius as relates to the polite arts, yet there never was a period when there was more anxiety for their promotion, and now all classes read; but the reading of the lower orders consists principally of a political nature; the newspapers now however have what is called a feuilleton, which embraces many subjects, and appears to interest all; the criticisms on the theatrical performances are perused with much avidity, an extreme partiality for dramatic representations still forms a considerable portion of the French character, as also a general love of music, without being at all particular as to its quality; no matter how trifling it be, as long as there is any thing of an air distinguishable it will please. There are at present a host of composers in France whose fame will probably be not so long as their lives; Paris is inundated every year with a number of insignificant ballads which just have their day, and if perchance there should be one or more that are really clever amongst the mass of dross which comes forth, after a twelvemonth no one would think of singing it because it has already been pronounced ancienne, and it is completely laid aside, and in a few years so totally cast in oblivion, that it cannot even be procured of any of the music-sellers, or anywhere else: this was the case with some delightful airs which appeared about ten years since, and which are now nowhere to be found, although once having excited quite a sensation. The French cannot certainly be considered as a musical nation, yet many of their airs are full of life, and quite exhilarating, whilst others have a degree of pathos which touches the heart; still none of their music has the nerve, the depth, the sterling solidity of the German, nor the elegance nor grace of the Italian. Yet some composers they have whose works will have more than an ephemeral fame, amongst whom may be cited Aubert, whose music is not only admired in France but throughout all Europe; another author of extreme merit is Onslow, whose productions are not so voluminous or so extensively known as those of Aubert, but possessing that intrinsic worth which will increase in estimation as it descends to posterity: the compositions of Halévy and Berlioz have also some degree of merit. But amongst the numerous productions which have emanated from the French composers for the last fifty years, one there is that for soul and grandeur stands unrivalled, and that is the Marseilles Hymn, or March, by Rouget de Lille; perhaps there exists no air so calculated to inspire martial ardour, and there is no doubt but that it had considerable effect upon the enthusiastic republicans in exciting them to rush into what they considered the struggle for liberty and honour; it appears to have been an inspiration which must have suddenly lighted upon the composer, as none of his works either before or since ever created any particular sensation. Although of far distant date, the old air of Henry IV must certainly be placed amongst the gems of French musical composition; there is a peculiar wildness in it, which gives it a tone of romance, and reminds one of very olden time, there is in it an originality, a something unlike anything else; the Breton and Welsh airs alone resemble it in some degree, and in both those countries they pretend that they are of Celtic origin. Music is of very ancient origin in France: in 554 profane singing was forbidden on holy days; in 757, King Pepin received a present of an organ, from Constantin VI; a tremendous quarrel occurred between the Roman and Gallic musicians, in the time of Charlemagne, and two professors are cited, named Benedict and Theodore, who were pupils of St. Gregory; but the most ancient melodies extant, and which are perfectly well authenticated, are the songs of the Troubadours of Provence, who principally flourished from the year 1000 to the year 1300. Saint Louis was a great patron of music, so much so that in 1235 he granted permission to the Paris minstrels, who had formed themselves into a company, to pass free through the barriers of the city, provided they entertained the toll-keepers with a song and made their monkies dance. At that period they had as many as thirty instruments in use; the form of some of them are now totally lost. Rameau is the only French composer whose name and compositions may be said to have had any permanent reputation, which does not now stand particularly high out of his own country; Lulli, Gluck, and Gretry were not born in France, although it was their principal theatre of action. It remains to be proved whether the works of Boïeldieu will stand the test of time, as also of those composers who are still living and are the most esteemed.
Much may be said of the French musical performers, who certainly may be considered to excel upon several different instruments, particularly on the harp, which all can testify who have ever heard Liebart. There are also a number of ladies to be met with in private society who play extremely well; the same may be said with regard to the piano-forte, but although there are many professors who astonish by their execution, yet they have not produced any equal to a Liszt or Thalberg; I have even amongst amateurs known some young ladies develop a lightness and rapidity of finger quite surprising, and far surpassing what I have generally met with in England (except with the most accomplished professors), but I do not consider that they play with so much feeling and expression as I have often found even with female performers in my own country, and which affords me a much higher gratification, as fingering is after all but mechanical, which may astonish, but will never enchant. On the violin they have produced some very fine players, as also upon other instruments, and the bands at their operas can hardly be too highly praised. But their music which has afforded me the most delight has been the performances of their first masters on some of their magnificent organs; on those occasions I heard the most exquisite feeling and expression displayed, and have known the most powerful sensations excited; this most superlative enjoyment I have experienced at the churches of Notre-Dame, St. Sulpice, St. Eustache, and St. Roch, but it happens only on particular and rare occasions, and it is difficult to find out when such performances will take place; sometimes it is announced in Galignani's paper but not always, and their sacred music is often most exquisite particularly that which is vocal.
In respect to singing, although the Conservatory of Music and the most talented masters give every advantage to the pupil of theory and science, yet they cannot confer a fine quality of voice where it has not been afforded by nature, and that deficiency I find generally existing with the French females; they will often attain an extreme height with apparent facility, and even will manage notes at the same time so low that no fault can be found with the compass of their voices, nor any lack of flexibility; their execution being perfectly clean and correct. I have frequently heard them run the chromatic scale with extreme distinctness and apparent ease, and acquit themselves admirably in the performance of the most intricate and difficult passages, all of which is the result of good teaching and attentive application of the pupil, but sweetness of tone exists not in their voices, which are generally thin and wiry; they want that depth and roundness which gives the swell of softness and beauty to the sound; hence there is generally a want of expression in their singing as well as their playing. Of course there are exceptions, and Madame Dorus-Gras may be cited as such, as well as many others, who have won the admiration of the public. The voices of the men are better, often very powerful, possessing extremely fine bass notes, but many of them have even still a horrid habit of singing their notes through the nose. I don't know whether it is that they regard their nasal promontory in the light of a trumpet, so considering it as a sort of instrumental accompaniment to their vocal performance, but although it is a practice which is wearing off, there is a great deal too much of it left. Nourrit had none of it, his voice was firm and sweet, and few men have I ever heard sing with so much feeling. Duprez is also a singer of no common stamp, and of whom any nation might be proud, and I have often met men in society sing together most delightfully, either duets, trios, or quartettos, and totally devoid of the nasal twang, or, as the reader will observe, delightful it could not be.
CHAPTER XII.
Instructions for strangers; remarks upon the feelings and behaviour of the lower classes of the Parisians. Political ideas prevailing in Paris. Observations upon the present statesmen.
There are certain regulations to be observed at Paris which we are not accustomed to in our own country; on a stranger's arrival he is conducted to an hôtel, either to that to which he is recommended, or he fixes upon one of which he hears the most extravagant praises from persons who attend with cards, and even throw them into the carriage before it stops; on whichever the traveller may make his selection the same plan is to be followed, make your arrangement as to price before you install yourself, either per day, per week, or per month; you may make your agreement to take your meals from the people of the hôtel, or to send for it from a restaurateur, or to go and dine at one, as you may think proper; the latter plan is found the most agreeable for a stranger, as he sees more of the people by so doing, and can try several different restaurants, which he will find very amusing, and some of them, from the beautiful manner of fitting up, are well worth seeing; the prices vary from a franc to six or seven francs, according to their celebrity. Every hôtel has a porter, to whom you must give your key whenever you go out, and then the mistress of the house is answerable for anything which may be missing, but if you leave your key in the door whilst you are absent, you cannot make any claim for whatever may have been lost; at night, on the contrary, after the gates are shut, when you retire to bed, and you let it remain outside, should anything be stolen, the mistress is accountable, as it is supposed that when all is closed in, everything is then under the safeguard of the porter, for whose conduct the mistress is considered liable. According to the style of the hôtel in which you take up your abode, the porter will expect remuneration; at one that is moderate, and not in a first-rate situation, six sous a day is sufficient, but in most hôtels about the fashionable quarters half a franc is the usual sum expected; for this your bed is made, your boots and shoes cleaned, as also your room, and your clothes brushed; they likewise take in messages or letters, and answer all enquiries respecting you, direct the visiters to your apartment, etc., but if you send them out anywhere, no matter how short the distance, they always charge at least ten sous for it; it is one of the dearest things I know in France, that of charging for every little errand or commission.
At some of the hôtels there are commissioners who make offers of their services, to conduct strangers to different shops or warehouses, for the purpose of making their purchases, but too much reliance must not be placed on those gentry, as they often exact contributions from the shopkeepers for bringing travellers to their shops, when they naturally must charge so much the more upon the goods in order to pay the commissioner.
Tradesmen from London particularly are often misled in that manner, but in proceeding to such establishments as those I have stated, which are respectable wholesale houses, such as Messrs. Bellart, Louis, Delcambre, for lace, ribband, and silk, 2ter Rue Choiseul, etc., they will never be deceived; I will also add another establishment which has existed for many years and always conducted their business on equitable terms, being that of M. Langlais-Quignolot, No. 10, Rue Chapon, where he executes orders for London on a most extensive scale for net gloves, purses and reticules. He lives in the neighbourhood where many of the wholesale houses are situated, and would willingly inform any stranger of the most respectable in the different branches required. The different articles to be seen at M. Langlais' warehouse are got up in a most superior style and at prices so reasonable, that it is quite surprising when compared to the charges made for the same goods in London, where undoubtedly they have duty and carriage to pay. He has lately brought into vogue some most beautiful little purses called Rebecca, being exactly in the form of the pitcher with which she is represented at the well; their appearance is most ornamental, and although very small they distend so as to hold as much as most ladies would like to lose in an evening at cards. M. Langlais has already sent over numbers to London, which must now be making their appearance in Regent Street, but I recommend my countrywomen when at Paris to pay him a visit themselves, as he does not refuse a retail customer although his is a wholesale house; he has a most extensive assortment of all varieties of purses and net gloves and reticules, from which numbers of shops in Paris and London are supplied, and of course being the fountain head the articles may be procured on advantageous terms of M. Langlais.
There is one precaution I would recommend all travellers to adopt, and that is always to keep their passports, about them; in case they happen to pass any exhibition or building that is open to a stranger on producing his passport, it is well to be provided with it, or if he should meet with any accident, or that any casuality should occur, it will always be found useful. When you arrive at the port where you disembark in coming from England, your passport is taken from you and sent on to Paris, and what is called a Carte de Sûreté is given you instead, for which you pay 2 francs; this you must give to the mistress of the hôtel where you lodge at Paris, and she will procure your original passport for you from the police, or if you choose you may go for it yourself, and save the charge of the commissioner who would be employed to fetch it. In returning to England, you take it to the English Ambassador's to be signed, and from thence to the police for the same purpose, but only state that you are going to the port from whence you are to embark, as if you say that you are going to England they send you to the Minister of Foreign Affairs for his signature, where there is a charge of ten francs, which there is not the slightest necessity of incurring. I have been very often from Paris to London and never paid by following the plan I have stated, but for a permit to embark there is always 30 sous to pay, at the port on quitting the country.
In all the diligences throughout France the places are numbered, and he who comes first has the first choice, in which case most persons choose No. 1, but others who prefer sitting with their backs to the horses select No. 3; this excellent regulation prevents any kind of dispute about seats. If you have much luggage you are required to send it an hour or so before the coach starts, and in travelling by the Malle-Poste (or Mail) if your trunk be very large, and weighty, they will not take it, therefore you must ascertain that point when you take your place; it is always sent by a diligence which follows, but a delay is occasioned which sometimes proves inconvenient. The mails are dearer than the diligence, and some go eleven miles an hour.
With regard to posting, the price is 2 francs each horse for a miriametre or six miles and a quarter, and as many horses as there are persons in the carriage must be paid for; 15 sous is what should be given to the postillion, but most people give a franc. The posting is entirely in the hands of government, and where the horses are kept is not always an inn; but wherever it may be, printed regulations are kept to which the traveller may demand a reference, if he imagine its rules are not fulfilled. For 4 francs a book may be purchased which gives a most detailed account of every thing connected with posting; all the charges must be paid in advance. Coaches may be hired in Paris at from 20 to 30 francs a day, with which you may go into the country, but must be back before midnight. An excellent and most useful establishment will be found at No. 49, Rue de Miroménil, Faubourg St. Honoré, called Etablissement d'Amsterdam, where there are above 300 carriages constantly kept, either for hire, for sale, or for exchange; it is also a locality where persons may sell or deposit their carriages for any period of time they think proper, and can likewise have it repaired if required; they will besides find every description of harness and sadlery. Horses also are taken in to keep, or bought or sold. The establishment is most complete in all its appointments, is very extensive and kept in the most perfect state of order. There are some carriages amongst the immense variety that may thoroughly answer the purpose for travelling, which can be procured at extremely low prices, whilst others there are, very handsome and perfectly new, which are of course charged in proportion. The proprietors are extremely civil, and ever ready to show their premises to any visiter who may wish to see them.
A fiacre, or hackney coach, is 30 sous each course, for which you may go from barrier to barrier, which might be five miles; but if you only go a few yards the price is the same. If you hire it per hour the first is 45 sous and afterwards 30 sous; after midnight, 2 francs each course and 3 per hour; a few sous are always given to the coachman, which may be varied according to the length of the course. Chariots are 25 sous per course, 35 first hour, afterwards 30. Cabriolets 20 sous the course and first hour 35, afterwards 30; but as all these prices are subject to change with new regulations, it is not worth while to give any farther detail. The General Post-Office is in the Rue Jean-Jacques Rousseau, but there are other places where you may put in your letters for England, although not many if you wish to pay. In the exchange there is a box for receiving letters for all parts; and in the square to the left is an office where you can pay your letter, which is always 40 sous to London if it be not over weight. Whatever you bring over that is liable to pay duty at the custom-house, if you take it back with you on your return to England, on producing the articles and the receipt of what you have paid, you can reclaim whatever you have disbursed; this particularly applies to carriages and to plate, only you must not neglect to demand a receipt at the time you pay, and to take care of it, as I have known many instances of persons losing them, and then their reclamations are useless. I have never found them very severe in the custom-houses in France, but am convinced that the best plan on both sides of the water is to give your keys to the commissioner of the inn where you put up; by displaying no anxiety on the subject, the officers conclude that you have not any thing of importance, and will pass your things over more lightly than if you were present, as when witnesses are by they like to preserve the appearance of doing their duty strictly. I have seen some of the English bluster and go in a passion about having their things tumbled about, as they expressed it, but it only makes matters worse. I have known the searchers in those cases to turn a large chest completely topsy-turvy, so that not a single article has escaped examination, and the whole has had to be re-packed. It is at best an unpleasant tax upon travellers, but it is always better policy to submit to it with a good grace.
The passport is a grievance which is much complained of by Englishmen, and certainly it does appear an infraction on liberty, that it should not be possible to go from one part of the country to another, without having to obtain permission; but it has other advantages: a criminal in France can very seldom escape; by the regulations of the police it is almost impossible for them to evade detection, as wherever he sleeps his passport must be produced, and every master or mistress of every description of lodging-house is bound to give an account of whatever stranger sleeps under their roof, to the police, and their officers; or the gendarmes, are authorised to demand the sight of the passport of any person whom they may suspect. In England a passport is not so necessary, because being an island the means of escape are not so easy, as they must either embark at some port or they must hire a boat on their own account, or enter into some proceeding which leads to discovery; and notwithstanding those obstacles to leaving the country, and the extreme vigilance of our police, felons do very often escape, and murders remain undiscovered, as those of Mr. Westwood, Eliza Greenwood, and many others. But those who are invested with authority in France sustain it with a more courteous demeanour than is the case in England, consequently it is less offensive. If your passport be asked for, it is in a polite manner, whereas with the English, give the butcher or the blacksmith the staff of office as constable, and he exercises his brief authority very frequently in a manner which is not the most engaging. Although a politesse and refinement of expression united with a smutted face, tucked-up sleeves, an apron and rough coarse hands, has something in it of the ludicrous, yet it softens the brutality to which uncultivated human nature is ever prone, but instances of such inconsistencies sometimes occur which cannot otherwise than excite a smile; a few days since a working man dropped a knife, a dirty looking boy of about 12 years of age picked it up, and presented it to the owner, with some degree of grace, saying, "Render unto Cæsar that which is Cæsar's." Passing through the Rue des Arcis, which is a mean narrow street, at one of the lowest descriptions of wine-houses where dancing was going forward, perhaps amongst fishwomen and scavengers, I noticed a large lantern hanging out over the door, upon which was inscribed, "Bal séduisant, le Paradis des Dames," which may be translated, "Seductive Ball, the Paradise of Ladies." The traveller may remark on the road from Boulogne to Paris and within a few leagues of the latter, in a small village at a house little better than a hut, where the insignia of a barber is displayed, a board on which is written; "Ici on embellit la nature," or "Here we embellish nature."
Even in the lowest classes the French must have a little bit of sentiment, and amongst them marriages occur principally from affection, but almost always with the consent of the parents; it is lamentable to think how many young couples destroy each other because they cannot obtain the sanction of the father or mother to one of the parties, and these mistaken lovers really think it less crime to commit suicide than to marry against the consent of their parents, which they are by law empowered to do, provided that they have three times made what is called les sommations respectueuses, that is, having three times respectfully asked their permission, without having obtained which, they cannot marry if not of age under any circumstances; but when no longer minors, and that they have conformed to what the law prescribes, they may be united notwithstanding the opposition of their parents, but it is a case which scarcely ever occurs. There is much more of family attachments and bond of union between relations in France than there is with us, and at marriages, funerals, and baptisms, the most distant cousins are all brought together to be present at the ceremony, which amongst the higher and middle classes has rather a pleasing effect; the bride arrayed in a long white flowing veil decorated with orange flowers has a most interesting appearance. Before being performed at the church, it must be registered at the mayoralty.
When any one is deceased, black drapery is hung up outside the house, and the coffin is brought within sight and burning tapers fixed around it, and every one who passes takes off his hat, and if he chooses, sprinkles it with holy water; chaunting over the coffin at the church is sometimes continued for two hours, and the effect is very impressive. Wherever the funeral procession proceeds along the streets every one who meets it takes off his hat; in fact in no country is there more respect paid to the dead. When a child has lost both its parents, it generally happens that some relation will take it, even sometimes a second or third cousin; this will happen often amongst the poorer people, they hold it as a sort of sacred duty for relations to assist each other, a feeling that I could wish to see more general in England, as I have known too many instances where even brothers exhibited instances of affluence and poverty. In my own neighbourhood, there was a case of a Mr. N. living in good style, with livery servants, etc., and his own brother working for him at 1s. 8d. a day as a common labourer, although his fall in life had been entirely caused by misfortune and not by his prodigality or mismanagement; such a circumstance could not have existed in France; the peasants would have hooted the rich brother every time he showed his face. The French people are too apt to take those affairs in their own hands, and express their indignation in no unmeasured terms. They are very prone to act from the impulse of the moment, and are easily aroused in any cause where they consider injustice has been enacted, and many of the persons concerned in the press are well aware of this, and by most artfully turned arguments they work up their passions either for or against a party, as circumstances may render it fitting for their purpose.
But although some of the newspapers have certainly had some fire-brand articles against England, yet it does not appear to me to have had any effect of exciting a hatred against the English. I have never seen in any one instance any manifestation of such a feeling; in fact the French are much in the habit of separating the government from the people, and even the most hostile portion of the press observe that there are amongst the population in England numbers of individuals of the most exalted characters; hence the French do not consider that the people are amenable for the faults of their government, and are inclined to imagine those of every country more or less corrupt. They never had a very exalted opinion of their own; perhaps the most popular ministry they have had for the last thirty years was that of M. Martignac, which Charles X so suddenly dismissed and thereby laid the first foundation for the glorious three days. With the present government I should say that the majority of the people appear disposed to be passively satisfied, not so much from a feeling of approbation of its proceedings, but fearing that were there a change it might be for the worse; with the present they have the assurance of peace, and tranquillity, and all manufacturing and agricultural France know how destructive war would be to their present prosperity; of this none are more sensible than the Parisians, as it is really astonishing what sums of money the English nobility expend even whilst they are residing in England, with the tradesmen in Paris, principally for articles of art and luxury but also for a great portion of that which is useful as well as ornamental; and imagining that many of my readers may have as great an aversion to copying letters as myself and at the same time be aware of the necessity under many circumstances of keeping a duplicate, I must not forget to mention an extremely useful invention which adds another evidence of the prolific ingenuity of France. It consists in a machine for copying letters, registers, deeds, or in fact any description of written document, or stamped, or in relief, by which they can be repeated even a thousand times if required and in a very short space of time; there have been many who have attempted to attain the same object and have had a partial success, but those of M. Poirier, No. 35, Rue du Faubourg St. Martin, appear to unite advantages which none of the preceding ever attained. They are called, Presses Auto-Zinco-Graphiques. For the merit of this invention he has been granted a patent, and awarded a medal by the Central Jury, appointed to examine the specimens of art and ingenuity sent to the National Exhibition established for the purpose of bringing them before the public. For merchants, solicitors, and all persons keeping several clerks such a machine must be a great acquisition, as in addition to the copies being effected more rapidly than would be possible by hand, where there are numbers of letters of which duplicates are requisite, the labour of one clerk at least must be saved. M. Poirier has them executed in so beautiful a manner that they really are quite a handsome piece of furniture, some of which are as high as 350 fr. but the prices gradually descend to even as low as 10 fr. which are so contrived for travelling that they contain pen, ink and paper and only weigh one pound. I here subjoin the opinion of the Central Jury addressed to M. Poirier. "These presses are certainly the best executed of any which have been exhibited. Their merit consisting in superior execution, cannot be too much encouraged, as the happiest ideas often fail in the realisation, therefore that the jury may not be deficient in recompensing M. Poirier they award him the bronze medal."
All parties regard M. Guizot (Minister of Foreign Affairs) as a talented man; and one of considerable firmness of character, who unflinchingly maintains his ground whilst a host are baying at him, appearing as unmoved as the rock that is pelted by the storm; he seems never taken by surprise, but is ever ready with such answers and explanations as generally baffle his accusers; still he cannot be called a popular minister, because he is known to possess what is called the Anglo-mania, that is, to have a most decided predilection for everything that is English, and there is no doubt that he wishes to do all in his power to conciliate England, without sacrificing the interests and honour of his country; but in that respect his enemies think that he would not be too delicate, but is determined to have peace with England à tout prix (at any price). M. Guizot is a protestant and was a professor in the University.
His immediate opponent, M. Thiers, has risen to eminence entirely by his writings; he came to Paris from Aix in Provence (in 1820), and lived in a room on the fourth floor in the Rue St. Honoré; here he wrote for the newspapers, but being taken by the hand by M. Lafitte he and his works speedily rose into notice; it is possible that he may be as anxious for the welfare of his country as M. Guizot, but would carry things with a higher hand, and although every one is aware of his extraordinary abilities, yet the moderate and thinking part of the community remember how near he was involving France in a war with her most powerful neighbours, and however they smarted for a time under what they conceived an affront offered to their country, yet there are very few now but feel fully sensible of the benefits they derive from the blessing of peace having been preserved. M. Thiers may be cited as one of the most animated and effective speakers of any in the Chambers, and his speeches often display a brilliance, energy, and ardour, which create a forcible impression, but sometimes betray the orator into hasty assertions, of which he may afterwards repent, but feeling too much pride to recant, he prefers standing by the position he had hastily assumed; consequently, he is then compelled to marshal all his powers of argument to sustain that which in his own mind he may feel convinced is erroneous. Yet although many from prudential motives did not approve his policy, which had nearly involved France in hostility with England, they rather admired the spirit and susceptibility which he displayed in resenting the slight with which the French nation had been treated, and looked upon him as a sort of champion of their cause, so that he may be rather designated a popular statesman than otherwise, although he was considered in the wrong on that one point, and the reflexions which he flung upon England would have passed away as unmerited, and soon sunk into oblivion, had not a portion of the English press so indulged in abuse and ridicule of the French at that period, who often remark that they were subdued by the allies combined, but that it is only the English press which is as it were triumphing over and insulting them, by pretending such a superiority in their troops and seamen as to place those of France in a most contemptible light, whilst all the other powers, although equally their conquerors, give them credit for being a brave military nation. I must confess that I have found more liberality in the French with regard to rendering the merit due to the English troops, than in any other country, and I remember a work which came out in Berlin upon military movements, tactics, etc., and in a parenthesis was this sentence, "It is well known that the English, though excellent sailors, are inferior as troops to those of the other European powers." I should have thought that the Prussians who have fought with us would have known better of what metal English soldiers were composed. But to return to M. Thiers; I should still say notwithstanding all that has past, his talents are held in such estimation, that certain changes might occur which would again place him at the helm of the nation.
Having given a slight sketch of the two political chiefs who as it were head the most powerful contending parties, I must be still more brief in my notice of the other statesmen whose names, acts and speeches are before the public, amongst the most conspicuous of whom is Odilon Barrot, who is what may be termed decidedly liberal, or in plainer language radical, and has long sustained his cause with talent, energy, and consistence; he speaks well and boldly, and has hitherto acted in that manner which might be expected from the tenor of his speeches; sometimes however persons become calm, what others would call moderate, or a slight tint manifests itself in the colour of their politics, perhaps rendering them more harmonious with the reigning parties, but which accord not with the ideas of the most staunch advocates of a more ultra liberal system; this appears to be somewhat the case with M. Odilon Barrot, whose adherents judge from the support he gave to Thiers, that he is not so warm in the cause as themselves; however he still may be considered the chief of that division of the Chamber which he has always led. M. Mauguin was at one time the most violent of the same party, but during his visit to St. Petersburg he appears to have had such an affectionate hug from the Russian Bear, that he has latterly espoused the cause of Bruin, and would if he could induce France to throw England overboard altogether, and cast herself entirely into the arms of Russia.
M. Arago, the celebrated astronomer, has ever proved himself an honest undeviating radical, both in his speeches and his actions. As an orator, many give the palm to M. Berryer, but as his party is not numerous, being carlist, his talents do not receive the general appreciation that they would, had he attached himself to a more popular cause, but he deserves much credit for having faithfully and constantly adhered to his principles. M. Lamartine, the poet, who professes to be independent of any party, is also a very admired speaker, and so was Sébastiani, but now he is passing fast into the vale of years, and has lost that spirit and energy which formerly gave much force to his speeches. M. Molé is another of those statesmen who has filled the most important political stations, but now is getting old and more quiet. As to dilating upon the merits and demerits of those persons who compose the present ministry, it would be but time lost, as they are so often changed in France that their brief authority is often brief indeed, and with the exception of M. Guizot, (who is certainly a host within himself), and Marshal Soult, there is not any character that is particularly prominent, or remarkable for any extraordinary talent. The career of the Marshal is, I presume, well known to most of my readers, and the manner in which he was received in England proves the degree of estimation in which he was there held. He was the son of a notary at St. Amand, where he was born in 1769, being the same year which gave birth to Napoleon, Wellington, and Mehemet Ali. Admiral Duperré, the Minister of Marine, served with great credit to himself throughout the war, and commanded the force which defeated our attempt to take the Isle of France, in 1810, and the naval portion of the expedition employed in the capture of Algiers, was placed under his orders. There are yet a good many men whose names have been long and well known in the political world, who still take a more or less active part in the affairs of the nation, amongst whom may be cited the Baron Pasquier, President of the Chamber of Peers; M. Sauzet, President of the Chamber of Deputies, and the ministers Duchatel for the interior, Cunin Gridaine for commerce, Teste for public works, and Lacave Laplagne for finances; to whom may be added the Duke de Broglie, the Comte Montalivet, Dufaure, Joubert, Salvandy, Delessert, Isambert, Ganneron, etc., also the brothers Dupin, the eldest highly celebrated as an avocat, and the younger (Charles), for his writings upon the naval department, upon statistics in general, and a very clever work upon England. Amongst the extreme radicals, Ledru Rollin may be cited, General Thiard, Marie, a barrister of rising talent, and a young man named Billaud, who is coming forward, and considered to be rather a brilliant speaker. The foregoing names include several men who have had much experience, and possess moderate abilities, merely passable as orators, but having a fair practical knowledge of political business, but not men of exalted genius, or such whose names will be likely to figure in the page of history; perhaps it may be with truth said, that the best statesman France now possesses, or even ever has possessed, is the King, it being very doubtful whether any of his ministers, or indeed any member of either of the chambers, is blest with that deep discernment and profound knowledge of human nature which he has displayed, by the correctness of his calculations upon the pulses of his subjects, under the most trying difficulties, and which have enabled him to weather the storm.
CHAPTER XIII.
The theatres, present state of the drama, and principal performers. Collections of paintings.
It is rather extraordinary that in this age of superlative refinement, the drama should rather be upon the decline than otherwise in regard to the talent of the performers, but it appears to me that such is really the case both in England and France. I can just remember when Mrs. Siddons, John Kemble, Charles Kemble, Young, Mrs. Jordan, Irish Johnson, Munden, Emery, etc. so well sustained the character of the English stage. Alas! shall I ever see the like again? Theatrical representations in France have had a similar decline, although two stars there are who uphold her histrionic fame with superior éclat, Mlle. Rachel for tragedy, and Bouffé for comedy; it would be useless for me to attempt any description of the powers of the former, as she is as well known in London as in Paris, but with the latter my readers I believe are only partially acquainted; he has been in London, but I rather think only made but a short stay, certainly a more perfect representation of French nature it would be impossible to imagine; even although he undertake ever so opposite a description of character, the simple truth would be given in them all; he has not recourse to grimace or buffoonery, or any exaggerated action, but seems not to remember he is counterfeiting a part, but appears to make the case his own, and not to have another thought than that which must be supposed to occupy the mind of the individual he is personifying. Pleased with Bouffé to our heart's full content, we look around amongst all the range of actors to find some approach to his inimitable talent, not being so unreasonable as to hope to discover his equal, but our search ends in disappointment, we seek in vain for the representatives of Perlet, Odry, Laporte, and Potier, to whose comic powers we are indebted for many a laughing hour, but they are now replaced, as well as many other of our old acquaintances, by substitutes who are but sorry apologies for those we have lost; however, although the French theatre has certainly retrograded in respect to its dramatics personæ, it has gained surprisingly with regard to scenery, decorations, and costumes, which very considerably enhance the interest of a theatrical performance, particularly when it is historical, and it is a satisfaction to know that no pains are spared to render the drapery as exact as possible to that worn at the period the piece is intended to represent; thus you have the most accurate peep into olden times that can possibly be afforded, and Paris offers such extreme facilities for ascertaining what description of dress was adopted at any particular age, by means of their immense collection of engravings, and written descriptions, contained in their old books, and manuscripts, which are freely produced to any individual on making the proper application. Of these advantages the managers of the theatres avail themselves to the utmost extent, which enables them to be extremely correct, not only with regard to the habiliments, but also the scenery, and all the accessoires are rendered strictly in keeping with the century in which the events recorded have occurred.
The Italian Opera in Paris is considered to be managed with great perfection, the company is much the same with regard to the principal singers as our own, consisting of Grisi, Persiani, Albertazzi, Lablache, Tamburini, Rubini, Mario, etc., as they can be obtained, according to their engagements in London or elsewhere, and the operas performed are also similar, therefore any description of either would be superfluous; altogether, the enjoyment afforded is not so great as at our own, as no ballet is given, and the coup-d'œil is not so splendid as in ours. The Theatre de la Renaissance is devoted to the performance of the Italian Opera, it is situated in the middle of a small square, opposite the Rue Méhul, which turns out of the Rue Neuve des Petits Champs, from which it is seen to the best advantage; the façade has a handsome appearance, with the statues of Apollo and the nine Muses, supported by doric and ionic columns. The prices of the places are from ten francs to two francs, which last is the amphitheatre; the intermediate charges are seven francs ten sous, six francs, five, four and three francs ten sous the pit, and it is capable of containing 2,000 persons. The performance begins at eight.
The French Opera, or Académie Royale de Musique, in the Rue Pelletier, near the Boulevard des Italiens, has nothing very striking in its external appearance, but the arrangements and decorations of the interior are certainly extremely handsome, and everything is conducted on a most superior scale; the scenery and costumes are here in perfection, the arrangements and accommodations for seats are excellent. The great strength of the vocal performance consists in Duprez and Madame Dorus Gras, to whom I have before alluded, and whose reputation is too well established to need any comment. They are ably seconded by Levasseur, Madame Stolz who is well known in London, and the fine deep voice of Baroilhet, Boucher, Massol, and Mademoiselle Nau, possess a moderate share of talent, there are also others whose abilities are of minor force but sufficient to support the subordinate rôles. The orchestra and chorusses are extremely good and numerously composed, and on the whole it may be considered that they get up an opera in a very superior manner. The ballet at this theatre was formerly the greatest treat that could be imagined, derivable from performances of that nature, but at the present period the strength they possess in that department is by no means efficient. Carlotta Grisi stands alone as having with youth any degree of talent above mediocrity; the same can hardly be said of Mademoiselle Fitzjames, and Madame Dupont; Noblet is past that age which is indispensable in exciting interest as a dancer, notwithstanding she has still considerable ability, and there are not any others who are worth mentioning amongst the females. Of the men, when Petitpa is cited as having a grade more of ability than the rest, nothing more in the shape of praise can be added with respect to their present corps de ballet. This theatre is also capable of containing 2,000 persons, and the prices are from 2 francs 10 sous to 9 francs, the pit is 3 francs 12 sous, and there are as many as 20 different parts of the house cited with their respective charges. They sometimes begin at 7, more often 1/2 past, but never later.
The Theatre of the Comic Opera is situated in the rue Marivaux, Boulevard des Italiens, and the façade with its noble columns has a very fine effect, which is fully equalled by the decorations of the interior. Chollet, still remains their principal singer; his voice is good, so is his knowledge of music, but he is now no longer young nor ever was handsome, but always a favourite with the public; he is supported by Roger who takes the rôles of young lovers, by Grard who has a fine bass voice, and Mocker with a good tenor; amongst the females is our countrywoman Anna Thillon, who is exceedingly admired, and at present the great attraction, she is pretty, lively, or sentimental, as her part may require, her voice is pleasing and it may be said that she is quite a pet with the Parisians; she is an excellent actress, and appears at home in every part she undertakes. Mademoiselle Prevost has for many years sustained a certain reputation as one of the principal singers at this theatre, for my own part I always thought her rather heavy and a want of feeling and expression both in her acting and singing. Madame Rossi Caccia, although only just returned from Italy, belongs to the company, she has a most admirable voice and is a great acquisition to the theatre, at which, on the whole, the amusements are of the most delightful description. The prices are from 30 sous to 7 francs 10 sous. They begin at 7.
The Théâtre-Français in the Rue Richelieu holds the first rank, for the drama, of any theatre in France, where Talma, Duchesnois, Mars and Georges have so often enchanted not only the French public, but persons of all nations who were assembled in Paris, and on these boards Mlle Rachel now displays her magic art; nor are the attractions of Mlle Plessis to be passed over unnoticed, but as she has lately been to London, my country people can form a better judgment of her than from any description I can give. Mlle Anaïs is an actress who has been and is still rather a favourite, although now not young. Mlle Mantes is a fine woman upon a large scale, plays well and has been many years on the stage, but never created any sensation; Mlle Maxime rather stands high in the public estimation; Mlle Noblet and Mme Guyon possess moderate talent acquit themselves well, and are much liked, generally speaking. At present Ligier is considered their best tragedian, but principally owes what fame he has, to their actors in that department being of so mediocre a description, some people prefer Beauvallet but not the majority, their abilities are very nearly of the same stamp. Guyon is a fine young man, and plays the parts of young heroes very fairly. Geffroy is another, possessing sufficient merit to escape condemnation. As comic actors they have Regnier who may be placed upon the moderate list; Samson is certainly much better, and in fact by no means destitute of talent, which may decidedly be also stated of Firmin; Provost is likewise a very passable actor. Comedy is indeed their fort, it is far more pure than ours; I remember making that remark to the celebrated John Kemble at the time he was residing at Toulouse, and adding that I considered our comic actors gave way too much to grimace and buffoonery. Kemble replied, "Don't blame the actors for that, it is owing to the bad taste of the audience, by whom it is always applauded, and a thoroughly chaste performance, without some caricature, would not stand the same chance of success." The prices at the Théâtre Français are from 1 fr. 5 sous varying up to 6 fr. 12 sous, according to that part of the house in which you choose your seat; they begin sometimes ¼ before 7.
The Theatre du Gymnase, on the Boulevart Bonne-Nouvelle, was once one of the most successful of any in Paris, but it does not sustain the high reputation it formerly possessed. Bouffé is now its principal support, and has indeed a most attractive power; there are also other actors of merit, as Klein, Numa, Tisserant, and Volnys, who sustain their respective parts extremely well; but when performing with such a star as Bouffé, their minor talents are eclipsed, and little noticed. Mad. Volnys (formerly Leontine Fay) still retains that high reputation which she has so long and so justly merited, she ever was a most charming and natural actress. Mesdames Julienne, Habeneck and Nathalie are all rather above mediocrity, so that this theatre still affords the dramatic amateur much rational enjoyment. They commence at 6, and the prices range from 1 fr. 5 sous, to 5 fr.
The Théatre des Variétés always has been and is still a great favourite, where they play vaudevilles, a sort of light comedy, which are generally highly amusing; they have always contrived to have actors at this theatre who were sure to draw full houses, and that is the case at present. Lafont is an excellent actor and a very fine looking man, he has performed in London; Lepeintre yields to few men for the very general estimation in which his talents are held; Levassor is a man of very gentlemanly appearance, not at all wanting in assurance, and always at his ease in every rôle he is destined to fill. For females they have Mesdames Flore, Bressant, Boisgontier, Esther and Eugenie Sauvage, the first rather too much inclined to embonpoint, but playing her part none the worse for that, the last an actress of great merit, whilst the others act so well that one would wonder what they wanted with so many; besides which they have several others who are above mediocrity, and a few hours may be passed any evening most agreeably at this theatre. The performances commence at 7, the prices are the same as at the Gymnase with regard to the minimum and maximum, but having altogether nineteen different intermediate specifications.
The Theatre du Palais-Royal, forming the corner of the Rues Montpensier and Beaujolais, and having an entrance in the Palais-Royal, is one of the most successful in Paris, and one of the very few which have proved good speculations, and they continue to have such excellent actors as cannot fail to attract. A. Tousez has much ability and is very comic, M. and Mad. Lemesnil, M. and Mad. Ravel are very clever in their respective parts, Sainville is not less so; then amongst their first rate actresses they have Dejazet, who has been highly appreciated in London, Mlle Pernon, young, talented, and pretty, and Mlle Fargueil, handsome, and though youthful, already an excellent actress. The pit is only 1 fr. 5 sous, from which it rises to 5 fr. for the best seats. They begin at half-past six.
The Vaudeville Theatre is facing the Exchange in the Place de la Bourse, and retains a very good share of the patronage of the public; their performances are, for the most part, very good, and the pieces which are mostly played, are such as the name of the theatre indicates. Félix and Lepeintre jeune are much liked, Bardou is an excellent actor, Arnal a famous low comedian, M. and Mad. Taigny possessing very fair talent, and are called the pretty couple. Mesdames Doche and Thénard not without merit, and on the whole their corps dramatic is much above mediocrity. Their light, comic, and amusing little pieces are well calculated to chase away a heavy hour. They commence at a quarter past seven, and the prices are much the same as at the Variété.
To the Porte St. Martin I have already alluded, situated on the Boulevart of the same name, although they often give very interesting pieces as melodramas, light comedies, etc., and always had some very good actors, yet it has seldom had the success to which the exertions of the proprietors were entitled. After a total failure the theatre has been re-opened, and amongst the actors there are some of known talent; Frederick Lemaitre may be considered their brightest star, once so celebrated in the rôle of Robert Macaire, Clarence, Raucour, Bocage, and Melingue sustain their parts very fairly, and the same may be said of Mesdames Klotz and Fitzjames, who are more than passable actresses. The pieces begin as low as twelve sous, and rise to six francs. The performances commence at seven.
The Ambigu Comique is a theatre situated on the Boulevart St. Martin, and also for melodramas and vaudevilles; it has not been much more fortunate than its neighbour the Theatre Porte St. Martin, and the representations are very similar at both. St. Ernest, as an actor, and Madame Boutin, as an actress, appear to be the favourites amongst rather a numerous company, of which some are far from being indifferent performers. The prices are very modest, commencing at only ten sous, and elevating to four francs; it begins at seven.
The Gaieté, on the Boulevart du Temple, is another theatre of much the same description; at present, however, the company is considered to be very good: the strength consisting of Neuville, the brothers Francisque and Deshays, and of the females, Madame Gautier, Clarisse, Leontine, Abit, and Melanie are considered the best. Some pieces have come out at this theatre that have had a great run. The prices begin at eight sous and rise to five francs. They also commence at seven.
The Theatre des Folies Dramatiques is likewise on the Boulevart du Temple, and varies very slightly from the last, except being one grade inferior, and the prices in proportion, commencing at six sous, and not mounting higher than two francs five sous, and yet the performances are often not by any means contemptible. They begin at half-past six.
M. Comte has a theatre in the Passage Choiseul where children perform, which may be considered as a sort of nursery for the theatres in general; but what afford the most amusement are his extraordinary feats of legerdemain, which are certainly wonderfully clever. The prices are from about one franc to five francs.
Although I have left it to the last, I must not entirely omit to mention the Odéon theatre, to which I have already adverted; little can be judged from it at present, having only just re-opened. Mlle. George is endeavouring, in the eve of her days, to afford it the support of her now declining powers; she is however ably sustained by Achard. Vernet also is a good actor, and they have others who are by no means deficient. It begins at 7, and the prices are from 1 franc to 5.
In addition to those I have already stated, there are about a dozen more theatres, inducting such as are just outside the Barriers, and although theatrical speculations have generally been very unfortunate recently, yet it does not appear to arise so much from the want of audiences, but from paying the great performers too highly, and having too many of all descriptions. There are besides several public concerts, of which the one styled Muzard's, in the Rue Neuve-Vivienne, is the best; the price of entrance to most of them is 1 franc. Several public balls are constantly going forward in gardens during the summer, and in large saloons in the winter; they are mostly attended by the lower order of tradespeople, or by females of indifferent character, except in the Carnival, and then more respectable characters go to the masked balls at the theatres which are the most expensive; the ladies however only as spectators, generally speaking, but their attractions are too irresistible to many, for them to suffer the season to pass over without once joining the gay throng, particularly to some who have a great delight in mystifying a friend or acquaintance, and telling them a few home truths under the protecting shield of a mask, having opportunities of so doing at the public balls without fear of being recognised; whereas concealment at private masquerades can seldom be preserved to the last. It is most usual for ladies who visit the theatres to see the masked balls only to remain in a box with their party, and from thence to view the motley group; there are however some females even of rank who cannot resist the charm of going entirely incognito, to puzzle and perplex different persons whom they know will be there, only confiding to one or two dearest friends their little enterprise, to whom they recount the adventures of the evening.
All strangers sojourning at Paris are generally directed to devote their earliest attention to the Gallery of Pictures at the Louvre, and I had intended to have bestowed much space to that object, but I find such excellent works published on that subject at only one or two francs, that I would recommend my readers to furnish themselves with one and take it with them to the Louvre when they go there; they can procure them of M. Amyot, No. 6, Rue de la Paix, where they will also find almost every publication they are likely to require, and will meet with the utmost civility and attention. There are continually changes taking place in the arrangements of the pictures, consequently it would be impossible to give any correct numerical indications. The works of Rubens are particularly numerous, but I should not say they were the chefs d'œuvre of that great artist, the women are so fat and totally devoid of grace; I have seen several of his pictures in the great Collection at Vienna which I like much better. The Louvre may be also considered rich in the works of Titian, some fine subjects by Guido, Murillo, Correggio, and Paul Veronese, of which the Marriage in Cana is supposed to be the largest detached picture in the world; and many of the figures are portraits, as of Francis I, Mary of England, etc., who were contemporaries with the artist; in fact there are some paintings of almost every celebrated Italian and Spanish master. The Dutch and Flemish school is extremely rich, particularly in Vandycks, but as might be expected specimens of the French school are the most numerous, the principal gems of which are by Claude Lorraine, Poussin, and Le Brun, infinitely superior to the productions of the present day. There are besides many pictures by French artists of the time of David, Gérard, Gros, etc., which I consider generally inferior to some of those of their best painters now living.
There are several private collections that are well worth the attention of the visiter; amongst the number is that of Marshal Soult, consisting of some of the most exquisite Murillos, I should decidedly say the happiest efforts of his pencil, but I believe since I saw them he has sold some of the best to an English nobleman. The gallery of M. Aguado (Marquis de Las Marismas), contains undoubtedly some very fine subjects of the Spanish school, and others that have considerable merit, but out of the great number of paintings which are assembled together the portion of copies is by no means small; still there is sufficient of that which is very good to afford great pleasure to the amateur. The residence of the Marquis was in the Rue Grange-Batelière, and it is to be presumed that, notwithstanding his decease, the establishment will be kept up as before. The collection of the Marquis de Pastoret, in the Place de la Concorde, is well worth visiting if you have a good pair of legs and lungs, for I believe you have upwards of a hundred steps and stairs to mount; but an ample reward will be afforded in viewing some very clever small cabinet paintings by celebrated Italian, French and Flemish masters.
The Baron d'Espagnac has at his hôtel in the Rue d'Aguesseau a selection of paintings which may be considered one of the most recherchée in Paris; a landscape by Dominichino is quite a gem, and he has scarcely a painting in his numerous collection but must be admired; his copy of the Last Supper by Leonardo da Vinci is perhaps the best that has ever been executed, and affords a most exact idea of the original, which is now, alas! nearly if not entirely defaced. To see these, as well as many other very excellent private collections, it is merely necessary to write to the owner and the request is immediately granted.
Mr. Rickets, an English gentleman living at No. 9, Rue Royale, has about 400 pictures, amongst which are some of considerable merit and particularly interesting, either for the execution, the subjects, or certain associations connected with them; this selection presents a singular variety of styles, wherein may be recognised all the most celebrated schools; some of the smaller pictures are executed with the most exquisite delicacy and require long examination to form an adequate appreciation of their merit. This collection is only accessible through the medium of an introduction. As many purchasers of pictures often want them cleaned and restored, I would recommend them to a countryman for that purpose, M. Penley, No. 11, Rue Romford, whose efforts I have seen effect a complete resuscitation upon a dingy and almost incomprehensible subject.
CHAPTER XIV.
The concluding Chapter; application of capital, information for travellers, prices of provisions.
One of the first measures to be adopted on arriving in France, is to acquire the knowledge of the value of the coin, which is indeed rather intricate; first a sou, or what we should call a halfpenny, is four liards or five centimes; then there are two sou pieces, which resemble our penny pieces; there is likewise a little dingy looking copper coin, with an N upon one side and 10 centimes on the other, that is also two sous; they once had a little silver wash upon them, but it has now disappeared. Next there is a little piece which looks like a bad farthing, rather whitish from the silver not being quite worn away, which passes for a sou and a half or six liards. We then rise to a quarter franc, or 5 sous, which is a very neat little silver coin; next the half franc, then a fifteen sous piece, which is copper washed over with silver, with a head of Louis on one side and a figure on the other; double the size but exactly similar is the 30 sous piece; the franc is 20 sous, the two francs 40 sous, both of which are neat silver coin, as also the 5 francs piece. The gold circulation consists in ten, twenty, and forty franc pieces. There are no notes in Paris for less than 500 francs, which are of the Bank of France; the visiter on arriving in Paris will require to change his English money, and there are many money changers; I have had transactions with most of them, but have found Madame Emerique, of No. 32, Palais-Royal, Galerie Montpensier, (there is an entrance also Rue Montpensier, No. 22,) the most liberal and just of any, and I am quite certain that any stranger might go there with a total ignorance of the value of the money he presented, and would receive the full amount according to the state of exchange at the time. Much credit is due to Madame Emerique from our country-people with regard to her conduct respecting stolen Bank of England notes; she takes great pains to obtain a list of such as are stolen, that she may not be unconsciously accessary in aiding the success of crime, by giving the value for that which had been obtained by theft, and adopts every means that the presenters should be detained; if all the money changers were as particular in that respect, thieves would derive no benefit in coming over to France with their stolen notes. The office of Madame Emerique has been the longest established of any, and the high respectability of her family and connexions are a certain guarantee for the foreigner against being imposed upon. The number of hôtels in Paris is immense; as I always frequent the same which I have known for nearly 20 years, of course I can recommend it, both as regards the extreme respectability of the persons by whom it is kept and the moderation of the charges; it is situated at No. 71, Rue Richelieu, and is called the Hôtel de Valois, Baths abound in Paris, but the Bains Chinois, Boulevart des Italiens, are of the oldest date, and have been visited by the most illustrious persons. Amongst the rest, the proprietor declares that William the Fourth attended them at the time he was sojourning incognito at Paris. Amongst the numerous list of Bankers, those which are most frequented by the English are Madame Luc Callaghan and Son, No. 40, Rue de la Ferme-des-Mathurins; Monsieur le Baron Rothschild, Rue Laffitte, and Messrs. Laffitte, Blount and Comp., No. 52, Rue Basse-du-Rempart.
Amongst the multitude of interesting spots which surround Paris, Versailles is pre-eminent, not only for the grandeur of the palace, the beauty of the gardens, etc., but it has now received so many objects of art, and its collection of pictures is so immense, that it may be considered the Museum of France; but there are so many works written upon it, and its description must be so voluminous to render it any justice, that I must content myself with referring my readers to those publications which have already appeared on the subject. St. Cloud, St. Germains, St. Denis and Fontainebleau are too remarkable to be lightly touched, particularly the two latter, upon which there are publications giving the most ample details of all which they contain that is interesting; those works therefore I must also recommend for the visiter's perusal.
Before I bid adieu to my readers, I must not omit to mention an institution formed in Paris, which does honour to the English character; it is entitled the British Charitable Fund, and was founded in 1822, under the patronage of the British Ambassador, and is entirely supported by voluntary contributions, for the purpose of relieving old and distressed British subjects, or of sending them to their native country; suffice it to say, that there have been within the last ten years 11,500 persons relieved, and 2,571 sent to Great Britain.
There are quite a host of steam-boat establishments, having their agents and offices in Paris, but that for which the agency has been confided to M. Chauteauneuf, No. 8, Boulevart Montmartre, embraces so wide a field that I consider in recommending my readers to him, I afford them the opportunity of obtaining all the information they can require upon the subject; the Company could not have selected any one more capable of fulfilling the duties of such an office, as besides his extreme civility and attention to all applicants, he speaks many different languages, as French, English, Spanish, Italian, etc. The boats for which he is agent proceed from Dunkirk to St. Petersburg, touching direct at Copenhagen, and privileged by the Emperor of Russia; the passage is effected in 6 or 7 days. Dunkirk to Hamburg in 36 or 40 hours, corresponding with all the steamers on the Baltic and the Elbe. Dunkirk to Rotterdam in 10 or 12 hours, communicating with all the navigation upon the Rhine. Boulogne to London by the Commercial Steam Company. Antwerp to New York, touching at Southampton; Marseilles to Nice, Genoa, Leghorn, Civita Vecchia, Naples, Sicily, Malta and the Levant, by the steamers of the Neapolitan Company. The above vessels are fitted up in the most efficient and solid manner, with English machinery. At Lyons there is a corresponding office for the navigation of the interior, held by Messrs. Jackson, Dufour, and Comp., No. 7, Quai St. Clair. M. Chateauneuf is very obliging in explaining all the details of the different tarifs of the custom duties of the various countries with which the steamers communicate.
A very great convenience exists in Paris, which I think much wanted in London, and that is what are termed Cabinets de Lecture, where you may read all the principal papers and periodical pamphlets for the small expense of 3 sous; some are higher, where English newspapers are taken, when the price is five sous; they are mostly circulating libraries at the same time. But those who wish to see all or the greater part of the London and some provincial and foreign papers, will find them at Galignani's, and at an English reading room established in the Rue Neuve St. Augustin, No. 55, near the Rue de la Paix; at both these establishments the admittance is ten sous. The only English newspaper at present published in Paris is by Galignani, which contains extracts judiciously selected from the French and English papers, besides other useful information.
The investment of capital in land in France will rarely produce more than 3½ per cent and very frequently less; in the purchase of houses in Paris 5 or 5½, sometimes 6, is obtained; in the funds about 4½. Numbers of persons in France place their money on hypothèque, or mortgage, by which they make 5 per cent; the affair is arranged by means of a notaire, but often the most lucrative manner of placing money is what is called en commandite, that is, they invest a fixed sum in different descriptions of business, from which they receive a certain share, not appearing in the concern otherwise than having deposited a stated amount of money in it, for which alone, in case of bankruptcy, they are liable. A considerable portion of the French lend their money to different tradespeople, getting the best security they can, sometimes merely personal; 6 per cent is the regular interest that is given, and it is a very rare case that the capital is lost, as the lender takes great precautions in ascertaining the exact state of the borrower's affairs.
Although rents are so immensely high in the centre of Paris, one house, No. 104, Rue Richelieu, letting for 120,000 francs, (4,800l.) a year, yet as you diverge in any direction towards the walls of the city a house may be had for much less under the same circumstances than in London, and just outside a substantial dwelling of eight or ten rooms, with an acre of garden beautifully laid out, will only be 40l, a year. Some of the villages round Paris are very agreeably situated, but are dreadfully cut up by the fortifications, particularly the favourite spot of the Parisians, the Bois de Boulogne, where many families amongst the tradespeople go and pass their whole Sunday under the trees; and the innumerable rides and walks through the wood, and its very picturesque appearance tempt all ranks at all hours of the day; part of it remains unspoiled by the walls and forts constructing for the defence of Paris, but it was much to be regretted that any portion should have been destroyed for an object, the utility of which still seems an enigma.
As prices of provisions are so constantly varying that I determined to leave them entirely to the last, that I might be enabled to give the latest information respecting them; in most instances they are much dearer than they were a few years since, particularly meat, which now may be quoted on an average of 8d. a pound, and veal, if the choice parts be selected, 1d. or even 2d. more at some seasons, but joints where there is much proportion of bone may be had for 7d.; best wheaten bread is at present 1 ¾d., a pound; butter, best quality, 1s. 6d.; cheese 10d. Poultry is much higher than formerly; a fine fowl 3s. a duck, 2s.; a goose 4s.; a turkey 6s. and much dearer at some periods of the year; pigeons' eggs 8d. ½d. each; a hare 4s.; a rabbit 1s. 6d. Vegetables are generally pretty cheap, potatoes hardly ½d. a pound, cauliflowers, brocoli, and asparagus at a much less price than in London; the finer sorts of fruits, as peaches, nectarines, apricots, greengages, grapes, etc., are very reasonable, but on the whole Paris is very little cheaper than London; the principal difference is in the wine, which is to be had at all prices from 5d. to 5s. a bottle, but by arranging with the Maison Meunier, 22, Rue des Saints-Pères, the house I have recommended, by taking a certain quantity, very good Bordeaux may be had, which will only come to about 1s. 6d. a bottle. Fuel is the dearest article in Paris; coals, of which there is not much consumption, are considerably higher than in London, but yet much cheaper than burning wood. In the best part of Paris a well furnished sitting and bed room is 4l. a month; in other parts only half the price. Brandy and liqueurs are much cheaper than in England; beer from 2d. to 4d. a bottle, but taking a cask it comes cheaper. Best white sugar 10d. Tea from 4s. upwards, coffee 2s. to 3s. It must be remembered that the pound weight in France has two ounces more than in England.
There is one peculiarity the stranger should remark in Paris which will much assist him in finding a house he may be seeking; the even numbers are always on one side of a street and the odd on the other and in all the streets running south and north the numbers commence from the Seine, so that the farther you get from the river the higher the figure amounts; and, as you proceed from that source the even numbers will be found on the right side and the uneven on the left. Those streets which run east and west commence their numbers from the Hôtel-de-Ville, or Town-Hall, the even numbers also being on the right hand side and uneven on the opposite.
Aware that my countrymen are ever amateurs of engravings, lithographies, etc., I must repair the omission of having forgotten to mention Mr. Sinnett, the only English publisher of engravings living in Paris, and as he has an enthusiastic passion for the arts, accompanied by the most correct judgment, the selection of his subjects are such as cannot fail to gratify every person of taste; he also acts as an agent both for the Paris and London print-sellers, and by the arrangements into which he has entered, is enabled to furnish individuals with engravings of both countries on the most advantageous terms, foregoing those charges which it is customary to impose under similar circumstances. The English have it, therefore, in their power to procure from Mr. Sinnett any print, whether published in England or France, at a lower price than in any other house in Paris. His address is No. 15, grande rue Verte, faubourg Saint-Honoré.
THE END.
INDEX.
| Abattoir | [215] |
| Academic royale | [207] |
| Actors et actresses | [396] to [404] |
| Agriculture | [37] |
| Arago | [186], [391] |
| Archives | [237] |
| Arches, triumphal | [42], [270] |
| Armour | [216] |
| Army | [353] |
| Arsenal | [225] |
| Artificial flowers | [326] |
| Artists | [334] |
| Athenæum | [359] |
| Auber | [369] |
| Authors | [360] |
| Balls | [405] |
| Bank | [257] |
| Bankers | [411] |
| Barriers | [45] |
| Barrot. Odilon | [390] |
| Bears | [177] |
| Béranger | [361] |
| Berryer | [391] |
| Bièvre | [182] |
| Boarding house | [279] |
| Boarding-schools | [348] |
| Bonnets | [332] |
| Boots | [289] |
| Bouffé | [107] |
| Boulevart | [100] |
| Boulogne | [26] |
| Bourse | [259] |
| Breakfasts | [137] |
| Bronze | [341] |
| Cabriolets | [379] |
| Café Hardy | [405] |
| Calais | [24] |
| Canes | [319] |
| Caps | [332] |
| Carnival | [405] |
| Carriages | [379] |
| Catacombs | [186] |
| Cavalry | [352] |
| Cercles | [136] |
| Chamber of Deputies | [220] |
| Chamber of Peers | [201] |
| Champs-Élysées | [42], [278] |
| Champ de Mars | [216] |
| Chapelle Beaujon | [275] |
| --Episcopal | [276] |
| --Expiatoire | [276] |
| --Marbœuf | [278] |
| --Sainte | [171] |
| Chateaubriand | [366] |
| China | [301] |
| Churches, Abbaye-aux-Bois | [214] |
| --L'Assomption | [96], [369] |
| --La Madeleine | [400] |
| --Notre-Dame | [69], [172] |
| -- des Blancs-Manteaux | [236] |
| -- des Victoires or des Petits-Pères | [257] |
| -- de Loretto | [259] |
| -- Saint-Ambroise | [232] |
| -- Saint-Denis | [235] |
| -- Sainte-Elisabeth | [246] |
| -- Saint-Etienne-du Mont | [190] |
| -- Saint-Eustache | [254] |
| -- Saint-François-d'Assises | [237] |
| -- Saint-François-Xavier | [217] |
| -- St.-Germ.-l'Auxerrois | [61], [237] |
| -- St-Germain-des-Prés | [61], [205] |
| -- Saint-Gervais | [239] |
| -- St-Jacques-du-Haut-Pas | [189] |
| -- Saint-Laurent | [248] |
| -- Saint-Leo-et-Saint-Gilles | [251] |
| -- Saint-Louis en I'lle | [174] |
| -- Ste. Marguerite | [228] |
| -- St. Medard | [184] |
| -- St. Merry | [88], [242] |
| -- St. Nicholas-des-Champs | [242] |
| -- St. Nicholas-du-Chardonnet | [193] |
| -- St. Paul et St. Louis | [238] |
| -- St. Philippe-du-Roule | [275] |
| -- St. Pierre-de-Chaillot | [279] |
| -- St. Pierre-du-Gros-Caillou | [218] |
| -- St. Roch | [97], [273] |
| -- St. Severin | [195] |
| -- St. Sulpice, | [203] |
| -- St. Thomas-d'Aquin, | [210] |
| -- St. Vincent-de-Paul, | [258] |
| -- Luthérien, | [239] |
| -- Oratoire, | [266] |
| -- Sorbonne, | [196] |
| -- Val-de-Grâce, | [184] |
| -- Visitation, | [226] |
| Clothes, | [287] |
| Coiffeur, | [317] |
| Coffee-houses, | [137] |
| Collections of pictures, | [407] |
| Colleges, Bourbon, | [2], |
| -- Charlemagne, | [233] |
| -- Henry IV, | [191] |
| -- De France, | [192] |
| -- Louis-le-Grand, | [191] |
| -- St. Louis, | [198] |
| -- Irish, | [190] |
| -- Scotch, | [190] |
| -- Sorbonne, | [196] |
| Colours, | [300] |
| Columns, | [43], [103], [226] |
| Conservatory of Arts et Trades, | [243] |
| -- of music, | [258] |
| Convents of Benedictines, | [245] |
| -- Carmelites, | [202] |
| -- English Augustines, | [190] |
| -- Dames de St. Thomas, | [214] |
| -- Lazarists, | [214] |
| -- Noviciat religieuses Hospitalières, | [214] |
| -- Sâcré-Cœur, | [212] |
| Copying machine, | [386] |
| Crockery, | [293] |
| Custom-House, | [380] |
| Cutlery, | [201] |
| Diligences, | [378] |
| Dinners, | [105] |
| Dress, | [123] |
| Dressing-cases, | [302] |
| Dyeing et cleansing, | [304] |
| Earthen-ware, | [293] |
| École militaire, | [215] |
| Economy, | [286] |
| Education, | [124] |
| Elysée-Bourbon, | [274] |
| Engravings, | [417] |
| Fancy Stationary, | [294] |
| Fashions, | [324] |
| Fiacres, | [379] |
| Flowers, | [102] |
| Principal Fountains. | |
| Fountain, Boulevart-St. Martin, | [109] |
| -- des Champs-Elysées, | [42], [278] |
| -- du Châtelet, | [252] |
| -- Cuvier, | [182] |
| -- de Grenelle, | [211] |
| -- du marché des Innocents, | [253] |
| -- de la place de la Concorde, | [43] |
| -- de la Place Richelieu, | [260] |
| Funerals, | [384] |
| Garde-Meuble, | [43], [258] |
| Gardens, des Plantes, | [175] |
| -- Luxembourg, | [200] |
| -- Tuileries, | [272] |
| George-Mademoiselle, | [404] |
| Glass, | [301] |
| Gloves, | [330] |
| Gobelin tapestry, | [132] |
| Guizot, | [364], [387] |
| Guns, | [312] |
| Haberdashery, | [322] |
| Hats, | [288] |
| Homœopathie, | [280] |
| Horsemanship, | [138] |
| Principal Hospitals. | |
| D'Accouchement, | [185] |
| Blind, | [227] |
| ----Children, | [194] |
| Deaf and Dumb, | [188] |
| Hôtel-Dieu, | [174] |
| Incurables (men), | [248] |
| ----------(women), | [214] |
| Invalids, | [216] |
| Orphan, | [188] |
| De la Pitié, | [181] |
| Salpêtrière, | [181] |
| St. Louis, | [247] |
| Sick children, | [214] |
| Val-de-Grâce, | [184] |
| Hotels de Cluny, | [197] |
| -- de Carnavalet, | [234] |
| -- des Invalides, | [210] |
| -- de la Monnaie, | [206] |
| -- de Soubise, | [238] |
| -- de Sully, | [233] |
| -- de Valois, | [411] |
| -- de Ville, | [240] |
| Institut, | [207] |
| Infantry, | [352] |
| Lamartine, | [361] |
| Lace, | [329] |
| Principal public Libraries. | |
| Arsenal, | [225] |
| Hôtel-de-Ville, | [240] |
| Mazarine, | [207] |
| Royal, | [260] |
| Sainte-Geneviève, | [191] |
| Linen drapery, | [325] |
| Liqueurs, | [283] |
| Literature, | [360] |
| Lithographies, | [310] |
| Lodgings, | [416] |
| Louis-Philippe, | [32], [101], [358] |
| Louvre, | [89], [267], [406] |
| Luxembourg, | [98], [200] |
| Mails, | [378] |
| Maps et plans in relief, | [311] |
| Marriage, | [128], [383] |
| Principal Markets. | |
| -- Corn, or Halle an Blé, | [255] |
| -- Flowers, | [171] |
| -- Innocents, | [353] |
| -- St. Germain, | [204] |
| -- St. Honoré, | [273] |
| -- St. Laurent, | [248] |
| -- St. Martin, | [245] |
| Meat, | [286] |
| Medicines, | [292] |
| Middle classes, | [123], [135] |
| Ministers, | [302] |
| Mint, | [200] |
| Mirrors (manufacture of), | [228] |
| Money-changers, | [410] |
| Modes, | [324] |
| Mont-de-Piété, | [236] |
| Morgue, | [172] |
| Music, | [368] |
| Musical snuff-boxes, | [302] |
| National guards, | [354] |
| Navy, | [355] |
| Needles, | [321] |
| Newspapers, | [414] |
| Observatory, | [185] |
| Palais-royal, | [263] |
| -- de-Justice, | [170] |
| -- de la Legion-d'Honneur, | [221] |
| -- du Quai d'Orsay, | [222] |
| -- des Beaux-Arts, | [208] |
| Pantheon, | [189] |
| Passports, | [381] |
| Pens, | [290] |
| Pencil-cases, | [305] |
| Père La Chaise, | [229] |
| Perfumery, | [320] |
| Phosphorus matches et boxes, | [297] |
| Piano-fortes, | [314] |
| Plate-glass manufacture, | [250] |
| Polytechnic, | [192] |
| Post-office, | [380] |
| Press, English, | [354] |
| Press, French, | [355], [385] |
| Printing establishment, royal, | [237] |
| Prints, | [417] |
| Principal Prisons. | |
| -- Abbaye, | [205] |
| -- Conciergerie, | [171] |
| -- Debtors, | [277] |
| -- La Force, | [234] |
| -- Jeunes Détenus, | [231] |
| -- De la Roquette, | [231] |
| -- Saint-Lazare, | [249] |
| -- Sainte-Pélagie, | [181] |
| Purses, | [376] |
| Rachel, | [394] |
| Reading-rooms, | [413] |
| Religion, | [309] |
| Restaurateurs, | [105] |
| Rents, | [119] |
| Riding-school, | [140] |
| Rouen, | [22] |
| Seal engraver, | [306] |
| Principal Seminaries. | |
| -- Foreign Missionaries, | [211] |
| -- St. Nicolas Chardonnet, | [194] |
| -- St. Sulpice, | [204] |
| Shirts, | [316] |
| Silk mercery and fancy goods, | [343] |
| Sisters of Charity, | [188], [243] |
| School of Medicine, | [199] |
| -- Drawing, | [199] |
| -- Mines, | [200] |
| -- Pharmacy, | [134] |
| -- Ponts et Chaussées, | [212] |
| Shoes, ladies, | [328] |
| -----gentlemen, | [289] |
| Societies, scientific, | [359] |
| Soult, | [392] |
| Stays, | [157] |
| Steam, boats, | [412] |
| Surgical instruments, | [307] |
| Tailors, | [287], [319] |
| Temple, | [245] |
| Principal Theatres. | |
| -- Italian Opera, | [397] |
| -- French Opera, | [398] |
| -- Comique Opera, | [399] |
| -- Theatre Français, | [400] |
| -- Gymnase, | [401] |
| -- Variétés, | [401] |
| -- Vaudeville, | [402] |
| -- Palais Royal, | [143] |
| -- Porte St. Martin, | [405] |
| -- Ambigu Comique, | [405] |
| -- La Gaîté, | [404] |
| -- Cirque Olympique, | [110] |
| -- Fulies Dramatiques, | [404] |
| -- Odéon, | [404] |
| Thiers, | [388] |
| Timepieces, | [315] |
| Tuileries, | [270] |
| Umbrellas et parasols, | [319] |
| Whips, | [319] |
| Wine, | [283] |