ONE

The alarm clock was ringing. There was another sound in the room as well—the more distant peal of door chimes. Oddly enough, it was the chime music which penetrated most sharply into David Loring's awakening mind. Each fragment was a tinkling and the tinklings ran the gamut of the musical scale. An ice-crystal music in caverns measureless to man. Rising, falling, almost dirge-like at times.

The alarm clock, having exhausted itself, stopped ringing. But the chimes continued. The ice crystals broke, shattered and re-formed again.

Another day, Loring thought, stirring drowsily and blinking sleep from his eyes. He let his gaze roam over the room. The floor was thick with dust, and the record player on its handsome walnut stand, the ornamental decoy duck on the mantel and the uneven bricks on the built-in fireplace all needed dusting badly. In fact, the whole damned apartment needed the attention of a cleaning woman.

Well, it wouldn't be long now. The mere fact that he could afford a cleaning woman and no longer had to worry about the expense was reason enough for putting it off. The place could be made spic-and-span at a moment's notice and he profoundly disliked having his precious knick-knacks roughly handled by a stranger. It would be all right for Janice to take over. Wonderful, in fact.

Just bide your time, boy, and before you know it your bachelor days will be over. In two or three weeks you'll have a wife. And you can support her now. Two hundred dollars for just one ten-by-twelve picture, and the next one you paint will be better than any of the earlier ones, and you can go on from there with a wife to keep you out of the doldrums.

No reason to move either. Janice likes Greenwich Village and the apartment is spacious enough for two, and cheap, since you high-pressured the landlord and got the rent whittled down to a song. He was mixing his metaphors, but it didn't seem important to him at the moment. Only the future seemed important. It was brighter with promise than he could have imagined when he'd sat holding hands with her on a bench in Washington Square on the evening before he'd sold the painting.

He was a little startled when the chimes stopped abruptly, as if a hand had reached out and ripped the press-button mechanism from the door. The sudden, loud knocking startled him even more. It came from the short entrance hall just outside the room—three sharp knocks followed by a pause and a knock so loud that it hinted at more than just impatience. He knew that it had to be Janice, for her knocking—when she did knock—followed a pre-arranged pattern. A fourth knock was part of the pattern. But not a thump that rattled the door chain.

He sprang out of bed and seized the first garment that came to hand. It was a terry-cloth bathrobe which Janice had urged him to have laundered. But he just hadn't gotten around to it, and now it contributed nothing to his male aplomb and early morning dash. He hoped she wouldn't mind too much when he took her in his arms and brought his lips down hard on hers. And smoothed her red-gold hair and ran his rough artist's hands up and down her back until she began to shiver a little and purr like a kitten.

He hoped she wouldn't think about the robe and how untidy he looked in it. Making women forget little disharmonies like that could be tougher than painting a picture that would put Utrillo in the shade. Well ... what the heck? He was an artist, wasn't he? Not all women went for artists, but when they did they usually liked them a bit on the unkempt, disorganized side.

You just had to keep the disorganization from getting out of control. If you allowed it to spread to the romance department you were sunk. But that couldn't happen with Janice—not when he took her in his arms and told her how beautiful she was.

As he strode toward the door a tiny muscle in his jaw started twitching. Something was seriously wrong. He was sure of it. Self-containment was Janice's specialty. Her self-control was phenomenal and no matter how eager she might be to see him it just wasn't in character for her to try to break the door down.

Something extraordinary must have come up to make her act that way. It was hard to imagine what it could be, to bring about such a change in the way she ordinarily behaved. Fright? Hysteria? But Janice didn't have a baker's pinch of hysteria in her make-up. His alarm increased as he reached the door, and started fumbling with the chain. His fingers were all thumbs and the knocking was so loud and continuous now that it further unnerved him, so that it took him nearly a minute to get the door open.

She came in with a sobbing gasp, her hair disheveled, her eyes so wide with fright it gave her a staring, almost China-doll aspect. She was startlingly pale and hadn't bothered to cover up her pallor with lipstick and rouge.

For an instant the machinery of Loring's mind was barely able to function. It moved slowly, as if ice-clogged, with one dread thought uppermost. Village streets were likely to be deserted in the early hours of the morning and a scream could be quickly smothered. Had she been fleeing from someone who wouldn't have let her failure to use lipstick discourage him? A brutish someone who cared only that she was a woman?

She was trembling violently and her voice was so agitated that he had to strain to catch the words which tumbled from her lips as she clung to him, her eyes still China-doll wide, her fingers tightening on his wrists.

"Darling, darling, hold me tight. Just keep your arms around me for a moment, and I'll be able to tell you what happened. Right now I can't seem to think straight."

Loring stood for a moment without moving, holding her close, his temples throbbing. "What is it?" he urged, trying to keep his voice calm but not succeeding very well. "Tell me. I've got to know."

"There was a man in my room when I woke up this morning. A complete stranger. I'd never seen him before."

Loring's heart skipped a beat and for an instant he couldn't seem to breathe. "A man—"

"Yes. The door was locked and I don't see how he could have gotten in. I never forget to lock the door when I go to bed. I'm very careful about it. The windows were locked too. I'm sure of it. I—I was terribly frightened. He just stood there looking at me. I don't think he was a burglar or anything like that. He was tall, dark and very good looking. Young, about twenty-seven. Just about your age. I don't think I've ever seen a more attractive looking man. If I'd met him at a party before I met you—I don't know. I just don't know."

"You don't know. You mean you'd have gone overboard for him at first glance, without knowing a thing about him?"

"I might have. I'm being completely honest, because the experience was so terrifying that I have to get it straightened out in my mind. And I want you to understand too, darling. I thought of you, and something deep inside me protected me, so that I didn't really feel that way about him at all. But I almost did. I had to struggle against it, before I overcame it. If he'd moved forward and taken me into his arms I'm quite sure I would have screamed. But before I thought of you I might have—"

"Janice! For God's sake."

"I know, darling. The thought torments you. In a way, that makes me happy, because I love you so very much. So very, very much. And the torment you're experiencing proves that you love me. But it's cruel of me to feel that way—but all women do. There's something very primitive in us that makes us want to be fought over. If the man you love will fight for you, to the death, if necessary, it brings him closer to you."

"If he's dead that won't give him any pleasure at all."

"I know, darling, I know. I hardly know what I'm saying. Forgive me, be patient with me."

"I'm trying to. But don't you see what you're doing to me? You've told me nothing so far. Or very little. I mean, did he try to make love to you? Did he—touch you?"

"No, darling. He didn't. He just stood there by the fireplace staring at me. He had a strange way of looking at me. As if he could see deep inside my mind and knew exactly what I was thinking. And there was a kind of—tenderness in his eyes, as if he would have cut off his right arm before he'd take advantage of the fact that we were completely alone and I was wearing only—"

"Never mind what you were wearing. Do you have to tell me? All right, I want to know. I must know."

"That lace-fringed nightgown you gave me, darling. You know, the one with the black lace at the neck and sleeves. It really isn't so very revealing. Only—"

"Only what?"

"It may have slipped down a little at the shoulders. Of course I was embarrassed as well as frightened, but I don't think he gloated over it or took advantage of it in his mind in any way. Try to understand what I'm trying to say."

"I'm trying."

"He apologized. He was very nice about it."

"He apologized for what? For breaking into your room like a thief in the night? You can't clear yourself of a criminal charge by making a simple apology. The courts would take a very dim view of that."

"But he didn't do anything criminal. It was all a mistake. His exact words were: 'I'm terribly sorry. I hope I haven't embarrassed you. I live on the next block, and I've been to a party and—well, you know how it is sometimes when you've had a little too much to drink. All these buildings look alike....'"

"He didn't finish. He just smiled, hoping I'd understand, and there was something boyish and even a little pathetic about the way he smiled. As if he was pleading with me to forgive him for forgetting himself and drinking a little too heavily. And of course I did understand. It wasn't a crime. After all, darling, I do live in the Village."

"Why don't you say what you mean? He was probably reeling drunk."

"No, he wasn't. I could see he wasn't. He might have reached the reeling stage for just a moment, when he made a mistake about the apartment. But it must have passed very quickly, because when he spoke to me his speech wasn't slurred and he held himself very straight."

"What happened then?"

"Nothing you need to be alarmed about." Most of the agitation had gone out of Janice's voice, but there was still a look of fright and sharp apprehension in her eyes, as if she were trying hard not to think about something she hadn't yet told him.

"He—he just crossed to the bed, bent and kissed me lightly on the forehead."

"Good God! I thought you said he didn't even touch you. What right had he to take such a liberty? He must be a clownish Village character of some sort. I wish I could get my hands on him."

"Aren't you being a little absurd, darling? The man was emotionally upset. It was a crazy thing to do, but I wasn't offended. Everybody who lives in the Village does things like that occasionally. It was just a spur-of-the-moment, completely impulsive substitution for old-fashioned gallantry."

"You think so? I don't. What did he do then?"

"He just turned without saying another word and walked straight out of the door. He opened the door and walked out, and I could hear his footsteps dying away on the stairs. He didn't come back."

Loring let out his breath in a long sigh of relief. Then he seemed to regret having allowed himself to feel relieved. He tightened his lips and his voice became that of an angrily bewildered man who has a great many questions to ask and is not at all sure that the answers will satisfy him.

"And the instant he left you dressed and came rushing over here to tell me all about it, in a condition bordering on shock. Why were you so terrified? Why do you still look so frightened? You've done nothing but make apologies for him. You keep telling me that you weren't offended in the least. Then why—"

"David, darling, there's something I haven't told you."

"What was it? For God's sake, don't keep me in suspense."

"I—I felt myself being embraced."

"You what?"

"Felt his arms about me, felt him lifting me up. Of course it had to be just something I imagined. He was gone. I'd seen him walk out of the room, and close the door. But for an instant I could see him again. The outlines of his head and shoulders were very hazy, and—well, ghostly isn't just the right word. Not ghostly. Shifting, smokelike—like an image in a mirror wrapped in mist. But I could feel the strength of his arms, his hands moving across my back, even fumbling with the shoulder strap of my nightgown, crushing the lace—"

"Stop it, Janice! Keep quiet! You don't know what you're saying. If I thought for a moment...."

Loring's face was very white, and his fingers clamped tightly on Janice's arm, causing her to cry out in pain. He released her instantly, stroking the arm with his hand.

"I'm sorry, Janice," he said contritely. "I got a little carried away. Let's get out of here and get some breakfast. Maybe we can talk more sensibly about this. What you are saying is too confusing to take on an empty stomach."

"All right, darling. That sounds like a fine idea." She followed him to the dressing room and leaned against the doorjamb as he stripped off the bathrobe without any self-consciousness, revealing the compact, finely muscled body she knew and loved. He appeared so agitated that Janice's own hysteria left her, and she felt a sudden, overwhelming tenderness sweeping over her, making her forget her own need for reassurance.

She walked over to him, and reaching up, drew his head down and opened her lips, murmuring endearments and running her fingers through his hair to enhance the ardor of her embrace. His arms tightened about her and for an instant he was not only holding her close, but saw her as if she were standing a little apart from him in warm sunlight, with whispering tropical palms at her back, and the trade winds ruffling her red-gold hair above the exquisite beauty of her face. To him it was the loveliest of all faces, and he had painted it a dozen times, from the stubborn, loyal chin to the slightly tilted nose and the precious, adorable brow with its sprinkling of enchanting freckles.

When he released her, her eyes were shining. Then, slowly, the look of near rapture faded and her face clouded over. She shuddered and took a slow step backwards. He had the feeling that she had more to tell him, that she was more deeply disturbed than he had imagined. Suddenly, he didn't want to hear it.

He lost his head then completely. It was a strange time for lovemaking, but he couldn't help himself. He gathered her in his arms and carried her across the living room to the couch that could be folded back into the wall when he had no occasion to stop painting and turn his attention to a different kind of artistry.

He put her gently down and unfastened her dress, easing the zipper over the places where the cloth fit tightly. He drew the dress down over her shoulders, freeing her brassiere-ensheathed breasts and allowing the light to caress the soft, white skin of her truly lovely back, and the shadowed recess in the small of her back from which it was so easy for a hand to glide downward over the smooth roundness of equally lovely hips.

He could not quite persuade himself to do more than run his fingers lightly along the curve of her neck for an instant, to nibble at her ear, and then plant a single firm kiss in the middle of her back. It was not, he reminded himself, with an effort, quite the right time for reckless abandon. She was still too nervous and upset and was trembling violently.

It was only when it slowly dawned on him that she was not trembling because her nerves had been strained to the breaking point but for a quite different reason that he ceased to be constrained and scrupulous, and embraced her with so fierce an ardor that it put a complete end to all restraint, and led them both along pathways of rapture in a continuously unfolding intimacy....

Later, eating Danish pastry and tasting steaming coffee in the coffee shop a block away from Loring's apartment, the world seemed normal again. Their eyes met across the table, and they smiled, a little sheepishly, at one another.

"Feel better, sweetheart?" Loring asked.

"You know I do," she said softly. Then her smile abruptly disappeared and she frowned slightly. "But David, I have to tell you the rest of it, even though I want to forget it, and I know you would. After I had this feeling of being embraced—"

"You had an erotic fantasy, Janice." David interrupted firmly. "It's nothing to be ashamed of. It's an honest, sound objective appraisal of a scientific reality that every man has experienced a good many times in his life, and every woman too."

Janice shook her head.

"It would be all right if my erotic fantasy involved a man with no particular cast of features, just a man in the abstract. But it involved a living man, a man whom I'd just met and described to you. He's alive and a rival and you have to think of him in that way. You can't help yourself—no matter how scientifically enlightened you may try to be."

"I know," Loring said. "I was lying to myself and to you. I'd be jealous if it was just a man in the abstract. I'd be jealous if that man wasn't me."

She tried to laugh, tried to force gaiety into her voice. "You don't have to carry it quite as far as that," she said. "The man would be you, without all of the very dear, very special details filled in. You create a mental image first, in the abstract, a kind of unconscious clay model. Then you meet the only man in the world for you, and fill the details in.

"It was a terrifying experience. I knew he couldn't be real but his strength was so great I couldn't free myself. Even if I'd struggled violently and clawed at his face he'd have caught me again before I could reach the door."

Loring's face had gone very white. "But he was so attractive to you that you didn't struggle. Is that it?" Even before the words left his lips he hated himself, but he had to say them.

She shook her head, her eyes firmly denying it. "He was attractive, yes. The handsomest man I've ever seen. But his attractiveness had nothing to do with it. Oh, if he'd been an ugly-faced brute I suppose it might have seemed worse. But not much worse. I couldn't struggle because I'd gone numb all over. I couldn't even raise my arms."

"A man doesn't have to have an ugly face to be a brute!"

"There's nothing more, so you can stop torturing yourself. Quite suddenly he was gone, almost as if he'd never been there. It was all like some hideous nightmare, one of those dangerous, utterly terrifying dreams from which you awaken just in time. They're dangerous because people have died in their sleep just from shock. But I did awaken in time. You'll never know how relieved I felt, how inwardly glad."

"Then why are you still so frightened? Nothing happened to you. It's over and done with. Even his actual presence in your room, when you heard him speak, may have been an hallucination. Perfectly normal people can have hallucinations. What else is bothering you, Janice?"

She toyed with her coffee cup for a moment before answering, then spoke in a low voice. "An even stranger, more terrifying, thing happened. Harder to explain and ghastly in a completely non-human way. I don't think I was in quite as much danger, because it just stood there in the hall watching me without moving at all. But I had the feeling that if it did move I'd be in even greater danger."

"It? Janice, what are you talking about?"

"Just give me a moment, darling. I'll tell you, but please don't rush me. Let me tell it in my own way. It was so frightening, so unbelievable that the mere thought of it makes me almost physically ill. In a way, it could be an hallucination, because I did have the shock of the other experience before I saw it. No shock preceded the first experience, as I told you, but this one—"

"All right now, try to stay calm. You're in no danger now. You're safe here with me. Remember that."

"I'll try."

"I love you very much."

"I know you do, darling. Well, I calmed myself down so successfully that I believe I could have gone back to sleep again. But I decided instead to get dressed and go out. I thought the fresh air might help to clear the cobwebs out of my brain.

"My nerves had stopped screaming, but I couldn't shake off the feeling that there were still cobwebs deep in my mind crisscrossing, forming a hideous pattern. Down one of the gleaming strands a black widow spider was crawling slowly toward me."

"Black widow spiders devour their own mates," Loring said. "But the female is about fifty times as large as the male. Only the males have to worry."

It was the wrong way to ease her tension, and he instantly regretted that he hadn't kept silent.

She went on quickly, her voice tightening. "It took me only a moment to get some clothes on and I didn't waste any time with make-up. But I was trembling so I kept dropping things, and I thought I'd never get the door open. I didn't realize just how badly shaken I was, though, until I got out into the hall. There was a dim light bulb at the end of the hall and there were shadows everywhere, large dark shadows that seemed to change shape as I stared at them. Then I saw it."

Her voice shook and she looked quickly around the nearly deserted restaurant, as though expecting someone to be eavesdropping.

"Just remembering it is terrifying. The creature looked almost human. It had a face with nose, eyes, ears and the body of a man. Darling, I—I can't describe it. Not really, not perfectly, because I only saw it for an instant and it was standing in shadows. But I saw enough to know that it wasn't human—couldn't have been human. It wasn't a man or a woman. It was a thing."