IV

But the best exposition of the text is not Michael Hacket's, but Irving Bacheller's. The whole book is a vivid and arresting and terrible forth-setting of the impressive words that Barton found in his sealed envelope.

All through the book two dreadful characters move side by side--Benjamin Grimshaw and Silent Kate. Benjamin Grimshaw is rich and proud and pitiless. Everybody is afraid of him. But Roving Kate is not afraid. Indeed, he seems to be more afraid of her. Wherever he is, she is there. She is wild and bony and ragged. She is, or pretends to be, half demented. She tells fortunes with strange antics and gesticulations, scrawling her prognostications upon stray slips of paper. But Benjamin Grimshaw is the main object of her attention. She hates him, and hates him all the more terribly because she once loved him. For Roving Kate, the Silent Woman, was once Kate Fullerton, Squire Fullerton's pretty daughter. And Benjamin Grimshaw had loved her, and betrayed her, and spurned her, and married another. In the village cemetery you might have seen a tombstone bearing her name. Her father erected it to show that she was dead to him for ever. Poor Kate had never known her mother. And so, in the course of the story, Benjamin Grimshaw had two sons, only one of whom he recognized. For Kate Fullerton was the mother of the other. And, in her shame and her anger and her hate, Kate resolved to follow the father of her base-born child all the days of his life; and there she stands--unkempt, repulsive, menacing--always near him, the living embodiment of the sin of his youth.

Amos Grimshaw, his petted and pampered son, comes to the gallows. He is convicted of murder upon the highway. The father is in court when the Judge pronounces the awful sentence. And, of course, Roving Kate is there. Ragged as ever, the Silent Woman is waiting for him as he comes down the steps. She shoots out a bony finger at him, as, bowed and broken, he passes into the street. He turns and strikes at her with his cane.

'Go away from me,' he cries. 'Take her away, somebody! I can't stand it! She's killing me! Take her away!'

His face turns purple and then livid. He reels and falls headlong. He is dead! Three days later they bury him. Roving Kate stands by the graveside, strangely changed. She is decently dressed; her hair is neatly combed; the wild look has left her eyes. She looks like one whose back is relieved of a heavy burden. She scatters little red squares of paper into the grave, her lips moving silently. These are her last curses. Barton Baynes and his schoolmaster, Mr. Hacket, are standing by.

'The scarlet sins of his youth are lying down with him in the dust,' whispers the master to his pupil as they walk away together.